Period: 19th century / Height [cm]: 33 - YCBA Collections Search Search Results

101. Lilleshall, Shropshire: Attic Story

Creator:: Sir Jeffry Wyatville, 1766–1840
Date:: 1826
Materials & Techniques:: Graphite, pen and black ink, gray wash, watercolor on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 12 7/8 × 19 1/8 inches (32.7 × 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

102. Lilleshall, Shropshire: Plan of Roof

Creator:: Sir Jeffry Wyatville, 1766–1840
Date:: 1826
Materials & Techniques:: Graphite, pen and black ink, gray wash, and watercolor on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 12 7/8 × 19 inches (32.7 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

103. Lilleshall, Shropshire: North Entrance Front

Creator:: Sir Jeffry Wyatville, 1766–1840
Date:: 1826
Materials & Techniques:: Graphite, pen and black ink, watercolor on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 13 × 19 inches (33 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

104. Lilleshall, Shropshire: East Front

Creator:: Sir Jeffry Wyatville, 1766–1840
Date:: 1826
Materials & Techniques:: Graphite, pen and black ink, watercolor on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 13 × 19 1/4 inches (33 × 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

105. Lilleshall, Shropshire: Section through the Staircases

Creator:: Sir Jeffry Wyatville, 1766–1840
Date:: 1826
Materials & Techniques:: Graphite, pen and black ink, watercolor on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 12 7/8 × 19 1/8 inches (32.7 × 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

106. Cottages at Chatsworth, Derbyshire: Elevation

Creator:: Sir Jeffry Wyatville, 1766–1840
Date:: after 1818
Materials & Techniques:: Graphite, gray wash, and pen and black ink on slightly textured, medium, white wove paper
Dimensions:: Sheet: 12 13/16 × 19 inches (32.5 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

107. A House of Assembly, Quebec: Elevation

Creator:: Studio of Sir Jeffry Wyatville, 1766–1840
Date:: ca. 1812
Materials & Techniques:: Watercolor, pen and black ink on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 12 13/16 × 17 7/8 inches (32.5 × 45.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

108. Lilleshall, Shropshire: Chamber Plan

Creator:: Sir Jeffry Wyatville, 1766–1840
Date:: 1826
Materials & Techniques:: Graphite, pen and black ink, gray wash on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 12 7/8 × 19 1/8 inches (32.7 × 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

109. Landscape in the Lake District

Creator:: unknown artist
Date:: ca. 1813
Materials & Techniques:: Watercolor and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 8 1/4 x 12 inches (21 x 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Renée and Geoffrey H. Hartman, Yale PhD 1953

110. Study of the Royal Stag

Creator:: James Valentine, 1815–1879
Date:: ca. 1865
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 4 1/2 × 6 1/2 inches (11.4 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

111. Sculpture from Elliot Marble Group, India, plate 30

Creator:: Linnaeus Tripe, 1822–1902
Date:: 1859
Materials & Techniques:: Albumen print from waxed paper negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 9 1/8 × 10 3/4 inches (23.2 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

112. Clouds

Creator:: Henry Stuart Wortley, 1832–1890
Date:: 1863
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 6 7/8 × 9 inches (17.5 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro in honor of Scott Wilcox

113. Study of the Royal Stag

Creator:: James Valentine, 1815–1879
Date:: ca. 1865
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 4 1/2 × 6 1/2 inches (11.4 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

114. Hungerford Market

Creator:: Maddocks, active 1825
Date:: 1825
Materials & Techniques:: Engraving on smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 13 5/8 × 10 1/2 inches (34.6 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

115. Sir Thomas Lawrence P. R. A.

Creator:: Print made by Samuel Cousins, 1801–1887
Date:: 1830
Materials & Techniques:: Mezzotint, line engraving, and stipple engraving on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 20 1/16 x 15 13/16 inches (50.9 x 40.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

116. View of Kom Ombo

Creator:: David Roberts, 1796–1864
Date:: 1838
Materials & Techniques:: Watercolor and gouache, over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 × 19 3/8 inches (33 × 49.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

117. Plan of a Conservatory Designed for Thoresby

Creator:: Studio of Sir Jeffry Wyatville, 1766–1840
Date:: undated
Materials & Techniques:: Graphite, pen and black ink, watercolor on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 13 × 19 7/8 inches (33 × 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

118. Banner Cross Hall, Sheffield: Plan of the Principal Story

Creator:: Studio of Sir Jeffry Wyatville, 1766–1840
Date:: ca. 1819
Materials & Techniques:: Graphite, brown ink and watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 12 7/8 × 17 15/16 inches (32.7 × 45.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

119. Freetown, Sierra Leone

Creator:: Auguste François Laby, 1784–1860
Date:: ca. 1850
Materials & Techniques:: Colored lithograph on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/8 × 29 3/4 inches (33.3 × 75.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

120. The Man Wot "Whips the House Out"

Creator:: Print made by John Doyle ('H.B.'), 1797–1868
Date:: 1849
Materials & Techniques:: Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 17 1/4 x 11 13/16 inches (43.8 x 30 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

121. Dr. Johnson

Creator:: Samuel William Reynolds, 1773–1835
Date:: 1835
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 13 x 9 1/2in. (33 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Herman W. Liebert

122. The Hon. George Pryse Cambell (1793-1858), as a Midshipman

Creator:: Henry Edridge, 1769–1821
Date:: 1805
Materials & Techniques:: Watercolor, pen and black ink, graphite and scratching out on medium, slightly textured, beige wove paper
Dimensions:: Mount: 14 × 19 inches (35.6 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

123. Alcibiades and Timon

Creator:: Richard Westall, 1765–1836
Date:: ca. 1805
Materials & Techniques:: Watercolor with gouache and black ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 13 1/8 × 10 1/16 inches (33.3 × 25.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

124. Gwen John, Ida Nettleship and Ursula Tyrwhitt

Creator:: Augustus Edwin John, 1878–1961
Date:: ca. 1899
Materials & Techniques:: Black chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 × 9 7/8 inches (33 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

125. Thatched Cottage with Barn Adjoining

Creator:: John Fulleylove, 1845–1908
Date:: 1881
Materials & Techniques:: Watercolor and graphite on moderately thick, rough, cream wove paper
Dimensions:: Sheet: 13 1/8 × 20 inches (33.3 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

126. Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1842
Materials & Techniques:: Engraving on smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 13 × 19 inches (33 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

127. One Mile from Gretna, Our Governor in Sight, --with a screw loose!

Creator:: Richard Gilson Reeve, 1803–1889
Date:: 1836
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 1/8 x 17 3/4in. (33.3 x 45.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

128. Opposition Coaches at Speed

Creator:: Frederick Rosenberg, active 1816–1832
Date:: 1832
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 1/16 x 17 3/4in. (33.2 x 45.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

129. "The Bedford Times" / This print of the Bedford Times Coach, is respectfully dedicated / by permission, to William Henry Whitbread Esq're. / by his most obedient & obliged Servant / J. Matthew Crispin

"The Bedford Times" / This print of the Bedford Times Coach, is respectfully dedicated / by permission, to William Henry Whitbread Esq're. / by his most obedient & obliged Servant / J. Matthew Crispin

Creator:: Bradford Rudge, 1805–1885
Date:: undated
Materials & Techniques:: Hand colored lithograph
Dimensions:: Sheet: 12 13/16 x 21 1/4in. (32.5 x 54cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

130. Comparative Meltonians, as they Are, and as they Were: A Meltonian as he was

Creator:: George Hunt, active 1820–1840
Date:: 1823
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 x 15 3/4in. (33 x 40cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

131. Comparative Meltonians, as they Are, and as they Were: A Meltonian as he us'd to be

Creator:: George Hunt, active 1820–1840
Date:: 1823
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 x 15 3/4in. (33 x 40cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

132. Comparative Meltonians, as they Are, and as they Were: A Meltonian as he is

Creator:: George Hunt, active 1820–1840
Date:: 1823
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 x 15 3/4in. (33 x 40cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

133. Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonians as the are

Creator:: George Hunt, active 1820–1840
Date:: 1823
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 x 15 3/4in. (33 x 40cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

134. Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonian as he was

Creator:: George Hunt, active 1820–1840
Date:: 1823
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 x 15 3/4in. (33 x 40cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

135. Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonian as he is

Creator:: George Hunt, active 1820–1840
Date:: 1823
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 x 15 3/4in. (33 x 40cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

136. A Groom, Berkshire

Creator:: Joshua Cristall, 1768–1847
Date:: ca. 1816
Materials & Techniques:: Watercolor, graphite, and pen and brown ink on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 x 6 1/4 inches (33 x 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

137. Charles Barry

Creator:: Thomas Harland, active early 19th century
Date:: undated
Materials & Techniques:: Stipple engraving and etching on moderately thick, slightly textured, begie card with cream chine collé
Dimensions:: Sheet: 12 7/8 × 9 15/16 inches (32.7 × 25.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

138. "The Poacher's Progress:" Poachers in Prison (The Pardon)

Creator:: C. Blake, active 1825–1826
Date:: undated
Materials & Techniques:: Graphite, watercolor, and varnish on very thick, rough, brown wove paper
Dimensions:: Sheet: 13 1/16 × 17 1/4 inches (33.2 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

139. How to Vault in the Saddle

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1813
Materials & Techniques:: Watercolor, pen and brown ink, gray ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 13 x 10 3/4 inches (33 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

140. Decoration between Windows of Parlor, No. 3 Old Palace Yard

Creator:: Charles James Richardson, 1806–1871
Date:: 1871
Materials & Techniques:: Graphite, pen and black ink, brown wash, and pink wash on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 12 13/16 × 9 9/16 inches (32.5 × 24.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

141. The Open Book

Creator:: James McNeill Whistler, 1834–1903
Date:: 1861
Materials & Techniques:: Etching and drypoint, printed from canceled plate on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 7/8 x 9 5/8 inches (32.7 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Robert N. Whittemore, Yale BS 1943

142. West view of the Ruins of Cowdray House, Sussex

Creator:: John Buckler FSA, 1770–1851
Date:: 1825
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 13 × 19 3/4 inches (33 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

143. West View of the Ruins of Cowdray House, Sussex; from the Court

Creator:: John Buckler FSA, 1770–1851
Date:: 1825
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 12 7/8 × 19 3/4 inches (32.7 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

144. Title Page for: A Selection of the Most Picturesque Views in Paris and its Environs

Creator:: James Girtin, ca. 1780–after 1820
Date:: 1803
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

145. Half Title page for: Views in Paris and its Environs.

Creator:: James Girtin, ca. 1780–after 1820
Date:: 1803
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

146. The Ootacamund Hunt Meeting at Mr. Chalmers' House at Gindy, Madras, 1845

Creator:: Justinian Gantz, 1802–1862
Date:: 1845
Materials & Techniques:: Watercolor, graphite, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 7/8 × 20 1/8 inches (32.7 × 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

147. Leopards at Play Among Fallen Trees and Rocks

Creator:: Samuel Howitt, 1756–1822
Date:: ca. 1807
Materials & Techniques:: Watercolor, graphite, pen and gray ink, and brown ink on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 12 13/16 × 18 13/16 inches (32.5 × 47.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

148. Interior View of the Hall at Rushton

Creator:: John Buckler FSA, 1770–1851
Date:: 1817
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 19 3/4 × 14 inches (50.2 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

149. North West View of Wollaton hall, Nottinghamshire; the Seat of the Right hon'ble Lord Middleton

Creator:: John Buckler FSA, 1770–1851
Date:: 1812
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

150. The Gallery at Newby Hall; the Seat of the Right Hon'ble Lord Grantham

Creator:: John Buckler FSA, 1770–1851
Date:: 1817
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

151. Paul Sandby

Creator:: Print made by William Daniell, 1769–1837
Date:: 1809
Materials & Techniques:: Soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 13/16 x 10 1/8 inches (32.5 x 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

152. A Cognocenti Contemplating ye Beauties of ye Antique

Creator:: Print made by James Gillray, 1756–1815
Date:: 1801
Materials & Techniques:: Etching, hand-colored on moderately thick, smooth, cream wove paper mounted on green card
Dimensions:: Sheet: 15 3/8 × 10 11/16 inches (39 × 27.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Barbara and Max Wilk, Yale BA 1941

153. St. George's Chapel, Windsor, West End, July 19, 1832, 10 am

Creator:: Dr. William Crotch, 1775–1847
Date:: 1832
Materials & Techniques:: Graphite, watercolor, and gouache on medium, slightly textured, cream wove paper
Dimensions:: Mount: 12 7/8 × 10 7/16 inches (32.7 × 26.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

154. Deck of a Paddle Steamer With a Girl Reading and a Horse Travelling in a Loose-Box

Creator:: Edward Allen Everitt, 1824–1882
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, brown ink, gray ink, graphite, and gouache on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 8 13/16 inches (32.9 × 22.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

155. The Coronation of His Majesty, George the Fourth: Taken at the Time of the Recognition. July 19, 1821

Creator:: Print made by Matthew Dubourg, active 1786–1838
Date:: 1822
Materials & Techniques:: Etching and aquatint with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 7/16 × 19 3/16 inches (36.6 × 48.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of David M. Doret

156. Portrait of Benjamin West, P.R.A.

Creator:: John Jackson, 1778–1831
Date:: 1814
Materials & Techniques:: Graphite, watercolor, white chalk, and red pencil on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 7/8 × 9 1/2 inches (32.7 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

157. Ouse Bridge, York

Creator:: Thomas Girtin, 1775–1802
Date:: 1800
Materials & Techniques:: Watercolor with pen and brown ink over graphite, with scratching out on medium, rough, beige wove paper
Dimensions:: Sheet: 12 15/16 x 20 5/8 inches (32.9 x 52.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

158. Isola Bella, Lago Maggiore

Creator:: John Skinner Prout, 1806–1876
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, gouache, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 1/8 × 9 3/4 inches (33.3 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

159. An Extraordinary Animal, Neither an Opossum nor a Kangaroo but Having Something of Both

Creator:: Print made by John Doyle ('H.B.'), 1797–1868
Date:: 1835
Materials & Techniques:: Lithograph, hand-colored on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 17 5/8 x 11 13/16 inches (44.8 x 30 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Brian and Linda Gracie

160. Comparative Meltonians, as they Are, and as they Were: A Meltonian as he was

Creator:: George Hunt, active 1820–1840
Date:: 1823
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 x 15 3/4in. (33 x 40cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

161. Going to the Hayfield

Creator:: David Cox, 1783–1859
Date:: early 1850s
Materials & Techniques:: Watercolor, graphite, black chalk and scratching out on thick, rough, cream wove paper
Dimensions:: Mount: 16 × 22 1/2 inches (40.6 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

162. Borrowdale

Creator:: Frederick Henry Evans, 1853–1943
Date:: ca. 1885
Materials & Techniques:: Platinum print, ruled in ink and wash on medium, slightly textured, cream wove paper
Dimensions:: Image: 3 7/8 × 2 1/2 inches (9.8 × 6.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Hans P. Kraus, Jr.

163. Designs for the Facade and Ground Plan of a Prison

Creator:: Studio of Sir Jeffry Wyatville, 1766–1840
Date:: undated
Materials & Techniques:: Graphite, pen and black ink on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 13 1/8 × 20 3/4 inches (33.3 × 52.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

164. Loch Mouraig

Creator:: James Valentine, 1815–1879
Date:: 1860s
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 7 1/4 × 9 3/8 inches (18.4 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

165. Study of the Royal Stag

Creator:: James Valentine, 1815–1879
Date:: ca. 1865
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 4 1/2 × 6 1/2 inches (11.4 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

166. Study of the Royal Stag

Creator:: James Valentine, 1815–1879
Date:: ca. 1865
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 4 1/2 × 6 1/2 inches (11.4 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

167. West Front of the Church of Oyestraham [Ouistreham], near Caen, Normandy

Creator:: John Sell Cotman, 1782–1842
Date:: 1820
Materials & Techniques:: Graphite and brown wash on medium, smooth, cream wove paper
Dimensions:: Sheet: 13 1/8 x 10 3/8 inches (33.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

168. The Temple of Aphaia at Aegina: Ground Floor Plan

Creator:: Charles Robert Cockerell, 1788–1863
Date:: undated
Materials & Techniques:: Graphite, pen and black, gray and red ink, brown and pink wash on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 13 1/16 × 19 inches (33.2 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

169. Gil Blas, While Practising Medicine under Dr. Sangrado, Encounters Dr. Cuchillo at the Bedside of the Grocer

Creator:: Joshua Cristall, 1768–1847
Date:: between 1820 and 1822
Materials & Techniques:: Brown wash and brown ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 x 15 1/2 inches (33 x 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

170. Upwell Rectory, Norfolk

Creator:: John Sell Cotman, 1782–1842
Date:: 1816
Materials & Techniques:: Graphite and brown wash on medium, smooth, cream wove paper
Dimensions:: Sheet: 11 x 9 inches (27.9 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

171. Banner Cross Hall, Sheffield: Elevation

Creator:: Studio of Sir Jeffry Wyatville, 1766–1840
Date:: ca. 1819
Materials & Techniques:: Graphite, pen and brown ink and watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 12 7/8 × 17 3/8 inches (32.7 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

172. Kowloon China, looking towards Hong Kong Island

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, graphite, pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Image: 10 3/8 × 15 3/4 inches (26.4 × 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

173. Design for a Coat of Arms

Creator:: Alfred Stevens, 1817–1875
Date:: undated
Materials & Techniques:: Red chalk, gray wash and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/8 × 13 1/4 inches (33.3 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

174. The Cartoon Gallery, Knole, Kent

Creator:: Joseph Nash, 1808–1878
Date:: 1871
Materials & Techniques:: Watercolor, gouache, black ink, and graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 1/8 × 18 1/4 inches (33.3 × 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse

175. Villa for Mr. Bolton, Bournemouth, Elevation Views

Creator:: unknown artist
Date:: ca. 1875
Materials & Techniques:: Pen and black ink and graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 13 1/8 × 16 1/2 inches (33.3 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse

176. 1 & 2 Queens Gate, Kensington

Creator:: J. Singleton, active ca. 1920
Date:: ca. 1920
Materials & Techniques:: Watercolor and graphite; verso: watercolor and black ink on medium, slightly textured, cream wove paper mounted to board
Dimensions:: Sheet: 13 × 17 1/2 inches (33 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse

177. Sheriff Hutton Castle, Yorkshire

Creator:: John Sell Cotman, 1782–1842
Date:: ca. 1808
Materials & Techniques:: Watercolor and graphite on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 13 x 8 1/2 inches (33 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

178. Two Designs for Ecclesiastical Niches

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, black ink, and graphite on moderately thick, moderately textured, cream wove paper mounted on board
Dimensions:: Sheet: 7 5/8 × 3 1/8 inches (19.4 × 7.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse

179. In Rokeby Park

Creator:: John Sell Cotman, 1782–1842
Date:: 1800 to 1810
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 × 9 inches (33 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

180. Design for Grosvenor House, London: Plan

Creator:: Thomas Cundy, 1790–1867
Date:: 1827
Materials & Techniques:: Graphite, pen and black ink and watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 12 13/16 × 11 5/8 inches (32.5 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

181. The Temple of Apollo Epikourios: Details of the Ionic Order

Creator:: Charles Robert Cockerell, 1788–1863
Date:: undated
Materials & Techniques:: Pen and black ink and graphite on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 12 15/16 × 18 5/8 inches (32.9 × 47.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

182. Nablous [Nablus], Jordan

Creator:: Rev. Edward Thomas Daniell, 1804–1842
Date:: 1841
Materials & Techniques:: Watercolor, gouache and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 13 1/8 × 19 1/2 inches (33.3 × 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

183. Djebel Serbal, Sinai

Creator:: Rev. Edward Thomas Daniell, 1804–1842
Date:: 1841
Materials & Techniques:: Watercolor, graphite, gouache, and black chalk on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 13 x 19 7/16in. (33 x 49.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

184. Summit of Mount Sinai or Jebel Musa

Creator:: Rev. Edward Thomas Daniell, 1804–1842
Date:: 1840
Materials & Techniques:: Watercolor, gouache and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Mount: 16 1/2 × 22 5/8 inches (41.9 × 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

185. Male Nude

Creator:: Henri Edmond Cross, 1856–1910
Date:: 1894
Materials & Techniques:: Black and red chalk on moderately thick, slightly textured, gray wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

186. Peaks Hole, Derbyshire

Creator:: Print made by W. Pickett, active 1792–1820
Date:: 1805
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 × 18 1/2 inches (33 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

187. Talsarnau, North Wales

Creator:: Cornelius Varley, 1781–1873
Date:: 1858
Materials & Techniques:: watercolor on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 12 13/16 x 16 5/8 inches (32.5 x 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Lowell Libson in honor of Charles Ryskamp

188. Ratisbonne

Creator:: Print made by François-Séraphin Delpech, 1778–1825
Date:: between 1818 and 1825
Materials & Techniques:: Lithograph on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 13 x 9 5/16 inches (33 x 23.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, A. Conger Goodyear, B.A. 1899, Fund

189. Freetown, Sierra Leone

Creator:: Auguste François Laby, 1784–1860
Date:: ca. 1850
Materials & Techniques:: Colored lithograph on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/8 × 30 3/16 inches (33.3 × 76.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

190. Francis Noel Clark Mundy and His Grandson, William

Creator:: Charles Turner, 1774–1857
Date:: 1810
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 19 13/16 × 24 1/4 inches (50.3 × 61.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

191. Sir Anthony van Dyck

Creator:: Print made by John Corner, 1788–1825
Date:: 1825
Materials & Techniques:: Line engraving, stipple engraving and etching on moderately thick, moderately textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 13 1/16 × 9 1/8 inches (33.1 × 23.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

192. Monsignor Alexandre's Characters in his Entertainment of the Devil on Two Sticks, or, Asmodeus in London

Creator:: Print made by John Franklin, c.1800–1868
Date:: ca. 1825
Materials & Techniques:: Lithograph with watercolor on moderately thick, slightly textured, brown wove paper
Dimensions:: Sheet: 12 15/16 x 17 13/16 inches (32.8 x 45.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection, Fry Print Collection

193. Inside View of the East End of Merton College

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1802
Materials & Techniques:: Etching and line engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 13 × 18 inches (33 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

194. Interior of Hall of Christ Church

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1807
Materials & Techniques:: Etching and line engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 13 3/8 × 18 1/8 inches (34 × 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

195. A View of Worcester College &c.

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1804
Materials & Techniques:: Etching and line engraving on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/8 × 17 3/4 inches (33.3 × 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

196. Henry Raeburn

Creator:: William Walker, 1791–1867
Date:: 1826
Materials & Techniques:: Stipple engraving on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 7/8 × 15 7/8 inches (55.6 × 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

197. A Morning Ride

Creator:: James Gillray, 1756–1815
Date:: 1804
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 13 11/16 x 20 3/16 inches (34.7 x 51.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of Robert W. Carle

198. Children Crying Forfeits

Creator:: Print made by Charles Turner, 1774–1857
Date:: 1826
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 13 1/16 × 9 5/16 inches (33.2 × 23.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

199. Levens, Westmoreland, The Small Drawing Room

Creator:: Joseph Nash, 1808–1878
Date:: 1873
Materials & Techniques:: Watercolor, gouache, and pen, with black, ink, brown ink and red ink, with traces of graphite on thick, moderately textured, beige wove paper
Dimensions:: Mount: 16 × 22 inches (40.6 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

200. Her Royal Highnes the Princess Elizabeth

Creator:: Print made by William Ward, 1766–1826
Date:: 1801
Materials & Techniques:: Stipple engraving on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 13 5/16 × 10 5/16 inches (33.8 × 26.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

YCBA Collections Search

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Period 19th century

Height [cm] 33

Search Results

101. Lilleshall, Shropshire: Attic Story

102. Lilleshall, Shropshire: Plan of Roof

103. Lilleshall, Shropshire: North Entrance Front

104. Lilleshall, Shropshire: East Front

105. Lilleshall, Shropshire: Section through the Staircases

106. Cottages at Chatsworth, Derbyshire: Elevation

107. A House of Assembly, Quebec: Elevation

108. Lilleshall, Shropshire: Chamber Plan

109. Landscape in the Lake District

110. Study of the Royal Stag

111. Sculpture from Elliot Marble Group, India, plate 30

112. Clouds

113. Study of the Royal Stag

114. Hungerford Market

115. Sir Thomas Lawrence P. R. A.

116. View of Kom Ombo

117. Plan of a Conservatory Designed for Thoresby

118. Banner Cross Hall, Sheffield: Plan of the Principal Story

119. Freetown, Sierra Leone

120. The Man Wot "Whips the House Out"

121. Dr. Johnson

122. The Hon. George Pryse Cambell (1793-1858), as a Midshipman

123. Alcibiades and Timon

124. Gwen John, Ida Nettleship and Ursula Tyrwhitt

125. Thatched Cottage with Barn Adjoining

126. Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults

127. One Mile from Gretna, Our Governor in Sight, --with a screw loose!

128. Opposition Coaches at Speed

129. "The Bedford Times" / This print of the Bedford Times Coach, is respectfully dedicated / by permission, to William Henry Whitbread Esq're. / by his most obedient & obliged Servant / J. Matthew Crispin

130. Comparative Meltonians, as they Are, and as they Were: A Meltonian as he was

131. Comparative Meltonians, as they Are, and as they Were: A Meltonian as he us'd to be

132. Comparative Meltonians, as they Are, and as they Were: A Meltonian as he is

133. Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonians as the are

134. Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonian as he was

135. Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonian as he is

136. A Groom, Berkshire

137. Charles Barry

138. "The Poacher's Progress:" Poachers in Prison (The Pardon)

139. How to Vault in the Saddle

140. Decoration between Windows of Parlor, No. 3 Old Palace Yard

141. The Open Book

142. West view of the Ruins of Cowdray House, Sussex

143. West View of the Ruins of Cowdray House, Sussex; from the Court

144. Title Page for: A Selection of the Most Picturesque Views in Paris and its Environs

145. Half Title page for: Views in Paris and its Environs.

146. The Ootacamund Hunt Meeting at Mr. Chalmers' House at Gindy, Madras, 1845

147. Leopards at Play Among Fallen Trees and Rocks

148. Interior View of the Hall at Rushton

149. North West View of Wollaton hall, Nottinghamshire; the Seat of the Right hon'ble Lord Middleton

150. The Gallery at Newby Hall; the Seat of the Right Hon'ble Lord Grantham

151. Paul Sandby

152. A Cognocenti Contemplating ye Beauties of ye Antique

153. St. George's Chapel, Windsor, West End, July 19, 1832, 10 am

154. Deck of a Paddle Steamer With a Girl Reading and a Horse Travelling in a Loose-Box

155. The Coronation of His Majesty, George the Fourth: Taken at the Time of the Recognition. July 19, 1821

156. Portrait of Benjamin West, P.R.A.

157. Ouse Bridge, York

158. Isola Bella, Lago Maggiore

159. An Extraordinary Animal, Neither an Opossum nor a Kangaroo but Having Something of Both

160. Comparative Meltonians, as they Are, and as they Were: A Meltonian as he was

161. Going to the Hayfield

162. Borrowdale

163. Designs for the Facade and Ground Plan of a Prison

164. Loch Mouraig

165. Study of the Royal Stag

166. Study of the Royal Stag

167. West Front of the Church of Oyestraham [Ouistreham], near Caen, Normandy

168. The Temple of Aphaia at Aegina: Ground Floor Plan

169. Gil Blas, While Practising Medicine under Dr. Sangrado, Encounters Dr. Cuchillo at the Bedside of the Grocer

170. Upwell Rectory, Norfolk

171. Banner Cross Hall, Sheffield: Elevation

172. Kowloon China, looking towards Hong Kong Island

173. Design for a Coat of Arms

174. The Cartoon Gallery, Knole, Kent