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Period 19th century

Remove constraint Period: 19th century

Height [cm] 37

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unknown artist View of facade of house, with its adjacent arcade
unknown artist
View of facade of house, with its adjacent arcade
undated
unknown artist Man with two dogs standing under a very large Cedar of Lebanon (?)
unknown artist
Man with two dogs standing under a very large Cedar of Lebanon (?)
undated
unknown artist View of house, through trees and shrubbery
unknown artist
View of house, through trees and shrubbery
undated
unknown artist View of terrace on one side of the house, including two men with scythes in foreground
unknown artist
View of terrace on one side of the house, including two men with scythes in foreground
undated
unknown artist View up a lane in the park: Man hunting with his three dogs
unknown artist
View up a lane in the park: Man hunting with his three dogs
unknown artist Man walking down lane towards fence and archway
unknown artist
Man walking down lane towards fence and archway
unknown artist View from a grove of trees, across several fields
unknown artist
View from a grove of trees, across several fields
unknown artist View up an axis in the flower garden, from the sundial to a garden building: include a gardener pruning flowers
unknown artist
View up an axis in the flower garden, from the sundial to a garden building: include a gardener pruning flowers
unknown artist Study of very large Cedar of Lebanon (?)
unknown artist
Study of very large Cedar of Lebanon (?)
unknown artist Front view of house, with cattle, horse and man in the foreground
unknown artist
Front view of house, with cattle, horse and man in the foreground
William Brockedon Hilly Landscape with Horse-Drawn Cart in Foreground
William Brockedon, 1787–1854
Hilly Landscape with Horse-Drawn Cart in Foreground
William Brockedon Landscape with Grazing Cows and Watermill
William Brockedon, 1787–1854
Landscape with Grazing Cows and Watermill
William Brockedon Cityscape from a Distance, with Church Towers and Smokestacks
William Brockedon, 1787–1854
Cityscape from a Distance, with Church Towers and Smokestacks
William Brockedon Mountainous Sketch
William Brockedon, 1787–1854
Mountainous Sketch
William Brockedon Mountain Landscape with Building on one Peak
William Brockedon, 1787–1854
Mountain Landscape with Building on one Peak
William Brockedon Landscape with Crumbling Building atop a Cliff
William Brockedon, 1787–1854
Landscape with Crumbling Building atop a Cliff
William Brockedon Landscape of Steep Hills with Building on one Summit
William Brockedon, 1787–1854
Landscape of Steep Hills with Building on one Summit
William Brockedon Mountain Landscape with Building on one Peak
William Brockedon, 1787–1854
Mountain Landscape with Building on one Peak
William Brockedon Grassy Ravine with Grazing Sheep
William Brockedon, 1787–1854
Grassy Ravine with Grazing Sheep
William Brockedon Coal Mining Posts and Houses Set Against a Dark Mountainside
William Brockedon, 1787–1854
Coal Mining Posts and Houses Set Against a Dark Mountainside
William Brockedon Hillside Landscape with River Winding Around Bottom
William Brockedon, 1787–1854
Hillside Landscape with River Winding Around Bottom
William Brockedon Faint landscape Sketch
William Brockedon, 1787–1854
Faint landscape Sketch
William Brockedon Full-length Portrait of Man Holding a Top Hat and Walking Stick
William Brockedon, 1787–1854
Full-length Portrait of Man Holding a Top Hat and Walking Stick
William Brockedon Landscape with Houses Set into a Hillside
William Brockedon, 1787–1854
Landscape with Houses Set into a Hillside
William Brockedon Faint Sketch of Mountains and Ravines
William Brockedon, 1787–1854
Faint Sketch of Mountains and Ravines
William Brockedon Landscape with Houses set at the Foot of Hills
William Brockedon, 1787–1854
Landscape with Houses set at the Foot of Hills
William Brockedon Faint Sketch of Mountains
William Brockedon, 1787–1854
Faint Sketch of Mountains
William Brockedon Hillside Entrance to a Mine, with Figure Standing in Front
William Brockedon, 1787–1854
Hillside Entrance to a Mine, with Figure Standing in Front
William Brockedon Step Mountain Landscape with Prominent Pine Tree
William Brockedon, 1787–1854
Step Mountain Landscape with Prominent Pine Tree
William Brockedon Two Sketches of Mountains
William Brockedon, 1787–1854
Two Sketches of Mountains
William Brockedon View up a River at the Base of a Steep Mountain Range
William Brockedon, 1787–1854
View up a River at the Base of a Steep Mountain Range
William Brockedon Mining Scene: Buildings and Standing Figure Set Against Dark Mountainside
William Brockedon, 1787–1854
Mining Scene: Buildings and Standing Figure Set Against Dark Mountainside
William Brockedon Three Figures Illuminated in Dark Scene
