Jerusalem, Plate 89, "Tho divided by the Cross...."
1804 to 1820
5
Print made by William Blake, 1757–1827
Jerusalem, Plate 64, "Of the Mundane Shell...."
1804 to 1820
6
Print made by William Blake, 1757–1827
Jerusalem, Plate 92, "What do I see!...."
1804 to 1820
7
William Blake, 1757–1827
Book of Job, Plate 1, Job and His Family
1825
8
William Blake, 1757–1827
Book of Job, Plate 2, Satan before the Throne of God
1825
9
William Blake, 1757–1827
Book of Job, Plate 4, The Messengers Tell Job of His Misfortunes
1825
10
William Blake, 1757–1827
Book of Job, Plate 5, Satan Going Forth from the Presence of the Lord and Job's Charity
1825
11
William Blake, 1757–1827
Book of Job, Plate 6, Satan Smiting Job with Boils
1825
12
William Blake, 1757–1827
Book of Job, Plate 3, Jacob's Sons and Daughters Overwhelmed by Satan
1825
13
William Blake, 1757–1827
Book of Job, Plate 7, Job's Comforters
1825
14
William Blake, 1757–1827
Book of Job, Plate 9, The Vision of Eliphaz
1825
15
William Blake, 1757–1827
Book of Job, Plate 12, The Wrath of Elihu
1825
16
William Blake, 1757–1827
Book of Job, Plate 15, Behemoth and Leviathan
1825
17
William Blake, 1757–1827
Book of Job, Plate 18, Job's Sacrifice
1825
18
William Blake, 1757–1827
Book of Job, Plate 17, The Vision of Christ
1825
19
William Blake, 1757–1827
Book of Job, Plate 14, When the Morning Stars Sang Together
1825
20
William Blake, 1757–1827
Book of Job, Plate 19, Every One also Gave Him a Piece of Money
1825
21
William Blake, 1757–1827
Book of Job, Plate 16, The Fall of Satan
1825
22
William Blake, 1757–1827
Book of Job, Plate 21, Job and His Family Restored to Prosperity
1825
23
John Thomas Smith, 1766–1833
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
24
Samuel Howitt, 1756–1822
Raven and Snake
ca. 1813
25
Sir George Hayter, 1792–1871
Portrait Study of Martha, Lady Hayter
1863
26
Print made by William Miller, 1796–1882
Loch Achray
1834
27
George Edmund Street, 1824–1881
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated
28
Print made by Edward Webb, active 1805–1854
Bowes Tower
1834
29
Print made by John Horsburgh, 1791–1869
Mayburgh
1834
30
Print made by Edward Goodall, 1795–1870
Smailholm Tower
1834
31
Print made by Edward Goodall, 1795–1870
Johnnie Armstrong's Tower
1834
32
Print made by James T. Willmore, 1800–1863
Lochmaben Castle
1834
33
Print made by Robert Wallis, 1794–1878
Hermitage Castle
1834
34
Print made by John Horsburgh, 1791–1869
Bemerside Tower
1834
35
Print made by John Horsburgh, 1791–1869
Ashestiel
1834
36
Print made by William Miller, 1796–1882
Loch Achray
1834
37
Print made by Edward Goodall, 1795–1870
Johnnie Armstrong's Tower
1834
38
Print made by James T. Willmore, 1800–1863
Lochmaben Castle
1834
39
Print made by Robert Wallis, 1794–1878
Hermitage Castle
1834
40
Print made by Anthony Cardon, 1772–1813
Lewis Schiavonetti, V.A
1811
41
Print made by Charles Shannon, 1863–1937
Salt Water
1895
42
Print made by Robert Wallis, 1794–1878
Hermitage Castle
1833
43
James Heath, 1757–1834
"This is fairy gold, boy, and will prove so"
1804
44
Alfred Diston, active 1818–1829
Peasant woman with basket on her head - La Palma, 1828
1828
45
Print made by Francis William Topham, 1808–1877
Festival of Al-Mohurram
ca. 1840
46
Sir George Hayter, 1792–1871
H.R.H. Prince Leopold, Queen Victoria's Uncle
1816
47
Robert Isaac Cruikshank, 1789–1856
The Poet. The Sailor's Ballast
1830
48
Robert Isaac Cruikshank, 1789–1856
The Needless Alarm. A Smoking Party
1830
49
Robert Isaac Cruikshank, 1789–1856
Being well lather'd from a dish or tub./Hodge new began with grinning pain to grub. Sirrah! I tell you you're a knave. To cry up razors that can't shave
1830
50
Robert Isaac Cruikshank, 1789–1856
£/Pounds. s/Shillings. p/Pence. Dancing Bears
1830
51
Print made by George Cruikshank, 1792–1878
Cue in a Corner
1855
52
Print made by George Cruikshank, 1792–1878
Poor Little Rose
undated
53
Print made by George Cruikshank, 1792–1878
Peg Todd, as Head Nurse
undated
54
Print made by George Cruikshank, 1792–1878
Turning the Tables
undated
55
Print made by George Cruikshank, 1792–1878
"Captain Kelly conveys a slight remonstance"
undated
56
Print made by George Cruikshank, 1792–1878
Mr Crump's Extreme Politeness
undated
57
Print made by Edward Goodall, 1795–1870
Smailholm Tower (Vignette)
1834
58
Print made by George Cruikshank, 1792–1878
The First Step
undated
59
Print made by George Cruikshank, 1792–1878
Mr. Weazel Renews an Old Friendship
undated
60
Print made by George Cruikshank, 1792–1878
An Awkward Post
undated
61
Print made by John Thomas Smith, 1766–1833
A Doorway in one of the Cellars Under the Old House of Lords
1804
62
John Horsburgh, 1791–1869
Bermerside
1834
63
Print made by John Horsburgh, 1791–1869
Ashestiel
1834
64
Print made by William Miller, 1796–1882
Berwick-on-Tweed
1834
65
John Golden Short, born ca. 1832
Stream
1870s
66
Thomas Rowlandson, 1756–1827
A Sporting Cove
between 1815 and 1820
67
Print made by James T. Willmore, 1800–1863
The Sea! The Sea!
1836
68
unknown artist
Plumbers Hall, Bush Lane
undated
69
Charles Hamilton Smith, 1776–1859
Title Page: The Naturalist Library: Mammalia. Introduction. Volume: 1:13
ca. 1837
70
Sir Francis Seymour Haden, 1818–1910
Combe Bottom
1860
71
Augustus Welby Northmore Pugin, 1812–1852
Sketch of a Small Gothic Church, with a Design for Gothic Ornamentation
undated
72
Print made by James H. Baker, born 1829
Come Gentle Night: "Romeo and Juliet," Act III, Scene II
between 1839 and 1849
73
James Heath, 1757–1834
"Hubert, let me not be bound!"
1802
74
Print made by Edward Goodall, 1795–1870
Smailholm Tower
1834
75
Print made by Edward Goodall, 1795–1870
Johnnie Armstrong's Tower
1834
76
Print made by Robert Wallis, 1794–1878
Hermitage Castle
1834
77
Print made by William Bernard Cooke, 1778–1855
Newark Castle
1834
78
Print made by John Horsburgh, 1791–1869
Ashestiel
1834
79
Print made by John Horsburgh, 1791–1869
Mayburgh
1833
80
Print made by John Le Keux, 1783–1846
St Martin-in-the-Fields, London: Elevation and Section
undated
81
James Heath, 1757–1834
"Mark your divorce young sir, whom son I dare not call"