Imogen and the Shepherds, 'Cymbeline,' Act IV, scene II
ca. 1874
Not on view
3
William Havell, 1782–1857
On the Kennet, Reading
1807
Not on view
4
Lionel Constable, 1828–1887
Sky Study
ca. 1850
Not on view
5
Lionel Constable, 1828–1887
A Grey Day
ca. 1845
Not on view
6
Frederick W. Watts, 1800–1862
Haymakers Resting
ca. 1825
Not on view
7
William J. Shayer, 1811–c.1885
Steeplechasing: At the Start
1869
Not on view
8
William J. Shayer, 1811–c.1885
Steeplechasing: The Hurdle
1869
Not on view
9
James Ward, 1769–1859
Landscape near Swansea, South Wales
ca. 1805
Not on view
10
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
11
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
12
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
13
Print made by Samuel Palmer, 1805–1881
The Herdsman's Cottage
1850
14
Print made by Samuel Palmer, 1805–1881
The Vine
1852
15
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
16
Print made by Samuel Palmer, 1805–1881
Christmas
1850
17
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
18
Print made by Samuel Palmer, 1805–1881
Opening the Fold
1880
19
Print made by Samuel Palmer, 1805–1881
The Sleeping Shepherd
1857
20
Print made by Samuel Palmer, 1805–1881
The Sleeping Shepherd
1857
21
Print made by Samuel Palmer, 1805–1881
The Willow
1850
22
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
23
Print made by Samuel Palmer, 1805–1881
Opening the Fold
1880
24
Print made by Samuel Palmer, 1805–1881
Christmas
1877
25
Print made by Samuel Palmer, 1805–1881
Christmas
1850
26
Print made by Samuel Palmer, 1805–1881
Opening the Fold
plate etched in 1880; impression printed in 1920
27
Print made by Samuel Palmer, 1805–1881
Opening the Fold
plate etched in 1880; impression printed in 1926
28
Print made by Samuel Palmer, 1805–1881
The Skylark
1850
29
Print made by Samuel Palmer, 1805–1881
The Skylark
1850
30
Print made by Samuel Palmer, 1805–1881
The Willow
1850
31
Print made by Samuel Palmer, 1805–1881
The Skylark
1850
32
Print made by Samuel Palmer, 1805–1881
Christmas
1850
33
Joseph Mallord William Turner, 1775–1851
Tours: Sunset: Looking Backwards
between 1826 and 1830
34
Edward Lear, 1812–1888
Amada, 9:30 am, 12 February 1867
1867
35
Edward Lear, 1812–1888
Vjose, 7:15 p.m. 17 April 1857
1857
36
Edward Lear, 1812–1888
Wady Halfeh
1867
37
Edward Lear, 1812–1888
Wady Halfeh
1867
38
Edward Lear, 1812–1888
Sketch studies of camels
January to April 1867
39
Edward Lear, 1812–1888
Garf Hassai, Malta
1866
40
Edward Lear, 1812–1888
Gebel Sheikh Eredi
1867
41
Edward Lear, 1812–1888
La Cava
1838
42
Edward Lear, 1812–1888
Lago di Como, Brienno?
1867
43
Edward Lear, 1812–1888
Near Khan Yunas
1867
44
Edward Lear, 1812–1888
Near El Areesh, 3:30 pm, 30 March 1867 (27)
1867
45
Edward Lear, 1812–1888
Albania
between 1848 and 1849
46
William Blake, 1757–1827
Octavius Augustus Cæsar
1821
47
William Blake, 1757–1827
Illustrations of The Book of Job, Title Page
1825
48
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 5: Colinet: 'My piteous plight in yonder naked tree,/ which bears the thunder-scar too plain, I see:'
1821, reprinted 1977
49
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 7: Thenot: 'Nor fox, nor wolf, nor rot among our sheep:/ from these good shepherd's care his flock may keep/ against ill luck,'
1821, reprinted 1977
50
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 13: Thenot: 'for him our yearly wakes and feasts we hold,/ and choose the fairest firstlings from the fold;'
1821, reprinted 1977
51
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 14: Thenot: 'This night thy care with me forget, and fold/ thy flock with mine, to ward th' injurious cold.'
1821, reprinted 1977
52
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 15: Thenot: 'New milk, and clouted cream, mild cheese and curd,/ with some remaining fruit of last year's hoard,/ shall be our ev'ning fare.'
1821, reprinted 1977
53
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 1: Frontispiece: Thenot: 'Is it not Colinet I lonesome see,/ leaning with folded arms against the tree?'
1821, reprinted 1977
54
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 12: Colinet: 'In vain, O Colinet, thy pipe, so shrill,/ charms every vale, and gladdens every hill:'
1821, reprinted 1977
55
William Blake, 1757–1827
Each creature, Thenot, to his task is born
1821, reprinted 1977
56
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 3: Thenot: 'Yet though with years my body downward tend,/ as trees beneath their fruit in autumn bend,'
1821, reprinted 1977
57
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 4: Colinet: 'Thine ewes will wander; and their heedless lambs,/ in loud complaints, require their absent dams.'
1821, reprinted 1977
58
William Blake, 1757–1827
Or blasting winds o'er blossom'd hedge-rows pass
1821, reprinted 1977
59
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 8: Colinet: 'Ah silly I! more silly than my sheep,/ which on thy flow'ry banks I wont to keep.'
1821, reprinted 1977
60
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 9: Colinet: 'A fond desire strange lands and swains to know./ Ah me! that ever I should covet wo.'
1821, reprinted 1977
61
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 10: Thenot: 'A rolling stone is ever bare of moss;/ and, to their cost, green years old proverbs cross.'
1821, reprinted 1977
62
William Blake, 1757–1827
My sheep quite spent through travel and ill fare
1821, reprinted 1977
63
William Blake, 1757–1827
And now behold the sun's departing ray
1821, reprinted 1977
64
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 17: Thenot: '
1821, reprinted 1977
65
Sir Robert Smirke the younger, 1781–1867
The Fort of Zakynthos, Greece
1802-1804
66
Sir Robert Smirke the younger, 1781–1867
Suburbs of Corfu
1802-1804
67
Sir Robert Smirke the younger, 1781–1867
Inscriptions in Greek Alphabet
1802-1804
68
Sir Robert Smirke the younger, 1781–1867
Palazzo di Vicenza
1802-1804
69
Sir Robert Smirke the younger, 1781–1867
View of Vienna from the Gardens of Schonbrunn
1802-1804
70
Sir Robert Smirke the younger, 1781–1867
A Cow House, Attached to a Villa Near Dresden
1802-1804
71
Sir Robert Smirke the younger, 1781–1867
A Villa Near Potsdam
1802-1804
72
Sir Robert Smirke the younger, 1781–1867
One of the Entrances to Potsdam
1804
73
Sir Robert Smirke the younger, 1781–1867
Iron Locks to the Entryway, Entrance of a Villa in the Suburbs of Dresden
1802-1804
74
Sir Robert Smirke the younger, 1781–1867
Sketch of a Tombstone
1802-1804
75
Sir Robert Smirke the younger, 1781–1867
Sketch of a Sculpture of the Face of a Mythical Creature
1802-1804
76
Sir Robert Smirke the younger, 1781–1867
Study of a Chandelier
1802-1804
77
Capt. Thomas Hastings, 1778–1854
Above West Cowes, 8 February 1826
1826
78
Capt. Thomas Hastings, 1778–1854
Near Saint Lawrence, 14 January 1826
1826
79
Capt. Thomas Hastings, 1778–1854
Near West Cowes
between 1826 and 1830
80
Capt. Thomas Hastings, 1778–1854
Sketch of a Large Tree and a Cottage
between 1826 and 1830
81
Capt. Thomas Hastings, 1778–1854
Appuldurcombe, Isle of Wight, 29 December 1826
1826
82
Capt. Thomas Hastings, 1778–1854
Lord Henry Seymour's from West Cowes
1825
83
Capt. Thomas Hastings, 1778–1854
In Godshill, Isle of Wight
between 1826 and 1830
84
Capt. Thomas Hastings, 1778–1854
On the Parade, West Cowes, Isle of Wight
between 1826 and 1830
85
Capt. Thomas Hastings, 1778–1854
West Cowes, Isle of Wight
between 1826 and 1830
86
Capt. Thomas Hastings, 1778–1854
Sketch of a Group of People
between 1826 and 1830
87
Capt. Thomas Hastings, 1778–1854
Flamstead End, Old Ruskin's Cottage near Cheshunt, May 1814
1814
88
Capt. Thomas Hastings, 1778–1854
By Captain Landon's Cottage near Cheshunt, 21 May 1814
1814
89
Capt. Thomas Hastings, 1778–1854
Mayo's Island, Cheshunt, 23 May 1814
1814
90
Capt. Thomas Hastings, 1778–1854
Cheshunt Church, 23 May 1814
1814
91
Capt. Thomas Hastings, 1778–1854
View of Mayo's Island, Cheshunt, 23 May 1814
1814
92
Print made by Charles West Cope, 1811–1890
Morning Prayer
1844
93
Print made by John Sell Cotman, 1782–1842
Cader Idris
between 1824 and 1830
94
Print made by Samuel Freeman, 1773–1857
Robert Cleveley, Esqr. Marine Painter to his R. H., The Prince of Wales and Marine Draftsman to his R. H. The Duke of Clarence