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Lionel Constable A Grey Day
Lionel Constable, 1828–1887
A Grey Day
ca. 1845
Not on view
Samuel Palmer The Willow
Print made by Samuel Palmer, 1805–1881
The Willow
1850
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 5: Colinet: 'My piteous plight in yonder naked tree,/ which bears the thunder-scar too plain, I see:'
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 5: Colinet: 'My piteous plight in yonder naked tree,/ which bears the thunder-scar too plain, I see:'
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 7: Thenot: 'Nor fox, nor wolf, nor rot among our sheep:/ from these good shepherd's care his flock may keep/ against ill luck,'
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 7: Thenot: 'Nor fox, nor wolf, nor rot among our sheep:/ from these good shepherd's care his flock may keep/ against ill luck,'
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 13: Thenot: 'for him our yearly wakes and feasts we hold,/ and choose the fairest firstlings from the fold;'
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 13: Thenot: 'for him our yearly wakes and feasts we hold,/ and choose the fairest firstlings from the fold;'
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 14: Thenot: 'This night thy care with me forget, and fold/ thy flock with mine, to ward th' injurious cold.'
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 14: Thenot: 'This night thy care with me forget, and fold/ thy flock with mine, to ward th' injurious cold.'
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 15: Thenot: 'New milk, and clouted cream, mild cheese and curd,/ with some remaining fruit of last year's hoard,/ shall be our ev'ning fare.'
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 15: Thenot: 'New milk, and clouted cream, mild cheese and curd,/ with some remaining fruit of last year's hoard,/ shall be our ev'ning fare.'
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 1: Frontispiece: Thenot: 'Is it not Colinet I lonesome see,/ leaning with folded arms against the tree?'
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 1: Frontispiece: Thenot: 'Is it not Colinet I lonesome see,/ leaning with folded arms against the tree?'
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 12: Colinet: 'In vain, O Colinet, thy pipe, so shrill,/ charms every vale, and gladdens every hill:'
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 12: Colinet: 'In vain, O Colinet, thy pipe, so shrill,/ charms every vale, and gladdens every hill:'
1821, reprinted 1977
William Blake Each creature, Thenot, to his task is born
William Blake, 1757–1827
Each creature, Thenot, to his task is born
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 3: Thenot: 'Yet though with years my body downward tend,/ as trees beneath their fruit in autumn bend,'
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 3: Thenot: 'Yet though with years my body downward tend,/ as trees beneath their fruit in autumn bend,'
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 4: Colinet: 'Thine ewes will wander; and their heedless lambs,/ in loud complaints, require their absent dams.'
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 4: Colinet: 'Thine ewes will wander; and their heedless lambs,/ in loud complaints, require their absent dams.'
1821, reprinted 1977
William Blake Or blasting winds o'er blossom'd hedge-rows pass
William Blake, 1757–1827
Or blasting winds o'er blossom'd hedge-rows pass
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 8: Colinet: 'Ah silly I! more silly than my sheep,/ which on thy flow'ry banks I wont to keep.'
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 8: Colinet: 'Ah silly I! more silly than my sheep,/ which on thy flow'ry banks I wont to keep.'
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 9: Colinet: 'A fond desire strange lands and swains to know./ Ah me! that ever I should covet wo.'
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 9: Colinet: 'A fond desire strange lands and swains to know./ Ah me! that ever I should covet wo.'
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 10: Thenot: 'A rolling stone is ever bare of moss;/ and, to their cost, green years old proverbs cross.'
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 10: Thenot: 'A rolling stone is ever bare of moss;/ and, to their cost, green years old proverbs cross.'
1821, reprinted 1977
William Blake My sheep quite spent through travel and ill fare
William Blake, 1757–1827
My sheep quite spent through travel and ill fare
1821, reprinted 1977
William Blake And now behold the sun's departing ray
William Blake, 1757–1827
And now behold the sun's departing ray
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 17: Thenot: '
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 17: Thenot: '
1821, reprinted 1977
James T. Willmore Fire at Sea (vignette)
Print made by James T. Willmore, 1800–1863
Fire at Sea (vignette)
1835
Charles Golding Constable Coastal Scene
Print made by Charles Golding Constable, 1821–1879
Coastal Scene
undated
Edward Goodall Fingal's Cave, Staffa
Print made by Edward Goodall, 1795–1870
Fingal's Cave, Staffa
1834
Henry Thomas Alken Head of a Foxhound, in Profile Right
Henry Thomas Alken, 1785–1851
Head of a Foxhound, in Profile Right
undated
Henry Thomas Alken Head of a Pointer, in Profile Left
Henry Thomas Alken, 1785–1851
Head of a Pointer, in Profile Left
undated
George Cruikshank Jonathan Wild Seizing Jack Sheppard at his Mother's Grave in Willesden Church Yard
Print made by George Cruikshank, 1792–1878
Jonathan Wild Seizing Jack Sheppard at his Mother's Grave in Willesden Church Yard
1839
George Cruikshank Jack Sheppard's Escape from the Cage at Willesden
Print made by George Cruikshank, 1792–1878
Jack Sheppard's Escape from the Cage at Willesden
1839
George Cruikshank Jack Sheppard's Irons Knocked off in the Stone Hall at Newgate
Print made by George Cruikshank, 1792–1878
Jack Sheppard's Irons Knocked off in the Stone Hall at Newgate
1839
William Miller Nantes
Print made by William Miller, 1796–1882
Nantes
1833
George Cruikshank Jonathan Wild Throwing Sir Rowland Trenchard Down the Well-Hole
Print made by George Cruikshank, 1792–1878
Jonathan Wild Throwing Sir Rowland Trenchard Down the Well-Hole
1839
George Cruikshank The Name on the Beams
Print made by George Cruikshank, 1792–1878
The Name on the Beams
1839
George Cruikshank Jack Sheppard and Blueskin in Mr. Woods Bedroom
Print made by George Cruikshank, 1792–1878
Jack Sheppard and Blueskin in Mr. Woods Bedroom
1839
Henry Thomas Alken Head and Shoulders of a Boxer Dog, Profile Left, Wearing a Leather Collar A ttached to a Ring Post
Henry Thomas Alken, 1785–1851
Head and Shoulders of a Boxer Dog, Profile Left, Wearing a Leather Collar A ttached to a Ring Post
undated
Charles Hancock Two Shetland Ponies With a Groom
Charles Hancock, 1802–1877
Two Shetland Ponies With a Groom
1834
Samuel Daniell Study of a Deer Resting, back view
Samuel Daniell, 1775–1811
Study of a Deer Resting, back view
ca. 1801
Niccoló Schiavonetti John Hawkesworth
Niccoló Schiavonetti, 1771–1813
John Hawkesworth
1806
Henry R. Cook Sir Thomas Graham, 1st Baron Lynedoch
Henry R. Cook, active 1802–1849
Sir Thomas Graham, 1st Baron Lynedoch
1813
Henry R. Cook Lieutenant General, Henry Paget, the Earl of Uxbridge
Henry R. Cook, active 1802–1849
Lieutenant General, Henry Paget, the Earl of Uxbridge
1813
Edward Goodall Fingal's Cave, Staffa
Print made by Edward Goodall, 1795–1870
Fingal's Cave, Staffa
1834
Le Blond & Co. The Brittania Bridge
Le Blond & Co., 1819–1894
The Brittania Bridge
Bradshaw & Blacklock Her Majesty Queen Victoria & Family
Print made by Bradshaw & Blacklock, active ca.1850
Her Majesty Queen Victoria & Family
ca. 1851
Robert Smirke The Death of Ophelia
Robert Smirke, 1752–1845
The Death of Ophelia
ca. 1810
William Woolnoth Stoke Park, Buckingshire
William Woolnoth, active 1806–1830
Stoke Park, Buckingshire
undated
William Wallis Cheapside, Poultry and Bucklersbury
William Wallis, 1794– active 1830
Cheapside, Poultry and Bucklersbury
James T. Willmore Saumur
Print made by James T. Willmore, 1800–1863
Saumur
1833
Edward Goodall Fingal's Cave, Staffa
Print made by Edward Goodall, 1795–1870
Fingal's Cave, Staffa
1833
Henry Heath Personal Security
Henry Heath, active 1824–1835
Personal Security
1825
Benjamin Robert Haydon Children Leaning From a Window
Benjamin Robert Haydon, 1786–1846
Children Leaning From a Window
1805
Sir Robert Smirke the younger In Vicenza
Sir Robert Smirke the younger, 1781–1867
In Vicenza
1802-1804
Edward Francis Finden Alexander and Diogenes
Edward Francis Finden, 1791–1857
Alexander and Diogenes
George Baxter The Landing of Her Majesty at Cove, Ireland in 1849
Print made by George Baxter, 1804–1867
The Landing of Her Majesty at Cove, Ireland in 1849
1850
John Postle Heseltine Le Pont de Waterloo a Londres
John Postle Heseltine, 1843–1929
Le Pont de Waterloo a Londres
1897