Period: 19th century / Height [cm]: 33 - YCBA Collections Search Search Results

1. The Avon Gorge

Creator:: Francis Danby, 1793–1861
Date:: between 1816 and 1818
Materials & Techniques:: Oil on panel
Dimensions:: 13 × 9 3/4 inches (33 × 24.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. Hampstead Heath Looking Towards Harrow

Creator:: John Constable, 1776–1837
Date:: 1821
Materials & Techniques:: Oil on paper laid on canvas
Dimensions:: 10 3/8 x 12 1/4 inches (26.4 x 31.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. Lane near Dedham

Creator:: John Constable, 1776–1837
Date:: 1802
Materials & Techniques:: Oil on canvas
Dimensions:: 13 1/8 x 16 3/4 inches (33.3 x 42.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

4. Dedham Vale

Creator:: John Constable, 1776–1837
Date:: 1802
Materials & Techniques:: Oil on canvas
Dimensions:: 13 1/8 x 16 3/8 inches (33.3 x 41.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

5. Harwich: The Low Lighthouse and Beacon Hill

Creator:: John Constable, 1776–1837
Date:: ca. 1820
Materials & Techniques:: Oil on canvas
Dimensions:: 13 x 20 inches (33 x 50.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

6. Rocky Hillside

Creator:: Frederick W. Watts, 1800–1862
Date:: ca. 1830
Materials & Techniques:: Oil on millboard
Dimensions:: 9 5/8 × 14 inches (24.4 × 35.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

7. Indian Landscape with Temple

Creator:: George Chinnery, 1774–1852
Date:: ca. 1815
Materials & Techniques:: Oil on canvas
Dimensions:: 8 1/16 × 9 1/2 inches (20.5 × 24.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

8. Horses Grazing: a Grey Stallion Grazing with Mares in a Meadow

Creator:: Francis Calcraft Turner, active 1782–1846
Date:: 1830
Materials & Techniques:: Oil on canvas
Dimensions:: 13 x 17 inches (33 x 43.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

9. Horses Grazing: Mares and Foals in a Field

Creator:: Francis Calcraft Turner, active 1782–1846
Date:: 1830
Materials & Techniques:: Oil on canvas
Dimensions:: 13 x 17 inches (33 x 43.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

10. Cottage by a country lane

Creator:: Sir Augustus Wall Callcott, 1779–1844
Date:: ca. 1820
Materials & Techniques:: Oil on panel
Dimensions:: 12 7/8 × 10 1/8 inches (32.7 × 25.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

11. Port on a Stormy Day

Creator:: George Chambers, 1803–1840
Date:: 1835
Materials & Techniques:: Oil on canvas
Dimensions:: 13 x 18 inches (33 x 45.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

12. Portrait of Nicola Luciani

Creator:: Henry Scott Tuke, 1858–1929
Date:: between 1913 and 1914
Materials & Techniques:: Oil on panel
Dimensions:: 13 x 9 1/2 inches (33 x 24.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948
On View:: Not on view

13. Ailsa Craig

Creator:: William Bell Scott, 1811–1890
Date:: 1860
Materials & Techniques:: Oil on canvas
Dimensions:: 12 13/16 x 19 1/4 inches (32.5 x 48.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

14. William Collins, R.A.

Creator:: John Linnell, 1792–1882
Date:: 1831
Materials & Techniques:: Oil on panel
Dimensions:: 13 x 10 1/4 inches (33 x 26 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

15. The Vine

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1852
Materials & Techniques:: Etching, drypoint, and plate tone, with chine collé on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 13/16 x 9 1/4 inches (32.5 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

16. Tintern Abbey at Sunset

Creator:: Samuel Palmer, 1805–1881
Date:: 1861
Materials & Techniques:: Watercolor, gouache and varnish over graphite with scratching out on heavy card
Dimensions:: Sheet: 13 1/8 x 27 3/4 inches (33.3 x 70.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Horses Threshing, Pont Aven

Creator:: Robert Polhill Bevan, 1865–1925
Date:: 1893
Materials & Techniques:: Black chalk and graphite on medium, smooth, beige wove paper
Dimensions:: Sheet: 13 × 17 3/4 inches (33 × 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Glaucus and Scylla

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1813 to 1823
Materials & Techniques:: Etching and mezzotint, printed in brown ink; modern impression on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/8 × 16 5/8 inches (33.3 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Prince Amgiad and Prince Assad

Creator:: Print made by Abraham Raimbach, 1784–1868
Date:: 1802
Materials & Techniques:: Etching and line engraving with chine collé on wove paper
Dimensions:: Image: 5 x 3 3/4in. (12.7 x 9.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Mamma at Romps

Creator:: Print made by Samuel Freeman, 1773–1857
Date:: 1810
Materials & Techniques:: Colored aqutatint and stipple engraving, with etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 7/16 x 10 3/8 inches (34.2 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. H.M.S. Warspite 50 Guns

Creator:: Edward Duncan, 1803–1882
Materials & Techniques:: Colored aquatint tinted with watercolor
Dimensions:: Sheet: 12 7/8 x 17 5/8in. (32.7 x 44.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Norham Castle, on the River Tweed

Creator:: Print made by Charles Turner, 1774–1857
Date:: 1824
Materials & Techniques:: Mezzotint; engraver's proof (g) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 × 19 3/8 inches (33 × 49.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Warkworth Castle on the River Coquet

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1823 to 1827
Materials & Techniques:: Mezzotint with chine collé; engraver's proof (b) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 × 20 1/8 inches (33 × 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Levens, Westmoreland, The Small Drawing Room

Creator:: Joseph Nash, 1808–1878
Date:: 1873
Materials & Techniques:: Watercolor, gouache, and pen, with black, ink, brown ink and red ink, with traces of graphite on thick, moderately textured, beige wove paper
Dimensions:: Mount: 16 × 22 inches (40.6 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Miss Murray

Creator:: Print made by George H. Phillips, active 1819–1825
Date:: 1839
Materials & Techniques:: Mezzotint (proof) on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 12 inches (41.3 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

26. Her Royal Highnes the Princess Elizabeth

Creator:: Print made by William Ward, 1766–1826
Date:: 1801
Materials & Techniques:: Stipple engraving on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 13 5/16 × 10 5/16 inches (33.8 × 26.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

27. Mrs. Pope as Juliet

Creator:: Print made by William Ward, 1766–1826
Date:: ca. 1804
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 16 × 12 inches (40.6 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

28. Miss Fanny Ayton

Creator:: Print made by George H. Phillips, active 1819–1825
Date:: 1828
Materials & Techniques:: Mezzotint on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 13 × 10 inches (33 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

29. Campos sur les bords du Rio das Velhas

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1827
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 12 13/16 x 16 3/4 inches (32.6 x 42.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Croix de Moulin les Planches

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1827
Materials & Techniques:: Lithograph with chine collé on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/8 x 10 1/2 inches (33.3 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Rue du Gros Horloge

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1824
Materials & Techniques:: Lithograph with chine collé on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 x 13 15/16 inches (33 x 35.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Tour du Gros Horloge, Batie Souis la Domination des Anglais en 1417

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1824
Materials & Techniques:: Lithograph with chine collé on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 20 7/8 x 13 3/4 inches (53 x 35 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Aloys Senefelder

Creator:: Godefroy Engelmann, 1788–1839
Date:: 1819
Materials & Techniques:: Lithograph on moderately thick, slightly textured, beige wove paper, laid on moderately thick, moderately textured, cream laid paper
Dimensions:: Mount: 15 3/4 x 11 11/16 inches (40 x 29.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Study of a Tree

Creator:: Print made by Raphael Lamar West, 1769–1850
Date:: 1802, published 1807
Materials & Techniques:: Lithograph on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 7/8 × 9 1/4 inches (32.7 × 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. West Front, Cassiobury

Creator:: Print made by John Hill, 1770–1850
Date:: 1816
Materials & Techniques:: Etching and aquatint; later state, 1837 edition on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/2 × 13 inches (39.4 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Henry James Pye, Esq

Creator:: B. Pym, active 1793–1805
Date:: 1801
Materials & Techniques:: Mezzotint on medium, slightly textured, beige wove paper
Dimensions:: Mount: 23 7/8 × 17 1/8 inches (60.6 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. The London Workhouse, Bishopsgate Street

Creator:: unknown artist
Date:: 1819
Materials & Techniques:: Engraving
Dimensions:: Sheet: 12 13/16 x 10 1/16in. (32.5 x 25.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Clerks-Well

Creator:: Bartholomew Howlett, 1767–1827
Date:: 1822
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 x 10 3/8in. (33 x 26.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. View of Blackfriars Bridge and St. Paul's

Creator:: Thomas Sutherland, ca. 1785–1838
Date:: 1803
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 x 17 11/16in. (33 x 44.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. The Southwark End of Old London Bridge

Creator:: Edward William Cooke, 1811–1880
Date:: 1831
Materials & Techniques:: Hand colored engraving
Dimensions:: Sheet: 12 7/8 x 16 5/8in. (32.7 x 42.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. London Bridge--- Demolition

Creator:: Edward William Cooke, 1811–1880
Date:: 1832
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 x 16 3/4in. (33 x 42.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Demolition of Old London Bridge

Creator:: Edward William Cooke, 1811–1880
Date:: 1832
Materials & Techniques:: Engraving
Dimensions:: Sheet: 12 7/8 x 16 5/8in. (32.7 x 42.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. The Old and New London Bridge

Creator:: Edward William Cooke, 1811–1880
Date:: 1830
Materials & Techniques:: Hand colored engraving
Dimensions:: Sheet: 12 15/16 x 16 1/2in. (32.9 x 41.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. The Young Roscius

Creator:: Print made by unknown artist
Date:: 1804
Materials & Techniques:: Etching with hand coloring on medium, smooth, cream wove paper
Dimensions:: Sheet: 13 5/8 × 11 1/8 inches (34.6 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

45. The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing

Creator:: Print made by James Gillray, 1756–1815
Date:: 1805
Materials & Techniques:: Etching and aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 7/16 x 10 inches (36.7 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

46. William Henry West Betty

Creator:: Print made by James Ward, 1769–1859
Date:: 1805
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 22 1/8 × 16 1/8 inches (56.2 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

47. West Window of the Chapel, New College Oxford: The Shepherd Offering, Nativity Scene

Creator:: George Siegmund Facius, 1750–1804
Date:: 1805
Materials & Techniques:: Stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 3/4 × 21 1/16 inches (45.1 × 53.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Sleeping Boy

Creator:: John Summerfield, active 1817?
Date:: 1812
Materials & Techniques:: Line gnraving and stiplle engraving on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 12 7/8 × 16 5/16 inches (32.7 × 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Water Mill

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1885
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 7/8 × 17 1/8 inches (32.7 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel Bell

50. Doric Order Septastyle Temple

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: between 1802 and 1804
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 × 19 3/4 inches (33 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. James Hare

Creator:: Samuel William Reynolds, 1773–1835
Date:: 1804
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 9/16 × 11 9/16 inches (39.5 × 29.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Elizabeth Alexander

Creator:: Print made by Elizabeth Christiana Fanshawe, 1778–1856
Date:: 1806
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 × 9 1/16 inches (33 × 23 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

53. Mary Bertie (née Panton) Duchess of Ancaster and Kesteven

Creator:: James Watson, 1740–1790
Date:: 1801
Materials & Techniques:: Mezzotint on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 13 × 9 inches (33 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Dugald Stewart Esq.

Creator:: Charles Turner, 1774–1857
Date:: 1808
Materials & Techniques:: Mezzotint on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Castel Sant' Angelo

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Watercolor, graphite, pen and gray ink on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 13 × 16 3/4 inches (33 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. New Abbey, near Dumfries

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 × 8 1/2 inches (33 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Twenty Designs for Gothic Friezes

Creator:: Augustus Welby Northmore Pugin, 1812–1852
Date:: 1830
Materials & Techniques:: Graphite and pen and blue ink on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 13 1/8 × 8 3/4 inches (33.3 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Within Carisbrooke Castle Grounds, Isle of Wight

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: between 1826 and 1830
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 × 9 inches (33 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Crewkerne Abbey, 24 May 1833

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1833
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 × 9 1/4 inches (33 × 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. The Interior of the Transepts of the Crystal Palace

Creator:: John Saddler, 1813–1892
Date:: 1851
Materials & Techniques:: Engraving
Dimensions:: Sheet: 12 7/8 x 8 3/4in. (32.7 x 22.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Interior of the Choir of St. Barts the Great

Creator:: Bartholomew Howlett, 1767–1827
Date:: 1822
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 x 10 1/2in. (33 x 26.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Inside of One of the Rooms Under the Hall, Bermondsey, Abbey

Creator:: unknown artist
Date:: 1820
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 x 10in. (33 x 25.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Inside of a Room and Saxon Ornaments of Bermondsey Abbey

Creator:: unknown artist
Date:: 1820
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 x 9 7/8in. (33 x 25.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Inside of the Hall, Bermondsey Abbey

Creator:: unknown artist
Date:: 1820
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 x 9 7/8in. (33 x 25.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Veronica [North Italian Set: No. 2]

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1895
Materials & Techniques:: Etching on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 13 × 7 3/8 inches (33 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

66. Portrait of Whistler

Creator:: Henri Charles Guérard, 1846–1897
Date:: 1888
Materials & Techniques:: Etching, drypoint, aquatint and roulette, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 3/8 x 12 5/16 inches (44.1 x 31.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Jeanne K. Welcher

67. Monsignor Alexandre's Characters in his Entertainment of the Devil on Two Sticks, or, Asmodeus in London

Creator:: Print made by John Franklin, c.1800–1868
Date:: ca. 1825
Materials & Techniques:: Lithograph with watercolor on moderately thick, slightly textured, brown wove paper
Dimensions:: Sheet: 12 15/16 x 17 13/16 inches (32.8 x 45.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection, Fry Print Collection

68. The Rialto

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1900
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/8 × 9 1/4 inches (33.3 × 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

69. Gateway of the Priory of the Holy Trinity, called Christchurch near Aldgate

Creator:: unknown artist
Date:: 1825
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 x 10 1/4in. (33 x 26cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Rush Memorial in Clapham Church

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor
Dimensions:: Sheet: 13 1/8 x 9 5/8in. (33.3 x 24.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Brooke and Crofford Memorial in Clapham Church

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor
Dimensions:: Sheet: 13 x 9 7/8in. (33 x 25.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Monuments and Tablets in St. Dunstan's Church

Creator:: William Gauci, active 1825–1854
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 13 x 11 1/2in. (33 x 29.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Nevil Memorial in Fulham Church

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor
Dimensions:: Sheet: 12 7/8 x 7 1/2in. (32.7 x 19.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Portrait of Whistler

Creator:: Henri Charles Guérard, 1846–1897
Date:: ca. 1888
Materials & Techniques:: Etching, drypoint, and mezzotint, printed in brown ink on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 16 7/8 x 12 5/8 inches (42.8 x 32 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Jeanne K. Welcher

75. Portrait of Whistler

Creator:: Henri Charles Guérard, 1846–1897
Date:: ca. 1888
Materials & Techniques:: Etching, drypoint, and mezzotint, printed in brown ink on moderately thick, smooth, beige Japanese paper
Dimensions:: Sheet: 18 5/8 x 12 13/16 inches (47.3 x 32.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Jeanne K. Welcher

76. Children Crying Forfeits

Creator:: Print made by Charles Turner, 1774–1857
Date:: 1826
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 13 1/16 × 9 5/16 inches (33.2 × 23.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

77. Robert Blair, The Grave, Title Page

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808, published 1813
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. "Nonpareil" / The Property of Mr. John Dixon of Knightsbridge / This Wonderful Creature, Performed the unprecedented Match, of Trotting 100 Miles in harness on Sunbury Common, on Wednesday the 27th April, 1836. ...

"Nonpareil" / The Property of Mr. John Dixon of Knightsbridge / This Wonderful Creature, Performed the unprecedented Match, of Trotting 100 Miles in harness on Sunbury Common, on Wednesday the 27th April, 1836. ...

Creator:: George Hunt, active 1820–1840
Date:: 1836
Materials & Techniques:: Color printed aquatint
Dimensions:: Sheet: 12 7/8 x 21 7/8in. (32.7 x 55.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. [Shooting] The Pointer

Creator:: Print by John Scott, 1774–1828
Date:: 1831
Materials & Techniques:: Engraving
Dimensions:: Sheet: 12 7/8 x 16in. (32.7 x 40.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Age of Innocence

Creator:: Print made by Charles Turner, 1774–1857
Date:: 1836
Materials & Techniques:: Mezzotint with chine collé; first state on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 20 13/16 × 16 inches (52.9 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

81. Hogarth Engraving His Master's Shop-bill the Sign of the Angel

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 11/16 inches (32.9 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House.

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, gray ink, black ink, gray wash, brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Hogarth Declaring His Love to Miss Thornhill

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 3/4 inches (32.9 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray ink, gray wash, brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 13/16 × 9 11/16 inches (32.5 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash, gray wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. The Smock Exposed

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. The Reconcilation

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 5/8 inches (32.9 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Hogarth Drawing Sarah Malcolm

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 3/4 inches (32.9 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Hogarth Painting His Picture of Captain Coram for the Foundling Hospital

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 11/16 inches (32.9 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 11/16 inches (32.7 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Hogarth Sitting to Roubiliac for His Bust

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 13 × 9 9/16 inches (33 × 24.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 3/4 inches (32.9 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. The Eleventh Hour

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, gray wash over graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 9/16 inches (32.9 × 24.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Hogarth at Old Slaughter's Hobbing with Highmore the Painter

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 13 × 9 3/4 inches (33 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 11/16 inches (32.7 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. The Thames Tunnel

Creator:: unknown artist
Date:: 1830
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 12 7/8 x 18 3/8in. (32.7 x 46.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

Refine your search

Search Constraints

Period 19th century

Height [cm] 33

Search Results

1. The Avon Gorge

2. Hampstead Heath Looking Towards Harrow

3. Lane near Dedham

4. Dedham Vale

5. Harwich: The Low Lighthouse and Beacon Hill

6. Rocky Hillside

7. Indian Landscape with Temple

8. Horses Grazing: a Grey Stallion Grazing with Mares in a Meadow

9. Horses Grazing: Mares and Foals in a Field

10. Cottage by a country lane

11. Port on a Stormy Day

12. Portrait of Nicola Luciani

13. Ailsa Craig

14. William Collins, R.A.

15. The Vine

16. Tintern Abbey at Sunset

17. Horses Threshing, Pont Aven

18. Glaucus and Scylla

19. Prince Amgiad and Prince Assad

20. Mamma at Romps

21. H.M.S. Warspite 50 Guns

22. Norham Castle, on the River Tweed

23. Warkworth Castle on the River Coquet

24. Levens, Westmoreland, The Small Drawing Room

25. Miss Murray

26. Her Royal Highnes the Princess Elizabeth

27. Mrs. Pope as Juliet

28. Miss Fanny Ayton

29. Campos sur les bords du Rio das Velhas

30. Croix de Moulin les Planches

31. Rue du Gros Horloge

32. Tour du Gros Horloge, Batie Souis la Domination des Anglais en 1417

33. Aloys Senefelder

34. Study of a Tree

35. West Front, Cassiobury

36. Henry James Pye, Esq

37. The London Workhouse, Bishopsgate Street

38. Clerks-Well

39. View of Blackfriars Bridge and St. Paul's

40. The Southwark End of Old London Bridge

41. London Bridge--- Demolition

42. Demolition of Old London Bridge

43. The Old and New London Bridge

44. The Young Roscius

45. The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing

46. William Henry West Betty

47. West Window of the Chapel, New College Oxford: The Shepherd Offering, Nativity Scene

48. Sleeping Boy

49. Water Mill

50. Doric Order Septastyle Temple

51. James Hare

52. Elizabeth Alexander

53. Mary Bertie (née Panton) Duchess of Ancaster and Kesteven

54. Dugald Stewart Esq.

55. Castel Sant' Angelo

56. New Abbey, near Dumfries

57. Twenty Designs for Gothic Friezes

58. Within Carisbrooke Castle Grounds, Isle of Wight

59. Crewkerne Abbey, 24 May 1833

60. The Interior of the Transepts of the Crystal Palace

61. Interior of the Choir of St. Barts the Great

62. Inside of One of the Rooms Under the Hall, Bermondsey, Abbey

63. Inside of a Room and Saxon Ornaments of Bermondsey Abbey

64. Inside of the Hall, Bermondsey Abbey

65. Veronica [North Italian Set: No. 2]

66. Portrait of Whistler

67. Monsignor Alexandre's Characters in his Entertainment of the Devil on Two Sticks, or, Asmodeus in London

68. The Rialto

69. Gateway of the Priory of the Holy Trinity, called Christchurch near Aldgate

70. Rush Memorial in Clapham Church

71. Brooke and Crofford Memorial in Clapham Church

72. Monuments and Tablets in St. Dunstan's Church

73. Nevil Memorial in Fulham Church

74. Portrait of Whistler