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Period 19th century

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Work Type intaglio print

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Subject Terms sailboats

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Ships in a Breeze
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1808
Materials & Techniques:
Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/2 × 16 3/4 inches (29.2 × 42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lake of Thun, Switzerland
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1808
Materials & Techniques:
Etching and mezzotint, printed in brown ink Engraver's proof (a) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 7/8 × 11 inches (20 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ships in a Breeze
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1808
Materials & Techniques:
Etching and mezzotint, printed in brown ink Engraver's Proof on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 5/8 × 12 inches (21.9 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Original Sketch of a Picture for W. Leader, Esq.
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1809
Materials & Techniques:
Etching and mezzotint, printed in brown ink; engraver's proof (b), touched by the artist in graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/8 inches (22.2 × 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ships in a Breeze
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1808
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 × 11 inches (20.3 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Flint Castle, Vessels Unloading
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1807
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/8 × 11 3/8 inches (20.6 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Study of Trees on the Banks of the Yare
Creator:
Print made by Miles Edmund Cotman, 1810–1858
Date:
1846
Materials & Techniques:
Etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 5 1/4 x 6 5/8 inches (13.3 x 16.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
French Fishing Boat off the Shears
Creator:
Print made by Miles Edmund Cotman, 1810–1858
Date:
1846
Materials & Techniques:
Etching on thick, slightly textured, cream card with cream chine collé
Dimensions:
Sheet: 5 9/16 x 6 3/8 inches (14.2 x 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Black Tower Norwich
Creator:
Robert Dixon, 1780–1815
Date:
between 1810 and 1811
Materials & Techniques:
Soft-ground etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 9/16 x 8 3/16 inches (26.8 x 20.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Venice from the Lido [North Italian Set: No. 17]
Creator:
Sir David Young Cameron, 1865–1945
Date:
1896
Materials & Techniques:
Etching on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/4 × 14 inches (19.7 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
Coastal Scene
Creator:
Print made by Charles Golding Constable, 1821–1879
Date:
undated
Materials & Techniques:
Etching on moderately thick, slightly textured, beige card, laid on thick, slightly textured, beige card
Dimensions:
Mount: 4 5/8 x 5 13/16 inches (11.8 x 14.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Professor Giles Constable

12. Woolwich

Woolwich
Creator:
Print made by Charles Golding Constable, 1821–1879
Date:
between 1820 and 1835
Materials & Techniques:
Etching on moderately thick, slightly textured, beige wove paper with cream chine collé
Dimensions:
Sheet: 6 5/16 x 7 11/16 inches (16.1 x 19.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Professor Giles Constable
Harbour Scene with Town
Creator:
Print made by Charles Golding Constable, 1821–1879
Date:
undated
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 7/16 x 7 3/8 inches (13.8 x 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Professor Giles Constable
Harbour Scene with Town
Creator:
Print made by Charles Golding Constable, 1821–1879
Date:
undated
Materials & Techniques:
Etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 5 7/8 x 8 11/16 inches (15 x 22 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Professor Giles Constable
Harbour Scene
Creator:
Print made by Charles Golding Constable, 1821–1879
Date:
undated
Materials & Techniques:
Etching on moderately thick, slightly textured, beige card
Dimensions:
Sheet: 6 x 8 11/16 inches (15.3 x 22 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Professor Giles Constable
The Adam and Eve Tavern, Old Chelsea
Creator:
Print made by James McNeill Whistler, 1834–1903
Date:
1878
Materials & Techniques:
Etching and drypoint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 9 3/4 x 14 3/4 inches (24.8 x 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald and Willi Holden
Old Hungerford Bridge
Creator:
Print made by James McNeill Whistler, 1834–1903
Date:
1861
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 7/8 x 9 3/16 inches (17.5 x 23.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Boris I. Bittker
Portsmouth Children
Creator:
Print made by James McNeill Whistler, 1834–1903
Date:
1887
Materials & Techniques:
Etching on medium, slightly textured, cream antique laid paper
Dimensions:
Sheet: 2 3/4 × 3 7/8 inches (7 × 9.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Robert N. Whittemore, Yale BS 1943
Fishing Boats at Hastings
Creator:
Print made by James Dobie, 1849–1911
Date:
1882
Materials & Techniques:
Etching on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 12 3/8 x 16 11/16 inches (31.4 x 42.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

20. The Nile

The Nile
Creator:
Robert Charles Goff, 1837–1922
Date:
1897
Materials & Techniques:
Drypoint and etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 5/16 x 8 5/8 inches (18.5 x 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

21. A Study

A Study
Creator:
Print made by Richard Earlom, 1743–1822
Date:
1817
Materials & Techniques:
Mezzotint and etching in brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 9/16 x 16 9/16 inches (26.8 x 42.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery
West India Docks
Creator:
Print made by John Bluck, active 1791–1831
Date:
1810
Materials & Techniques:
Aquatint and etching with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 7/16 x 12 5/8 inches (24 x 32 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker
Meuse and Sambre, from the Gate of the Sambre
Creator:
Print made by George Arnald, 1763–1841
Date:
1822
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 9/16 × 10 15/16 inches (21.8 × 27.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Meuse and Sambre, from the Gate of the Sambre
Creator:
Print made by George Arnald, 1763–1841
Date:
1822
Materials & Techniques:
Etching and mezzotint, printed in brown ink on moderately thick, rough, beige laid paper
Dimensions:
Sheet: 8 13/16 × 11 5/16 inches (22.4 × 28.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Chain Pier at Brighton
Creator:
Print made by John Bruce, fl. 1826
Date:
ca. 1830
Materials & Techniques:
Aquatint and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 13 7/16 x 19 1/4 inches (34.2 x 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View near Bingen
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Etching and aquatint, with color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Image: 4 15/16 x 6 7/8 inches (12.5 x 17.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Constantinople
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint and stipple engraving, with color woodcut on cream card mounted on beige card
Dimensions:
Image: 2 1/16 x 4 13/16 inches (5.3 x 12.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Bacharach

Bacharach
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Etching and aquatint, with color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Image: 4 7/8 x 6 13/16 inches (12.4 x 17.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Greenwich Hospital
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Etching, aquatint and color woodcut on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 5 5/8 × 8 7/8 inches (14.3 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Clifton Spring and Woods near Maidenhead
Creator:
Robert Havell, 1769–1832
Date:
1818
Materials & Techniques:
Aquatint, hand-colored on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 14 × 19 1/2 inches (35.6 × 49.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Penzance, Cornwall
Creator:
Print made by James C. Allen, active 1821–1831
Date:
1833
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, beige wove paper with beige chine collé
Dimensions:
Plate: 5 11/16 x 9 inches (14.5 x 22.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Boston Church and Grand Sluice, Lincolnshire
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 3/8 x 8 3/4 inches (13.7 x 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Worcester

Worcester
Creator:
Print made by William John Cooke, 1797–1865
Date:
undated
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 2 7/8 × 4 1/2 inches (7.3 × 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bacharach and View near Bingen
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Etching and aquatint, with color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 12 13/16 × 8 7/8 inches (32.5 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Castles in England
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, stipple engraving, etching and color woodcut on cream card mounted on beige card
Dimensions:
Image: 6 7/8 x 4 3/4 inches (17.4 x 12 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Osborne House
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Etching, stipple engraving, and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 1/4 × 7 3/8 inches (26 × 18.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
River Stour, Suffolk
Creator:
Print made by David Lucas, 1802–1881
Date:
1831
Materials & Techniques:
Mezzotint; printer's proof on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 x 12 3/4 inches (25.4 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Pool of London
Creator:
Charles Heath, 1785–1848
Date:
1825
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 4 3/8 × 6 9/16 inches (11.1 × 16.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tynemouth Castle and Priory, Northumberland
Creator:
Print made by Benjamin Comte, 1760–1851
Date:
1802
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/8 x 9 3/4 inches (15.5 x 24.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Tower from the River
Creator:
Charles Heath, 1785–1848
Date:
1825
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper with beige chine collé
Dimensions:
Sheet: 9 13/16 x 12 1/16 inches (25 x 30.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Penitentiary and Distant View of Westminster Bridge
Creator:
Charles Heath, 1785–1848
Date:
1825
Materials & Techniques:
Etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 4 1/4 × 6 1/2 inches (10.8 × 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On the Medway
Creator:
Print made by Miles Edmund Cotman, 1810–1858
Date:
ca. 1838
Materials & Techniques:
Etching on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 5 × 7 1/8 inches (12.7 × 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Barge on the Medway with Warships Grampian and Dreadnaugh in the Background
Creator:
Print made by Miles Edmund Cotman, 1810–1858
Date:
ca. 1838
Materials & Techniques:
Etching on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 4 7/16 × 8 1/16 inches (11.3 × 20.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Stipple engraving, etching and color woodcut on moderately thick, smooth, cream wove paper cut into six scenes and mounted on medium, smooth, beige wove paper
Dimensions:
Image: 2 1/8 x 1 1/16 inches (5.4 x 2.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Stipple engraving, etching, aquatint and color woodcut on moderately thick, smooth, cream wove paper mounted on moderately thick, smooth, beige laid paper
Dimensions:
Image: 2 1/8 x 1 inches (5.4 x 2.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection