Period: 19th century / Height [cm]: 33 / Classification: Prints

Print made by Samuel Palmer, 1805–1881

The Vine

1852

Etched by Joseph Mallord William Turner, 1775–1851

Glaucus and Scylla

1813 to 1823

Print made by George Cooke, 1781–1834

Brighton

1814 to 1826

Print made by Edward Goodall, 1795–1870

Mount Edgecomb, Devonshire

1814 to 1826

Print made by Samuel Rawle, 1771–1860

Raby Castle, County of Durham

1820

Print made by John Landseer, 1769–1852

Fall of the Tees

1818-1823

Print made by John Scott, 1774–1828

Aske Hall

1818-1823

unknown artist

A View of the Waterloo Bridge

1816

Bartholomew Howlett, 1767–1827

Interior of the Choir of St. Barts the Great

1822

unknown artist

Inside of One of the Rooms Under the Hall, Bermondsey, Abbey

1820

unknown artist

Inside of a Room and Saxon Ornaments of Bermondsey Abbey

1820

Sir David Young Cameron, 1865–1945

Veronica [North Italian Set: No. 2]

1895

Sir David Young Cameron, 1865–1945

The Rialto

1900

unknown artist

Gateway of the Priory of the Holy Trinity, called Christchurch near Aldgate

1825

William Gauci, active 1825–1854

Monuments and Tablets in St. Dunstan's Church

John Saddler, 1813–1892

The Interior of the Transepts of the Crystal Palace

1851

unknown artist

Inside of the Hall, Bermondsey Abbey

1820

Print made by John Wykeham Archer, 1808–1864

Richmond Castle and Town

1820

Print made by Edward Goodall, 1795–1870

Land Discovered by Columbus

1834

Print made by Samuel Middiman, ca. 1750–1831

Moss Dale Fall

1822

Print made by Henry Le Keux, 1787–1868

Borthwick Castle

1819

Print made by James C. Allen, active 1821–1831

Dunbar

1824

Print made by Thomas Higham, 1796–1844

Wilton House

1825

Engraved by Henry Le Keux, 1787–1868

High Street, Edinburgh

1819

Print made by Edward Goodall, 1795–1870

Cologne

1824

Print made by Edward Goodall, 1795–1870

Cologne

1824

Print made by Edward Goodall, 1795–1870

Cologne

1824

Maddocks, active 1825

Hungerford Market

1825

Print made by Samuel Cousins, 1801–1887

Sir Thomas Lawrence P. R. A

1830

Auguste François Laby, 1784–1860

Freetown, Sierra Leone

ca. 1850

Print made by John Doyle ('H.B.'), 1797–1868

The Man Wot "Whips the House Out"

1849

Samuel William Reynolds, 1773–1835

Dr. Johnson

1835

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults

1842

Richard Gilson Reeve, 1803–1889

One Mile from Gretna, Our Governor in Sight, --with a screw loose!

1836

Frederick Rosenberg, active 1816–1832

Opposition Coaches at Speed

1832

Bradford Rudge "The Bedford Times" / This print of the Bedford Times Coach, is respectfully dedicated / by permission, to William Henry Whitbread Esq're. / by his most obedient & obliged Servant / J. Matthew Crispin

Bradford Rudge, 1805–1885

"The Bedford Times" / This print of the Bedford Times Coach, is respectfully dedicated / by permission, to William Henry Whitbread Esq're. / by his most obedient & obliged Servant / J. Matthew Crispin

undated

George Hunt, active 1820–1840

Comparative Meltonians, as they Are, and as they Were: A Meltonian as he was

1823

George Hunt, active 1820–1840

Comparative Meltonians, as they Are, and as they Were: A Meltonian as he us'd to be

1823

George Hunt, active 1820–1840

Comparative Meltonians, as they Are, and as they Were: A Meltonian as he is

1823

George Hunt, active 1820–1840

Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonians as the are

1823

George Hunt, active 1820–1840

Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonian as he was

1823

George Hunt, active 1820–1840

Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonian as he is

1823

Thomas Harland, active early 19th century

Charles Barry

undated

James McNeill Whistler, 1834–1903

The Open Book

1861

James Girtin, ca. 1780–after 1820

Title Page for: A Selection of the Most Picturesque Views in Paris and its Environs

1803

James Girtin, ca. 1780–after 1820

Half Title page for: Views in Paris and its Environs

1803

Print made by William Daniell, 1769–1837

Paul Sandby

1809

Print made by James Gillray, 1756–1815

A Cognocenti Contemplating ye Beauties of ye Antique

1801

Print made by Matthew Dubourg, active 1786–1838

The Coronation of His Majesty, George the Fourth: Taken at the Time of the Recognition. July 19, 1821

1822

Print made by John Doyle ('H.B.'), 1797–1868

An Extraordinary Animal, Neither an Opossum nor a Kangaroo but Having Something of Both

1835

George Hunt, active 1820–1840

Comparative Meltonians, as they Are, and as they Were: A Meltonian as he was

1823

Print made by W. Pickett, active 1792–1820

Peaks Hole, Derbyshire

1805

Print made by François-Séraphin Delpech, 1778–1825

Ratisbonne

between 1818 and 1825

Auguste François Laby, 1784–1860

Freetown, Sierra Leone

ca. 1850

Charles Turner, 1774–1857

Francis Noel Clark Mundy and His Grandson, William

1810

Print made by John Corner, 1788–1825

Sir Anthony van Dyck

1825

Print made by John Franklin, c.1800–1868

Monsignor Alexandre's Characters in his Entertainment of the Devil on Two Sticks, or, Asmodeus in London

ca. 1825

Print made by James Basire the younger, 1769–1822

Inside View of the East End of Merton College

1802

Print made by James Basire the younger, 1769–1822

Interior of Hall of Christ Church

1807

Print made by James Basire the younger, 1769–1822

A View of Worcester College &c

1804

William Walker, 1791–1867

Henry Raeburn

1826

James Gillray, 1756–1815

A Morning Ride

1804

Print made by Charles Turner, 1774–1857

Children Crying Forfeits

1826

Print made by William Ward, 1766–1826

Her Royal Highnes the Princess Elizabeth

1801

Print made by Luigi Schiavonetti, 1765–1810

Robert Blair, The Grave, Title Page

1808, published 1813

Print made by unknown artist

The Young Roscius

1804

James Gillray The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing

Print made by James Gillray, 1756–1815

The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing

1805

Samuel William Reynolds, 1773–1835

James Hare

1804

Print made by James Ward, 1769–1859

William Henry West Betty

1805

Print made by Elizabeth Christiana Fanshawe, 1778–1856

Elizabeth Alexander

1806

James Watson, 1740–1790

Mary Bertie (née Panton) Duchess of Ancaster and Kesteven

1801

Print made by William Ward, 1766–1826

Mrs. Pope as Juliet

ca. 1804

Print made by George H. Phillips, active 1819–1825

Miss Fanny Ayton

1828

Print made by Henry Le Keux, 1787–1868

Aosta (vignette)

1830

Print made by Charles Turner, 1774–1857

Age of Innocence

1836

Print made by George H. Phillips, active 1819–1825

Miss Murray

1839

George Hunt "Nonpareil" / The Property of Mr. John Dixon of Knightsbridge / This Wonderful Creature, Performed the unprecedented Match, of Trotting 100 Miles in harness on Sunbury Common, on Wednesday the 27th April, 1836. ...

George Hunt, active 1820–1840

"Nonpareil" / The Property of Mr. John Dixon of Knightsbridge / This Wonderful Creature, Performed the unprecedented Match, of Trotting 100 Miles in harness on Sunbury Common, on Wednesday the 27th April, 1836. ..

1836