Period: 19th century / Work Type: intaglio print / Height [cm]: 37

Print made by Samuel Palmer, 1805–1881

The Herdsman's Cottage

1850

Print made by William Blake, 1757–1827

Rev. John Caspar Lavater

1800

Print made by George Cuitt, 1779–1854

Presented by the Officers

after 1813

Print made by Charles Wilkin, 1750–1814

Lady Langham

1800

Print made by Samuel Cousins, 1801–1887

Lady Acland and Children

1826

Print made by William Sharp, 1749–1824

William Sharp

1817

Print made by William Henry Worthington, ca. 1790–active 1839

Sir Humphrey Davy

1827

Print made by William Ward, 1766–1826

Herself the Fairest Flower

1815

Print made by Sir Frank Short, 1857–1945

Parkgate

1890

Sir George Hayter Ticket for Mr. George Hayter's Raffle for his Pictures of the Enlevement of Circassians, a Kurdish Bandit Chief, and an Historical Landscape

Sir George Hayter, 1792–1871

Ticket for Mr. George Hayter's Raffle for his Pictures of the Enlevement of Circassians, a Kurdish Bandit Chief, and an Historical Landscape

1828

Print made by James Charles Armytage, 1802–1897

The Monk

between 1833 and 1853

Print made by James Charles Armytage, 1802–1897

The Balcony

between 1835 and 1854

Print made by John Augustus Atkinson, 1775–1831

Fools; or Jesters

1813

James Gillray The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing

Print made by James Gillray, 1756–1815

The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing

1805

Print made by John Samuel Agar, ca. 1773–1858

Dudley Ryder, 1st Earl of Harrowby

1813

Charles Turner, 1774–1857

Sir Harry Burrard-Neale, 2nd Baronet

1812

Print made by William Miller, 1796–1882

Craigmillar Castle

1836

Print made by William Miller, 1796–1882

Tynemouth Priory

ca. 1844

Print made by Luigi Schiavonetti, 1765–1810

Robert Blair, The Grave, Title Page

1808, published 1813

Print made by Rev. William Henry Barnard, 1767–1818

The Right Honorable Earl of St. Vincent

c.1801

Print made by Samuel Cousins, 1801–1887

Mrs. Lister

1834

James H. Kernot, 1802–1858

Bank of England Royal Exchange

1800

Thomas Cheesman, 1760–1834/35

Mrs. Montagu

1809

Print made by unknown artist

The Famous Lincolnshire Ox

1823

Print made by John Cousen, 1804–1880

St. Agatha's Abbey

1844-1867

Print made by Robert Walker Macbeth, 1848–1910

The Harvest Moon

1883

after unknown artist

Glen Crowe, Western Highlands, Scotland

1811

Print made by John Cousen, 1804–1880

Lake of Nemi

ca. 1844

Print made by John Cousen, 1804–1880

Whitby

1844-1867

Print made by William Miller, 1796–1882

Tynemouth Priory

1844-1867

Print made by John Cousen, 1804–1880

The Abbey Pool

1844-1867

Print made by Edward Goodall, 1795–1870

Smailholm Tower

1834

Print made by Edward Goodall, 1795–1870

Johnnie Armstrong's Tower

1834

Print made by William John Cooke, 1797–1865

Newark Castle

1834

Print made by John Horsburgh, 1791–1869

Bemerside Tower

1834

Print made by William Miller, 1796–1882

Loch Achray

1834

Print made by Edward Webb, active 1805–1854

Bowes Tower

1834

Print made by John Horsburgh, 1791–1869

Ashestiel

1834

Print made by Edward Goodall, 1795–1870

Fingal's Cave, Staffa

1833

Print made by John Horsburgh, 1791–1869

Mayburgh

1834

Print made by Henry Le Keux, 1787–1868

Abbotsford

1834

unknown artist

Carlinan Mill, Iverary, Scotland

1811

Print made by Charles Heath, 1785–1848

Benjamin West, Esq., President of the Royal Academy of London

1818

Print made by James Charles Armytage, 1802–1897

Sir David Wilkie

after 1829

Print made by William Daniell, 1769–1837

John Zoffany, R.A

1814

Print made by Robert Wallis, 1794–1878

Hermitage Castle

1833

Charles John Smith, 1803–1838

Herstmonceux Castle for the history and description of the Sussex Coast

undated

Print made by William Miller, 1796–1882

Bass Rock

1826

Print made by James C. Allen, active 1821–1831

Aldborough

ca. 1830

Print made by Robert Wallis, 1794–1878

Bolton Abbey, Yorkshire

1827-1838

Print made by John Horsburgh, 1791–1869

Laugharne Castle, Caermarthenshire

1833

Print made by James C. Allen, active 1821–1831

Whitby

ca. 1830

Print made by James Basire II, 1769–1822

A View of the Chapel and Hall of Oriel College, &c

1807

Print made by James S. Storer, 1771–1853

Part of Balliol College Quadrangle

1809

Print made by William Bernard Cooke, 1778–1855

The Mew Stone at the Entrance of Plymouth Sound

1815

Print made by Edward Goodall, 1795–1870

Boscastle, Cornwall

1814-1826

Print made by Edward Goodall, 1795–1870

Traitor's Gate, Tower of London

1834

Print made by Robert Wallis, 1794–1878

Bolton Abbey

1834

Print made by Edward Goodall, 1795–1870

Columbus and his Son

1834

Print made by Edward Goodall, 1795–1870

A Tempest – Voyage of Columbus

1834

Print made by Edward Goodall, 1795–1870

Cortes and Pizarro

1834

Print made by John Wykeham Archer, 1808–1864

Crook of the Lune, Looking towards Hornby Castle

1821

Print made by John Sell Cotman, 1782–1842

Etchings by John Sell Cotman, Volume II

1811

Print made by Matthew Dubourg, active 1786–1838

Grouse Shooting

1822

Print made by Matthew Dubourg, active 1786–1838

Partridge Shooting

1822

William Camden Edwards, 1777–1855

Nicholas Revett

1827

Print made by William Thomas Fry, 1789–1843

Martin Archer Shee, Esq., R. A

1817

Charles Turner, 1774–1857

J.M.W. Turner

1856

Print made by James Basire II, 1769–1822

Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews

1842

Print made by James Basire II, 1769–1822

Vol. 6, Plate XXXII: The Story of Hezekiah

1842

James Basire II Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus.

Print made by James Basire II, 1769–1822

Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus

1842

Print made by James Basire II, 1769–1822

Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha

1842

Print made by James Basire II, 1769–1822

Vol. 6, Plate XXXVII: The Coronation of Edward the Confessor. Warriors Flying for Refuge into a City

1842

Print made by James Basire II, 1769–1822

Vol. 6, Plate XXXVIII: The Triumph of Largesse or Bounty over Avarice. The Triumph of Debonerete or Meekness over Anger

after 1819

Print made by James Basire II, 1769–1822

Vol. 6, Plate XXXI: A Continuation, as it is Presumed, of the Story of Antiochus. The Story of Abimelech

1842

Print made by James Basire II, 1769–1822

Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus

1842

Print made by unknown artist

North East View of Henry VII Chapel Westminster

ca. 1813

Print made by Edward Goodall, 1795–1870

Greenwich Hospital

1834

Print made by Edward Goodall, 1795–1870

Leaving Home

1834

Print made by Edward Goodall, 1795–1870

The Alps at Daybreak

1834

Print made by Edward Goodall, 1795–1870

Smailholm Tower

1834

Print made by James Basire, 1730–1802

George Gower

1800

Print made by Matthew Dubourg, active 1786–1838

The Coronation of His Majesty, George the Fourth: Taken at the Time of the Recognition. July 19, 1821

1822

Print made by William Daniell, 1769–1837

Sir Giles Rooke

1809

Print made by Samuel Cousins, 1801–1887

Mrs. Wolff

1831

Print made by unknown artist

The Bay of Baiae - Apollo and the Sibyl

between 1852 and 1856

Print made by Thomas Abiel Prior, 1809–1886

Heidelberg from the Opposite Bank of the Neckar

1846

Print made by Thomas Abiel Prior, 1809–1886

Heidelberg from the Opposite Bank of the Neckar

1846

Print made by Luigi Schiavonetti, 1765–1810

The Soul Exploring the Recesses of the Grave

1808

Print made by Luigi Schiavonetti, 1765–1810

Robert Blair, The Grave, Title Page

1808

Print made by Luigi Schiavonetti, 1765–1810

William Blake, Frontispiece

1808

Print made by Luigi Schiavonetti, 1765–1810

Robert Blair, The Grave, Title Page

1808

Print made by Luigi Schiavonetti, 1765–1810

The Meeting of a Family in Heaven

1808

Print made by Luigi Schiavonetti, 1765–1810

The Counsellor, King, Warrior, Mother & Child, in the Tomb

1808

Print made by Luigi Schiavonetti, 1765–1810

Death of the Strong Wicked Man

1808

Print made by Luigi Schiavonetti, 1765–1810

The Soul Hovering over the Body reluctantly Parting with Life

1808

Print made by Luigi Schiavonetti, 1765–1810

The Descent of Man into the Vale of Death

1808

Print made by Luigi Schiavonetti, 1765–1810

The Day of Judgment

1808

Print made by Luigi Schiavonetti, 1765–1810

The Death of the Good Old Man

1808

Print made by Luigi Schiavonetti, 1765–1810

Death's Door

1808

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Period 19th century

Work Type intaglio print

Height [cm] 37

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Period 19th century

Work Type intaglio print

Height [cm] 37

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