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Period 19th century

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Width [cm] 47

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Topic subjectplace ss England

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East Bergholt
Creator:
John Constable, 1776–1837
Date:
ca. 1813
Materials & Techniques:
Oil on board
Dimensions:
Frame: 14 7/8 × 21 7/8 × 2 inches (37.8 × 55.6 × 5.1 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Epsom Races: Preparing to Start
Creator:
James Pollard, 1792–1867
Date:
1834 to 1835
Materials & Techniques:
Oil on canvas
Dimensions:
12 1/8 x 18 5/8 inches (30.8 x 47.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Epsom Races: Settling Day at Tattersalls
Creator:
James Pollard, 1792–1867
Date:
1834 to 1835
Materials & Techniques:
Oil on canvas
Dimensions:
12 1/8 x 18 5/8 inches (30.8 x 47.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Epsom Races: The Race Over
Creator:
James Pollard, 1792–1867
Date:
1834 to 1835
Materials & Techniques:
Oil on canvas
Dimensions:
12 1/8 x 18 5/8 inches (30.8 x 47.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Epsom Races: The Betting Post
Creator:
James Pollard, 1792–1867
Date:
1834 to 1835
Materials & Techniques:
Oil on canvas
Dimensions:
12 1/8 x 18 5/8 inches (30.8 x 47.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Porchester Castle: A View from Porchester Village Looking across the Water to Portsmouth
Creator:
William Turner of Oxford, 1789–1862
Date:
undated
Materials & Techniques:
Watercolor over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/8 x 18 1/2 inches (26.4 x 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Unloading the Luggage From The Exeter Coach
Creator:
Charles Cooper Henderson, 1803–1877
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 11 15/16 × 18 1/2 inches (30.3 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Design for a Chapel at Enfield: Transverse Sections of the East and West End
Creator:
Lewis Vulliamy, 1791–1871
Date:
undated
Materials & Techniques:
Pen and black ink with watercolor on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 5/8 x 18 9/16 inches (32.1 x 47.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Richmond, Yorkshire
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1819
Materials & Techniques:
Etching and engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 3/16 × 18 3/8 inches (31 × 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Breaking Up of the Agamemnon, no. 2
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
after 1880
Materials & Techniques:
Etching and mezzotint on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/16 x 22 1/16 inches (38.3 x 56.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection; Gift of Mrs. Howard Mansfield
The Breaking Up of the Agamemnon, no. 2
Creator:
Print made by Sir Francis Seymour Haden, 1818–1910
Date:
after 1880
Materials & Techniques:
Etching and drypoint on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/16 x 21 7/8 inches (38.6 x 55.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection; Gift of Mrs. Howard Mansfield
Shere Mill Pond, no. 2 (large plate)
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1860
Materials & Techniques:
Etching and drypoint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 1/2 x 18 3/8 inches (31.7 x 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
A View of the Chapel and Hall of Oriel College, &c.
Creator:
Print made by James Basire II, 1769–1822
Date:
1801
Materials & Techniques:
Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 3/4 × 18 3/8 inches (32.4 × 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The High Street, Southampton
Creator:
Print made by William Day, 1764–1807
Date:
1828
Materials & Techniques:
Lithograph with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 15/16 x 18 11/16 inches (38 x 47.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
South East View of Longleat House, Wiltshire, the Seat of the Marquis of Bath
Creator:
John Buckler FSA, 1770–1851
Date:
1805
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
South East View of the Ruins of Moreton Corbet Castle, Shropshire; belonging to Sir Andrew Corbet, Bart.
Creator:
John Buckler FSA, 1770–1851
Date:
1822
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plymouth Citadel
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1821
Materials & Techniques:
Etching and engraving; first published state on vellum, mounted on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 3/8 × 18 3/8 inches (34 × 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plan for Entrance at Hinton St. George
Creator:
John Kempshead, active 1808
Date:
1812
Materials & Techniques:
Graphite, pen and black ink, watercolor, pen and brown ink on moderately textured, moderately thick, cream laid paper
Dimensions:
Sheet: 22 13/16 × 18 3/8 inches (57.9 × 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Tythrop

Tythrop
Creator:
John Linnell, 1792–1882
Date:
1817
Materials & Techniques:
Black ink and gouache over graphite on moderately thick, slightly textured, brown wove paper
Dimensions:
Sheet: 12 1/8 x 18 1/2 inches (30.8 x 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Studland Dock Yard
Creator:
John Baverstock Knight, 1785–1859
Date:
1822
Materials & Techniques:
Watercolor, gouache, pen and black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 5/8 × 18 1/2 inches (14.3 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of the Cathedral of Christ Church, and Part of Corpus Christi College
Creator:
Print made by James Basire II, 1769–1822
Date:
1808
Materials & Techniques:
Etching and engraving; engraver's proof (b) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 7/8 × 19 inches (37.8 × 48.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Part of Balliol College Quadrangle
Creator:
Print made by James S. Storer, 1771–1853
Date:
1809
Materials & Techniques:
Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 × 18 3/8 inches (36.8 × 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Inside View of the East End of Merton College Chapel
Creator:
Print made by James Basire II, 1769–1822
Date:
1802
Materials & Techniques:
Etching and engraving on medium, smooth, cream wove paper
Dimensions:
Sheet: 14 7/8 × 19 7/8 inches (37.8 × 50.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Junction of the Greta and Tees at Rokeby
Creator:
Print made by John Pye, 1782–1874
Date:
1818-1823
Materials & Techniques:
Etching and engraving; engraver's proof (b) on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 7/8 × 18 5/16 inches (30.2 × 46.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ingleborough, from Hornby Castle Terrace
Creator:
Print made by Charles Heath, 1785–1848
Date:
1822
Materials & Techniques:
Etching and engraving; engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 14 7/8 × 18 5/8 inches (37.8 × 47.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
North East View of Henry VII Chapel Westminster
Creator:
Print made by unknown artist
Date:
ca. 1813
Materials & Techniques:
Line engraving and graphite on slightly textured, medium, white wove paper
Dimensions:
Sheet: 15 3/4 × 20 1/2 inches (40 × 52.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Elevation of the River Front
Creator:
Print made by Thomas Talbot Bury, 1811–1877
Date:
ca. 1835
Materials & Techniques:
Line engraving and etching on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 14 7/8 × 22 1/8 inches (37.8 × 56.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Clare College from The Backs
Creator:
Peter DeWint, 1784–1849
Date:
ca. 1840
Materials & Techniques:
Watercolor and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 1/4 × 18 3/8 inches (31.1 × 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Duncan Robinson, Director, Yale Center for British Art (1981–1995)