Period: 19th century / Width [cm]: 25 - YCBA Collections Search Search Results

301. Aldborough

Creator:: Print made by James C. Allen, active 1821–1831
Date:: ca. 1830
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof (c) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 3/16 × 17 9/16 inches (31 × 44.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

302. Aldborough

Creator:: Print made by James C. Allen, active 1821–1831
Date:: ca. 1830
Materials & Techniques:: Etching with chine collé; early engraver's proof on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 × 17 1/4 inches (30.5 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

303. Breaking up of the 'Great Eastern' #2

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1890
Materials & Techniques:: Etching on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 7 5/8 × 9 7/8 inches (19.4 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

304. Ross Castle, Killarney, Sept. 4, 1812

Creator:: George Jones, 1786–1869
Date:: 1812
Materials & Techniques:: Watercolor on moderately thick, rough, blue wove paper
Dimensions:: Sheet: 5 × 10 inches (12.7 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

305. Sketch of Monnikendam in Distance

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1892
Materials & Techniques:: Etching on wove paper
Dimensions:: Sheet: 3 × 9 7/8 inches (7.6 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

306. Noon

Creator:: Print made by David Lucas, 1802–1881
Date:: 1830
Materials & Techniques:: Mezzotint with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 x 14 1/4 inches (26 x 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

307. A Mill

Creator:: Print made by David Lucas, 1802–1881
Date:: 1830
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/8 x 14 1/4 inches (25.7 x 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

308. Summer Morning

Creator:: Print made by David Lucas, 1802–1881
Date:: 1831
Materials & Techniques:: Mezzotint with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/8 x 14 1/4 inches (25.7 x 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

309. Sketches of Ornamental Designs, For Oil Lamps and Pouring Vessels

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Brown wash, graphite, pen and brown ink on thin, moderately textured, beige wove paper
Dimensions:: Sheet: 15 1/4 × 9 3/4 inches (38.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

310. At Hastings, 5 October 1820

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1820
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 × 10 inches (10.2 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

311. Sketch of a Man Watching Large Waves, Hastings

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1820
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 × 10 inches (10.2 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

312. As Much Underneath, Before the Road, Hastings

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1820
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 × 10 inches (10.2 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

313. Sketch of a Roof with a Large Chimney

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 7/8 × 9 3/4 inches (17.5 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

314. Seymour Lodge, 12 July 1826

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1826
Materials & Techniques:: Graphite and pen and brown ink on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 6 7/8 × 9 7/8 inches (17.5 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

315. Entrance to Cardigan, 8 September 1847

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1847
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/8 × 10 inches (18.7 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

316. Gems of the Great Exhibition No. 4: The Foreign Department

Creator:: Print made by George Baxter, 1804–1867
Date:: 1852 or 1854
Materials & Techniques:: Aquatint and stipple engraving with color woodcut on medium, smooth, cream wove paper, laid on dome-shaped gold paper, laid on contemporary mount made of thick, smooth, beige card
Dimensions:: Mount: 8 3/8 x 13 1/16 inches (21.2 x 33.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

317. Eight Rural Subjects

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint, etching, stipple engraving and color woodcut on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 1/2 × 11 3/16 inches (31.8 × 28.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

318. Crystal Palace from the Reservoir, Sydenham

Creator:: Robert Carrick, ca. 1829–1904
Materials & Techniques:: Photolithograph
Dimensions:: Sheet: 7 3/4 x 9 15/16in. (19.7 x 25.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

319. The New Custom House

Creator:: unknown artist
Date:: 1816
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 6 1/4 x 9 3/4in. (15.9 x 24.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

320. Rue du Gros-Horloge, Rouen

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1824
Materials & Techniques:: Lithograph with chine collé on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 3/8 x 19 3/4 inches (34 x 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Everett V. Meeks, B.A. 1901, Fund

321. Architecture in the Porch and Belfry of St. Alphage, London Wall

Creator:: unknown artist
Date:: 1815
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 3/8 x 9 3/4in. (34 x 24.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

322. Interior and Exterior View of St. Barts the Less

Creator:: unknown artist
Date:: 1834
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 1/2 x 10in. (34.3 x 25.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

323. Inside of One of the Rooms Under the Hall, Bermondsey, Abbey

Creator:: unknown artist
Date:: 1820
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 x 10in. (33 x 25.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

324. Inside of a Room and Saxon Ornaments of Bermondsey Abbey

Creator:: unknown artist
Date:: 1820
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 x 9 7/8in. (33 x 25.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

325. Inside of the Hall, Bermondsey Abbey

Creator:: unknown artist
Date:: 1820
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 x 9 7/8in. (33 x 25.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

326. An Interior View of the Parish Church of St. Alphage, London Wall

Creator:: unknown artist
Date:: 1815
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 1/4 x 9 7/8in. (33.7 x 25.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

327. The Abbazia, Venice

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1900
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/8 × 9 3/4 inches (35.9 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

328. Ruins of Part of the Priory of the Holy Trinity called Christ-Church near Aldgate

Creator:: William Deane Taylor, 1794–1857
Date:: 1825
Materials & Techniques:: Engraving
Dimensions:: Sheet: 12 5/8 x 10in. (32.1 x 25.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

329. Haver Memorial in Clapham Church

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor
Dimensions:: Sheet: 13 1/4 x 10in. (33.7 x 25.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

330. Brooke and Crofford Memorial in Clapham Church

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor
Dimensions:: Sheet: 13 x 9 7/8in. (33 x 25.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

331. St. Gile's, Cripplegate

Creator:: W. Preston, active 1811
Date:: 1810
Materials & Techniques:: Engraving
Dimensions:: Sheet: 10 1/2 x 9 3/4in. (26.7 x 24.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

332. Indenture Between Richard the Prior and the Convent of the Holy Trinity Within

Creator:: Bartholomew Howlett, 1767–1827
Date:: 1825
Materials & Techniques:: Engraving
Dimensions:: Sheet: 12 5/8 x 9 7/8in. (32.1 x 25.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

333. View of the Tomb of Sir Julius Caesar

Creator:: unknown artist
Date:: 1810
Materials & Techniques:: Engraving
Dimensions:: Sheet: 10 7/8 x 9 7/8in. (27.6 x 25.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

334. Interior of the Chapel of the Holy Trinity, Leadenhall

Creator:: unknown artist
Date:: 1825
Materials & Techniques:: Engraving
Dimensions:: Sheet: 12 1/2 x 10in. (31.8 x 25.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

335. Bridge over Meuse at Namur

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: undated
Materials & Techniques:: Etching and mezzotint; proof on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 8 1/2 × 11 7/8 inches (21.6 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

336. The Lanterne of St. Cloud

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1835
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 7/8 × 10 inches (17.5 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

337. Venus Bathing

Creator:: Print made by James Johnson, 1803–1834
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 20 × 13 1/2 inches (50.8 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

338. Robert Blair, The Grave, Title Page

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808, published 1813
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

339. The Day of Judgment

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808, published 1813
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

340. Houses near Plymouth

Creator:: Francis Towne, 1740–1816
Date:: 1810
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 5/8 x 10 inches (16.8 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

341. Lord Henry and Lady Charlotte Spencer : 'The Fortune Teller'

Creator:: Print made by Charles Turner, 1774–1857
Date:: 1823
Materials & Techniques:: Mezzotint (first state) on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 1/4 × 9 11/16 inches (28.6 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

342. Crying Forfeits

Creator:: Print made by Charles Turner, 1774–1857
Date:: 1826
Materials & Techniques:: Mezzotint (second state) on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 17 1/16 × 12 3/8 inches (43.3 × 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

343. Lady Louisa Vaughan

Creator:: Print made by William Whiston Barney, active 1805–1817
Date:: 1807
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 13 7/8 × 9 3/4 inches (35.2 × 24.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

344. Cottage

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 15/16 × 10 inches (17.6 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

345. Port

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 15/16 x 10in. (17.6 x 25.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

346. Church Interior

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, graphite, gouache, and scratching out on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 6 15/16 × 9 13/16 inches (17.6 × 24.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

347. Seated Woman

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, black chalk, and white chalk on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 13 11/16 x 9 3/4in. (34.8 x 24.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

348. Welsh Hills from Beaumaris

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Gouache on medium, slightly textured, cream wove paper mounted to moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 7 5/8 × 9 7/8 inches (19.4 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

349. Bearded Man

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor and scratching out on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4in. (34.6 x 24.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

350. Mountainous Landscape and Lake

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 × 10 inches (17.8 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

351. Three Men

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor and graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 7 × 10 inches (17.8 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

352. Mountainous Landscape

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor and graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 7 × 10 inches (17.8 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

353. Hogarth Engraving His Master's Shop-bill the Sign of the Angel

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 11/16 inches (32.9 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

354. Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House.

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, gray ink, black ink, gray wash, brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

355. Hogarth Declaring His Love to Miss Thornhill

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 3/4 inches (32.9 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

356. Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray ink, gray wash, brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 13/16 × 9 11/16 inches (32.5 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

357. Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash, gray wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

358. Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

359. The Smock Exposed

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

360. The Reconcilation

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

361. Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 3/4 × 9 3/4 inches (32.4 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

362. Hogarth Drawing Sarah Malcolm

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 3/4 inches (32.9 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

363. Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

364. Hogarth Painting His Picture of Captain Coram for the Foundling Hospital

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 11/16 inches (32.9 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

365. Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 11/16 inches (32.7 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

366. Hogarth Sitting to Roubiliac for His Bust

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

367. Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 3/4 inches (32.9 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

368. Hogarth at Old Slaughter's Hobbing with Highmore the Painter

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 13 × 9 3/4 inches (33 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

369. Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 11/16 inches (32.7 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

370. The Hall and Stair Case, British Museum

Creator:: John Bluck, active 1791–1831
Date:: 1808
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 12 5/8 × 10 inches (32.1 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

371. Buckingham Palace

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 7 13/16 x 9 3/4in. (19.8 x 24.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

372. Buckingham Palace

Creator:: William Gauci, active 1825–1854
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 7 5/8 × 9 7/8 inches (19.4 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

373. Sir George Howland Beaumont, 7th Baronet

Creator:: William Say, 1768–1834
Date:: 1808
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 11/16 × 9 7/8 inches (34.8 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

374. The Old Bridge at Stratford-le-Bow

Creator:: James S. Storer, 1771–1853
Date:: 1804
Materials & Techniques:: Engraving
Dimensions:: Sheet: 7 7/8 x 9 3/4in. (20 x 24.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

375. Remains of Canonbury, Islington

Creator:: James S. Storer, 1771–1853
Date:: 1804
Materials & Techniques:: Engraving
Dimensions:: Sheet: 7 7/8 x 9 13/16in. (20 x 24.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

376. Reverend Hugh Blair, D.D.

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1801
Materials & Techniques:: Stipple engraving and line engraving on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 15 1/4 × 11 15/16 inches (38.7 × 30.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

377. Lord Henry Brougham, 1st Baron Brougham and Vaux

Creator:: unknown artist
Date:: ca. 1830
Materials & Techniques:: Lithograph on thick, smooth, cream wove paper
Dimensions:: Sheet: 20 7/16 × 14 11/16 inches (51.9 × 37.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

378. The Hall, Bermondsey Abby

Creator:: unknown artist
Date:: 1820
Materials & Techniques:: Engraving on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 14 3/4 × 10 9/16 inches (37.5 × 26.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

379. South View of London Street, Dockhead

Creator:: William Wise, Active 1823–1876
Date:: 1813
Materials & Techniques:: Engraving on smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 11 5/8 × 9 11/16 inches (29.5 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

380. Crosby Hall, Bishopsgate Street

Creator:: James Tingle, active ca. 1830–1860
Date:: 1830
Materials & Techniques:: Engraving
Dimensions:: Sheet: 8 1/2 x 10in. (21.6 x 25.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

381. Interior of Part of Crosby Hall, Called the Council Room

Creator:: Samuel Rawle, 1771–1860
Date:: 1816
Materials & Techniques:: Engraving
Dimensions:: Sheet: 11 1/4 x 9 3/4in. (28.6 x 24.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

382. Opening of Waterloo Bridge

Creator:: Print made by David Lucas, 1802–1881
Date:: 1831
Materials & Techniques:: Mezzotint and drypoint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 x 11 3/4 inches (22.9 x 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

383. View of Ruins of St. Leonard and Crypt of St. Martin le Grand

Creator:: unknown artist
Date:: 1819
Materials & Techniques:: Engraving
Dimensions:: Sheet: 12 1/2 x 10in. (31.8 x 25.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

384. West Cowes, Isle of Wight

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: between 1826 and 1830
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 × 10 inches (19.1 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

385. Beaulieu, Hampshire

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1827
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 × 10 inches (20.3 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

386. Eight colour prints

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint, etching, stipple engraving and color woodcut on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 5/8 × 11 inches (32 × 28 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

387. The Royal Palace, Madrid, 1832

Creator:: David Roberts, 1796–1864
Date:: 1832
Materials & Techniques:: Graphite, watercolor, and gouache on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/8 × 9 7/8 inches (16.2 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

388. Public Baths on the River Spree

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Brown wash and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 1/4 × 10 inches (18.4 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

389. Scarborough

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1826
Materials & Techniques:: Mezzotint; engraver's proof (c) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/4 × 20 inches (34.9 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

390. Scarborough

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1826
Materials & Techniques:: Mezzotint with chine collé; engraver's proof (b) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/2 × 20 inches (34.3 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

391. Scarborough

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1826
Materials & Techniques:: Mezzotint, with graphite and scraping out; touched engraver's proof (a) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 13 1/2 inches (27.9 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

392. Whitby

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1826
Materials & Techniques:: Mezzotint with chine collé; engraver's proof (b) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 3/8 × 20 inches (34 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

393. Whitby

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1826
Materials & Techniques:: Mezzotint; engraver's proof (c) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 5/8 × 19 7/8 inches (34.6 × 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

394. Deal

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: ca. 1828, published 1854
Materials & Techniques:: Mezzotint; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 × 15 1/4 inches (27.3 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

395. Sidmouth

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: ca. 1828, published 1856
Materials & Techniques:: Mezzotint, with graphite and scratching out; touched engraver's proof (a) on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 11 3/8 × 17 inches (28.9 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

396. Margate

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1828 to 1856
Materials & Techniques:: Mezzotint; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/8 × 11 inches (21.3 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

397. Sidmouth

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: ca. 1828, published 1856
Materials & Techniques:: Mezzotint; engraver's proof (b) on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 × 13 5/8 inches (25.4 × 34.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

398. Falmouth

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1828 to 1856
Materials & Techniques:: Mezzotint; engraver's proof (b) on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 13 1/4 × 17 1/4 inches (33.7 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

399. Catwater, Entrance to Plymouth Sound

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1828 to 1856
Materials & Techniques:: Mezzotint; engraver's proof on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/8 × 14 7/8 inches (25.7 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

400. Set of four [Foxhunting]: 1. Going out

Creator:: unknown artist
Date:: 1817
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 8 1/4 x 11 1/4in. (21 x 28.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

YCBA Collections Search

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Period 19th century

Width [cm] 25

Search Results

301. Aldborough

302. Aldborough

303. Breaking up of the 'Great Eastern' #2

304. Ross Castle, Killarney, Sept. 4, 1812

305. Sketch of Monnikendam in Distance

306. Noon

307. A Mill

308. Summer Morning

309. Sketches of Ornamental Designs, For Oil Lamps and Pouring Vessels

310. At Hastings, 5 October 1820

311. Sketch of a Man Watching Large Waves, Hastings

312. As Much Underneath, Before the Road, Hastings

313. Sketch of a Roof with a Large Chimney

314. Seymour Lodge, 12 July 1826

315. Entrance to Cardigan, 8 September 1847

316. Gems of the Great Exhibition No. 4: The Foreign Department

317. Eight Rural Subjects

318. Crystal Palace from the Reservoir, Sydenham

319. The New Custom House

320. Rue du Gros-Horloge, Rouen

321. Architecture in the Porch and Belfry of St. Alphage, London Wall

322. Interior and Exterior View of St. Barts the Less

323. Inside of One of the Rooms Under the Hall, Bermondsey, Abbey

324. Inside of a Room and Saxon Ornaments of Bermondsey Abbey

325. Inside of the Hall, Bermondsey Abbey

326. An Interior View of the Parish Church of St. Alphage, London Wall

327. The Abbazia, Venice

328. Ruins of Part of the Priory of the Holy Trinity called Christ-Church near Aldgate

329. Haver Memorial in Clapham Church

330. Brooke and Crofford Memorial in Clapham Church

331. St. Gile's, Cripplegate

332. Indenture Between Richard the Prior and the Convent of the Holy Trinity Within

333. View of the Tomb of Sir Julius Caesar

334. Interior of the Chapel of the Holy Trinity, Leadenhall

335. Bridge over Meuse at Namur

336. The Lanterne of St. Cloud

337. Venus Bathing

338. Robert Blair, The Grave, Title Page

339. The Day of Judgment

340. Houses near Plymouth

341. Lord Henry and Lady Charlotte Spencer : 'The Fortune Teller'

342. Crying Forfeits

343. Lady Louisa Vaughan

344. Cottage

345. Port

346. Church Interior

347. Seated Woman

348. Welsh Hills from Beaumaris

349. Bearded Man

350. Mountainous Landscape and Lake

351. Three Men

352. Mountainous Landscape

353. Hogarth Engraving His Master's Shop-bill the Sign of the Angel

354. Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House.

355. Hogarth Declaring His Love to Miss Thornhill

356. Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends

357. Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

358. Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

359. The Smock Exposed

360. The Reconcilation

361. Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances

362. Hogarth Drawing Sarah Malcolm

363. Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers

364. Hogarth Painting His Picture of Captain Coram for the Foundling Hospital

365. Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'

366. Hogarth Sitting to Roubiliac for His Bust

367. Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

368. Hogarth at Old Slaughter's Hobbing with Highmore the Painter

369. Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance

370. The Hall and Stair Case, British Museum

371. Buckingham Palace

372. Buckingham Palace

373. Sir George Howland Beaumont, 7th Baronet

374. The Old Bridge at Stratford-le-Bow