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Period 19th century

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Study of a Cloudy Sky
Creator:
John Constable, 1776–1837
Date:
ca. 1825
Materials & Techniques:
Oil on paper on millboard
Dimensions:
10 3/8 x 13 inches (26.4 x 33 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
East Bergholt
Creator:
John Constable, 1776–1837
Date:
ca. 1813
Materials & Techniques:
Oil on board
Dimensions:
Frame: 14 7/8 × 21 7/8 × 2 inches (37.8 × 55.6 × 5.1 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Cloud Study
Creator:
John Constable, 1776–1837
Date:
1821
Materials & Techniques:
Oil on paper on board
Dimensions:
9 3/4 x 11 7/8 inches (24.8 x 30.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
The Marble Rocks — Nerbudda Jubbolpore
Creator:
Edward Lear, 1812–1888
Date:
1882
Materials & Techniques:
Oil on canvas
Dimensions:
15 x 9 1/2 inches (38.1 x 24.1 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
The Judgement of Korah, Dathan and Abiram
Creator:
Maria Hadfield Cosway, 1759–1838
Date:
ca. 1801
Materials & Techniques:
Pen and ink and oil on canvas
Dimensions:
14 3/4 × 11 1/2 inches (37.5 × 29.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
White Hydrangea
Creator:
Stuart Park, 1862–1933
Date:
ca. 1890
Materials & Techniques:
Oil on canvas
Dimensions:
15 x 12 3/16 inches (38.1 x 31 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Gift of Isabel S. Kurtz in memory of her father, Charles M. Kurtz
On View:
Not on view
Studies of Summer Flowers
Creator:
Jacques-Laurent Agasse, 1767–1849
Date:
ca. 1848
Materials & Techniques:
Oil on canvas
Dimensions:
14 3/4 x 18 inches (37.5 x 45.7 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Woodland scene with rabbits
Creator:
Sir Hubert von Herkomer, 1849–1914
Date:
ca. 1862
Materials & Techniques:
Oil on canvas
Dimensions:
15 x 17 inches (38.1 x 43.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Gift of Hans and Agnes Platenius
On View:
Not on view
St. Benet's Abbey
Creator:
Attributed to John Sell Cotman, 1782–1842
Date:
ca. 1810
Materials & Techniques:
Oil on canvas
Dimensions:
15 × 19 inches (38.1 × 48.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Bequest of Richard L. Purdy
On View:
Not on view
The Dying Monarch, Funtensee
Creator:
Sir Hubert von Herkomer, 1849–1914
Date:
1884
Materials & Techniques:
Oil on canvas
Dimensions:
15 x 24 inches (38.1 x 61 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Gift of Hans and Agnes Platenius
On View:
Not on view
The Crucifixion
Creator:
unknown artist
Date:
between 1830 and 1840
Materials & Techniques:
Oil on canvas
Dimensions:
15 x 24 inches (38.1 x 61 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
The Entrance to the Menai Straits
Creator:
James Baker Pyne, 1800–1870
Date:
1847
Materials & Techniques:
Oil on board
Dimensions:
15 × 21 inches (38.1 × 53.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
The Shallows of Hareslade Cove, Gower
Creator:
John Brett, 1831–1902
Date:
1887
Materials & Techniques:
Oil on canvas
Dimensions:
15 x 30 inches (38.1 x 76.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948
On View:
Not on view
Evening, Bayswater
Creator:
John Linnell, 1792–1882
Date:
1818
Materials & Techniques:
Oil on panel
Dimensions:
15 1/16 × 22 7/8 inches (38.3 × 58.1 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
A Wooded Lane
Creator:
Richard Parkes Bonington, 1802–1828
Date:
ca. 1825
Materials & Techniques:
Oil on millboard
Dimensions:
11 x 9 inches (27.9 x 22.9 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
The Quorn Hunt in Full Cry: Second Horses
Creator:
John Dalby, active 1826–1853
Date:
ca. 1835
Materials & Techniques:
Oil on canvas
Dimensions:
15 x 20 inches (38.1 x 50.8 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Self portrait
Creator:
Patrick Nasmyth, 1787–1831
Date:
ca. 1815
Materials & Techniques:
Wood
Dimensions:
Overall: 15 x 12 3/4 x 3 inches (38.1 x 32.4 x 7.6 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

18. The Meet

The Meet
Creator:
Print made by Robert Polhill Bevan, 1865–1925
Date:
1898-1899
Materials & Techniques:
Lithograph on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 15 x 19 5/16 inches (38.1 x 49 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Found!