William Brockedon, 1787–1854
Three Figures Illuminated in Dark Scene
William Brockedon Sketch of Mountains, with House in the Foreground on right
William Brockedon, 1787–1854
Sketch of Mountains, with House in the Foreground on right
unknown artist View of gatehouse next to the park, with dog and traveller (the latter's belonging are wrapped in a bag, tied to a stick in foreground)
unknown artist
View of gatehouse next to the park, with dog and traveller (the latter's belonging are wrapped in a bag, tied to a stick in foreground)
undated
unknown artist View of lake surrounded by trees, with waterfowl flying over head
unknown artist
View of lake surrounded by trees, with waterfowl flying over head
undated
unknown artist View of House, taken from across the lake
unknown artist
View of House, taken from across the lake
undated
unknown artist View of river with rowboat beached on one side, and several ducks flying overhead
unknown artist
View of river with rowboat beached on one side, and several ducks flying overhead
undated
unknown artist View through a modest gate up a lane, where a man is leading two saddled horses
unknown artist
View through a modest gate up a lane, where a man is leading two saddled horses
undated
unknown artist View of Several Small Buildings on the estate with cattle in the foreground
unknown artist
View of Several Small Buildings on the estate with cattle in the foreground
unknown artist Botanical Garden/ Regent's Park 10 June 44
unknown artist
Botanical Garden/ Regent's Park 10 June 44
1844
Henry Bernard Chalon Passions of the Horse an entirely New Work described in Six subjects. 4. Affection. Each plate dedicated to George IV
Henry Bernard Chalon, 1771–1849
Passions of the Horse an entirely New Work described in Six subjects. 4. Affection. Each plate dedicated to George IV
1827
Newton Limbird Smith Fielding [Fox-hunting] Set of four: "Moving Accidents by Flood and Field". Plate IV. "Aground. The vermin sinks: mark, struggling for the lead, / ... Take counsel of our canvas - nurse your steed, / ..."
Newton Limbird Smith Fielding, 1799–1856
[Fox-hunting] Set of four: "Moving Accidents by Flood and Field". Plate IV. "Aground. The vermin sinks: mark, struggling for the lead, / ... Take counsel of our canvas - nurse your steed, / ..."
1836
Henry Bernard Chalon Passions of the Horse an entirely New Work described in Six subjects. 2. Love. Each plate dedicated to George IV
Henry Bernard Chalon, 1771–1849
Passions of the Horse an entirely New Work described in Six subjects. 2. Love. Each plate dedicated to George IV
1826
Henry Bernard Chalon Passions of the Horse an entirely New Work described in Six subjects. 3. Joy, or Gladness an Old Favourite Hunter. Each plate dedicated to George IV.
Henry Bernard Chalon, 1771–1849
Passions of the Horse an entirely New Work described in Six subjects. 3. Joy, or Gladness an Old Favourite Hunter. Each plate dedicated to George IV
1827
William Louis Henry Skeen & Co. Giant Bamboo at Peradeniya
William Louis Henry Skeen & Co., 1862–1903
Giant Bamboo at Peradeniya
1880s
William Daniell Sir Giles Rooke
Print made by William Daniell, 1769–1837
Sir Giles Rooke
1809
William Louis Henry Skeen & Co. Rubber Tree
William Louis Henry Skeen & Co., 1862–1903
Rubber Tree
1880s
William Louis Henry Skeen & Co. Giant Bamboo
William Louis Henry Skeen & Co., 1862–1903
Giant Bamboo
1880s
William Louis Henry Skeen & Co. Cactus Tree
William Louis Henry Skeen & Co., 1862–1903
Cactus Tree
1880s
William Louis Henry Skeen & Co. Road and Lake at Kandy
William Louis Henry Skeen & Co., 1862–1903
Road and Lake at Kandy
1880s
John Bluck Snipe Shooting
John Bluck, active 1791–1831
Snipe Shooting
1807
Matthew Dubourg [Coaching] Mail Coach
Matthew Dubourg, active 1786–1838
[Coaching] Mail Coach
1824
Luigi Schiavonetti Christ Descending into the Grave
Print made by Luigi Schiavonetti, 1765–1810
Christ Descending into the Grave
1808
Frederick Christian Lewis the Elder Otter Hunting
Frederick Christian Lewis the Elder, 1779–1856
Otter Hunting
1818
Henry Bernard Chalon Passions of the Horse an entirely New Work described in Six subjects. 5. Courage. Each plate dedicated to George IV
Henry Bernard Chalon, 1771–1849
Passions of the Horse an entirely New Work described in Six subjects. 5. Courage. Each plate dedicated to George IV
1827
Henry Bernard Chalon Passions of the Horse an entirely New Work described in Six subjects. 6. Terror. Each plate dedicated to George IV
Henry Bernard Chalon, 1771–1849
Passions of the Horse an entirely New Work described in Six subjects. 6. Terror. Each plate dedicated to George IV
1827
Newton Limbird Smith Fielding [Fox-hunting] Set of four: "Moving Accidents by Flood and Field". Plate III. "Afloat. As troubles multiply, things grow select, / ... Dire is the daring now of the `elect', / ..."
Newton Limbird Smith Fielding, 1799–1856
[Fox-hunting] Set of four: "Moving Accidents by Flood and Field". Plate III. "Afloat. As troubles multiply, things grow select, / ... Dire is the daring now of the `elect', / ..."
1836
Newton Limbird Smith Fielding [Fox-hunting] Set of four: "Moving Accidents by Flood and Field". Plate II. "A case of Pound. / Now Minrods! shew that ye are workmen: keep / ... Hold hard! 'ware Squire traps - look before ye leap / ..."
Newton Limbird Smith Fielding, 1799–1856
[Fox-hunting] Set of four: "Moving Accidents by Flood and Field". Plate II. "A case of Pound. / Now Minrods! shew that ye are workmen: keep / ... Hold hard! 'ware Squire traps - look before ye leap / ..."
1836
Lieutenant H. W. Senior Portrait of a Native of Central India
Lieutenant H. W. Senior, active 19th century
Portrait of a Native of Central India
ca. 1860
W. E. Lockhart The House of the Chase, Pompeii
W. E. Lockhart, 1846–1900
The House of the Chase, Pompeii
1882
George Baxter Winter
Print made by George Baxter, 1804–1867
Winter
1859
Dr. John Murray City Centre, Agra
Dr. John Murray, 1809–1898
City Centre, Agra
between 1858 and 1862
Linnaeus Tripe The Western Gopuram
Linnaeus Tripe, 1822–1902
The Western Gopuram
1858
Luigi Schiavonetti The Grave, A Poem, by Robert Blair
Prints made by Luigi Schiavonetti, 1765–1810
The Grave, A Poem, by Robert Blair
1808
William Brockedon An Album containing 24 drawings, in black and white chalks, and graphite; Album also contains one wash drawing, mostly of Derbyshire scenery, with exception of last plate: a full-length portrait
William Brockedon, 1787–1854
An Album containing 24 drawings, in black and white chalks, and graphite; Album also contains one wash drawing, mostly of Derbyshire scenery, with exception of last plate: a full-length portrait
Luigi Schiavonetti Robert Blair, The Grave, Title Page
Print made by Luigi Schiavonetti, 1765–1810
Robert Blair, The Grave, Title Page
1808
Luigi Schiavonetti The Day of Judgment
Print made by Luigi Schiavonetti, 1765–1810
The Day of Judgment
1808
Samuel Cousins Mrs. Wolff
Print made by Samuel Cousins, 1801–1887
Mrs. Wolff
1831
Luigi Schiavonetti Robert Blair, The Grave, Title Page
Print made by Luigi Schiavonetti, 1765–1810
Robert Blair, The Grave, Title Page
1808
Luigi Schiavonetti The Reunion of the Soul & the Body
Print made by Luigi Schiavonetti, 1765–1810
The Reunion of the Soul & the Body
1808
Luigi Schiavonetti William Blake, Frontispiece
Print made by Luigi Schiavonetti, 1765–1810
William Blake, Frontispiece
1808
Luigi Schiavonetti William Blake, Frontispiece
Print made by Luigi Schiavonetti, 1765–1810
William Blake, Frontispiece
1808
Luigi Schiavonetti The Meeting of a Family in Heaven
Print made by Luigi Schiavonetti, 1765–1810
The Meeting of a Family in Heaven
1808
Luigi Schiavonetti The Counsellor, King, Warrior, Mother & Child, in the Tomb
Print made by Luigi Schiavonetti, 1765–1810
The Counsellor, King, Warrior, Mother & Child, in the Tomb
1808
Luigi Schiavonetti Death of the Strong Wicked Man
Print made by Luigi Schiavonetti, 1765–1810
Death of the Strong Wicked Man
1808
Luigi Schiavonetti The Soul Hovering over the Body reluctantly Parting with Life
Print made by Luigi Schiavonetti, 1765–1810
The Soul Hovering over the Body reluctantly Parting with Life
1808
Luigi Schiavonetti The Descent of Man into the Vale of Death
Print made by Luigi Schiavonetti, 1765–1810
The Descent of Man into the Vale of Death
1808
Luigi Schiavonetti The Soul Exploring the Recesses of the Grave
Print made by Luigi Schiavonetti, 1765–1810
The Soul Exploring the Recesses of the Grave
1808
Luigi Schiavonetti The Death of the Good Old Man
Print made by Luigi Schiavonetti, 1765–1810
The Death of the Good Old Man
1808
Luigi Schiavonetti Death's Door
Print made by Luigi Schiavonetti, 1765–1810
Death's Door
1808
Thomas Abiel Prior Heidelberg from the Opposite bank of the Neckar
Print made by Thomas Abiel Prior, 1809–1886
Heidelberg from the Opposite bank of the Neckar
1846
Thomas Abiel Prior Heidelberg from the Opposite Bank of the Neckar
Print made by Thomas Abiel Prior, 1809–1886
Heidelberg from the Opposite Bank of the Neckar
1846
Thomas Creswick Etchings for the Art Union of London by the Etching Club: The Old Bridge, Number 1
Thomas Creswick, 1811–1869
Etchings for the Art Union of London by the Etching Club: The Old Bridge, Number 1
Sir John Everett Millais Etchings for the Art Union of London by the Etching Club: Going to the Park, Number 2
Sir John Everett Millais, 1829–1896
Etchings for the Art Union of London by the Etching Club: Going to the Park, Number 2
1872
Charles West Cope Etchings for the Art Union of London by the Etching Club: The Illuminator, Number 6
Charles West Cope, 1811–1890
Etchings for the Art Union of London by the Etching Club: The Illuminator, Number 6
George Bernard O'Neill Etchings for the Art Union of London by the Etching Club: The Fourteenth of February, Number 5
George Bernard O'Neill, 1828–1917
Etchings for the Art Union of London by the Etching Club: The Fourteenth of February, Number 5
John Frederick Tayler Etchings for the Art Club of London by the Etching Club: Otter-Hounds Questing, Number 8
John Frederick Tayler, 1802–1889
Etchings for the Art Club of London by the Etching Club: Otter-Hounds Questing, Number 8
James Clarke Hook Etchings for the Art Union of London by the Etching Club: Dort, The Birthplace of Cuyp, Number 11
James Clarke Hook, 1819–1907
Etchings for the Art Union of London by the Etching Club: Dort, The Birthplace of Cuyp, Number 11
John Frederick Tayler Etchings for the Art Union of London by the Etching Club: Dogs and Wild Boar, Number 12
John Frederick Tayler, 1802–1889
Etchings for the Art Union of London by the Etching Club: Dogs and Wild Boar, Number 12
Richard Ansdell Etchings for the Art Union of London by the Etching Club: Habilants of our Shores, Number 14
Richard Ansdell, 1815–1885
Etchings for the Art Union of London by the Etching Club: Habilants of our Shores, Number 14
Newton Limbird Smith Fielding [Fox-hunting] Set of four: "Moving Accidents by Flood and Field". Plate I. "Tis the pace that kills. / The chase is up, hark! to the wild away! /... Gallants have pause: though but a moment, stay /..."
Newton Limbird Smith Fielding, 1799–1856
[Fox-hunting] Set of four: "Moving Accidents by Flood and Field". Plate I. "Tis the pace that kills. / The chase is up, hark! to the wild away! /... Gallants have pause: though but a moment, stay /..."
1836
John Calcott Horsley Etchings for the Art Union of London by the Etching Club: Monsieur se Chauffe, Number 3
John Calcott Horsley, 1817–1903
Etchings for the Art Union of London by the Etching Club: Monsieur se Chauffe, Number 3
Richard Ansdell Etchings for the Art Union of London by the Etching Club: The Anxious Mother, Number 10
Richard Ansdell, 1815–1885
Etchings for the Art Union of London by the Etching Club: The Anxious Mother, Number 10
John Calcott Horsley Etchings for the Art Union of London by the Etching Club: Madame se Chauffe, Number 4
John Calcott Horsley, 1817–1903
Etchings for the Art Union of London by the Etching Club: Madame se Chauffe, Number 4
Henry Pyall Mail Coach Behind Time
Engraved by Henry Pyall, 1795–1833
Mail Coach Behind Time
1827
James Ward Dogs of the Dalmatian Breed - from an original picture in the possession of Sir John Fleming Leicester Baronet &, &
James Ward, 1769–1859
Dogs of the Dalmatian Breed - from an original picture in the possession of Sir John Fleming Leicester Baronet &, &
1821
James Holland Church of St. Benoist, Paris
James Holland, 1799–1870
Church of St. Benoist, Paris
ca. 1831
Samuel William Reynolds Sir Samuel Romilly
Samuel William Reynolds, 1773–1835
Sir Samuel Romilly
1818
George Housman Thomas Color Guard Order (Soldier wearing busby)
George Housman Thomas, 1824–1868
Color Guard Order (Soldier wearing busby)
undated