Period: 19th century / Work Type: intaglio print / Subject Terms: men

Print made by Samuel Palmer, 1805–1881

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Print made by Samuel Palmer, 1805–1881

The Homeward Star

begun ca. 1880

Print made by Samuel Palmer, 1805–1881

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Print made by Samuel Palmer, 1805–1881

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Etched by Joseph Mallord William Turner, 1775–1851

Christ and the Woman of Samaria

1819

Engraved by Joseph Mallord William Turner, 1775–1851

The Deluge

between 1813 and 1823

Etched by Joseph Mallord William Turner, 1775–1851

Lake of Thun, Switzerland

1808

William Blake, 1757–1827

The Man Sweeping the Interpreter's Parlour

ca. 1822

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 16, "The Traveller hasteth in the Evening"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 6, "Air"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 7, "Fire"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 14, "Does thy God O Priest take such vengeance as this?"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 17, "Death's Door"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 4, "Water"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 5, "Earth"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 9, "Alas!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"

1826

Print made by Thomas Shotter Boys, 1803–1874

Château des Comtes de Flandre, Ghent

ca. 1833

Print made by John Sell Cotman, 1782–1842

Column at Yarmouth to the Memory of Lord Nelson

1817

Print made by John Crome, 1768–1821

Front of the New Mills

1813

Print made by John Crome, 1768–1821

Back of the New Mills, Norwich

1812

Print made by Thomas Creswick, 1811–1869

The Blacksmith's Shop

1838

John Grant, Died 1873

Royal Artillery Repository Exercises, 1844

1844

John Grant, Died 1873

Royal Horse Artillery, 1843

1843

John Grant, Died 1873

Rocket Practice in the Marshes

1845

Print made by James McNeill Whistler, 1834–1903

Chelsea

ca. 1882

Print made by George Cooke, 1781–1834

Florence, from the Chiesa al Monte

1820

Walter Geikie, 1795–1837

Edinburgh Castle and Horse Fair

1830

Sir David Young Cameron, 1865–1945

Via ai Prati, Genoa [North Italian Set: No. 8]

1896

Sir David Young Cameron, 1865–1945

The Palace of the Stuarts

1898

Sir David Young Cameron, 1865–1945

Siena

1900

Sir David Young Cameron, 1865–1945

Porta del Molo, Genoa [North Italian Set: No. 23]

1896

Print made by George Cooke, 1781–1834

Florence, from the Chiesa al Monte

1820

Print made by William Angus, 1752–1821

West Hill in Surrey, the Seat of D. H. Rucker Esqr

1810

Print made by Thomas Rothwell, ca. 1742–1807

Worcester

1795

Print made by George Cooke, 1781–1834

Florence, from the Chiesa al Monte

1820

after George Baxter, 1804–1867

The Healing of the Lame Man

after 1855

after George Baxter, 1804–1867

The Healing of the Lame Man

after 1855

after George Baxter, 1804–1867

The Death of Ananias

after 1855

Print made by George Baxter, 1804–1867

The Conversion of the Proconsul

after 1855

Print made by Ebenezer Challis, active 1837–1859

View between the Roofs of King's College Chapel

1836

Print made by Charles Golding Constable, 1821–1879

Harbour Scene

undated

Print made by James McNeill Whistler, 1834–1903

The Adam and Eve Tavern, Old Chelsea

1878

Leopold Flameng, 1831–1911

Van Dyck et Son Protecteur le Comte de Bristol

undated

Print made by John Bluck, active 1791–1831

Clare Hall

1814

Print made by Robert Spence, 1871–1964

George Fox and the Dead Cromwell

between 1897 and 1898

Print made by James McNeill Whistler, 1834–1903

Black Lion Wharf

1859

Print made by David Allan, 1744–1796

Glaud and Symon

1808

Print made by David Allan, 1744–1796

Sir William Worthy and Patie

1808

Print made by David Allan, 1744–1796

Madge and Bauldy

1808

Print made by David Allan, 1744–1796

Sir William Worthy's Blessing

1808

Print made by George Cruikshank, 1792–1878

Waiting Room at the Admiralty--.(No misnomer) - Plate 6

1820

Print made by James McNeill Whistler, 1834–1903

Visitors' Boat

1887

James McNeill Whistler, 1834–1903

Île de la Cité, Paris

1859

James McNeill Whistler, 1834–1903

The "Adam and Eve," Old Chelsea

1879

Henry Thomas Alken, 1785–1851

Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'

undated

Henry Thomas Alken, 1785–1851

Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'

undated

Henry Thomas Alken, 1785–1851

An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'

1842

Print made by George Cruikshank, 1792–1878

Blear-Eyed Moll

ca. 1832

Print made by George Cruikshank, 1792–1878

Cue in a Corner

1855

Print made by George Cruikshank, 1792–1878

Jack Sheppard Committing the Robbery in Willesden Church

1839

Print made by George Cruikshank, 1792–1878

Audacity of Jack Sheppard

1839

Print made by George Cruikshank, 1792–1878

Jack Sheppard Tricking Shotbolt, the Gaoler

1839

Print made by George Cruikshank, 1792–1878

Jonathan Wild Seizing Jack Sheppard at his Mother's Grave in Willesden Church Yard

1839

George Cruikshank The Last Scene: 'Jack Sheppard's Farewell to Mr Wood / Blueskin cutting down Jack Sheppard / The Body of Jack Sheppard carried off by the Mob'

Print made by George Cruikshank, 1792–1878

The Last Scene: 'Jack Sheppard's Farewell to Mr Wood / Blueskin cutting down Jack Sheppard / The Body of Jack Sheppard carried off by the Mob'

1839

Print made by Francesco Bartolozzi, 1728–1815

Twelfth Night, Act V, Scene I: The Street

1803

Thomas Ryder, 1746–1810

Twelfth Night, Act III, Scene IV: Olivia's House

1803

Print made by George Cruikshank, 1792–1878

Poor Little Rose

undated

Print made by George Cruikshank, 1792–1878

The Tailors Baffling the Bailiff

undated

Print made by George Cruikshank, 1792–1878

Untitled

undated

Print made by George Cruikshank, 1792–1878

Mr. Wood Offers to Adopt Little Jack Sheppard

1835

Print made by George Cruikshank, 1792–1878

Turning the Tables

undated

Print made by George Cruikshank, 1792–1878

"Captain Kelly conveys a slight remonstance"

undated

Print made by George Cruikshank, 1792–1878

The Murder on the Thames

1839

Print made by George Cruikshank, 1792–1878

Jack Sheppard's Escape from the Cage at Willesden

1839

Print made by George Cruikshank, 1792–1878

Jack Sheppard Accuses Thames Darrell of the Theft

1839

Print made by George Cruikshank, 1792–1878

Jack Sheppard's Irons Knocked off in the Stone Hall at Newgate

1839

Print made by Matthew Dubourg, active 1786–1838

Grouse Shooting

1822

Print made by James McNeill Whistler, 1834–1903

Tilbury

1887

Print made by David Allan, 1744–1796

Patie Rebukes Roger

1808

Print made by David Allan, 1744–1796

Glaud and Peggy

1808

James Gillray, 1756–1815

The Rake's-Progress at the University - No. 1 - "Ah me! what perils doth that Youth encounter, who dares within the Fellow's Bog to enter."

1806

James Gillray The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"

James Gillray, 1756–1815

The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"

1806

Print made by George Cruikshank, 1792–1878

Jack Sheppard Exhibits a Vindictive Character

1835

Print made by George Cruikshank, 1792–1878

"May I be Cursed," muttered Jack Sheppard, "if ever I try to be honest again!"

1839

Print made by George Cruikshank, 1792–1878

The Arrest of Lord Edward Fitzgerald

undated

Print made by George Cruikshank, 1792–1878

The First Step

undated

Print made by George Cruikshank, 1792–1878

Jonathan Wild Throwing Sir Rowland Trenchard Down the Well-Hole

1839

Print made by George Cruikshank, 1792–1878

The Name on the Beams

1839

Print made by George Cruikshank, 1792–1878

Jack Sheppard and Blueskin in Mr. Woods Bedroom

1839

Print made by George Cruikshank, 1792–1878

Jonathan Wild Discovers Darrell in the Loft

1835

Print made by George Cruikshank, 1792–1878

The Capture of Coldough and Harvey

undated

Print made by James McNeill Whistler, 1834–1903

Monitors

1887

Print made by James McNeill Whistler, 1834–1903

Bunting

1887

James McNeill Whistler, 1834–1903

Battersea Reach

1863

James McNeill Whistler, 1834–1903

Landscape with a Fisherman

1861

Henry Thomas Alken, 1785–1851

Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'

undated

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Period 19th century

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