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Period 19th century
Remove constraint Period: 19th centuryWork Type relief print
Remove constraint Work Type: relief printSubject Terms men
Remove constraint Subject Terms: menSearch Results
1
- Jerusalem, Frontispiece (Plate 1)
- 1804 to 1820
2
- Jerusalem, Tailpiece (Plate 100)
- 1804 to 1820
3
- Europe. A Prophecy; Frontispiece
- ca. 1820
4
- "Why wilt thou give to her a Body..." (Plate 12)
- 1804 to 1820
5
- "One hair nor particle of dust..." (Plate 14)
- 1804 to 1820
6
- "And Hand & Hyle rooted into Jerusalem..." (Plate 15)
- 1804 to 1820
7
- "From every-one of the Four Regions..." (Plate 18)
- 1804 to 1820
8
- "His Children exil'd from his breast..." (Plate 19)
- 1804 to 1820
9
- "But when they saw Albion fall'n..." (Plate 20)
- 1804 to 1820
10
- "O Vala! O Jerusalem! do you delight in my groans..." (Plate 21)
- 1804 to 1820
11
- "Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)
- 1804 to 1820
12
- "What have I said? What have I done?..." (Plate 24)
- 1804 to 1820
13
- "And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)
- 1804 to 1820
14
- "Such visions have appeared to me..."; Chapter 2 Frontispiece (Plate 26)
- 1804 to 1820
15
- "Highgates heights & Hampsteads..." (Plate 84)
- 1804 to 1820
16
- "Became a Space & an Allegory..." (Plate 85)
- 1804 to 1820
17
- "Repelling weeping Enion blind & age-bent..." (Plate 87)
- 1804 to 1820
18
- "Condens'd his Emanations..." (Plate 9)
- 1804 to 1820
19
- "It is easier to forgive an enemy..." (Plate 91)
- 1804 to 1820
20
- "Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)
- 1804 to 1820
21
- "Albion cold lays on his Rock..." (Plate 94)
- 1804 to 1820
22
- "As the Sun & Moon lead forward the Visions of Heaven & Earth..." (Plate 96)
- 1804 to 1820
23
- "Awake! Awake Jerusalem..." (Plate 97)
- 1804 to 1820
24
- "All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)
- 1804 to 1820
25
- "Then the Divine Vision like a silent Sun..." (Plate 29)
- 1804 to 1820
26
- "And the Two that escaped..." (Plate 30)
- 1804 to 1820
27
- "Turning his back to the Divine Vision..." (Plate 33)
- 1804 to 1820
28
- "Then the Divine hand found the Two Limits..." (Plate 35)
- 1804 to 1820
29
- "Reuben return'd to his place, in vain..." (Plate 36)
- 1804 to 1820
30
- "And One stood forth from the Divine Family..." (Plate 37)
- 1804 to 1820
31
- "By Satan's Watch-fiends tho' they search..." (Plate 39)
- 1804 to 1820
32
- "Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)
- 1804 to 1820
33
- "Los shudder'd at beholding Albion..." (Plate 40)
- 1804 to 1820
34
- "Bath who is Legions..." (Plate 41)
- 1804 to 1820
35
- "Thus Albion sat, studious of others..." (Plate 42)
- 1804 to 1820
36
- "Bath, healing City!..." (Plate 45)
- 1804 to 1820
37
- "Bath, mild Physician of Eternity..." (Plate 46)
- 1804 to 1820
38
- "From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)
- 1804 to 1820
39
- "The secret coverts of Albion & the hidden places of America..." (Plate 49)
- 1804 to 1820
40
- "The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)
- 1804 to 1820
41
- Chapter 3 Frontispiece (Plate 51)
- 1804 to 1820
42
- "In Great Eternity every particular Form..." (Plate 54)
- 1804 to 1820
43
- "His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)
- 1804 to 1820
44
- "Repose on me till the morning of the Grave..." (Plate 62)
- 1804 to 1820
45
- "Of the Mundane Shell which froze..." (Plate 64)
- 1804 to 1820
46
- "In awful pomp & gold, in all the precious unhewn stones of Eden..." (Plate 66)
- 1804 to 1820
47
- "By those who drink their blood & the blood of their Covenant..." (Plate 67)
- 1804 to 1820
48
- "Then all the Males conjoined into One Male..." (Plate 69)
- 1804 to 1820
49
- "Was living: panting like a frighted wolf..." (Plate 7)
- 1804 to 1820
50
- "Such are Cathedrons golden Halls..." (Plate 73)
- 1804 to 1820
51
- "And Rahab Babylon the Great..." (Plate 75)
- 1804 to 1820
52
- Chapter 4 Frontispiece (Plate 76)
- 1804 to 1820
53
- Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
- 1804 to 1820
54
- "Her voice pierc'd Albions clay cold ear..." (Plate 95)
- 1804 to 1820
55
- Set of 18 Labels from 'Twining & Sons' Hairpins Boxes
- after 1850
56
- Set of Needle-Box Prints
- after 1850
57
- Set of Needle-Box Prints
- after 1850
58
- Specimens of Rocks. Proof of an Illustration for Wright's 'Globe Prepared for Man'
- after 1850
59
- Ten Needle-Box Prints
- undated
60
- The Religion of Europe: Professed and Practiced
- ca. 1845
61
- Eaton Hall
- after 1850
62
- Gems of the Great Exhibition No. 4: The Foreign Department
- 1852 or 1854
63
- Bacharach
- after 1850
64
- Highland Dancers
- after 1850
65
- Chepstow Castle
- after 1850
66
- Eight Rural Subjects
- after 1850
67
- Hampton Court
- after 1850
68
- Oriental Scenes
- after 1850
69
- Osborne House
- after 1850
70
- Newstead Abbey
- after 1850
71
- Rural Scenes
- after 1850
72
- The Great Exhibition: Exterior View from the Southwest
- 1851
73
- Pomare, Queen of Tahiti
- 1845
74
- George Pritchard, Her Britannic Majesty's Consul
- 1845
75
- Albanian Scenes
- after 1850
76
- The Reception of the Rev. J. Williams at Tanna in the South Seas, the Day before He Was Massacred
- 1841
77
- Bacharach and View near Bingen
- after 1850
78
- View near Bingen
- after 1850
79
- Ben Nevis
- after 1850
80
- Double Hairpin Set
- after 1850
81
- Eight colour prints
- after 1850
82
- Elderly Couple on a Park Bench, with Two Men Beyond
- undated
83
- Three Men and Two Boys Sitting on a Pier
- undated
84
- Choice of Paris
- 1860
85
- The Death of Ananias
- after 1855
86
- The Conversion of the Proconsul
- after 1855
87
- The Healing of the Lame Man
- after 1855
88
- The Healing of the Lame Man
- after 1855
89
- King Leopold's Public Entry into Brussels and Weighing Cotton at Bombay for the English Market; Page from Illustrated London News
- 1862
90
- Turkish Scenes
- after 1850
91
- Country Scenes
- after 1850
92
- Scottish Scenes. Albanian Scenes
- after 1850
93
- Scottish Scenes. Albanian Scenes
- after 1850
94
- Ben Nevis
- after 1850
95
- Greek set
- after 1850