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Period 19th century

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The Perivale Road
Creator:
Richard Whately West, 1848–1905
Date:
ca. 1885
Materials & Techniques:
Oil on prepared board
Dimensions:
Sheet:
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse
On View:
Not on view
Villa Madama (vignette)
Creator:
Print made by Henry Le Keux, 1787–1868
Date:
1830
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/4 × 9 3/8 inches (36.2 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Vol. 6, Plate XXVIII
Creator:
Print made by G.F. Storm, active mid–19th century
Date:
1842
Materials & Techniques:
Etching on moderately thick, smooth, white wove paper
Dimensions:
Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
St. George's Chapel, Windsor, West End, July 19, 1832, 10 am
Creator:
Dr. William Crotch, 1775–1847
Date:
1832
Materials & Techniques:
Graphite, watercolor, and gouache on medium, slightly textured, cream wove paper
Dimensions:
Mount: 12 7/8 × 10 7/16 inches (32.7 × 26.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
North East View of Henry VII Chapel Westminster
Creator:
Print made by unknown artist
Date:
ca. 1813
Materials & Techniques:
Etching, proof before letters on smooth, medium, white wove paper
Dimensions:
Sheet: 14 13/16 inches (37.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Sketches for Panels Executed at Crowe Hall
Creator:
J. R. Harris, active 1876
Date:
1876
Materials & Techniques:
Pen and brown ink, blue wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse
Sketches for Panels Executed at Crowe Hall
Creator:
J. R. Harris, active 1876
Date:
1876
Materials & Techniques:
Pen and brown ink, blue wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse
Sketches for Panels Executed at Crowe Hall
Creator:
J. R. Harris, active 1876
Date:
1876
Materials & Techniques:
Pen and brown ink, blue wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse
Sketches for Panels Executed at Crowe Hall
Creator:
J. R. Harris, active 1876
Date:
1876
Materials & Techniques:
Pen and brown ink, blue wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse
Château de Tancarville, with Town of Quilleboeuf
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1834
Materials & Techniques:
Etching and line engraving on moderately thick, smooth cream wove paper
Dimensions:
Sheet: 7 × 10 5/8 inches (17.8 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker
The Tower of London
Creator:
Thomas Hearne, 1744–1817
Date:
1801
Materials & Techniques:
Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 7/8 x 14 3/4 inches (22.5 x 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Print made by unknown artist
Date:
1814
Materials & Techniques:
Folio of etchings on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 16 1/2 × 20 1/4 inches (41.9 × 51.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund