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1. Jerusalem, Plate 100

Jerusalem, Plate 100
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 3/8 x 13 1/2 inches (26.4 x 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Hinton St. George, Somerset: Plan of the New Staircase

Hinton St. George, Somerset: Plan of the New Staircase
Creator:
James Wyatt, 1746–1813
Date:
undated
Materials & Techniques:
Pen and black ink and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 21 3/4 x 13 3/8 inches (55.2 x 34 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Church of L'Ery, near Pont-de-l'Arche

Church of L'Ery, near Pont-de-l'Arche
Creator:
Print made by John Sell Cotman, 1782–1842
Date:
1820
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 x 19 15/16 inches (35.6 x 50.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of John Russell

4. Arches in the West Side of the Cloister of Saint. Georges de Bocherville, near Rouen, Normandy

Arches in the West Side of the Cloister of Saint. Georges de Bocherville, near Rouen, Normandy
Creator:
John Sell Cotman, 1782–1842
Date:
1818
Materials & Techniques:
Graphite, brown wash, and brown ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 9 3/8 x 13 1/4 inches (23.8 x 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Edinbourgh vu de la Chapelle S. Antoine

Edinbourgh vu de la Chapelle S. Antoine
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
ca. 1826
Materials & Techniques:
Lithograph on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 7/16 x 13 3/16 inches (26.5 x 33.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection