Period: 19th century / Width [cm]: 21 - YCBA Collections Search Search Results

1. Woman in Japanese Dress

Creator:: Sir John Lavery, 1856–1941
Date:: 1883
Materials & Techniques:: Oil on panel
Dimensions:: 11 × 8 3/8 inches (27.9 × 21.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

2. Landscape with Deer under "The Beggar's Oak", Dagot's Park...

Creator:: James Ward, 1769–1859
Date:: between 1820 and 1830
Materials & Techniques:: Oil on panel
Dimensions:: 4 1/4 x 8 1/4in. (10.8 x 21cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. Men Round the Food Vendor’s Stall

Creator:: George Chinnery, 1774–1852
Date:: after 1825
Materials & Techniques:: Oil on canvas
Dimensions:: 9 1/2 × 8 1/8 inches (24.1 × 20.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

4. Sir Charles Nicholson

Creator:: Thomas Woolner, 1825–1892
Date:: 1854
Materials & Techniques:: Bronze, in circular wood frame
Dimensions:: Overall: 8 7/16 x 8 7/16 inches (21.4 x 21.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Iola S. Haverstick Fund
On View:: Not on view

5. William Charles Wentworth

Creator:: Thomas Woolner, 1825–1892
Date:: 1854
Materials & Techniques:: Bronze, in a circular wood frame
Dimensions:: Overall: 8 1/4 x 8 1/4 inches (21 x 21 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Iola S. Haverstick Fund
On View:: Not on view

6. Oberon and Titania

Creator:: Francis Danby, 1793–1861
Date:: 1837
Materials & Techniques:: Watercolor and black ink with gum over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 × 8 1/4 inches (15.2 × 20.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

7. Brighton Beach Looking West

Creator:: John Constable, 1776–1837
Date:: undated
Materials & Techniques:: Graphite, pen and black ink and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/2 x 7 1/8 inches (11.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. View near Arundel

Creator:: John Constable, 1776–1837
Date:: between 1834 and 1835
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 x 8 1/4 inches (12.7 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Flowers in a Pitcher

Creator:: John Constable, 1776–1837
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/4 x 8 3/8 inches (28.6 x 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. The Vine

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1852
Materials & Techniques:: Etching and drypoint, retouched with white watercolor, gouache or chalk on thick, smooth, cream wove paper
Dimensions:: Sheet: 11 9/16 x 8 1/4 inches (29.3 x 20.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. The Morning of Life

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1860-1861
Materials & Techniques:: Etching, engraving and drypoint, with plate tone on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 10 7/8 inches (19 x 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. The Morning of Life

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1860-1861
Materials & Techniques:: Etching, engraving and drypoint, with plate tone on thick, smooth, cream wove paper
Dimensions:: Sheet: 8 1/2 x 11 3/4 inches (21.6 x 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

13. Opening the Fold

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: plate etched in 1880; impression printed in 1920
Materials & Techniques:: Etching and drypoint, with plate tone (printed in brown ink by Sir Frank Short) on thin, smooth, cream laid paper
Dimensions:: Sheet: 6 15/16 x 10 1/2 inches (17.6 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. The Morning of Life

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1860-1861
Materials & Techniques:: Etching, engraving and drypoint, with plate tone, retouched with white watercolor, gouache or chalk on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/8 x 12 5/16 inches (22.6 x 31.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Opening the Fold

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: plate etched in 1880; impression printed in 1926
Materials & Techniques:: Etching and drypoint, with plate tone (printed under the supervision of Sir Frank Short, Martin Hardie and Frederick Landseer Maur Griggs, 1926) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/4 x 11 9/16 inches (18.4 x 29.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Shields Lighthouse

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1820 to 1826
Materials & Techniques:: Mezzotint; engraver's proof b
Dimensions:: Sheet: 5 15/16 x 8 3/8in. (15.1 x 21.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Shields Lighthouse

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1820 to 1826
Materials & Techniques:: Mezzotint; trial proof a on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 3/4 x 8 1/4 inches (14.6 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Catania, Sicily

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: ca. 1825
Materials & Techniques:: Mezzotint; 1872 impression
Dimensions:: Sheet: 6 x 8 3/8in. (15.2 x 21.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Rome from Monte Mario

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1818
Materials & Techniques:: Watercolor with pen and black ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 7/16 x 8 7/16 inches (13.8 x 21.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Ship in a Storm

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: between 1820 and 1826
Materials & Techniques:: Mezzotint; artist's proof (a) on medium, slightly textured, cream laid paper mounted to board
Dimensions:: Sheet: 5 7/8 × 8 3/8 inches (14.9 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

21. Shields Lighthouse

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: between 1820 and 1826
Materials & Techniques:: Mezzotint; artist's proof (c) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 5/8 × 14 5/8 inches (27 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

22. Gloucester Cathedral

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: between 1820 and 1826
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 3/8 × 16 inches (31.4 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

23. Winchelsea, Sussex

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/2 × 10 1/2 inches (39.4 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

24. Near Mesghouneh

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, gouache, pen and brown ink on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 2 3/8 x 8 1/16 inches (6 x 20.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

25. Howatke

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, pen and brown ink on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 3 x 8 1/16 inches (7.6 x 20.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

26. Beni Eddeir

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, gouache, pen and brown ink on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 1 15/16 x 8 1/4 inches (4.9 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

27. Lago di Como, Brienno?

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, pen and brown ink on thick, rough, cream wove paper
Dimensions:: Sheet: 4 7/8 x 8 1/8 inches (12.4 x 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

28. The Pontine Marshes above Terracina

Creator:: Edward Lear, 1812–1888
Date:: ca. 1880
Materials & Techniques:: Pen in brown ink with brown wash over graphite on very thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 3/8 x 12 7/16 inches (23.8 x 31.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Rev. John Caspar Lavater (1787-1801)

Creator:: Print made by William Blake, 1757–1827
Date:: 1800
Materials & Techniques:: Line engraving on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 14 3/8 × 11 9/16 inches (36.5 × 29.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

30. The Widow Embracing Her Husband's Grave

Creator:: William Blake, 1757–1827
Date:: 1805 to 1808
Materials & Techniques:: Pen and gray ink with graphite and watercolor on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 6 x 8 1/8 inches (15.2 x 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Malta

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Graphite on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 5 15/16 × 8 1/4 inches (15.1 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Section of a Building Near the Coast

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 5/16 × 8 3/8 inches (28.7 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Study of Fontana Maggiore in Perugia

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 5 1/2 × 8 5/16 inches (14 × 21.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Interior of the Holy Chapel of Loretta

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 5 1/2 × 8 1/4 inches (14 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. The Pirate's Council

Creator:: Print made by William Strang, 1859–1921
Date:: 1893
Materials & Techniques:: Etching on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 5 1/2 × 8 1/4 inches (14 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Judith Zlotsky

36. The Black Tower Norwich

Creator:: Robert Dixon, 1780–1815
Date:: between 1810 and 1811
Materials & Techniques:: Soft-ground etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 9/16 x 8 3/16 inches (26.8 x 20.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. The Greyfriars Tower, Lynn, as it appeared 1801

Creator:: Robert Dixon, 1780–1815
Date:: between 1810 and 1811
Materials & Techniques:: Soft-ground etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 15/16 x 8 1/16 inches (25.3 x 20.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Cottage at Diss

Creator:: Robert Dixon, 1780–1815
Date:: 1811
Materials & Techniques:: Soft-ground etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/16 x 8 1/4 inches (25.6 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. West Tower, Wymondham Church

Creator:: Robert Dixon, 1780–1815
Date:: 1810
Materials & Techniques:: Soft-ground etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 11/16 x 8 1/4 inches (27.1 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Sketch at Mulbarton

Creator:: Robert Dixon, 1780–1815
Date:: between 1810 and 1811
Materials & Techniques:: Soft-ground etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 x 8 3/16 inches (27 x 20.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Remains of the Priory, Beeston Regis

Creator:: Robert Dixon, 1780–1815
Date:: 1810
Materials & Techniques:: Soft-ground etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 7/16 x 8 1/4 inches (26.5 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Untitled

Creator:: John Mallows Youngman, 1817–1899
Date:: 1879
Materials & Techniques:: Etching
Dimensions:: Sheet: 10 1/4 x 8 1/4in. (26 x 21cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Judith Zlotsky

43. Beeston Priory, Beeston Regis

Creator:: Robert Dixon, 1780–1815
Date:: between 1810 and 1811
Materials & Techniques:: Soft-ground etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 11/16 x 8 3/16 inches (27.1 x 20.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Street Scene at Stratford by Bow

Creator:: Thomas Shotter Boys, 1803–1874
Date:: undated
Materials & Techniques:: Watercolor, graphite, and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/4 x 8 1/4 inches (12.1 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Fountain in the Gardens, Paris: Evening

Creator:: Thomas Shotter Boys, 1803–1874
Date:: undated
Materials & Techniques:: Watercolor on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 5 5/8 x 8 1/4 inches (14.3 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Study of Caryatides for Statue of Sir Thomas of Monro

Creator:: Thomas Stothard, 1755–1834
Date:: 1806
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 5/8 x 8in. (27 x 20.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Dr. Syntax Made Free of the Cellar

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and brown and gray ink on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 8 3/8 inches (13.3 x 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Vessels in a Choppy Sea

Creator:: Richard Parkes Bonington, 1802–1828
Date:: ca. 1824
Materials & Techniques:: Watercolor with scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/2 x 8 3/8 inches (14 x 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Edinburgh Castle and Horse Fair

Creator:: Walter Geikie, 1795–1837
Date:: ca. 1828
Materials & Techniques:: Pen and black ink, gray wash, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/2 × 8 1/8 inches (14 × 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. A Head Keeper, Windsor Castle, 1826

Creator:: John Frederick Lewis, 1804–1876
Date:: 1826
Materials & Techniques:: Black chalk, red chalk, conté crayon, graphite and white chalk on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 11 1/4 x 8 1/4 inches (28.6 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Harlech

Creator:: Thomas Stothard, 1755–1834
Date:: ca. 1805-1811
Materials & Techniques:: Watercolor and pen and ink on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 3 3/4 × 8 1/4 inches (9.5 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. The Tenth Day of the Decameron

Creator:: Thomas Stothard, 1755–1834
Date:: ca. 1825
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 x 8in. (27 x 20.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Rome from Monte Mario

Creator:: Print made by John Byrne, 1786–1847
Date:: 1820
Materials & Techniques:: Etching and line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 5/16 × 17 1/4 inches (28.7 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Rome, Tomb of Cecilia Metella

Creator:: Print made by John Byrne, 1786–1847
Date:: 1818-1820
Materials & Techniques:: Etching and engraving on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 9/16 × 13 5/8 inches (26.8 × 34.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Biggin Street and St. Mary's Church, Dover

Creator:: unknown artist
Date:: between 1826 and 1866
Materials & Techniques:: Brown wash, graphite
Dimensions:: Sheet: 7 1/16 x 8 1/8in. (17.9 x 20.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. The Deep-Dene. The Seat of Thomas Hope, Esq.

Creator:: George Frederick Prosser, active 1828–1868
Date:: undated
Materials & Techniques:: Lithograph on smooth, thin, white wove paper laid on white wove paper
Dimensions:: Image: 5 1/4 × 8 3/8 inches (13.3 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Two Sketches on one sheet

Creator:: unknown artist
Date:: between 1826 and 1866
Dimensions:: Sheet: 11 7/16 x 8 1/8in. (29.1 x 20.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. The Lady at the Dressing Table

Creator:: Aubrey Vincent Beardsley, 1872–1898
Date:: ca. 1897
Materials & Techniques:: Black ink, gray ink and gray wash on medium, slightly textured, cream wove paper mounted on card
Dimensions:: Sheet: 7 7/8 x 6 5/8 inches (20 x 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

59. Shakespeare House, Aldersgate Street

Creator:: J. Jacobs, active 1816–1864
Date:: undated
Materials & Techniques:: Graphite, pen and black ink, brown wash and white gouache on slightly textured, medium, white wove paper
Dimensions:: Sheet: 8 13/16 × 8 3/8 inches (22.4 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Cart Bearing a Large Tree Trunk

Creator:: Paul Sandby, 1731–1809
Date:: undated
Materials & Techniques:: Gray wash with pen and gray ink over graphite on medium, moderately textured, cream laid paper mounted on moderately thick, smooth, cream wove paper
Dimensions:: Mount: 6 7/8 × 10 1/2 inches (17.5 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

61. Head of a Young Woman

Creator:: John Frederick Lewis, 1804–1876
Date:: between 1838 and 1840
Materials & Techniques:: Watercolor, gouache, black chalk, and graphite on medium, slightly textured, beige wove paper
Dimensions:: Mount: 13 5/8 x 11 1/4 inches (34.6 x 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. A View of Lausanne from Ouchy

Creator:: unknown artist
Date:: between 1826 and 1866
Materials & Techniques:: Graphite
Dimensions:: Sheet: 6 9/16 x 8 3/8in. (16.7 x 21.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Shakespeare's Cliff, Dover

Creator:: unknown artist
Date:: between 1826 and 1866
Materials & Techniques:: Graphite heightened with white
Dimensions:: Sheet: 5 15/16 x 8 1/8in. (15.1 x 20.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Edinburgh Castle and Horse Fair

Creator:: Walter Geikie, 1795–1837
Date:: 1830
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 6 × 8 1/4 inches (15.2 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Lake Albano

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1828
Materials & Techniques:: Line engraving, Early proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 9 × 11 1/2 inches (22.9 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Havre

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1832
Materials & Techniques:: Line engraving, first published state on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Rome, from the Farnese Gardens

Creator:: Print made by John Le Keux, 1783–1846
Date:: 1818-1820
Materials & Techniques:: Line engraving and etching, engraver's proof on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 1/4 × 19 1/2 inches (33.7 × 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. La Chaise de Gargantua near Duclair

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1834
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 11 3/4 × 17 1/8 inches (29.8 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Caerlaverock Castle

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 9 1/4 × 17 5/8 inches (23.5 × 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Falls of the Rhine

Creator:: Print made by James Baylis Allen, 1803–1876
Date:: 1832
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/8 × 16 15/16 inches (28.9 × 43 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Orford Castle and St. George's Tower

Creator:: Print made by James C. Allen, active 1821–1831
Date:: ca. 1830
Materials & Techniques:: Line engraving and etching on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 17 1/16 × 11 13/16 inches (43.3 × 30 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Waterloo Bridge from the Garden of M. A. Taylor, Esq.

Creator:: William Parrott, 1813–ca. 1869
Date:: undated
Materials & Techniques:: Brown wash and graphite with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 5/16 × 8 3/8 inches (11 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Ram and Two Sheep

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Pen and brown ink, brown wash, graphite and scratching out on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 6 x 8 1/4in. (15.2 x 21cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. View of Crosby Place from the Priory Close of St. Helen's, circa 1471

Creator:: W. Wilkinson, 19th Century
Materials & Techniques:: Photo reproduction
Dimensions:: Sheet: 6 x 8 3/16in. (15.2 x 20.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. St. Martin, Ludgate

Creator:: S. Jenkins, active 1814–1818
Date:: 1814
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 8 1/4in. (31.1 x 21cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. St. Andrews Warchoke

Creator:: J. W. White, active 1810
Date:: 1810
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 3/8 x 8 5/16in. (31.4 x 21.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Ponte Vecchio [North Italian Set: No. 21]

Creator:: Sir David Young Cameron, 1865–1945
Date:: 1895
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/2 × 8 1/4 inches (24.1 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

78. The Abbazia, Venice

Creator:: Sir David Young Cameron, 1865–1945
Date:: 1900
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/8 × 9 3/4 inches (35.9 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

79. S.W. View of St. Mary's Church, Bryanston Square

Creator:: Philip Audinet, 1766–1837
Date:: 1826
Materials & Techniques:: Engraving
Dimensions:: Sheet: 10 1/4 x 8 1/4in. (26 x 21cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Custom House

Creator:: John Woods, active 1836–1860
Date:: 1831
Materials & Techniques:: Engraving
Dimensions:: Sheet: 6 1/2 x 8 1/8in. (16.5 x 20.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. St. Ethelburga

Creator:: Joseph Skelton, active 1820–1850
Date:: 1807
Materials & Techniques:: Engraving
Dimensions:: Sheet: 11 1/2 x 8 7/16in. (29.2 x 21.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Remains of St. Barts Priory

Creator:: John Greig, active 1803–1853
Date:: 1805
Materials & Techniques:: Engraving
Dimensions:: Sheet: 10 3/4 x 8 7/16in. (27.3 x 21.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Little Sypeland

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite, watercolor, gray wash, pen and blue and black ink on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 11 3/4 × 8 3/8 inches (29.8 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Hampton Court, Herefordshire

Creator:: Print made by James S. Storer, 1771–1853
Date:: 1801
Materials & Techniques:: Line engraving, published state
Dimensions:: Sheet: 6 1/2 × 8 3/8 inches (16.5 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Martello Towers at Bexhill

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1817
Materials & Techniques:: Etching and engraving, Engraver's proof on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 17 5/16 inches (29.5 × 44 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Martello Towers at Bexhill

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1817
Materials & Techniques:: Etching and engraving, first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 9 5/16 × 13 7/8 inches (23.7 × 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Minehead, Somersetshire

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1820
Materials & Techniques:: Etching; open etching touched on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/8 × 17 1/4 inches (30.8 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. The Little Devil's Bridge

Creator:: Print made by unknown artist
Date:: between 1816 and 1820
Materials & Techniques:: Open etching and line engraving, (touched) on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 8 5/8 × 11 9/16 inches (21.9 × 29.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Trees and a Cottage by a River

Creator:: Richard Parkes Bonington, 1802–1828
Date:: 1827
Materials & Techniques:: Black chalk and gum on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 1/4 x 8 1/8 inches (15.9 x 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Ships in Sandown Bay

Creator:: unknown artist
Date:: between 1826 and 1866
Materials & Techniques:: Graphite, white gouache
Dimensions:: Sheet: 5 3/4 x 8 1/8in. (14.6 x 20.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. A View of Shattesbrook Mansion

Creator:: unknown artist
Date:: between 1826 and 1866
Materials & Techniques:: Graphite heightened with white gouache
Dimensions:: Sheet: 5 13/16 x 8 3/16in. (14.8 x 20.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. The Norman Staircase, Canterbury

Creator:: unknown artist
Date:: between 1826 and 1866
Materials & Techniques:: Brown wash heightened with white over graphite
Dimensions:: Sheet: 6 x 8 3/16in. (15.2 x 20.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Town with Bridge in the Foreground

Creator:: unknown artist
Date:: between 1826 and 1866
Materials & Techniques:: Graphite
Dimensions:: Sheet: 6 7/16 x 8 7/16in. (16.4 x 21.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Preparatory Sketch for 'Seville Cathedral'

Creator:: David Roberts, 1796–1864
Date:: between 1826 and 1866
Materials & Techniques:: Watercolor heightened with gouache over graphite
Dimensions:: Sheet: 11 5/16 x 8 1/8in. (28.7 x 20.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Two Sleeping Dogs

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite, white chalk, red chalk on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 6 1/2 × 8 5/16 inches (16.5 × 21.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Windsor Forest

Creator:: John Linnell, 1792–1882
Date:: 1815
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Contemporary drawn border: 6 1/8 x 8 3/8 inches (15.6 x 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Notre Dame, Paris

Creator:: Thomas Shotter Boys, 1803–1874
Date:: between 1831 and 1845
Materials & Techniques:: Watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/4 x 8 7/16 inches (15.9 x 21.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. York House, the corner of Villiers Street and the Strand, with Richardson's Ancient and Modern Print Warehouse in the Foreground

Creator:: George Shepheard, ca. 1770–1842
Date:: ca. 1809
Materials & Techniques:: Watercolor and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 x 8 1/8in. (27.3 x 20.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Ship Study

Creator:: Cornelius Varley, 1781–1873
Date:: 1823
Materials & Techniques:: Graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 18 x 8 3/8 inches (45.7 x 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Preparatory drawing for Design 24, Plate 27 of A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Graphite and pen and black ink on thin, slightly textured, pink and cream laid paper laid mounted on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 7/8 x 8 1/16in. (25.1 x 20.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

Refine your search

Search Constraints

Period 19th century

Width [cm] 21

Search Results

1. Woman in Japanese Dress

2. Landscape with Deer under "The Beggar's Oak", Dagot's Park...

3. Men Round the Food Vendor’s Stall

4. Sir Charles Nicholson

5. William Charles Wentworth

6. Oberon and Titania

7. Brighton Beach Looking West

8. View near Arundel

9. Flowers in a Pitcher

10. The Vine

11. The Morning of Life

12. The Morning of Life

13. Opening the Fold

14. The Morning of Life

15. Opening the Fold

16. Shields Lighthouse

17. Shields Lighthouse

18. Catania, Sicily

19. Rome from Monte Mario

20. Ship in a Storm

21. Shields Lighthouse

22. Gloucester Cathedral

23. Winchelsea, Sussex

24. Near Mesghouneh

25. Howatke

26. Beni Eddeir

27. Lago di Como, Brienno?

28. The Pontine Marshes above Terracina

29. Rev. John Caspar Lavater (1787-1801)

30. The Widow Embracing Her Husband's Grave

31. Malta

32. Section of a Building Near the Coast

33. Study of Fontana Maggiore in Perugia

34. Interior of the Holy Chapel of Loretta

35. The Pirate's Council

36. The Black Tower Norwich

37. The Greyfriars Tower, Lynn, as it appeared 1801

38. Cottage at Diss

39. West Tower, Wymondham Church

40. Sketch at Mulbarton

41. Remains of the Priory, Beeston Regis

42. Untitled

43. Beeston Priory, Beeston Regis

44. Street Scene at Stratford by Bow

45. Fountain in the Gardens, Paris: Evening

46. Study of Caryatides for Statue of Sir Thomas of Monro

47. Dr. Syntax Made Free of the Cellar

48. Vessels in a Choppy Sea

49. Edinburgh Castle and Horse Fair

50. A Head Keeper, Windsor Castle, 1826

51. Harlech

52. The Tenth Day of the Decameron

53. Rome from Monte Mario

54. Rome, Tomb of Cecilia Metella

55. Biggin Street and St. Mary's Church, Dover

56. The Deep-Dene. The Seat of Thomas Hope, Esq.

57. Two Sketches on one sheet

58. The Lady at the Dressing Table

59. Shakespeare House, Aldersgate Street

60. Cart Bearing a Large Tree Trunk

61. Head of a Young Woman

62. A View of Lausanne from Ouchy

63. Shakespeare's Cliff, Dover

64. Edinburgh Castle and Horse Fair

65. Lake Albano

66. Havre

67. Rome, from the Farnese Gardens

68. La Chaise de Gargantua near Duclair

69. Caerlaverock Castle

70. Falls of the Rhine

71. Orford Castle and St. George's Tower

72. Waterloo Bridge from the Garden of M. A. Taylor, Esq.

73. Ram and Two Sheep

74. View of Crosby Place from the Priory Close of St. Helen's, circa 1471