Devotees in India Sacrificing Themselves to the Idol Juggernaut
1837
311
Thomas Shotter Boys, 1803–1874
Landscape with Windmills
undated
312
Anthony Vandyke Copley Fielding, 1787–1855
Mountainous Landscape with Lake and Stream
1831 to 1841
313
Henry Edridge, 1769–1821
The Curfew Tower, Windsor
1808
314
Robert Hills, 1769–1844
A Lane, Great Borside
ca. 1833
315
John White Abbott, 1763–1851
View from a Wood, Overlooking the River and Hills at Teignmouth, Devon
1810
316
John White Abbott, 1763–1851
The Warren Near Exmouth, Devon: Figures on Rocks at the Sea's Edge
1811
317
Henry Edridge, 1769–1821
Nether Hall, Essex
1806
318
John Hill, 1770–1850
St. Sepulchres, The Round Church
1814
319
John White Abbott, 1763–1851
The Warren near Exmouth, Devon: Steep Cliffs Rising at Right, Sea and Rocky Shore at Left
1810
320
Print made by Thomas Hall, active early 19th century
A South View of Westminster, from Mill-bank; Where the King's Scholars-Pond Sewer Empties Itself into the Thames
1808
321
Studio of Sir John Soane, 1753–1837
Section of the Court of Common Pleas and the Robery Room
1823
322
Charles James Richardson, 1806–1871
Drawing Room Ceiling, No. 3 Old Palace Yard
1871
323
George Alken, 1794–active 1837
Foxhunting: Rider, Taking a Fence
undated
324
Henry Thomas Alken, 1785–1851
"Sporting Discoveries, or the Miseries of Driving:" ... Trying a New Match you Discover That They are Not Only Alike in Color, Weight and Action, but in Disposition
undated
325
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting into a Difficulty
between 1848 and 1851
326
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting a Dive
between 1848 and 1851
327
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting into a Bog
between 1848 and 1851
328
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting Dead Beat
between 1848 and 1851
329
Print made by John Cousen, 1804–1880
The Acropolis of Athens
1832-1834
330
Henry Thomas Alken, 1785–1851
Going at a Rank of Hurdles with Temper and Resolution
1827
331
Henry Thomas Alken, 1785–1851
"Topping a Park fence and doing the thing easy"
1827
332
Henry Thomas Alken, 1785–1851
Grouse Shooting: The Wrong Sort
undated
333
John Frederick Tayler, 1802–1889
"Fanny's Colt", July 26, 1886
1886
334
Print made by James Baylis Allen, 1803–1876
Caudebec
1833
335
Print made by William Daniell, 1769–1837
Thomas Banks, R.A
1809
336
James Ward, 1769–1859
Lord Southampton's Shooting Pony, with "Sailor", His Retriever, and "Rover", His Spaniel
ca. 1822
337
Henry Thomas Alken, 1785–1851
Two Riders Taking a Double Fence
undated
338
Possibly Henry Thomas Alken, 1785–1851
Full Cry
undated
339
Possibly Henry Thomas Alken, 1785–1851
Gone Away
undated
340
Possibly Henry Thomas Alken, 1785–1851
The Death
undated
341
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" 'Topping a Flight of Rails...'
undated
342
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" 'Charging an Ox Fence with Good Success'
undated
343
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" 'Going Along a Slapping Pace...'
undated
344
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" 'Got in and Getting Out. Very Clever'
undated
345
Thomas Rowlandson, 1756–1827
How to Vault in the Saddle
1813
346
George Louis Palmella Busson Du Maurier, 1834–1896
Women and their Garments Artistically Described
1874
347
unknown artist
Too Late for the Meet, c. 1860: a Lady on horseback greeting a Man who is alighting from a gig
ca. 1860
348
unknown artist
Appledore Church, Cornwall
undated
349
Attributed to John Carter, 1748–1817
View in Basement Story under House of Lords
between 1800 and 1807
350
Attributed to John Carter, 1748–1817
Elevation of the Basement Story, House of Lords
between 1800 and 1807
351
Print made by Richard Samuel Chattock, 1825–1906
Footbridge over the Wiley
1884
352
John Buckler FSA, 1770–1851
Interior View of Rufford Hall, Lancashire, belonging to Sir Thomas Hesketh Bart
1817
353
John Buckler FSA, 1770–1851
Interior View of the Hall at Hatfield House
1812
354
Frederick Christian Lewis the Elder, 1779–1856
James Northcote
1824
355
Print made by James Lonsdale, 1777–1839
James Northcote
1830
356
unknown artist
Bideford, from the Bridge
undated
357
Thomas Rowlandson, 1756–1827
Dr. Syntax Bound to a Tree by Highwaymen
1820
358
George Alken, 1794–active 1837
Exercising a Racehorse
undated
359
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting Over a Difficulty
between 1848 and 1851
360
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting a Fall
between 1848 and 1851
361
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting Home
between 1820 and 1821
362
Possibly Henry Thomas Alken, 1785–1851
Drawing Covert
undated
363
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" 'Faceing a Brook Verifying the Old Adage, Look Before You Leap'
undated
364
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" `Returning Home in Triumph. He Disdain'd a Slothful Easey Life; so Took to Hunting'
undated
365
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" 'Swishing at a Rasper From Your Own Timidity and Mismanagement Cause the Horse to Swerve...'
undated
366
John Buckler FSA, 1770–1851
Staircase Leading from the hall at Burton Agnes Yorkshire
1818
367
John Buckler FSA, 1770–1851
Interior View of the hall at Hardwick
1813
368
Henry Thomas Alken, 1785–1851
Set of seven: The Seven Ages of the Horse
1825
369
Henry Thomas Alken, 1785–1851
Set of seven: The Seven Ages of the Horse
1825
370
Henry Thomas Alken, 1785–1851
Set of twelve [Scenes in the Life of Master George]
1823
371
Henry Thomas Alken, 1785–1851
Set of twelve [Scenes in the Life of Master George]
1823
372
Henry Thomas Alken, 1785–1851
Set of twelve [Scenes in the Life of Master George]
1823
373
Print made by James Gillray, 1756–1815
A Cognocenti Contemplating ye Beauties of ye Antique
1801
374
Rev. James Bulwer, 1794–1879
[One from] A Volume of Drawings and Prints
undated
375
Rev. James Bulwer, 1794–1879
[One from] A Volume of Drawings and Prints
1837
376
Rev. James Bulwer, 1794–1879
[One from] A Volume of Drawings and Prints
undated
377
Rev. James Bulwer, 1794–1879
[One from] A Volume of Drawings and Prints
undated
378
Dr. William Crotch, 1775–1847
St. George's Chapel, Windsor, West End, July 19, 1832, 10 am
1832
379
Rev. James Bulwer, 1794–1879
Oare Village
1837
380
Rev. James Bulwer, 1794–1879
[One from] A Volume of Drawings and Prints
1837
381
Rev. James Bulwer, 1794–1879
[One from] A Volume of Drawings and Prints
1837
382
Rev. James Bulwer, 1794–1879
[One from] A Volume of Drawings and Prints
undated
383
James Abbott Pasquier, active 1851–1872
A Struggle With a Load of Clay
1855
384
Henry Thomas Alken, 1785–1851
"The Cover Hack"
1827
385
Henry Thomas Alken, 1785–1851
"By - he'll get to the Earth..."
1827
386
Sir Francis Grant, 1803–1878
Study of a Hound, Running
undated
387
Print made by Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton
1803
388
Rev. James Bulwer, 1794–1879
[One from] A Volume of Drawings and Prints
1837
389
Rev. James Bulwer, 1794–1879
[One from] A Volume of Drawings and Prints
1837
390
Print made by Thomas Sutherland, ca. 1785–1838
Fragments & Parts of the Exterior of Henry the Seventh Chapel, Westminster Abbey
1811
391
Print made by Thomas Goff Lupton, 1791–1873
Sheerness
1828
392
Sir Edwin Henry Landseer, 1802–1873
A Shooting Party: Mr. C. Leslie and Mr. John Leslie
1833
393
Henry Thomas Alken, 1785–1851
Set of four: Comparative Sporting. 1. Grouse Shooting/The Right Sort
394
Print made by John Doyle ('H.B.'), 1797–1868
An Extraordinary Animal, Neither an Opossum nor a Kangaroo but Having Something of Both