Found!
Creator:
Print made by Robert Polhill Bevan, 1865–1925
Date:
1898-1899
Materials & Techniques:
Lithograph on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 15 x 19 7/16 inches (38.1 x 49.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Flying Pack
Creator:
Print made by Robert Polhill Bevan, 1865–1925
Date:
1898-1899
Materials & Techniques:
Lithograph on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 15 1/16 x 19 1/2 inches (38.3 x 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Who-o-p!

Who-o-p!
Creator:
Print made by Robert Polhill Bevan, 1865–1925
Date:
1898-1899
Materials & Techniques:
Lithograph on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 14 15/16 x 19 1/2 inches (38 x 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Llwyngwynedd and Part of Llyn-y-ddina Between Capel Curig and Beddegelert, North Wales
Creator:
Samuel Palmer, 1805–1881
Date:
1835 or 1836
Materials & Techniques:
Gouache, watercolor, graphite and black chalk on medium, smooth, brown wove paper
Dimensions:
Sheet: 15 x 18 1/8 inches (38.1 x 46 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Rocky Landscape in Wales
Creator:
Samuel Palmer, 1805–1881
Date:
1835 or 1836
Materials & Techniques:
Gouache and watercolor with gum and black chalk on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 18 7/8 inches (38.1 × 47.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mount Siabod from Tyn-y-Coed near Capel Curig
Creator:
Samuel Palmer, 1805–1881
Date:
undated
Materials & Techniques:
Gouache, watercolor, and graphite with pen and brown ink on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 14 7/8 x 18 5/8 inches (37.8 x 47.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Death of the Doe
Creator:
George Stubbs, 1724–1806
Date:
1817
Materials & Techniques:
Mezzotint, second state
Dimensions:
Sheet: 14 15/16 x 19 3/4in. (38 x 50.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Strongyli

Strongyli
Creator:
Edward Lear, 1812–1888
Date:
May 4, 1864
Materials & Techniques:
Brown and black ink and graphite on medium, moderately textured, brown wove paper
Dimensions:
Frame: 22 x 29 x 1 inches (55.9 x 73.7 x 2.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Peter R. Spokes, Yale BA 1948, in memory of C.C. and C.B. Hogan, Yale BA 1928
Agios Prokopios, Corfu, 12 May 1862
Creator:
Edward Lear, 1812–1888
Date:
1862
Materials & Techniques:
Pen and brown ink and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 15 × 21 1/2 inches (38.1 × 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939
Brown's Parakeet
Creator:
after Edward Lear, 1812–1888
Date:
1832
Materials & Techniques:
Watercolor, pen and black ink and graphite on beige board
Dimensions:
Sheet: 15 × 12 inches (38.1 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939
Book of Job, Plate 10, Job Rebuked by His Friends
Creator:
William Blake, 1757–1827
Date:
1825
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 7/8 × 10 7/8 inches (37.8 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Book of Job, Plate 2, Satan before the Throne of God
Creator:
William Blake, 1757–1827
Date:
1825
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/8 × 10 7/8 inches (38.4 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Book of Job, Plate 4, The Messengers Tell Job of His Misfortunes
Creator:
William Blake, 1757–1827
Date:
1825
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 10 3/4 inches (38.1 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Book of Job, Plate 5, Satan Going Forth from the Presence of the Lord and Job's Charity
Creator:
William Blake, 1757–1827
Date:
1825
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/8 × 10 3/4 inches (38.4 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Book of Job, Plate 3, Jacob's Sons and Daughters Overwhelmed by Satan
Creator:
William Blake, 1757–1827
Date:
1825
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 10 3/4 inches (38.1 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Book of Job, Plate 7, Job's Comforters
Creator:
William Blake, 1757–1827
Date:
1825
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 10 7/8 inches (38.1 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Book of Job, Plate 8, Job's Despair
Creator:
William Blake, 1757–1827
Date:
1825
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/8 × 10 3/4 inches (38.4 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Book of Job, Plate 9, The Vision of Eliphaz
Creator:
William Blake, 1757–1827
Date:
1825
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/8 × 10 3/4 inches (38.4 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Book of Job, Plate 11, Job's Evil Dreams
Creator:
William Blake, 1757–1827
Date:
1825
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 7/8 × 11 inches (37.8 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Book of Job, Plate 12, The Wrath of Elihu
Creator:
William Blake, 1757–1827
Date:
1825
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/8 × 10 5/8 inches (38.4 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Book of Job, Plate 15, Behemoth and Leviathan
Creator:
William Blake, 1757–1827
Date:
1825
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 10 5/8 inches (38.1 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Book of Job, Plate 18, Job's Sacrifice
Creator:
William Blake, 1757–1827
Date:
1825
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 11 inches (38.1 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Book of Job, Plate 17, The Vision of Christ
Creator:
William Blake, 1757–1827
Date:
1825
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/8 × 10 7/8 inches (38.4 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Book of Job, Plate 13, The Lord Answering Job out of the Whirlwind
Creator:
William Blake, 1757–1827
Date:
1825
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 10 7/8 inches (38.1 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Book of Job, Plate 14, When the Morning Stars Sang Together
Creator:
William Blake, 1757–1827
Date:
1825
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 10 7/8 inches (38.1 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Book of Job, Plate 19, Every One also Gave Him a Piece of Money
Creator:
William Blake, 1757–1827
Date:
1825
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/8 × 10 7/8 inches (38.4 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Book of Job, Plate 16, The Fall of Satan
Creator:
William Blake, 1757–1827
Date:
1825
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 10 7/8 inches (38.1 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Book of Job, Plate 20, Job and His Daughters
Creator:
William Blake, 1757–1827
Date:
1825
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 10 5/8 inches (38.1 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
Creator:
William Blake, 1757–1827
Date:
1827
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove India proof paper
Dimensions:
Sheet: 14 3/4 × 21 7/16 inches (37.5 × 54.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
Creator:
William Blake, 1757–1827
Date:
1827
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove India proof paper
Dimensions:
Sheet: 14 7/8 × 21 1/4 inches (37.8 × 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Architectural Drawing of the Porticos of a Temple
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Gray wash, graphite, pen and black ink on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 14 7/8 × 10 5/8 inches (37.8 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Temple Near the Site of Ancient Phigalia
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1803
Materials & Techniques:
Gray wash, graphite, pen and brown ink, and black ink on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 15 × 9 13/16 inches (38.1 × 24.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Remains of the Temple of Aphaea, Island of Aigina
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Gray wash, graphite, pen and brown ink on thin, moderately textured, beige wove paper
Dimensions:
Sheet: 15 × 9 9/16 inches (38.1 × 24.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Capital and Entablature to the Columns of the Temple of Juno Lucina, Agrigentum
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Pen and black ink and graphite on thin, moderately textured, beige wove paper
Dimensions:
Sheet: 15 1/8 × 9 11/16 inches (38.4 × 24.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Doric Capital Among the Ruiins of a Temple, Dedicated to Vulcan, at Agrigentum
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Pen and black ink and graphite on thin, moderately textured, beige wove paper
Dimensions:
Sheet: 15 1/8 × 9 9/16 inches (38.4 × 24.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Summer Evening
Creator:
Print made by David Lucas, 1802–1881
Date:
1831
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 7/8 x 16 3/8 inches (37.8 x 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Stratford Mill, The Young Waltonians
Creator:
Print made by David Lucas, 1802–1881
Date:
1834 to 1840
Materials & Techniques:
Mezzotint and drypoint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/8 x 19 1/2 inches (38.4 x 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Deluge
Creator:
Print made by J. P. Quilley, active 1828
Date:
1828
Materials & Techniques:
Mezzotint; first published state on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Studies for Shylock
Creator:
Richard Parkes Bonington, 1802–1828
Date:
1825
Materials & Techniques:
Pen and brown ink on thin, slightly textured, cream laid paper joined to thin, slightly textured, cream laid paper, mounted on card
Dimensions:
Mount: 15 × 18 7/8 inches (38.1 × 47.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
French Coast Scene with Fisherboy
Creator:
James Duffield Harding, 1798–1863
Date:
1829
Materials & Techniques:
Watercolor, pen and brown ink, pen and red ink, pen and gray ink, graphite, and gouache on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 7/8 x 10 3/4 inches (37.8 x 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Search after Truth
Creator:
Hablot Knight Browne, 1815–1882
Date:
undated
Materials & Techniques:
Pen and black ink, black chalk, gray wash, and graphite on moderately thick, slightly textured, brown wove paper
Dimensions:
Sheet: 14 13/16 × 21 5/16 inches (37.6 × 54.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. Gledhow

Gledhow
Creator:
Print made by George Cooke, 1781–1834
Date:
1816
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/8 × 21 3/8 inches (38.4 × 54.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Observatory at Rosehill, Sussex
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1816
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 21 5/8 inches (38.1 × 54.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Vale of Heathfield, Sussex
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1818
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 × 20 5/8 inches (38.1 × 52.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Dartmoor; Source of the Tamar and the Torridge
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1816
Materials & Techniques:
Etching and line engraving on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 14 3/4 × 21 1/2 inches (37.5 × 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bodiham Castle, Sussex
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1817
Materials & Techniques:
Etching and line engraving; modern impression on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 15 × 21 inches (38.1 × 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Gibside, County of Durham
Creator:
Print made by Samuel Rawle, 1771–1860
Date:
1819
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
St. Agatha's Abbey, Easby
Creator:
Print made by John Le Keux, 1783–1846
Date:
1818-1823
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 21 1/8 inches (38.1 × 53.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Fall of the Tees
Creator:
Print made by John Landseer, 1769–1852
Date:
1821
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 15 × 20 5/8 inches (38.1 × 52.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Simmer Lake near Askrig
Creator:
Print made by Henry Le Keux, 1787–1868
Date:
1822
Materials & Techniques:
Etching; open etched state on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/16 × 22 inches (38.3 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hornby Castle from Tatham Church
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1822
Materials & Techniques:
Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 14 15/16 × 18 3/4 inches (37.9 × 47.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Kirkby Lonsdale Churchyard
Creator:
Print made by Charles Heath, 1785–1848
Date:
1818-1823
Materials & Techniques:
Etching and line engraving on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 15 1/8 × 21 3/4 inches (38.4 × 55.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, watercolor and gouache on moderately thick, moderately textured, green wove paper
Dimensions:
Sheet: 14 7/8 × 7 7/8 inches (37.8 × 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Spoiled Child, Scene VI
Creator:
Lewis Vaslet, 1742–1808
Date:
ca. 1802
Materials & Techniques:
Watercolor with black ink and gray wash over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 19 5/8 inches (38.1 × 49.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of Gibraltar
Creator:
William Wyld, 1806–1889
Date:
undated
Materials & Techniques:
Watercolor, gouache and graphite on medium, rough, white laid paper
Dimensions:
Sheet: 15 1/8 x 21 5/16 inches (38.4 x 54.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Machinery for the Manufacture of Paper
Creator:
John Farey Jr., 1791–1851
Date:
ca. 1810
Materials & Techniques:
Watercolor, pen and black ink, graphite, and gray wash on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 17 13/16 × 39 3/4 inches (45.2 × 101 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lyme Regis, Norfolk
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1836
Materials & Techniques:
Line engraving and etching, 1st state on moderately thick, slightly textured, cream wove paper, mounted on medium, slightly textured, cream wove paper
Dimensions:
Mount: 15 1/8 × 20 15/16 inches (38.4 × 53.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Paestum (vignette)
Creator:
Print made by John Pye, 1782–1874
Date:
1830
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 × 10 1/2 inches (37.5 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lowestoffe
Creator:
Print made by James C. Allen, active 1821–1831
Date:
ca. 1830
Materials & Techniques:
Line engraving and etching on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 14 7/8 × 20 3/4 inches (37.8 × 52.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Triumph of Music
Creator:
Edward Francis Burney, 1760–1848
Date:
ca. 1815
Materials & Techniques:
Watercolor, pen and black ink, gray ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 3/16 × 18 1/8 inches (31 × 46 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Wooded Track
Creator:
Henry Monro, 1791–1814
Date:
1813
Materials & Techniques:
Gray wash, pen and black ink, white chalk, and graphite on medium, slightly textured, blue wove paper
Dimensions:
Sheet: 14 7/8 x 10 7/8 inches (37.8 x 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Corfe Castle, Dorset
Creator:
Joseph Nash, 1808–1878
Date:
1862
Materials & Techniques:
Watercolor, gouache and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 15 × 20 inches (38.1 × 50.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hinton St. George, Somerset: Plan of the East Dining Room
Creator:
James Wyatt, 1746–1813
Date:
1811
Materials & Techniques:
Graphite and pen and black ink on thick, moderately textured, cream laid paper and masking tape, verso, upper center
Dimensions:
Sheet: 15 1/8 x 21 3/4 inches (38.4 x 55.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Father Ambrose
Creator:
Sir David Young Cameron, 1865–1945
Date:
1893
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 3/4 × 10 1/2 inches (37.5 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
Buckingham Palace from St. James's Park
Creator:
Print made by Thomas Shotter Boys, 1803–1874
Date:
1842
Materials & Techniques:
Lithograph on thick, smooth, cream card
Dimensions:
Sheet: 14 15/16 x 21 13/16 inches (37.9 x 55.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery
Westminster Abbey, Hospital &c.
Creator:
Print made by Thomas Shotter Boys, 1803–1874
Date:
1842
Materials & Techniques:
Lithograph with tint on thick, slightly textured, cream card
Dimensions:
Sheet: 14 7/8 x 21 11/16 inches (37.8 x 55.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery
Inside View of the East End of Merton College Chapel
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1802
Materials & Techniques:
Line engraving, published state on medium, smooth, cream wove paper
Dimensions:
Sheet: 14 7/8 × 19 7/8 inches (37.8 × 50.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A View of Worcester College &c.
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1804
Materials & Techniques:
Line engraving, engraver's proof (c) on medium, smooth, cream wove paper
Dimensions:
Sheet: 15 1/2 × 21 1/4 inches (39.4 × 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of the Cathedral of Christ Church and Part of Corpus Christi College
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1808
Materials & Techniques:
Line engraving, engraver's proof (b) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 7/8 × 19 inches (37.8 × 48.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Rye, Sussex
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1814 to 1826
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 14 3/4 × 21 1/4 inches (37.5 × 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
St. Agatha's Abbey, Easby
Creator:
Print made by John Le Keux, 1783–1846
Date:
1818-1823
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 21 9/16 inches (38.1 × 54.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Wycliffe, near Rokeby
Creator:
Print made by John Pye, 1782–1874
Date:
1823
Materials & Techniques:
Line engraving and etching, engraver's proof on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 14 7/8 × 19 7/8 inches (37.8 × 50.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Wycliffe, near Rokeby
Creator:
Print made by John Pye, 1782–1874
Date:
1818-1823
Materials & Techniques:
Line engraving and etching False proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 15 × 21 5/8 inches (38.1 × 54.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Edinburgh Castle, Vignette Title to Vol. I
Creator:
Print made by George Cooke, 1781–1834
Date:
1826
Materials & Techniques:
Line engraving, engraver's proof on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 20 × 13 3/8 inches (50.8 × 34 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Heriot's Hospital
Creator:
Print made by Henry Le Keux, 1787–1868
Date:
1822
Materials & Techniques:
Etching and line engraving; engraver's proof (a) on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 14 7/8 × 22 1/2 inches (37.8 × 57.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

94. Dunbar

Dunbar
Creator:
Print made by James C. Allen, active 1821–1831
Date:
1824
Materials & Techniques:
Line engraving, engraver's proof on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 × 19 9/16 inches (37.5 × 49.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Folkestone: Harbour, and Coast to Dover, Kent
Creator:
Print made by John Horsburgh, 1791–1869
Date:
1831
Materials & Techniques:
Line engraving, 3rd state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 15 × 21 inches (38.1 × 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Remains of Purton Hall, Staffordshire
Creator:
Cornelius Varley, 1781–1873
Date:
1820
Materials & Techniques:
Watercolor, graphite, and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 7/8 × 21 3/8 inches (37.8 × 54.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

97. Ash Tree

Ash Tree
Creator:
Edward Swinburne, 1765–1847
Date:
1842
Materials & Techniques:
Graphite, watercolor, and white gouache on medium, slightly textured, blue wove paper
Dimensions:
Sheet: 14 3/4 × 10 5/8 inches (37.5 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mr. Mathews as Matthew Daw in the School for Friends
Creator:
Samuel De Wilde, 1748–1832
Date:
1805
Materials & Techniques:
Watercolor, graphite, black chalk, and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 × 9 5/16 inches (37.5 × 23.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View from the Roof of a Farm
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 7/8 × 11 inches (37.8 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

100. An Actress

An Actress
Creator:
Samuel De Wilde, 1748–1832
Date:
1806
Materials & Techniques:
Watercolor, graphite, and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 7/8 × 9 1/4 inches (37.8 × 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection