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1. Shipwreck

Shipwreck
Creator:
Francis Danby, 1793–1861
Date:
ca. 1850
Materials & Techniques:
Oil on canvas
Dimensions:
12 1/2 x 16 inches (31.8 x 40.6 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

2. Mail Coaches on the Road: the Louth-London Royal Mail progressing at Speed

Mail Coaches on the Road: the Louth-London Royal Mail progressing at Speed
Creator:
Charles Cooper Henderson, 1803–1877
Date:
between 1820 and 1830
Materials & Techniques:
Oil on canvas
Dimensions:
12 3/4 x 20 3/4 inches (32.4 x 52.7 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

3. Mail Coaches on the Road: the `Quicksilver' Devonport-London Royal Mail about to Start with a new Team (The Devonshire to London Coach)

Mail Coaches on the Road: the `Quicksilver' Devonport-London Royal Mail about to Start with a new Team (The Devonshire to London Coach)
Creator:
Charles Cooper Henderson, 1803–1877
Date:
between 1820 and 1830
Materials & Techniques:
Oil on canvas
Dimensions:
12 3/4 x 20 3/4 inches (32.4 x 52.7 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

4. Fishing Smack and Other Vessels in a Strong Breeze

Fishing Smack and Other Vessels in a Strong Breeze
Creator:
Joseph Stannard, 1797–1830
Date:
1830
Materials & Techniques:
Oil on panel
Dimensions:
12 3/4 x 17 inches (32.4 x 43.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

5. Europe. A Prophecy; Frontispiece

Europe. A Prophecy; Frontispiece
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1820
Materials & Techniques:
Relief and white-line etching printed in brown ink; proof; verso: color printed relief etching with pen and ink; proof on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 1/2 x 9 1/4 inches (31.8 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. The Laocoön, for Rees's Cyclopædia

The Laocoön, for Rees's Cyclopædia
Creator:
William Blake, 1757–1827
Date:
1815
Materials & Techniques:
Graphite on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 12 5/8 × 9 inches (32.1 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

7. Hotel de Sens, Paris

Hotel de Sens, Paris
Creator:
Print made by Thomas Shotter Boys, 1803–1874
Date:
1830
Materials & Techniques:
Soft-ground etching on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 19 1/2 x 13 1/8 inches (49.5 x 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Front of the New Mills

Front of the New Mills
Creator:
Print made by John Crome, 1768–1821
Date:
1813
Materials & Techniques:
Etching with chine collé on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/2 x 17 3/8 inches (31.8 x 44.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Lillebonne - Château d'Harcourt

Lillebonne - Château d'Harcourt
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1824
Materials & Techniques:
Lithograph with yellow tint on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 12 1/2 x 9 11/16 inches (31.8 x 24.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

10. The Fire in H.M. Dockyard at Devonport on the Morning of the 27th of September 1840

The Fire in H.M. Dockyard at Devonport on the Morning of the 27th of September 1840
Creator:
Print made by William Clerk, ? 19th c.
Date:
after 1840
Materials & Techniques:
Hand-colored lithograph on moderately thick, smooth, beige card
Dimensions:
Sheet: 15 3/16 x 18 3/4 inches (38.6 x 47.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Back of the New Mills, Norwich

Back of the New Mills, Norwich
Creator:
Print made by John Crome, 1768–1821
Date:
1812
Materials & Techniques:
Etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 3/8 x 16 3/4 inches (31.5 x 42.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Water Engine, Cold-Bath-Field's Prison

Water Engine, Cold-Bath-Field's Prison
Creator:
Print made by John Bluck, active 1791–1831
Date:
1808
Materials & Techniques:
Aquatint and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 5/8 x 9 7/16 inches (32 x 24 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker

13. Eight Rural Subjects

Eight Rural Subjects
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, etching, stipple engraving and color woodcut on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 1/2 × 11 3/16 inches (31.8 × 28.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Westminster Abbey, Hospital &c.

Westminster Abbey, Hospital &c.
Creator:
Print made by Thomas Shotter Boys, 1803–1874
Date:
1842
Materials & Techniques:
Lithograph with tint on thick, slightly textured, cream card
Dimensions:
Sheet: 14 7/8 x 21 11/16 inches (37.8 x 55.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

15. The Day of Judgment

The Day of Judgment
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1808, published 1813
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. The Village of Kirkstall, Yorkshire

The Village of Kirkstall, Yorkshire
Creator:
Thomas Girtin, 1775–1802
Date:
1801
Materials & Techniques:
Watercolor with pen and black and brown ink over graphite on moderately thick, rough, beige wove paper
Dimensions:
Sheet: 12 7/16 x 19 1/4 inches (31.6 x 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Eight colour prints

Eight colour prints
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, etching, stipple engraving and color woodcut on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 5/8 × 11 inches (32 × 28 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. "The Poacher's Progress:" Poachers Scuffling with the Constables in the Skittle Ground

"The Poacher's Progress:" Poachers Scuffling with the Constables in the Skittle Ground
Creator:
C. Blake, active 1825–1826
Date:
undated
Materials & Techniques:
Graphite, watercolor, and varnish on very thick, moderately textured, brown wove paper
Dimensions:
Sheet: 12 11/16 × 17 5/8 inches (32.2 × 44.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Foxhunting: Unkennelling the Pack

Foxhunting: Unkennelling the Pack
Creator:
Edwin W. Cooper of Beccles, 1785–1833
Date:
1816
Materials & Techniques:
Watercolor, pen and ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 11/16 × 19 3/16 inches (32.2 × 48.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. "The Poacher's Progress:" Poachers Before the Magistrates

"The Poacher's Progress:" Poachers Before the Magistrates
Creator:
C. Blake, active 1825–1826
Date:
undated
Materials & Techniques:
Graphite, watercolor, and varnish on very thick, moderately textured, brown wove paper
Dimensions:
Sheet: 12 3/4 × 17 5/8 inches (32.4 × 44.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Foxhunting: The Death

Foxhunting: The Death
Creator:
Edwin W. Cooper of Beccles, 1785–1833
Date:
1816
Materials & Techniques:
Watercolor, pen and gray ink, black ink, and graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 12 5/8 × 19 1/8 inches (32.1 × 48.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Foxhunting: Full Cry

Foxhunting: Full Cry
Creator:
Edwin W. Cooper of Beccles, 1785–1833
Date:
1816
Materials & Techniques:
Watercolor, pen and black ink, gray ink, brown ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 5/8 × 19 3/16 inches (32.1 × 48.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Foxhunting: Near the Death

Foxhunting: Near the Death
Creator:
Edwin W. Cooper of Beccles, 1785–1833
Date:
1816
Materials & Techniques:
Watercolor, pen and black ink, brown ink, gray ink, and graphite on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 12 5/8 × 19 3/16 inches (32.1 × 48.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. How to Vault in the Saddle

How to Vault in the Saddle
Creator:
Thomas Rowlandson, 1756–1827
Date:
1813
Materials & Techniques:
Watercolor, pen and brown ink, gray ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Mount: 13 x 10 3/4 inches (33 x 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Nithsdale

Nithsdale
Creator:
Print made by Sir Frank Short, 1857–1945
Date:
1891
Materials & Techniques:
Mezzotint with chine collé on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/2 × 17 1/8 inches (31.8 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

26. Little Dot Hetherington at the Old Bedford, Camden Town, Singing "The Boy I Love Is Up in the Gallery"

Little Dot Hetherington at the Old Bedford, Camden Town, Singing "The Boy I Love Is Up in the Gallery"
Creator:
Walter Richard Sickert, 1860–1942
Date:
ca. 1888
Materials & Techniques:
Pen and black ink and graphite on thick, smooth, beige card
Dimensions:
Sheet: 12 3/4 x 10 1/2 inches (32.4 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Mary Gertrude Abbey Fund

27. But Deliver Us From Evil

But Deliver Us From Evil
Creator:
John Flaxman, 1755–1826
Date:
1805
Materials & Techniques:
Graphite, gray ink, and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 1/2 x 7 5/8 inches (31.8 x 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. A Village Snow Scene

A Village Snow Scene
Creator:
Robert Hills, 1769–1844
Date:
1819
Materials & Techniques:
Watercolor and gouache over graphite with scraping out on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 5/8 x 16 15/16 inches (32 x 43.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Ghent: Street with Figures, Leading Up to the Cathedral

Ghent: Street with Figures, Leading Up to the Cathedral
Creator:
William Frome Smallwood, 1806–1834
Date:
1832
Materials & Techniques:
Graphite and watercolor on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 5/8 × 9 5/8 inches (32.1 × 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. The Abbey Mill, Knaresborough

The Abbey Mill, Knaresborough
Creator:
Thomas Girtin, 1775–1802
Date:
1801
Materials & Techniques:
Watercolor, graphite, and white gouache with scratching out on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 12 11/16 x 20 11/16 inches (32.2 x 52.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Sandsend, Yorkshire

Sandsend, Yorkshire
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Watercolor over graphite on thick, moderately textured, beige laid paper
Dimensions:
Sheet: 12 1/2 x 20 7/8 inches (31.8 x 53 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Portrait Sketches

Portrait Sketches
Creator:
Print made by James McNeill Whistler, 1834–1903
Date:
between 1870 and 1873
Materials & Techniques:
Etching and drypoint, printed from canceled plate on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 5/8 x 9 3/4 inches (32.1 x 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Robert N. Whittemore, Yale BS 1943

33. Interior of the Chapel of the Holy Trinity

Interior of the Chapel of the Holy Trinity
Creator:
Print made by Thomas Dale, active ca. 1921
Date:
1825
Materials & Techniques:
Etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 5/8 × 9 5/8 inches (32 × 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald and Willi Holden

34. A Tub Thumper

A Tub Thumper
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1817 and 1820
Materials & Techniques:
Watercolor with pen and brown, red-brown and gray ink over graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 12 1/2 x 9 1/4 inches (31.8 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection