Period: 19th century / Height [cm]: 39 - YCBA Collections Search Search Results

1. Study of an Ash Tree

Creator:: John Constable, 1776–1837
Date:: between 1801 and 1803 or between 1810 and 1830
Materials & Techniques:: Oil on canvas laid to artist's board
Dimensions:: 15 1/2 x 11 3/4 inches (39.4 x 29.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. Osmington Village

Creator:: John Constable, 1776–1837
Date:: 1816 to 1817
Materials & Techniques:: Oil on canvas
Dimensions:: 10 1/8 x 12 inches (25.7 x 30.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. Calais Jetty, France

Creator:: Richard Parkes Bonington, 1802–1828
Date:: ca. 1824
Materials & Techniques:: Oil on panel
Dimensions:: 11 3/4 x 13 7/8 inches (29.8 x 35.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: On view at YUAG

4. Zagori, Greece

Creator:: Edward Lear, 1812–1888
Date:: 1860
Materials & Techniques:: Oil on canvas
Dimensions:: 15 1/2 x 10 inches (39.4 x 25.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939
On View:: Not on view

5. Landscape with Wheatfield

Creator:: Lionel Constable, 1828–1887
Date:: ca. 1850s
Materials & Techniques:: Oil on canvas
Dimensions:: 15 1/4 x 22 1/4 inches (38.7 x 56.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

6. Study of an Ash Tree

Creator:: Lionel Constable, 1828–1887
Date:: ca. 1851
Materials & Techniques:: Oil on paper on panel
Dimensions:: 15 1/2 x 11 3/4 inches (39.4 x 29.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

7. Self-Portrait

Creator:: George Richmond, 1809–1896
Date:: ca. 1830s
Materials & Techniques:: Oil on canvas
Dimensions:: 15 3/8 x 12 3/8 inches (39.1 x 31.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

8. A Harbor Scene in the Isle of Wight, Looking Towards the Needles

Creator:: George Vincent, 1796–1832
Date:: 1824
Materials & Techniques:: Oil on panel
Dimensions:: 15 3/8 x 22 inches (39.1 x 55.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

9. George III Irish Silver: George Chinnery Palette, presented to the Artist by the Artists of Dublin, July 27, 1801

Creator:: Related to George Chinnery, 1774–1852
Date:: 1801
Materials & Techniques:: Silver
Dimensions:: Overall: 15 1/2 x 12 3/4 inches (39.4 x 32.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

10. Ship Aground Brighton

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: 1830
Materials & Techniques:: Watercolor, brushed black ink, gouache on medium, slightly textured, blue wove paper
Dimensions:: Sheet: 5 1/2 x 7 5/8 inches (14 x 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Weymouth

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1811
Materials & Techniques:: Watercolor, pen and brown ink and scraping out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/4 x 8 5/8in. (14.6 x 21.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. A Sea Piece - A Rough Sea with a Fishing Boat

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: 1820 to 1830
Materials & Techniques:: Watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 7/8 x 11 5/8 inches (20 x 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Winchelsea, Sussex

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/2 × 10 1/2 inches (39.4 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

14. Illustrations of The Book of Job, Title Page

Creator:: William Blake, 1757–1827
Date:: 1825
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/4 × 10 3/4 inches (38.7 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Book of Job, Plate 1, Job and His Family

Creator:: William Blake, 1757–1827
Date:: 1825
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/4 × 10 3/4 inches (38.7 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Book of Job, Plate 6, Satan Smiting Job with Boils

Creator:: William Blake, 1757–1827
Date:: 1825
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/4 × 10 7/8 inches (38.7 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Book of Job, Plate 21, Job and His Family Restored to Prosperity

Creator:: William Blake, 1757–1827
Date:: 1825
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/4 × 10 7/8 inches (38.7 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]

Creator:: William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove India proof paper
Dimensions:: Sheet: 15 1/4 × 21 1/4 inches (38.8 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]

Creator:: William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove India proof paper
Dimensions:: Sheet: 15 1/4 × 21 1/2 inches (38.8 × 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]

Creator:: William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove India proof paper
Dimensions:: Sheet: 15 3/8 × 21 9/16 inches (39 × 54.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]

Creator:: William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove India proof paper
Dimensions:: Sheet: 15 7/16 × 21 1/4 inches (39.2 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Architectural Drawing of the Temple of Concordia

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Graphite, gray wash, pen and black ink on thin, moderately textured, beige wove paper
Dimensions:: Sheet: 15 5/16 × 9 1/2 inches (38.9 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Architectural Drawing

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Graphite on thin, moderately textured, beige wove paper
Dimensions:: Sheet: 15 3/16 × 19 1/8 inches (38.6 × 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Sketches of Ornamental Designs, For Oil Lamps and Pouring Vessels

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Brown wash, graphite, pen and brown ink on thin, moderately textured, beige wove paper
Dimensions:: Sheet: 15 1/4 × 9 3/4 inches (38.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Hadleigh Castle, Large Plate

Creator:: Print made by David Lucas, 1802–1881
Date:: 1830 to 1832
Materials & Techniques:: Mezzotint; proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/4 x 19 1/2 inches (38.7 x 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Returning from a Review...Paris

Creator:: unknown artist
Date:: 1802
Materials & Techniques:: Aquatint, hand-colored on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 18 11/16 × 25 inches (47.5 × 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Breakfast at Breteuil

Creator:: unknown artist
Date:: 1801
Materials & Techniques:: Aquatint, hand-colored on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 19 1/4 × 26 3/8 inches (48.9 × 67 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Cowdray Ruins

Creator:: Print made by James Clark, 19th century
Date:: 1824
Materials & Techniques:: Colored aquatint on thick, textured, beige wove paper
Dimensions:: Sheet: 15 3/8 × 20 11/16 inches (39 × 52.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. The Vale of Ashburnham

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1816
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 1/4 × 21 1/2 inches (38.7 × 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Hurstmonceux Castle

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1820
Materials & Techniques:: Etching; open etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/4 × 22 1/4 inches (38.7 × 56.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Simmer Lake near Askrig

Creator:: Print made by Henry Le Keux, 1787–1868
Date:: 1818-1823
Materials & Techniques:: Etching and line engraving; engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 15 1/2 × 19 15/16 inches (39.4 × 50.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Ingleborough, from Hornby Castle Terrace

Creator:: Print made by Charles Heath, 1785–1848
Date:: 1818-1823
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 15 1/4 × 22 1/8 inches (38.7 × 56.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Kirkby Lonsdale Churchyard

Creator:: Print made by Charles Heath, 1785–1848
Date:: 1818-1823
Materials & Techniques:: Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 15 5/16 × 21 1/4 inches (38.9 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Weathercote Cave when Half Filled with Water

Creator:: Print made by Samuel Middiman, ca. 1750–1831
Date:: 1821
Materials & Techniques:: Line engraving and etching, engraver's proof on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 15 3/8 × 22 3/8 inches (39.1 × 56.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Edinburgh from Leith Harbour, Vignette Title to Vol. II

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1826
Materials & Techniques:: Line engraving, first published state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 15 1/4 × 11 1/16 inches (38.7 × 28.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. The Spoiled Child, Scene I

Creator:: Lewis Vaslet, 1742–1808
Date:: ca. 1802
Materials & Techniques:: Watercolor with black ink and gray wash over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/8 × 20 1/8 inches (39 × 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. The Spoiled Child, Scene II

Creator:: Lewis Vaslet, 1742–1808
Date:: ca. 1802
Materials & Techniques:: Watercolor with black ink and gray wash over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/8 x 20 3/8 inches (39.1 x 51.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. The Spoiled Child, Scene IV

Creator:: Lewis Vaslet, 1742–1808
Date:: ca. 1802
Materials & Techniques:: Watercolor with black ink and gray wash over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/2 × 19 1/8 inches (39.4 × 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. The Spoiled Child, Scene III

Creator:: Lewis Vaslet, 1742–1808
Date:: ca. 1802
Materials & Techniques:: Watercolor with black ink and gray wash over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/2 x 19 1/2 inches (39.3 x 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. View of Lakes Buttermere and Crummock Water

Creator:: William Green, 1760–1823
Date:: 1803
Materials & Techniques:: Watercolor and gum over graphite on medium, smooth wove paper mounted on card
Dimensions:: Sheet: 14 5/8 x 19 7/8 inches (37.1 x 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

41. Genoa

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1832-1834
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 15 1/4 × 10 5/8 inches (38.7 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Maya Stela at Copan, Honduras

Creator:: Frederick Catherwood, 1799–1854
Date:: 1843
Materials & Techniques:: Watercolor, pen and brown ink, brown wash, graphite, and scratching out on thick, moderately textured, cream wove paper, mounted on moderately thick, moderately textured, cream wove paper
Dimensions:: Mount: 15 7/16 × 21 5/8 inches (39.2 × 54.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Henry Schnakenberg

43. Design for Monument to Captain Hardinge

Creator:: Charles Manning, 1776–1812
Date:: 1810
Materials & Techniques:: Graphite, watercolor, gray wash, pen and black ink on smooth, medium, cream wove paper
Dimensions:: Sheet: 15 1/4 × 17 3/4 inches (38.7 × 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Norwich Catherdral, Ambulatory

Creator:: Maria Turner
Date:: 1814
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 15 7/16 × 10 5/8 inches (39.2 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. South Front of St. Pauls

Creator:: unknown artist
Date:: 1801
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 15 1/4 x 11 1/4in. (38.7 x 28.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Temple of Jupiter and Minerva, Thugga

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite, pen and black ink, red pencil on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 1/2 × 21 1/2 inches (39.4 × 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. A Monastery Mill

Creator:: George Cattermole, 1800–1868
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, graphite, and gouache on thick, rough, beige wove paper
Dimensions:: Sheet: 15 5/16 × 11 3/8 inches (38.9 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. A View of Worcester College &c.

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1804
Materials & Techniques:: Line engraving, engraver's proof (c) on medium, smooth, cream wove paper
Dimensions:: Sheet: 15 1/2 × 21 1/4 inches (39.4 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. View of Oxford from the South Side of Heddington Hill

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1808
Materials & Techniques:: Line engraving, engraver's proof (b) on medium, smooth, cream wove paper
Dimensions:: Sheet: 15 1/4 × 22 inches (38.7 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Edinburgh Castle, Vignette Title to Vol. I

Creator:: Print made by George Cooke, 1781–1834
Date:: 1826
Materials & Techniques:: Line engraving, first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 15 3/16 × 11 1/16 inches (38.6 × 28.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. The Spoiled Child, Scene V

Creator:: Lewis Vaslet, 1742–1808
Date:: ca. 1802
Materials & Techniques:: Watercolor with black ink and gray wash over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/2 × 19 5/8 inches (39.4 × 49.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. High Street at Bushey, Hertfordshire

Creator:: Henry Monro, 1791–1814
Date:: 1812
Materials & Techniques:: Pen and black ink, gray wash, and white gouache on medium, slightly textured, blue-gray laid paper
Dimensions:: Sheet: 15 3/16 x 19 13/16in. (38.6 x 50.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Study for The Wedding Feast of Sir Degrevaunt

Creator:: Edward Burne-Jones, 1833–1898
Date:: undated
Materials & Techniques:: Pen and brown ink and graphite on thick, moderately textured, cream wove paper
Dimensions:: Mount: 15 1/4 × 17 7/8 inches (38.7 × 45.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

54. Ruins at Sabachtsche

Creator:: Frederick Catherwood, 1799–1854
Date:: undated
Materials & Techniques:: Watercolor and graphite on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 15 1/4 x 12 1/8 inches (38.7 x 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale University Art Collection, Gift of Henry Schnakenberg to Yale University Art Gallery

55. Ehenbreitstein, During the Demolition of the Fortress in 1817 from the Quay at Coblentz.

Creator:: Print made by James C. Allen, active 1821–1831
Date:: 1824
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 15 1/2 × 22 inches (39.4 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Interior of a Rom in Samlesbury Hall; Lancashire

Creator:: John Buckler FSA, 1770–1851
Date:: 1814
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 19 3/4 × 14 inches (50.2 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Longleat, Somerset: Elevation

Creator:: Studio of Sir Jeffry Wyatville, 1766–1840
Date:: ca. 1810
Materials & Techniques:: Graphite, pen and black ink, watercolor on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 15 3/16 × 21 1/2 inches (38.6 × 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Dinton House, Wiltshire: Perspective View

Creator:: Studio of Sir Jeffry Wyatville, 1766–1840
Date:: ca. 1812
Materials & Techniques:: Watercolor over graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 15 1/4 × 22 3/4 inches (38.7 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Valombre

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Line engraving, engraver's proof on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 15 3/8 × 9 7/8 inches (39.1 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Mrs. Siddons

Creator:: William Holl, 1807–1871
Materials & Techniques:: Engraving
Dimensions:: Sheet: 15 3/8 x 11 1/2in. (39.1 x 29.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Herman W. Liebert

61. Vol. 6, Plate XXXIX: The Story of St John as a Pilgrim, and King Edward the Confessor. Fragment of a Virtue Triumphant. An Ornamental Pattern Found in one of the Round Headed Windows Filled up in the Painted Chamber

Vol. 6, Plate XXXIX: The Story of St John as a Pilgrim, and King Edward the Confessor. Fragment of a Virtue Triumphant. An Ornamental Pattern Found in one of the Round Headed Windows Filled up in the Painted Chamber

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Hand colored engraving on smooth, moderately textured, white wove paper
Dimensions:: Sheet: 21 3/4 × 15 inches (55.2 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Coaching: The Cambridge Telegraph, Starting from the White Horse

Creator:: George Hunt, active 1820–1840
Date:: 1831
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 15 3/8 x 20 5/8in. (39.1 x 52.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. 'Satirist'. (with 'Coronation') Rode by W. Scott. / The Winner of the Great St. Leger Stakes at Doncaster 1841...

Creator:: Charles Hunt, 1803–1877
Date:: 1841
Materials & Techniques:: Aquatint, printed in color
Dimensions:: Sheet: 15 1/4 x 19 1/4in. (38.7 x 48.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Pheasant Shooting

Creator:: Print made by Matthew Dubourg, active 1786–1838
Date:: 1822
Materials & Techniques:: Aquatint and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 15 3/16 x 20 13/16 inches (38.5 x 52.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. The Boy of Egremond

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Line engraving, engraver's proof on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 15 1/4 × 10 1/16 inches (38.7 × 25.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Crossing the Brook

Creator:: Print made by William Richardson, active 1842–1877
Date:: between 1859 and 1861
Materials & Techniques:: Etching and line engraving on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 15 1/2 × 11 3/4 inches (39.4 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Sir George Beaumont, Bart.

Creator:: Print made by John Samuel Agar, ca. 1773–1858
Date:: 1812
Materials & Techniques:: Crayon manner and stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 15 1/4 x 13 1/8 inches (38.7 x 33.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. South West View of Old Burleigh Hall near Stamford, Lincolnshire

Creator:: John Buckler FSA, 1770–1851
Date:: undated
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 19 3/4 × 14 inches (50.2 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Plan of Longford Castle, Wiltshire; the Seat of the Right Hon'ble the Earl of Radnor

Creator:: John Buckler FSA, 1770–1851
Date:: 1815
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 19 3/4 × 14 inches (50.2 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. John E. Millais

Creator:: Print made by Daniel J. Pound, active ca. 1860
Date:: 1859
Materials & Techniques:: Engraving
Dimensions:: Sheet: 15 1/4 x 11 3/8in. (38.7 x 28.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Arch of Titus, from the Temple of Venus and Rome

Creator:: Robert MacPherson, 1814–1872
Date:: ca. 1860
Materials & Techniques:: Albumen print on medium, smooth, cream wove paper mounted to board
Dimensions:: Sheet: 15 1/4 × 12 inches (38.7 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, transfer from the Yale University Art Gallery

72. A measured drawing of a skull

Creator:: Cornelius Varley, 1781–1873
Date:: 1826
Materials & Techniques:: Graphite with black ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 15 1/4 x 9 7/8 inches (38.7 x 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Lowell Libson, Ltd.

73. David Roberts

Creator:: Print made by Charles Baugniet, 1814–1886
Date:: 1844
Materials & Techniques:: Lithograph on thick, smooth, beige card with gray chine collé
Dimensions:: Sheet: 15 3/8 × 12 3/16 inches (39.1 × 30.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Henry Tresham, Esq. R. A.

Creator:: Print made by Anthony Cardon, 1772–1813
Date:: 1814
Materials & Techniques:: Stipple engraving and etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/16 × 12 5/16 inches (38.6 × 31.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Rosehill

Creator:: Print made by Joseph Constantine Stadler, active 1780–1812
Date:: ca. 1810
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Image: 15 3/8 x 22in. (39.1 x 55.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. A Cognocenti Contemplating ye Beauties of ye Antique

Creator:: Print made by James Gillray, 1756–1815
Date:: 1801
Materials & Techniques:: Etching, hand-colored on moderately thick, smooth, cream wove paper mounted on green card
Dimensions:: Sheet: 15 3/8 × 10 11/16 inches (39 × 27.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Barbara and Max Wilk, Yale BA 1941

77. Ascot Heath Race for His Majesty's Gold Plate

Creator:: James Pollard, 1792–1867
Date:: 1826
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 15 1/4 x 26 3/8in. (38.7 x 67cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Shipping off the Mumbles

Creator:: George Chambers, 1803–1840
Date:: 1838
Materials & Techniques:: Watercolor and graphite on medium, rough, cream wove paper
Dimensions:: Sheet: 7 1/2 x 11 1/2 inches (19.1 x 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The U Collection. In appreciation of Choh Shiu and Man Foo U, loving parents, and Dorothea and Frank Cockett, dear friends

79. Chinese Working Outside a Hut

Creator:: after George Chinnery, 1774–1852
Date:: undated
Materials & Techniques:: Graphite, pen and brush and brown ink on smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 15 3/8 × 23 13/16 inches (39.1 × 60.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. View of Macao

Creator:: after George Chinnery, 1774–1852
Date:: undated
Materials & Techniques:: Graphite, pen and brush and brown ink on smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 15 1/4 × 23 7/8 inches (38.7 × 60.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Capitals and A & B Bas-Reliefs in the Abbey Church of Saint Georges de Bocherville, near Rouen, Normandy

Creator:: John Sell Cotman, 1782–1842
Date:: 1818
Materials & Techniques:: Graphite and brown wash on medium, smooth, cream wove paper
Dimensions:: Sheet: 11 3/4 x 8 7/8 inches (29.8 x 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. The Haunted House

Creator:: Print made by Simeon Solomon, 1840–1905
Date:: 1858
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper with cream chine-collé
Dimensions:: Sheet: 15 1/2 × 10 1/4 inches (39.4 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of James A. Bergquist, Boston

83. Man in a Brimmed Hat

Creator:: Attributed to Luke Clennell, 1781–1840
Date:: undated
Materials & Techniques:: Watercolor and graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 15 3/8 x 11 7/8in. (39.1 x 30.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Young Woodcutter

Creator:: Joshua Cristall, 1768–1847
Date:: 1818
Materials & Techniques:: Watercolor with scraping over graphite on moderately thick, slightly textured, beige wove paper, laid on thick, slightly textured, beige card
Dimensions:: Mount: 15 3/8 x 14 3/16 inches (39 x 36.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Itteringham | Nov. 12th 1841

Creator:: Print made by Miles Edmund Cotman, 1810–1858
Date:: 1847
Materials & Techniques:: Lithograph on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 22 3/8 × 16 1/2 inches (56.8 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. The Devil's Tower, Norwich Oct. 1841

Creator:: Print made by Miles Edmund Cotman, 1810–1858
Date:: 1847
Materials & Techniques:: Lithograph on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/2 × 18 7/8 inches (39.4 × 47.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Bridge in a Continental Town

Creator:: John Sell Cotman, 1782–1842
Date:: ca. 1830
Materials & Techniques:: Watercolor and gouache over graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 13 5/8 x 20 1/2 inches (34.6 x 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. East End of Howden Church, Yorkshire

Creator:: John Sell Cotman, 1782–1842
Date:: ca. 1803
Materials & Techniques:: Graphite and gray wash on medium, smooth, cream wove paper
Dimensions:: Sheet: 15 3/8 x 11 3/4 inches (39.1 x 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Elevation of a House with Arcade

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 15 1/4 × 23 inches (38.7 × 58.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse

90. Lace Sample

Creator:: William Henry Fox Talbot, 1800–1877
Date:: ca. 1845
Materials & Techniques:: Salted paper print from a calotype negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 9 1/8 × 7 1/2 inches (23.2 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Joy of Giving Something, Inc.

91. The Temple of Aphaea at Aegina: Details and Field Notes of Excavation

Creator:: Charles Robert Cockerell, 1788–1863
Date:: undated
Materials & Techniques:: Graphite and pen and brown ink on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/8 × 9 11/16 inches (39.1 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. A Lancashire River

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1881
Materials & Techniques:: Etching and drypoint, with plate tone on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/2 x 21 3/4 inches (39.4 x 55.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of Mrs. Howard Mansfield

93. The Breaking Up of the Agamemnon, no. 2

Creator:: Print made by Sir Francis Seymour Haden, 1818–1910
Date:: after 1880
Materials & Techniques:: Etching and drypoint on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/16 x 21 7/8 inches (38.6 x 55.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of Mrs. Howard Mansfield

94. Interior, Abery

Creator:: Print made by N. Hanhart, active 1841–1852
Date:: 1856
Materials & Techniques:: Chromolithograph on moderately thick, smooth, beige wove paper, laid on contemporary mount made of thick, smooth, beige card
Dimensions:: Mount: 15 1/4 x 12 3/8 inches (38.8 x 31.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of the Reverend DeWolf Perry

95. The Review of the Queens Own Regiment of the Yeomanry Cavalry

Creator:: Henry Papprill, 1816–d.after 1883
Materials & Techniques:: Aquatint, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 × 25 1/2 inches (46.4 × 64.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Master Lambton

Creator:: Print made by Samuel Cousins, 1801–1887
Date:: 1827
Materials & Techniques:: Mezzotint (first published state) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 18 1/2 × 14 1/4 inches (47 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

97. Julia, Lady Peel

Creator:: Print made by Samuel Cousins, 1801–1887
Date:: 1832
Materials & Techniques:: Mezzotint, line engraving, and stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 11/16 x 14 3/8 inches (45 x 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

98. The Ecstasy of St. Francis

Creator:: Print made by William Say, 1768–1834
Date:: 1809
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 21 3/8 × 16 1/2 inches (54.3 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

99. Lady Hamilton

Creator:: Print made by William Say, 1768–1834
Date:: 1806
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 3/8 × 11 inches (39.1 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

100. Sunshine of Love

Creator:: Print made by Samuel Cousins, 1801–1887
Date:: 1837
Materials & Techniques:: Mezzotint, stipple engraving, and line engraving on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 17 3/8 x 13 7/8 inches (44.2 x 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

YCBA Collections Search

Refine your search

Search Constraints

Period 19th century

Height [cm] 39

Search Results

1. Study of an Ash Tree

2. Osmington Village

3. Calais Jetty, France

4. Zagori, Greece

5. Landscape with Wheatfield

6. Study of an Ash Tree

7. Self-Portrait

8. A Harbor Scene in the Isle of Wight, Looking Towards the Needles

9. George III Irish Silver: George Chinnery Palette, presented to the Artist by the Artists of Dublin, July 27, 1801

10. Ship Aground Brighton

11. Weymouth

12. A Sea Piece - A Rough Sea with a Fishing Boat

13. Winchelsea, Sussex

14. Illustrations of The Book of Job, Title Page

15. Book of Job, Plate 1, Job and His Family

16. Book of Job, Plate 6, Satan Smiting Job with Boils

17. Book of Job, Plate 21, Job and His Family Restored to Prosperity

18. Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]

19. Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]

20. Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]

21. Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]

22. Architectural Drawing of the Temple of Concordia

23. Architectural Drawing

24. Sketches of Ornamental Designs, For Oil Lamps and Pouring Vessels

25. Hadleigh Castle, Large Plate

26. Returning from a Review...Paris

27. Breakfast at Breteuil

28. Cowdray Ruins

29. The Vale of Ashburnham

30. Hurstmonceux Castle

31. Simmer Lake near Askrig

32. Ingleborough, from Hornby Castle Terrace

33. Kirkby Lonsdale Churchyard

34. Weathercote Cave when Half Filled with Water

35. Edinburgh from Leith Harbour, Vignette Title to Vol. II

36. The Spoiled Child, Scene I

37. The Spoiled Child, Scene II

38. The Spoiled Child, Scene IV

39. The Spoiled Child, Scene III

40. View of Lakes Buttermere and Crummock Water

41. Genoa

42. Maya Stela at Copan, Honduras

43. Design for Monument to Captain Hardinge

44. Norwich Catherdral, Ambulatory

45. South Front of St. Pauls

46. Temple of Jupiter and Minerva, Thugga

47. A Monastery Mill

48. A View of Worcester College &c.

49. View of Oxford from the South Side of Heddington Hill

50. Edinburgh Castle, Vignette Title to Vol. I

51. The Spoiled Child, Scene V

52. High Street at Bushey, Hertfordshire

53. Study for The Wedding Feast of Sir Degrevaunt

54. Ruins at Sabachtsche

55. Ehenbreitstein, During the Demolition of the Fortress in 1817 from the Quay at Coblentz.

56. Interior of a Rom in Samlesbury Hall; Lancashire

57. Longleat, Somerset: Elevation

58. Dinton House, Wiltshire: Perspective View

59. Valombre

60. Mrs. Siddons

61. Vol. 6, Plate XXXIX: The Story of St John as a Pilgrim, and King Edward the Confessor. Fragment of a Virtue Triumphant. An Ornamental Pattern Found in one of the Round Headed Windows Filled up in the Painted Chamber

62. Coaching: The Cambridge Telegraph, Starting from the White Horse

63. 'Satirist'. (with 'Coronation') Rode by W. Scott. / The Winner of the Great St. Leger Stakes at Doncaster 1841...

64. Pheasant Shooting

65. The Boy of Egremond

66. Crossing the Brook

67. Sir George Beaumont, Bart.

68. South West View of Old Burleigh Hall near Stamford, Lincolnshire

69. Plan of Longford Castle, Wiltshire; the Seat of the Right Hon'ble the Earl of Radnor

70. John E. Millais

71. Arch of Titus, from the Temple of Venus and Rome

72. A measured drawing of a skull

73. David Roberts

74. Henry Tresham, Esq. R. A.