<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

Search Results

1. Trade Sheet for: Richard Hand, The Oldest Original Chelsey Bunn Baker at the King's Arms Chelsey

Trade Sheet for: Richard Hand, The Oldest Original Chelsey Bunn Baker at the King's Arms Chelsey
Creator:
William Hogarth, 1697–1764
Date:
1718
Materials & Techniques:
Line engraving (reprint)
Dimensions:
Plate: 7 x 5 1/8 inches (17.8 x 13 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Christmas

No cover image available
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1877
Materials & Techniques:
Etching and drypoint, with plate tone on thin, slightly textured, cream laid paper (Japanese paper)
Dimensions:
Sheet: 8 3/4 x 6 7/16 inches (22.2 x 16.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Jerusalem, Frontispiece (Plate 1)

Jerusalem, Frontispiece (Plate 1)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
White-line etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. "And that toward Eden, four..." (Plate 13)

"And that toward Eden, four..." (Plate 13)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. "And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)

"And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. "To the Jews..." (Plate 27)

"To the Jews..." (Plate 27)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. "Then the Divine Vision like a silent Sun..." (Plate 29)

"Then the Divine Vision like a silent Sun..." (Plate 29)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. "His western heaven with rocky clouds..." (Plate 31)

"His western heaven with rocky clouds..." (Plate 31)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. "Leaning against the pillars..." (Plate 32)

"Leaning against the pillars..." (Plate 32)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. "They saw their Wheels rising up poisonous..." (Plate 43)

"They saw their Wheels rising up poisonous..." (Plate 43)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. "To decide Two Worlds with a great decision..." (Plate 65)

"To decide Two Worlds with a great decision..." (Plate 65)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. "In awful pomp & gold, in all the precious unhewn stones of Eden..." (Plate 66)

"In awful pomp & gold, in all the precious unhewn stones of Eden..." (Plate 66)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. "And this the form of mighty Hand..." (Plate 70)

"And this the form of mighty Hand..." (Plate 70)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. "My tents are fall'n! my pillars are in ruins!..." (Plate 79)

"My tents are fall'n! my pillars are in ruins!..." (Plate 79)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. "Rose up against me thundering..." (Plate 8)

"Rose up against me thundering..." (Plate 8)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. "Encompass'd by the frozen Net..." (Plate 80)

"Encompass'd by the frozen Net..." (Plate 80)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. "I have heard Jerusalems groans..." (Plate 82)

"I have heard Jerusalems groans..." (Plate 82)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. "Corruptability appears upon thy limbs..." (Plate 83)

"Corruptability appears upon thy limbs..." (Plate 83)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Thomas Hayley, the Disciple of John Flaxman, from a Medallion

Thomas Hayley, the Disciple of John Flaxman, from a Medallion
Creator:
Print made by William Blake, 1757–1827
Date:
1800
Materials & Techniques:
Engraving and stipple on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 8 3/4 × 6 1/8 inches (22.3 × 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Charles J. Rosenbloom, B.A. 1920

20. Hare in a Landscape

Hare in a Landscape
Creator:
Newton Limbird Smith Fielding, 1799–1856
Date:
1827
Materials & Techniques:
Watercolor, gouache and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/4 × 6 1/4 inches (22.2 × 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

21. Lady Katherine Sophia (née Manners) Heathcote

Lady Katherine Sophia (née Manners) Heathcote
Creator:
John Samuel Agar, ca. 1773–1858
Date:
1812
Materials & Techniques:
Stipple engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 21 1/4 × 16 1/16 inches (54 × 40.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Lady Dalrymple Hamilton

Lady Dalrymple Hamilton
Creator:
John Samuel Agar, ca. 1773–1858
Date:
1812
Materials & Techniques:
Stipple engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 22 × 16 3/8 inches (55.9 × 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Wynnstay Theatre Ticket

Wynnstay Theatre Ticket
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1803
Materials & Techniques:
Stipple engraving and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/2 x 6 3/8in. (21.6 x 16.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Queen Victoria

Queen Victoria
Creator:
after George Baxter, 1804–1867
Date:
ca. 1860
Materials & Techniques:
Aquatint, stipple engraving, etching, and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 13/16 × 7 1/2 inches (27.5 × 19 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. An Interior View of the Porch of the Parish Church at St. Alphage

An Interior View of the Porch of the Parish Church at St. Alphage
Creator:
unknown artist
Date:
1816
Materials & Techniques:
Etching
Dimensions:
Sheet: 8 5/8 x 6 1/4in. (21.9 x 15.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Llanerchydol Hall, Wales

Llanerchydol Hall, Wales
Creator:
Robert Streatfeild, 1786–1852
Date:
undated
Materials & Techniques:
Watercolor on medium, smooth, white wove paper
Dimensions:
Sheet: 4 1/2 × 6 1/4 inches (11.4 × 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. The Field of Waterloo from Hougoumont

The Field of Waterloo from Hougoumont
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1833
Materials & Techniques:
Etching and engraving with chine collé; third state on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 11 3/8 × 8 5/8 inches (28.9 × 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Parnassus and Castalian Spring

Parnassus and Castalian Spring
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1833
Materials & Techniques:
Etching and engraving with chine collé on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 13/16 × 7 7/16 inches (24.9 × 18.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. The Last Scene: 'Jack Sheppard's Farewell to Mr Wood / Blueskin cutting down Jack Sheppard / The Body of Jack Sheppard carried off by the Mob'

The Last Scene: 'Jack Sheppard's Farewell to Mr Wood / Blueskin cutting down Jack Sheppard / The Body of Jack Sheppard carried off by the Mob'
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1839
Materials & Techniques:
Etching with chine collé on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 8 9/16 x 7 inches (21.8 x 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

30. St. George's Chapel and The Castle Wall From Bier Lane, July 18, 1832, 1 pm

St. George's Chapel and The Castle Wall From Bier Lane, July 18, 1832, 1 pm
Creator:
Dr. William Crotch, 1775–1847
Date:
1832
Materials & Techniques:
Graphite, watercolor and gouache on medium, slightly textured, cream wove paper
Dimensions:
Mount: 13 7/16 × 10 3/8 inches (34.1 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Audacity of Jack Sheppard

Audacity of Jack Sheppard
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1839
Materials & Techniques:
Etching with chine collé on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 8 3/4 x 6 15/16 inches (22.2 x 17.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

32. Upper Green, Charterhouse

Upper Green, Charterhouse
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
between 1894 and 1910
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/2 × 13 1/2 inches (21.6 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

33. The Sea! The Sea!

The Sea! The Sea!
Creator:
Print made by James Tibbits Willmore, 1800–1863
Date:
1836
Materials & Techniques:
Etching and engraving with chine collé; first published state on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 17 × 11 5/16 inches (43.2 × 28.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Loch Lomond

Loch Lomond
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching and engraving with chine collé; early engraver's proof on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 8 5/8 × 6 3/4 inches (21.9 × 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Two Travellers Watering Three Horses

Two Travellers Watering Three Horses
Creator:
Print made by Joseph Samuel Alpenny, 1787–1858
Date:
undated
Materials & Techniques:
Etching with hand coloring on thick, slightly textured, beige card
Dimensions:
Sheet: 8 9/16 x 10 1/2 inches (21.7 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Bemerside

Bemerside
Creator:
Print made by John Horsburgh, 1791–1869
Date:
1834
Materials & Techniques:
Etching and engraving, with graphite and chine collé; touched engraver's proof (b) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 5/8 × 6 3/8 inches (21.9 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Samuel Johnson

Samuel Johnson
Creator:
William Holl II, 1807–1871
Materials & Techniques:
Engraving
Dimensions:
Sheet: 8 3/4 x 6 1/8in. (22.2 x 15.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Herman W. Liebert

38. Will. Shakespere

Will. Shakespere
Creator:
William Holl II, 1807–1871
Date:
1827
Materials & Techniques:
Line engraving on wove paper
Dimensions:
Sheet: 8 1/2 x 6 3/8in. (21.6 x 16.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

39. An Hindu Seal

An Hindu Seal
Creator:
Print made by unknown artist
Date:
ca. 1841
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/4 × 6 1/4 inches (22.2 × 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

40. Parish Priest

Parish Priest
Creator:
Alfred Diston, active 1818–1829
Date:
1828
Materials & Techniques:
Watercolor and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 5/8 × 6 3/8 inches (21.9 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Peasants of Hierro

Peasants of Hierro
Creator:
Alfred Diston, active 1818–1829
Date:
1825
Materials & Techniques:
Watercolor, pen and brown ink and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 5/8 × 6 1/8 inches (21.9 × 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection