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William Blake Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
William Blake, 1757–1827
Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
1827
William Blake Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
William Blake, 1757–1827
Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
William Blake Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
William Blake, 1757–1827
Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
1827
George Cooke Gledhow
Print made by George Cooke, 1781–1834
Gledhow
1816
Edward Francis Burney The Triumph of Music
Edward Francis Burney, 1760–1848
The Triumph of Music
ca. 1815
George Belton Moore A Proposed plan for Trafalgar Square
George Belton Moore, 1805–1875
A Proposed plan for Trafalgar Square
1841
unknown artist Tintern Abbey
unknown artist
Tintern Abbey
undated
Richard Banks Harraden Emanuel College from St. Andrews Street, Cambridge
Richard Banks Harraden, 1778–1862
Emanuel College from St. Andrews Street, Cambridge
ca. 1830
Richard Banks Harraden Chapel Front, Emanuel College, Cambridge
Richard Banks Harraden, 1778–1862
Chapel Front, Emanuel College, Cambridge
ca. 1833