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1. Solitude

Solitude
Creator:
Print made by Joseph Mallord William Turner, 1775–1851
Date:
1814
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/2 × 17 1/8 inches (29.2 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Inverary Castle and Town, Scotland

Inverary Castle and Town, Scotland
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1816
Materials & Techniques:
Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/8 × 17 1/8 inches (28.9 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Christ and the Woman of Samaria

Christ and the Woman of Samaria
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1819
Materials & Techniques:
Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/4 × 17 1/4 inches (28.6 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. The Stork and Aqueduct

The Stork and Aqueduct
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
between 1813 and 1823
Materials & Techniques:
Etching and mezzotint, printed in brown ink; modern impression on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/2 × 17 1/4 inches (29.2 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. The Source of the Arveron in the Valley of Chamouni, Savoy

The Source of the Arveron in the Valley of Chamouni, Savoy
Creator:
Print made by Joseph Mallord William Turner, 1775–1851
Date:
1816
Materials & Techniques:
Etching and mezzotint, printed in brown ink; engraver's proof (c) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/2 × 17 1/4 inches (29.2 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Martello Towers near Bexhill, Sussex

Martello Towers near Bexhill, Sussex
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1811
Materials & Techniques:
Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/4 × 17 1/8 inches (28.6 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Little Devil's Bridge over the Russ above Altdorft, Switzerland

Little Devil's Bridge over the Russ above Altdorft, Switzerland
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1809
Materials & Techniques:
Etching and mezzotint, printed in brown ink; engraver's proof (f) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/2 × 17 3/8 inches (29.2 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Hedging and Ditching

Hedging and Ditching
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1812
Materials & Techniques:
Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/2 × 17 3/8 inches (29.2 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Christ and the Woman of Samaria

Christ and the Woman of Samaria
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1819
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/2 × 17 3/8 inches (29.2 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Isis

Isis
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1819
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/2 × 17 1/4 inches (29.2 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Coast of Yorkshire

Coast of Yorkshire
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1811
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 × 17 1/8 inches (28.9 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Plains of Bengal, from above Siligoree

Plains of Bengal, from above Siligoree
Creator:
Edward Lear, 1812–1888
Date:
1874
Materials & Techniques:
Watercolor, pen and brown ink, and gouache on moderately thick, moderately textured, cream wove paper
Dimensions:
Mount: 11 9/16 x 17 1/8 inches (29.4 x 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Michael D. Coe, Yale MAH 1968

13. View of the Clifton Suspension Bridge

View of the Clifton Suspension Bridge
Creator:
James Duffield Harding, 1798–1863
Date:
undated
Materials & Techniques:
Lithograph with chine collé on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 15 9/16 x 21 3/16 inches (39.6 x 53.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Brougham Castle, near the Junction of the Rivers Eamont and Lowther

Brougham Castle, near the Junction of the Rivers Eamont and Lowther
Creator:
Print made by William Say, 1768–1834
Date:
1823 to 1827
Materials & Techniques:
Mezzotint; engraver's proof (c) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/2 × 17 1/4 inches (29.2 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Jacob Bryant Esq.

Jacob Bryant Esq.
Creator:
Print made by T. Blood, active 1812–1814
Date:
between 1812 and 1814
Materials & Techniques:
Stipple engraving on medium, moderately textured, cream wove paper, laid in mount made of moderately thick, smooth, cream wove paper
Dimensions:
Mount: 11 3/8 x 17 3/16 inches (28.9 x 43.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Vesuvius from the Bay of Naples

Vesuvius from the Bay of Naples
Creator:
Print made by Sir Frank Short, 1857–1945
Date:
1895
Materials & Techniques:
Mezzotint, trial proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 7/8 × 20 3/8 inches (35.2 × 51.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Daniel Bell

17. Temple of Hephaestus

Temple of Hephaestus
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Watercolor, graphite, pen and brown ink on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 11 1/2 × 17 1/4 inches (29.2 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Ancient Aqueduct Ruins

Ancient Aqueduct Ruins
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Brown wash, gray wash, blue wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 11 9/16 × 17 1/4 inches (29.4 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Edinburgh - March of the Highlanders

Edinburgh - March of the Highlanders
Creator:
Print made by Thomas Higham, 1796–1844
Date:
1833
Materials & Techniques:
Etching and engraving with chine-collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/2 × 17 1/8 inches (29.2 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. View of the New Custom House Taken from the River Thames

View of the New Custom House Taken from the River Thames
Creator:
unknown artist
Date:
1822
Materials & Techniques:
Hand colored engraving
Dimensions:
Sheet: 11 3/8 x 17 3/8in. (28.9 x 44.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Crofton Hall, Yorkshire

Crofton Hall, Yorkshire
Creator:
Robert Havell, 1769–1832
Date:
1813
Materials & Techniques:
Aquatint with etching, hand-colored on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 11 1/2 x 17 3/16 inches (29.2 x 43.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Devonport and Dockyard, Devonshire

Devonport and Dockyard, Devonshire
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1827-1838
Materials & Techniques:
Etching and engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/4 × 17 3/8 inches (28.6 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Summer Afternoon, After a Shower

Summer Afternoon, After a Shower
Creator:
Print made by David Lucas, 1802–1881
Date:
1831
Materials & Techniques:
Mezzotint and drypoint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/2 x 17 1/4in. (29.2 x 43.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. John Archer Gee for History of Art (History of Prints)

24. Richmond, Yorkshire

Richmond, Yorkshire
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1819
Materials & Techniques:
Etching and engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 3/16 × 18 3/8 inches (31 × 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Hardraw Fall

Hardraw Fall
Creator:
Etched by Samuel Middiman, ca. 1750–1831
Date:
1818
Materials & Techniques:
Etching and engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/4 × 18 1/4 inches (31.1 × 46.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Hornby Castle from Tatham Church

Hornby Castle from Tatham Church
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1822
Materials & Techniques:
Etching and engraving with chine collé on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 5/16 × 17 1/4 inches (28.7 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Richmond, Yorkshire

Richmond, Yorkshire
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1819
Materials & Techniques:
Etching and engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/2 × 17 11/16 inches (29.2 × 44.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Richmond Castle and Town

Richmond Castle and Town
Creator:
Print made by John Wykeham Archer, 1808–1864
Date:
1820
Materials & Techniques:
Etching and engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 9/16 × 17 3/4 inches (29.4 × 45.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. High Force or Fall of Tees

High Force or Fall of Tees
Creator:
Print made by John Landseer, 1769–1852
Date:
1821
Materials & Techniques:
Etching and engraving with chine collé; first published state on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 12 1/8 × 17 3/4 inches (30.8 × 45.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Egglestone Abbey, near Barnard Castle

Egglestone Abbey, near Barnard Castle
Creator:
Print made by Thomas Higham, 1796–1844
Date:
1818-1823
Materials & Techniques:
Etching and engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/4 × 17 3/4 inches (28.6 × 45.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Yarmouth, Norfolk

Yarmouth, Norfolk
Creator:
Print made by David Lucas, 1802–1881
Date:
1832
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/2 x 17 1/4 inches (29.2 x 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. John Archer Gee for History of Art (History of Prints)

32. North West View of Cobham hall, Kent, the Seat of the Right honourable the Earl of Darnley

North West View of Cobham hall, Kent, the Seat of the Right honourable the Earl of Darnley
Creator:
John Buckler FSA, 1770–1851
Date:
1820
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. South view of Holland House, Middlesex, the Seat of Lord Holland

South view of Holland House, Middlesex, the Seat of Lord Holland
Creator:
John Buckler FSA, 1770–1851
Date:
1812
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Junction of the Greta and Tees at Rokeby

Junction of the Greta and Tees at Rokeby
Creator:
Print made by John Pye, 1782–1874
Date:
1818-1823
Materials & Techniques:
Etching and engraving; engraver's proof (a) on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 13 3/8 × 17 11/16 inches (34 × 44.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Exeter

Exeter
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1827-1838
Materials & Techniques:
Etching and engraving, with graphite and scratching out; touched engraver's proof (a) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/2 × 17 1/4 inches (29.2 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Colchester, Essex

Colchester, Essex
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1827-1838
Materials & Techniques:
Etching and engraving; engraver's proof (I) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/2 × 17 1/4 inches (29.2 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Ehrenbreitstein, During the Demolition of the Fortress in 1817

Ehrenbreitstein, During the Demolition of the Fortress in 1817
Creator:
Print made by James C. Allen, active 1821–1831
Date:
1824
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof on moderatelythick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/2 × 17 3/8 inches (29.2 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. The Avon near Bristol

The Avon near Bristol
Creator:
Samuel Jackson, 1794–1869
Date:
undated
Materials & Techniques:
Watercolor and gouache, with scraping and gum on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/4 x 17 1/4 inches (28.5 x 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Scene in Kent

Scene in Kent
Creator:
John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Black chalk and white chalk on moderately thick, slightly textured, blue-gray wove paper
Dimensions:
Contemporary drawn border: 11 1/2 x 17 1/8 inches (29.2 x 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Hounds and Hunters Attacking Deer

Hounds and Hunters Attacking Deer
Creator:
Sir Edwin Henry Landseer, 1802–1873
Date:
1831
Materials & Techniques:
Brown and gray wash with graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 x 17 1/8 inches (28.9 x 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Harewood House

Harewood House
Creator:
Print made by John Scott, 1774–1828
Date:
1816
Materials & Techniques:
Etching and engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 × 17 3/4 inches (28.9 × 45.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. Gateway to the Flower Garden at Farnley

Gateway to the Flower Garden at Farnley
Creator:
Print made by unknown artist
Date:
1814
Materials & Techniques:
Etching and engraving; published state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/2 × 17 1/4 inches (29.2 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. Gledhow

Gledhow
Creator:
Print made by George Cooke, 1781–1834
Date:
1816
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 × 17 1/4 inches (28.9 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. Plymouth from Mount Batten

Plymouth from Mount Batten
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1817
Materials & Techniques:
Etching; open etched state on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 11 1/2 × 17 1/8 inches (29.2 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. Pendennis Castle, and Entrance of Falmouth Harbour

Pendennis Castle, and Entrance of Falmouth Harbour
Creator:
Print made by George Cooke, 1781–1834
Date:
1814 to 1826
Materials & Techniques:
Etching and engraving with graphite; touched proof on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/16 × 17 3/8 inches (29.1 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. Bow and Arrow Castle, Isle of Portland

Bow and Arrow Castle, Isle of Portland
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1814-1826
Materials & Techniques:
Etching and engraving; first published state on thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 5/16 × 17 3/8 inches (28.7 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. Fowey, Cornwall

Fowey, Cornwall
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1820
Materials & Techniques:
Etching and engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 × 17 3/8 inches (28.9 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. Minehead, Somersetshire

Minehead, Somersetshire
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1820
Materials & Techniques:
Etching and engraving; first published state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/4 × 17 1/4 inches (28.6 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. Folkstone, Kent

Folkstone, Kent
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1825
Materials & Techniques:
Etching; open etched state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/2 × 17 1/4 inches (29.2 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. Gibside, County of Durham

Gibside, County of Durham
Creator:
Print made by Samuel Rawle, 1771–1860
Date:
1819
Materials & Techniques:
Etching and engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. Hylton Castle, County of Durham

Hylton Castle, County of Durham
Creator:
Print made by Samuel Rawle, 1771–1860
Date:
1816 to 1823
Materials & Techniques:
Etching with chine collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/4 × 21 3/4 inches (40 × 55.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. Raby Castle, County of Durham

Raby Castle, County of Durham
Creator:
Print made by Samuel Rawle, 1771–1860
Date:
1820
Materials & Techniques:
Etching and engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 1/8 × 19 7/8 inches (33.3 × 50.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. Hylton Castle, County of Durham

Hylton Castle, County of Durham
Creator:
Print made by Samuel Rawle, 1771–1860
Date:
1820
Materials & Techniques:
Etching and engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 1/4 × 19 3/4 inches (33.7 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. The Rialto, Venice

The Rialto, Venice
Creator:
Print made by John Pye, 1782–1874
Date:
1818-1820
Materials & Techniques:
Etching and engraving; engraver's proof on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/4 × 17 3/8 inches (28.6 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. The Roman Forum, from the Tower of the Capitol

The Roman Forum, from the Tower of the Capitol
Creator:
Print made by George Cooke, 1781–1834
Date:
1818-1820
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/2 × 17 7/16 inches (29.2 × 44.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. Rome from Monte Mario

Rome from Monte Mario
Creator:
Print made by John Byrne, 1786–1847
Date:
1820
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 5/16 × 17 1/4 inches (28.7 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. Florence, from the Ponte alla Carraia

Florence, from the Ponte alla Carraia
Creator:
Print made by Samuel Rawle, 1771–1860
Date:
1818-1820
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/2 × 17 3/8 inches (29.2 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. Antiquities at Pola, Frontispiece

Antiquities at Pola, Frontispiece
Creator:
Print made by George Cooke, 1781–1834
Date:
1818
Materials & Techniques:
Etching and engraving; engraver's proof on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/2 × 17 1/8 inches (29.2 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. Richmond Castle and Town

Richmond Castle and Town
Creator:
Print made by John Wykeham Archer, 1808–1864
Date:
1820
Materials & Techniques:
Etching and engraving, with graphite, scraping out, and chine collé; touched engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/2 × 17 3/8 inches (29.2 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. High Force or Fall of Tees

High Force or Fall of Tees
Creator:
Print made by John Landseer, 1769–1852
Date:
1821
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof (b) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 20 5/8 inches (38.1 × 52.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

61. High Force or Fall of Tees

High Force or Fall of Tees
Creator:
Print made by John Landseer, 1769–1852
Date:
1818-1823
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof (a) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/16 × 19 5/8 inches (35.7 × 49.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. Brignall Church

Brignall Church
Creator:
Print made by Samuel Rawle, 1771–1860
Date:
1821
Materials & Techniques:
Etching and engraving with chine collé; first published state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 13/16 × 18 1/16 inches (30 × 45.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

63. Crook of the Lune, Looking towards Hornby Castle

Crook of the Lune, Looking towards Hornby Castle
Creator:
Print made by John Wykeham Archer, 1808–1864
Date:
1821
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 5/8 × 20 15/16 inches (37.1 × 53.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

64. Weathercote Cave when Half Filled with Water

Weathercote Cave when Half Filled with Water
Creator:
Print made by Samuel Middiman, ca. 1750–1831
Date:
1821
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof (b) on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 15 3/8 × 22 3/8 inches (39.1 × 56.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

65. St. Peter's and Environs, Rome

St. Peter's and Environs, Rome
Creator:
Isaac Weld, 1774–1856
Date:
1819
Materials & Techniques:
Graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 11 1/2 × 17 1/8 inches (29.2 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

66. Simplon (Switzerland)

Simplon (Switzerland)
Creator:
Isaac Weld, 1774–1856
Date:
ca. 1817
Materials & Techniques:
Pen and black ink, gray ink, gray wash, black wash, graphite, and white gouache on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 11 1/2 × 17 1/4 inches (29.2 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

67. Castle of Montdragon, near Orange

Castle of Montdragon, near Orange
Creator:
Print made by James C. Allen, active 1821–1831
Date:
1825
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/2 × 17 3/8 inches (29.2 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

68. Tours, Looking Backwards

Tours, Looking Backwards
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1833
Materials & Techniques:
Etching; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 × 17 1/8 inches (28.9 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

69. South West View of Cobham hall Kent, the Seat of the Right Honourable the Earl of Darnley

South West View of Cobham hall Kent, the Seat of the Right Honourable the Earl of Darnley
Creator:
John Buckler FSA, 1770–1851
Date:
1820
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

70. North West view of Burleigh House The Seat of the Marquis of Exeter

North West view of Burleigh House The Seat of the Marquis of Exeter
Creator:
John Buckler FSA, 1770–1851
Date:
1817
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

71. Crofton Hall, Yorkshire

Crofton Hall, Yorkshire
Creator:
Robert Havell, 1769–1832
Date:
1813
Materials & Techniques:
Aquatint with etching, hand-colored on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 11 9/16 x 17 3/8 inches (29.4 x 44.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

72. Crofton

Crofton
Creator:
Robert Havell, 1769–1832
Date:
1813
Materials & Techniques:
Aquatint with etching, hand-colored on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 11 9/16 x 17 3/16 inches (29.4 x 43.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

73. Sir Thomas Lawrence's Painting Room in 1824

Sir Thomas Lawrence's Painting Room in 1824
Creator:
Emily Calmady, 19th century
Date:
1824
Materials & Techniques:
Graphite and white gouache on medium, moderately textured, beige wove paper
Dimensions:
Mount: 11 1/2 × 19 3/8 inches (29.2 × 49.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

74. The Temple of Apollo Epikourios: Section through the Cella

The Temple of Apollo Epikourios: Section through the Cella
Creator:
Charles Robert Cockerell, 1788–1863
Date:
undated
Materials & Techniques:
Graphite, pen and brown and gray ink, and brown wash on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 11 1/2 × 17 1/4 inches (29.2 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

75. The Descent of the Great Bear or the Mussulmans in a Quandary

The Descent of the Great Bear or the Mussulmans in a Quandary
Creator:
Print made by William Heath, 1795–1840
Date:
1828
Materials & Techniques:
Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/2 × 17 1/4 inches (29.2 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Godfrey Pearlson

76. A Change in the Head of Affairs

A Change in the Head of Affairs
Creator:
Print made by William Heath, 1795–1840
Date:
ca. 1828
Materials & Techniques:
Etching with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 × 17 1/4 inches (28.9 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Godfrey Pearlson

77. Crossing Lancaster Sands

Crossing Lancaster Sands
Creator:
David Cox, 1783–1859
Date:
mid-1830s
Materials & Techniques:
Watercolor, gouache and graphite and scratching out on moderately thick, slightly textured, cream wove paper
Dimensions:
Mount: 14 5/16 × 20 1/16 inches (36.4 × 51 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

78. The Dog wot has Lost his Tail

No cover image available
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1834
Materials & Techniques:
Colored lithograph on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 3/8 × 17 1/4 inches (28.9 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Godfrey Pearlson

79. Orpheus Drawing Iron Tears Down Pluto's Cheek

No cover image available
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1834
Materials & Techniques:
Colored lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/2 × 17 1/4 inches (29.2 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Godfrey Pearlson