[set of 16]: 1-12:Fox-hunting subjects (no titles)
1823
204
Print made by James Baylis Allen, 1803–1876
Havre
1834
205
Print made by James Tibbits Willmore, 1800–1863
Tancarville
1834
206
Print made by John Cousen, 1804–1880
Harfleur
1834
207
Henry Thomas Alken, 1785–1851
Horse and Dog
undated
208
Henry Thomas Alken, 1785–1851
Symptoms: of Being Bang Up, of a Fine Woman, of Being Bang Down, Of a Quiet One
between 1818 and 1822
209
Henry Thomas Alken, 1785–1851
Knight Falling From His Horse at a Squire's Tilt
undated
210
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'
between 1831 and 1832
211
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'
between 1831 and 1832
212
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" '
between 1831 and 1832
213
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'
between 1831 and 1832
214
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '
between 1831 and 1832
215
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Had No Notion of the Comforts of Hunting by Water'
between 1831 and 1832
216
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'It's My Notion That This is the Only Way to Get Her Along'
between 1831 and 1832
217
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'
between 1831 and 1832
218
Henry Thomas Alken, 1785–1851
"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'
between 1831 and 1832
219
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'
between 1831 and 1832
220
John Frederick Tayler, 1802–1889
Six Foxhounds Resting
undated
221
John Frederick Tayler, 1802–1889
Dismounted Rider Breaking Open a Fence for Foxhounds to Pass Through
undated
222
Print made by Robert Brandard, 1805–1862
Château de la Mailleraie
1834
223
Print made by James Tibbits Willmore, 1800–1863
Vernon
1835
224
Print made by William Miller, 1796–1882
Inverness
1836
225
Sir Francis Seymour Haden, 1818–1910
Ô Laborum
1865-1866
226
James McNeill Whistler, 1834–1903
Gants de Suède
1890
227
James McNeill Whistler, 1834–1903
The Long Gallery, Louvre
1894
228
John William Waterhouse, 1849–1917
Head of a Woman
1896
229
Print made by Sir Frank Short, 1857–1945
Putney
1894
230
Charles John Watson, 1846–1927
Flera S. Marino
1893
231
Print made by Robert Anning Bell, 1863–1933
Woman with a Tambourine
undated
232
Jacques-Laurent Agasse, 1767–1849
Saddled Gray Horse Walking
undated
233
Michael Angelo Hayes, 1811–1880
The Band of the 23rd Fusiliers
1838
234
Sir Francis Grant, 1803–1878
Study of a Hound, Running
undated
235
Print made by Miles Edmund Cotman, 1810–1858
Barge on the Medway with Warships Grampian and Dreadnaugh in the Background
ca. 1838
236
George Chinnery, 1774–1852
Studies of Horses with Chinese Grooms, and a Dog, Nov. 10, 1840
1840
237
Thomas Rowlandson, 1756–1827
How to Vault in the Saddle
1813
238
Print made by Edward Francis Finden, 1791–1857
The Plain of Troy
1832
239
Print made by Edward Francis Finden, 1791–1857
The Castle of St. Angelo
1832
240
Print made by Edward Francis Finden, 1791–1857
Corinth from the Acropolis
1832
241
Print made by Edward Francis Finden, 1791–1857
St. Sophia, Constantinople
1833
242
James Duffield Harding, 1798–1863
Lane Scene
1829
243
Print made by Francesco Bartolozzi, 1728–1815
William Cobbett
1801
244
unknown artist
Marlow, Bucks
1805
245
Thomas Shotter Boys, 1803–1874
On the Seine
1831
246
Thomas Rowlandson, 1756–1827
The Toper's Mistake
1801
247
Print made by Edward Goodall, 1795–1870
Snowy Range, from Tyne or Marma
1838
248
Print made by John Cousen, 1804–1880
Falls near the Source of the Jumna
1838
249
Print made by John Cousen, 1804–1880
View near Jubbera
1838
250
Print made by Edward Goodall, 1795–1870
Rocks at Colgong on the Ganges
1844
251
Print made by Edward Francis Finden, 1791–1857
Joppa
1836
252
Print made by S. Fisher, active 1831–1844
Rhodes
1836
253
Luigi Schiavonetti, 1765–1810
William Blake
1808
254
Print made by Thomas Goff Lupton, 1791–1873
Warkworth Castle on the River Coquet
1823 to 1827
255
Print made by William Radclyffe, 1780–1855
Mantes
1835
256
Print made by James Tibbits Willmore, 1800–1863
Pont de l'Arche
1835
257
Print made by James Baylis Allen, 1803–1876
St. Germains
1835
258
Print made by William Radclyffe, 1780–1855
Marche aux Fleurs and Pont-au-Change
1835
259
Print made by Thomas Jeavons, ca. 1800–1867
Hotel de Ville and Pont d'Arcole
1835
260
Print made by James Charles Armytage, 1802–1897
Troyes
1835
261
Print made by Thomas Higham, 1796–1844
Boulevards, Paris
1835
262
Print made by Robert Wallis, 1794–1878
Kelso
1834
263
Print made by Edward Goodall, 1795–1870
Carlisle
1834
264
Print made by Robert Brandard, 1805–1862
Jedburgh Abbey
1834
265
Print made by William Miller, 1796–1882
Dryburgh Abbey
1834
266
Print made by Edward Goodall, 1795–1870
Caerlaverock Castle
1834
267
Print made by William Miller, 1796–1882
Edinburgh from Blackford Hill
1834
268
Print made by John Pye, 1782–1874
Junction of the Greta and the Tees
1834
269
Print made by Henry Le Keux, 1787–1868
Loch Coriskin
1834
270
Print made by William Miller, 1796–1882
Loch Katrine
1834
271
Print made by William Miller, 1796–1882
Skiddaw
1834
272
Print made by William Miller, 1796–1882
Berwick-upon-Tweed
1834
273
Print made by William Miller, 1796–1882
Brussels, Distant View
1834
274
Print made by William Miller, 1796–1882
Jerusalem
1834
275
Print made by William Miller, 1796–1882
Verona
1835
276
Print made by William Miller, 1796–1882
Placenza
1834
277
Print made by John Horsburgh, 1791–1869
Milan
1835
278
Print made by William Miller, 1796–1882
Field of Waterloo, with Lightning
1835
279
Print made by William Miller, 1796–1882
Paris from Pere-la-Chaise
1835
280
Print made by William Miller, 1796–1882
St. Cloud
1835
281
Print made by William Miller, 1796–1882
Dunstaffnage
1836
282
Print made by William Miller, 1796–1882
Stirling
1836
283
Print made by William Miller, 1796–1882
Edinburgh from St. Anthony's Chapel
1836
284
Print made by William Miller, 1796–1882
Glencoe
1836
285
Print made by William Richardson, active 1842–1877
Rouen - Distant View
1836
286
Print made by Augustus Welby Northmore Pugin, 1812–1852