Etched by Joseph Mallord William Turner, 1775–1851
The Drawing of the Clyde
1809
11
Edward Lear, 1812–1888
Lesser Sulphur-crested Cockatoo (Plate 4)
1832
12
Edward Lear, 1812–1888
Pacific Parrakeet (Plate 26)
1832
13
William Blake, 1757–1827
pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
1827
14
William Blake, 1757–1827
Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
1827
15
William Blake, 1757–1827
Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]
1827
16
William Blake, 1757–1827
Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
1827
17
William Blake, 1757–1827
Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
18
William Blake, 1757–1827
Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
1827
19
Print made by David Lucas, 1802–1881
Hadleigh Castle, Large Plate
1830 to 1832
20
M. Gauci, 1810–1846
William Howley, Archbishop of Canterbury
1839
21
John Grant, Died 1873
Rocket Practice in the Marshes
1845
22
Print made by George Cooke, 1781–1834
Brighton
1825
23
Print made by William Bernard Cooke, 1778–1855
Views in Sussex, Publisher's Printed Wrapper
1819
24
Print made by William Bernard Cooke, 1778–1855
Bodiham Castle, Sussex
1817
25
Print made by James C. Allen, active 1821–1831
The Ivy Bridge, Devonshire
1816
26
Print made by James C. Allen, active 1821–1831
Ivy Bridge, Devonshire
1816
27
Print made by Edward Goodall, 1795–1870
Old London Bridge and Vicinity
1827
28
Print made by James C. Allen, active 1821–1831
Orfordness
ca. 1830
29
Print made by John Cousen, 1804–1880
The Acropolis of Athens
1832-1834
30
Sir David Young Cameron, 1865–1945
Venice from the Lido [North Italian Set: No. 17]
1896
31
Print made by William Byrne, 1743–1805
Distant View of Chester
1810
32
Print made by John Scott, 1774–1828
Crypt in Kirkstall Abbey, Yorkshire
1814
33
Print made by William Bernard Cooke, 1778–1855
Falmouth, Cornwall
1816
34
Print made by William Bernard Cooke, 1778–1855
Dartmouth, Devon
1814 to 1826
35
Print made by George Cooke, 1781–1834
Pendennis Castle and Entrance of Falmouth Harbour
1814-1826
36
Print made by George Cooke, 1781–1834
Florence from the Chiesa al Monte
1820
37
Print made by James C. Allen, active 1821–1831
Dunbar
1824
38
Print made by James C. Allen, active 1821–1831
Dunbar
1824
39
Print made by Joseph Skelton, active 1820–1850
Part of Balliol College Quadrangle
1820
40
Print made by W. E. Albutt, active 1836–1863
High Street, Oxford (small replica)
1828
41
Print made by John Byrne, 1786–1847
Rome from Monte Testaccio
1818-1820
42
Print made by David Lucas, 1802–1881
Mill Near Colchester
1845
43
Print made by David Lucas, 1802–1881
Flatford Mill
1844
44
Print made by David Lucas, 1802–1881
Noon
1830
45
Print made by David Lucas, 1802–1881
Summer Morning
1831
46
Print made by David Lucas, 1802–1881
Hampstead Heath, Harrow in the Distance
1845
47
Print made by James C. Allen, active 1821–1831
Ehrenbreitstein
1824
48
Print made by James C. Allen, active 1821–1831
Ehenbreitstein, During the Demolition of the Fortress in 1817 from the Quay at Coblentz
1824
49
Print made by Samuel Halle, 1824–1889
Carl August Struensee von Carlsbach
undated
50
Print made by James C. Allen, active 1821–1831
Dunbar
1824
51
Print made by James McNeill Whistler, 1834–1903
Black Lion Wharf
1859
52
Print made by George Cruikshank, 1792–1878
Mr. B seeking the Bubble reputation - Plate 5
1820
53
Print made by George Cruikshank, 1792–1878
Waiting Room at the Admiralty--.(No misnomer) - Plate 6
1820
54
Print made by John Doyle ('H.B.'), 1797–1868
The (Modern) Deluge
1848
55
Print made by John Doyle ('H.B.'), 1797–1868
A Strong Case for Shortening the Hours of Labour
1848
56
Print made by George Cruikshank, 1792–1878
Mr. B Promoted to Lieut. & first putting on His Uniform - Plate 7
1820
57
Edward Hull, 1810–1877
Riding [a pair]: 2. Tilbury Fort
1820
58
James Pollard, 1792–1867
Racing [set of four]: 3. Preparing to Start
1821
59
James Pollard, 1792–1867
Fox-Hunting [set of three of four]: 2.The find
1822
60
Engraved by Robert Havell, 1769–1832
A View of London taken from Greenwich Park
1820
61
Print made by Thomas Hall, active early 19th century
A South View of Westminster, from Mill-bank; Where the King's Scholars-Pond Sewer Empties Itself into the Thames
1808
62
Print made by unknown artist
Ruins of the Houses of Parliament as they Appeared on the Morning after the Conflagration
1834
63
Print made by George Hawkins, active 1795–1810
View of the East End of Henry VIIth Chapel as Restored in 1813
1814
64
Thomas Rowlandson, 1756–1827
Coaching: Paris Diligence
ca. 1810
65
John Harris, 1811–1865
Fox Hunting: The Meet
1844
66
James Pollard, 1792–1867
Racing [set of four]: 1. Training
1821
67
Print made by Matthew Dubourg, active 1786–1838
Snipe Shooting
1822
68
Print made by Matthew Dubourg, active 1786–1838
Pheasant Shooting
1822
69
Print made by Remi Parr, active 1723–1750
The taking of the St. Joseph a Spanish Carracca Ship, Sept. 23 1739, by the Chester and Canterbury Men of War, this Prize was Valued at upwards of 150,000 pounds
undated
70
George Hunt, active 1820–1840
Comparative Meltonians, as they Are, and as they Were: A Meltonian as he was
1823
71
George Hunt, active 1820–1840
Comparative Meltonians, as they Are, and as they Were: A Meltonian as he us'd to be
1823
72
George Hunt, active 1820–1840
Comparative Meltonians, as they Are, and as they Were: A Meltonian as he is
1823
73
George Hunt, active 1820–1840
Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonians as the are
1823
74
George Hunt, active 1820–1840
Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonian as he was
1823
75
George Hunt, active 1820–1840
Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonian as he is
1823
76
Print made by Samuel William Reynolds, 1773–1835
James Northcote
1802
77
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."
1806
78
Print made by Francesco Bartolozzi, 1728–1815
King Henry VIII with Will Somer, Edward VI, Mary I, and Elizabeth I
1800
79
James Pollard, 1792–1867
Fox-Hunting [set of three of four]: 4.The Death
1822
80
James Pollard, 1792–1867
Racing [set of four]: 2. At the Post
1821
81
James Pollard, 1792–1867
Racing [set of four]: 4. Racing
1821
82
James Pollard, 1792–1867
Fox-Hunting [set of three of four]: 1.Unkennelling
1822
83
Print made by Remi Parr, active 1723–1750
The taking of Porto Bello by Vice Admiral Vernon on the 22nd of Novr. 1739 with Six Men of War only
undated
84
Print made by Paul Fourdrinier, 1698–1758
Sweet William's Farewell to Black Eyed Susan
undated
85
Charles Williams, active 1796–1830
Birds of a Feather Flock Together. Diversions of Purley (scored through & replaced by) Brighton
1802
86
Charles Williams, active 1796–1830
St. Martins in an Uproar
1801
87
John Harris, 1811–1865
Fox-hunting: The Brook!
1844
88
Print made by George Cruikshank, 1792–1878
Finding things not exactly what he expected - Plate 2
1820
89
Print made by George Cruikshank, 1792–1878
Mr. B. Mastheaded -or, enjoying the fresh air for the 304th time - Plate 4
1820
90
Print made by George Cruikshank, 1792–1878
Frontispiece: The Progress of a Midshipman
1820
91
Print made by unknown artist
Henry VII Chapel (Exterior)
ca. 1890
92
Print made by Thomas Rowlandson, 1756–1827
One Tree Hill Greenwich Park
1811
93
Print made by John Doyle ('H.B.'), 1797–1868
The Exeter Cat and Plymouth Mouse
1834
94
Print made by Ernest Stamp, 1869–1942
Rainy Day at Cookham
1894
95
George Hunt, active 1820–1840
Comparative Meltonians, as they Are, and as they Were: A Meltonian as he was
1823
96
Print made by William Heath, 1795–1840
The Throne in Danger
ca. 1828
97
Print made by William Heath, 1795–1840
Druming Out. Or Making an Example of a Mutineer
ca. 1827
98
Print made by William Heath, 1795–1840
Sailors on Shore at Navarino
ca. 1827
99
Print made by Henry Heath, active 1824–1835
The Buck-Basket. A scene from the Merry Wives of Windsor
1827
100
Print made by William Heath, 1795–1840
The Descent of the Great Bear or the Mussulmans in a Quandary