Period: 19th century / Width [cm]: 54 / Classification: Prints

1. Campagna of Rome from Villa Mattei, from Views in Rome and its Environs, 1841

Creator:: Edward Lear, 1812–1888
Date:: 1841
Materials & Techniques:: Lithograph on wove paper
Dimensions:: Plate: 9 15/16 x 15 15/16in. (25.2 x 40.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

2. Cervara

Creator:: Edward Lear, 1812–1888
Date:: 1832
Materials & Techniques:: Lithograph on wove paper
Dimensions:: Plate: 9 3/4 x 14 15/16in. (24.8 x 37.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

3. Rome from Via della Porta San Paolo, from Views in Rome and its Environs, 1841

Creator:: Edward Lear, 1812–1888
Date:: 1841
Materials & Techniques:: Lithograph on wove paper
Dimensions:: Plate: 9 3/8 x 16 15/16in. (23.8 x 43cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

4. Rome from Monte Pincio

Creator:: Edward Lear, 1812–1888
Date:: 1832
Materials & Techniques:: Lithograph on wove paper
Dimensions:: Plate: 9 3/4 x 16 1/2in. (24.8 x 41.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

5. Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]

Creator:: William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove India proof paper
Dimensions:: Sheet: 15 1/4 × 21 1/4 inches (38.8 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]

Creator:: William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove India proof paper
Dimensions:: Sheet: 14 7/8 × 21 1/4 inches (37.8 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]

Creator:: William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove India proof paper
Dimensions:: Sheet: 15 7/16 × 21 1/4 inches (39.2 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]

Creator:: William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove India proof paper
Dimensions:: Sheet: 14 11/16 × 21 1/4 inches (37.3 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. View of the Clifton Suspension Bridge

Creator:: James Duffield Harding, 1798–1863
Date:: undated
Materials & Techniques:: Lithograph on moderately thick, slightly textured, beige wove paper with gray chine collé
Dimensions:: Sheet: 15 9/16 x 21 3/16 inches (39.6 x 53.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. View of the Pantheon taken from the Arsenal

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Soft ground etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/4 x 26 1/2 inches (42.5 x 67.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Gledhow

Creator:: Print made by George Cooke, 1781–1834
Date:: 1816
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/8 × 21 3/8 inches (38.4 × 54.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. St. Agatha's Abbey, Easby

Creator:: Print made by John Le Keux, 1783–1846
Date:: 1818-1823
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 21 1/8 inches (38.1 × 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Kirkby Lonsdale Churchyard

Creator:: Print made by Charles Heath, 1785–1848
Date:: 1818-1823
Materials & Techniques:: Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 15 5/16 × 21 1/4 inches (38.9 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Mrs. Siddons

Creator:: Print made by William Say, 1768–1834
Date:: 1810
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 34 1/16 × 21 3/4 inches (86.5 × 55.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

15. A View of Worcester College &c.

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1804
Materials & Techniques:: Line engraving, engraver's proof (c) on medium, smooth, cream wove paper
Dimensions:: Sheet: 15 1/2 × 21 1/4 inches (39.4 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Rye, Sussex

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1814 to 1826
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 14 3/4 × 21 1/4 inches (37.5 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. East & West Looe, Cornwall

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1818
Materials & Techniques:: Etching and engraving on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 14 7/8 × 21 1/8 inches (37.8 × 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. The Entrance to Fowey Harbour, Cornwall

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1829
Materials & Techniques:: Line engraving, first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 14 15/16 × 21 1/16 inches (37.9 × 53.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Penmaen Mawr, Caernarvonshire

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1832
Materials & Techniques:: Line engraving, engraver's proof (completed) on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 15 1/8 × 21 1/16 inches (38.4 × 53.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Cologne

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1824
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 23 × 29 7/8 inches (58.4 × 75.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. View of St. Cloud and Mount Calvary taken from Pont de Seve

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. View of Pont de la Tournelle and Notre Dame taken from the Arsenal

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. View of the Pantheon taken from the Arsenal

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. View of Pont de la Tournelle and Notre Dame taken from the Arsenal

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. The Waterworks at Marli; and St. Germain en Laye seen in the distance

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. View of the Palace and Village of Choisi on the Banks of the Seine

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Interior of Westminster Hall as Prepared for the Banquet

Creator:: Print made by B. Winkles, active 1830–1840
Date:: ca. 1821
Materials & Techniques:: Etching on smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 15 5/8 × 22 7/16 inches (39.7 × 57 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. "The Bedford Times" / This print of the Bedford Times Coach, is respectfully dedicated / by permission, to William Henry Whitbread Esq're. / by his most obedient & obliged Servant / J. Matthew Crispin

"The Bedford Times" / This print of the Bedford Times Coach, is respectfully dedicated / by permission, to William Henry Whitbread Esq're. / by his most obedient & obliged Servant / J. Matthew Crispin

Creator:: Bradford Rudge, 1805–1885
Date:: undated
Materials & Techniques:: Hand colored lithograph
Dimensions:: Sheet: 12 13/16 x 21 1/4in. (32.5 x 54cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. The Waterworks at Marli; and St. German en Laye seen in the distance

Creator:: Richard Banks Harraden, 1778–1862
Date:: 1803
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. View of the Palace and Village of Choisi on the Banks of the Seine

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. View of the Pantheon taken from the Arsenal

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Royal Hunt in Windsor Park

Creator:: James Pollard, 1792–1867
Date:: 1820
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 15 7/8 x 21 1/4in. (40.3 x 54cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. View of St. Cloud and Mount Calvary taken from Pont de Seve

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Elevation of the River Front

Creator:: Print made by Thomas Talbot Bury, 1811–1877
Date:: ca. 1835
Materials & Techniques:: Line engraving and etching on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 14 7/8 × 22 1/8 inches (37.8 × 56.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. The Cartoon Gallery, Knole, Kent

Creator:: Print made by Joseph Nash, 1808–1878
Date:: 1840
Materials & Techniques:: Lithograph on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 14 5/8 × 21 3/8 inches (37.1 × 54.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse

39. Mousehold Heath-The Lane to the Left Above Col. Harvey's House

Creator:: Print made by Miles Edmund Cotman, 1810–1858
Date:: 1847
Materials & Techniques:: Lithograph on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 21 3/8 inches (38.1 × 54.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Col. Harvey's Meadow Thorpe and Norwich Oct. 2nd 1841

Creator:: Print made by Miles Edmund Cotman, 1810–1858
Date:: 1847
Materials & Techniques:: Lithograph on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 21 1/4 inches (41 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Mousehold Heath--The Lane to the Left above Col. Harveys House

Creator:: Print made by Miles Edmund Cotman, 1810–1858
Date:: 1847
Materials & Techniques:: Lithograph on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 5/8 × 21 1/4 inches (42.2 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. The Catholic College of Stonyhurst Lancashire

Creator:: Samuel Middiman, ca. 1750–1831
Date:: ca. 1830
Materials & Techniques:: Hand Colored engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 16 13/16 × 21 5/16 inches (42.7 × 54.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Cupid and Psyche

Creator:: Print made by William Say, 1768–1834
Date:: 1816
Materials & Techniques:: Mezzotint (second state) on thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 5/8 × 21 1/4 inches (49.8 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

44. John Philip Kemble as Cato

Creator:: Print made by William Ward, 1766–1826
Date:: between 1800 and 1820
Materials & Techniques:: Mezzotint (before any letters) on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 32 3/8 × 21 9/16 inches (82.2 × 54.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

45. Henry D'Esterre Darby, Esq.

Creator:: Richard Earlom, 1743–1822
Date:: 1801
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 15 3/8 x 21 3/8in. (39.1 x 54.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth

46. Mrs. Siddons

Creator:: William Say, 1768–1834
Date:: 1810
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 34 11/16 × 22 3/16 inches (88.1 × 56.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

47. Oxford from North Hinksey

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1841
Materials & Techniques:: Etching and line engraving; first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 22 × 30 1/8 inches (55.9 × 76.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. View from Palace Terrace, at St. Germain en Laye; The Aqueduct of Marli, seen in the Distance

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 5/8 inches (40 × 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. View of Pont de la Tournelle and Notre Dame, taken from the Arsenal 1802

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 1/2 inches (40 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Views of the Pantheon, taken from the Arsenal

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Aquatint over soft ground etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 5/8 × 24 1/2 inches (39.7 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. View of the Palace and Village of Choisi, on the Banks of the Siene

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 5/8 inches (40 × 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. View of St. Cloud and Mt. Calvary taken from Pont de Seve

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 1/2 inches (40 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. St. Vincent's Rocks, Clifton (Hotwell House and Baths)

Creator:: Print made by unknown artist
Date:: ca. 1840
Materials & Techniques:: Lithograph, hand-colored on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 16 x 21 1/8 inches (40.7 x 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. The Ruins of Bildewas Abbey, Shropsire

Creator:: unknown artist
Date:: ca. 1812
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 16 x 21 1/4in. (40.6 x 54cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. West Window of the Chapel, New College Oxford: The Shepherd Offering, Nativity Scene

Creator:: George Siegmund Facius, 1750–1804
Date:: 1805
Materials & Techniques:: Stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 3/4 × 21 1/16 inches (45.1 × 53.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. A View of the West Side of London Bridge in 1710

Creator:: R. Martin, active 1823–1840
Materials & Techniques:: Reproduction lithograph
Dimensions:: Sheet: 13 1/4 x 21 1/4in. (33.7 x 54cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Margate with the Venus Steam Packet Entering the Harbour

Creator:: Thomas Sutherland, ca. 1785–1838
Date:: ca. 1823
Materials & Techniques:: Colored aquatint
Dimensions:: Sheet: 16 1/4 x 21 1/4in. (41.3 x 54cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. A View of the Eastside of London Bridge

Creator:: R. Martin, active 1823–1840
Date:: undated
Materials & Techniques:: Reproduction lithograph
Dimensions:: Sheet: 13 5/16 x 21 3/8in. (33.8 x 54.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. The Mary, Joshua Collings, Master, Entering the Harbour of La Valletta, in the Island of Malta, Dec. 5, 1835

Creator:: Edward Duncan, 1803–1882
Date:: 1835
Materials & Techniques:: Colored aquatint
Dimensions:: Sheet: 16 1/4 x 21 1/4in. (41.3 x 54cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)

Creator:: Robert Thew, 1758–1802
Date:: 1803
Materials & Techniques:: Etching and stipple engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 20 1/4 x 26 3/4 inches (51.4 x 67.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. The Rural Cott

Creator:: William Woollett, 1735–1785
Date:: 1797
Materials & Techniques:: Engraving; proof on moderately thick, slightly textured, cream wove paper, with chine collé
Dimensions:: Sheet: 19 1/8 × 24 1/8 inches (48.6 × 61.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Great Fall of the Fynach

Creator:: Joseph Constantine Stadler, active 1780–1812
Date:: 1809
Materials & Techniques:: Colored aquatint
Dimensions:: Sheet: 15 1/2 x 21 1/4in. (39.4 x 54cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Ludlow Castle, Shropshire

Creator:: unknown artist
Date:: ca. 1812
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 17 1/2 x 21 1/4in. (44.5 x 54cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. View of the Palace and Village of Choisi on the Banks of the Seine

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 25 inches (41.3 × 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. View from Palace Terrace at St. German en Laye, The Aquaduct of Marli seen in the distance

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Image: 5 7/8 × 18 3/8 inches (14.9 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. The Water Works at Marli and St. German en Laye seen in the distance

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Image: 5 7/8 × 18 3/8 inches (14.9 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. View of Pont de la Tournelle and Notre Dame taken from the Arsenal

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Image: 5 7/8 × 17 1/2 inches (14.9 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. View of the Pantheon taken from the Arsenal

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Image: 6 × 17 1/2 inches (15.2 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. The Pilgrim's Progress Illustrated, Uncut Panorama

Creator:: Print made by Ralph Hudson, active ca. 1820
Date:: ca. 1820
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 × 22 1/8 inches (30.5 × 56.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Pilgrim's Progress Illustrated, Uncut Panorama

Creator:: Print made by Ralph Hudson, active ca. 1820
Date:: ca. 1820
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 × 22 1/2 inches (30.5 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Sptrepsilas Interpres

Creator:: Print made by John Gould, 1804–1881
Date:: 1848
Materials & Techniques:: Chromolithograph on medium, smooth, cream wove paper
Dimensions:: Sheet: 14 1/4 x 21 1/4 inches (36.2 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

72. Stag Hunting: His Majesty King George III returning from Hunting

Creator:: James Pollard, 1792–1867
Date:: 1820
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 15 7/8 x 21 1/4in. (40.3 x 54cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. The Funeral of the Duke of Wellington. The Ceremony in St. Paul's Cathedral, November 18th 1852.

Creator:: Print made by William Simpson, 1823–1899
Date:: 1853
Materials & Techniques:: Colored lithograph on medium, smooth, cream wove paper
Dimensions:: Sheet: 28 3/4 × 21 3/8 inches (73 × 54.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. The Funeral of the Duke of Wellington. The Lying in State at Chelsea Hospital, November 18th 1852.

Creator:: Print made by William Simpson, 1823–1899
Date:: 1853
Materials & Techniques:: Colored lithograph on medium, smooth, cream wove paper
Dimensions:: Sheet: 28 3/4 × 21 5/16 inches (73 × 54.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Oxford from North Hinksey

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1841
Materials & Techniques:: Etching and line engraving with graphite; touched engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/8 × 21 1/4 inches (39.1 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

76. Heidelberg from the Opposite bank of the Neckar

Creator:: Print made by Thomas Abiel Prior, 1809–1886
Date:: 1846
Materials & Techniques:: Etching and line engraving with graphite; touched engraver's proof (b) on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 21 7/8 × 27 1/8 inches (55.6 × 68.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Heidelberg from the Opposite Bank of the Neckar

Creator:: Print made by Thomas Abiel Prior, 1809–1886
Date:: 1846
Materials & Techniques:: Etching and line engraving; first published state on thick, slightly textured, cream wove paper, with beige chine-collé
Dimensions:: Sheet: 29 × 38 1/8 inches (73.7 × 96.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. [Fox-hunting] set of four - Worcestershire: 4. The Death (Southall Farm)

Creator:: Theodore Henry Adolphus Fielding, 1781–1851
Date:: 1826
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 3/4 x 21 1/4in. (34.9 x 54cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. The Silks and Satins of the Field

Creator:: J. Summers, active 1867–1868
Materials & Techniques:: Hand-colored aquatint
Dimensions:: Sheet: 16 9/16 x 21 3/8in. (42.1 x 54.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. [Fox-hunting] set of four - Worcestershire: 1. Breaking Cover (Hadley Heath)

Creator:: Theodore Henry Adolphus Fielding, 1781–1851
Date:: 1826
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 3/4 x 21 1/4in. (34.9 x 54cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. [Fox-hunting] set of four - Worcestershire: 2. Full Cry (Westwood Park Hall)

Creator:: Theodore Henry Adolphus Fielding, 1781–1851
Date:: 1826
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 3/4 x 21 1/4in. (34.9 x 54cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. [Fox-hunting] set of four - Worcestershire: 3. A Check (Near Hampton Lovett)

Creator:: Theodore Henry Adolphus Fielding, 1781–1851
Date:: 1826
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 3/4 x 21 1/4in. (34.9 x 54cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Lady Harriet Clive

Creator:: Print made by Samuel Cousins, 1801–1887
Date:: 1840
Materials & Techniques:: Mezzotint and line engraving (first published state) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 26 3/8 × 21 1/8 inches (67 × 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

84. The Death of Tom Moody, Gone to Earth

Creator:: Dean Wolstenholme, 1757–1837
Date:: 1829
Materials & Techniques:: Aquatint, hand-colored, with etched vignette within title
Dimensions:: Sheet: 17 x 21 1/4in. (43.2 x 54cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. The Cornfield

Creator:: Print made by David Lucas, 1802–1881
Date:: 1833
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 26 7/8 × 21 1/8 inches (68.3 × 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. The Lock

Creator:: Print made by David Lucas, 1802–1881
Date:: 1834
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 26 7/8 × 21 1/4 inches (68.3 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Period 19th century

Width [cm] 54

Classification Prints

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1. Campagna of Rome from Villa Mattei, from Views in Rome and its Environs, 1841

2. Cervara

3. Rome from Via della Porta San Paolo, from Views in Rome and its Environs, 1841

4. Rome from Monte Pincio

5. Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]

6. Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]

7. Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]

8. Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]

9. View of the Clifton Suspension Bridge

10. View of the Pantheon taken from the Arsenal

11. Gledhow

12. St. Agatha's Abbey, Easby

13. Kirkby Lonsdale Churchyard

14. Mrs. Siddons

15. A View of Worcester College &c.

16. Rye, Sussex

17. East & West Looe, Cornwall

18. The Entrance to Fowey Harbour, Cornwall

19. Penmaen Mawr, Caernarvonshire

20. Cologne

21. View of St. Cloud and Mount Calvary taken from Pont de Seve

22. View of Pont de la Tournelle and Notre Dame taken from the Arsenal

23. View of the Pantheon taken from the Arsenal

24. View of Pont de la Tournelle and Notre Dame taken from the Arsenal

25. View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud

26. The Waterworks at Marli; and St. Germain en Laye seen in the distance

27. View of the Palace and Village of Choisi on the Banks of the Seine

28. View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance

29. View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance

30. Interior of Westminster Hall as Prepared for the Banquet

31. "The Bedford Times" / This print of the Bedford Times Coach, is respectfully dedicated / by permission, to William Henry Whitbread Esq're. / by his most obedient & obliged Servant / J. Matthew Crispin

32. The Waterworks at Marli; and St. German en Laye seen in the distance

33. View of the Palace and Village of Choisi on the Banks of the Seine

34. View of the Pantheon taken from the Arsenal

35. Royal Hunt in Windsor Park

36. View of St. Cloud and Mount Calvary taken from Pont de Seve

37. Elevation of the River Front

38. The Cartoon Gallery, Knole, Kent

39. Mousehold Heath-The Lane to the Left Above Col. Harvey's House

40. Col. Harvey's Meadow Thorpe and Norwich Oct. 2nd 1841

41. Mousehold Heath--The Lane to the Left above Col. Harveys House

42. The Catholic College of Stonyhurst Lancashire

43. Cupid and Psyche

44. John Philip Kemble as Cato

45. Henry D'Esterre Darby, Esq.

46. Mrs. Siddons

47. Oxford from North Hinksey

48. View from Palace Terrace, at St. Germain en Laye; The Aqueduct of Marli, seen in the Distance

49. View of Pont de la Tournelle and Notre Dame, taken from the Arsenal 1802

50. Views of the Pantheon, taken from the Arsenal

51. View of the Palace and Village of Choisi, on the Banks of the Siene

52. View of St. Cloud and Mt. Calvary taken from Pont de Seve

53. St. Vincent's Rocks, Clifton (Hotwell House and Baths)

54. The Ruins of Bildewas Abbey, Shropsire

55. West Window of the Chapel, New College Oxford: The Shepherd Offering, Nativity Scene

56. A View of the West Side of London Bridge in 1710

57. Margate with the Venus Steam Packet Entering the Harbour

58. A View of the Eastside of London Bridge

59. The Mary, Joshua Collings, Master, Entering the Harbour of La Valletta, in the Island of Malta, Dec. 5, 1835

60. As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)

61. The Rural Cott

62. Great Fall of the Fynach

63. Ludlow Castle, Shropshire

64. View of the Palace and Village of Choisi on the Banks of the Seine

65. View from Palace Terrace at St. German en Laye, The Aquaduct of Marli seen in the distance

66. The Water Works at Marli and St. German en Laye seen in the distance

67. View of Pont de la Tournelle and Notre Dame taken from the Arsenal

68. View of the Pantheon taken from the Arsenal

69. The Pilgrim's Progress Illustrated, Uncut Panorama

70. Pilgrim's Progress Illustrated, Uncut Panorama

71. Sptrepsilas Interpres

72. Stag Hunting: His Majesty King George III returning from Hunting

73. The Funeral of the Duke of Wellington. The Ceremony in St. Paul's Cathedral, November 18th 1852.