Period: 19th century / Width [cm]: 56 / Classification: Prints

1. Peasants Going to Market

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1802
Materials & Techniques:: Line engraving and stipple engraving
Dimensions:: Sheet: 18 x 22in. (45.7 x 55.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Gibside, County of Durham

Creator:: Print made by Samuel Rawle, 1771–1860
Date:: 1819
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Simmer Lake near Askrig

Creator:: Print made by Henry Le Keux, 1787–1868
Date:: 1822
Materials & Techniques:: Etching; open etched state on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/16 × 22 inches (38.3 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Ingleborough, from Hornby Castle Terrace

Creator:: Print made by Charles Heath, 1785–1848
Date:: 1818-1823
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 15 1/4 × 22 1/8 inches (38.7 × 56.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Longships Lighthouse, Lands End

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1836
Materials & Techniques:: Line engraving, 1st published state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 16 3/8 × 22 inches (41.6 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Aldborough

Creator:: Print made by James C. Allen, active 1821–1831
Date:: ca. 1830
Materials & Techniques:: Line engraving, finished state on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 14 5/8 × 21 7/8 inches (37.1 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. View of Oxford from the South Side of Heddington Hill

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1808
Materials & Techniques:: Line engraving, engraver's proof (b) on medium, smooth, cream wove paper
Dimensions:: Sheet: 15 1/4 × 22 inches (38.7 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Ehenbreitstein, During the Demolition of the Fortress in 1817 from the Quay at Coblentz.

Creator:: Print made by James C. Allen, active 1821–1831
Date:: 1824
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 15 1/2 × 22 inches (39.4 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Over the Nuts and Wine!

Creator:: Print made by William Henry Boucher, 1842–1906
Date:: 1889
Materials & Techniques:: Etching on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 x 21 7/8 inches (41 x 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Bruce McCashin

10. The Falls from the Narrow Neck near the Eastern Headland of the Outlet

Creator:: F. Jones, 19th century
Date:: 1865
Materials & Techniques:: Lithograph on medium, smooth, cream wove paper
Dimensions:: Sheet: 14 3/8 x 22 1/8 inches (36.5 x 56.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Renée and Geoffrey Hartman, Yale PhD 1953

11. View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c., taken from Pont Notre Dame

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Fox Hunting [set of four]: Leicestershire 'Gaudet Equis Canisbusque'. No. 3. Symptoms of a Skurry in a Pewy Country ...

Creator:: Sir John Dean Paul, 1775–1852
Date:: 1825
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 8 7/8 x 22in. (22.5 x 55.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. This View of the Capture of Amoy, on the Coast of China, on the 26th August, 1841

Creator:: Henry Papprill, 1816–d.after 1883
Date:: 1842
Materials & Techniques:: Aquatint on thick, smooth, cream wove paper
Dimensions:: Sheet: 12 3/4 × 22 13/16 inches (32.4 × 57.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. The Shephard Boy

Creator:: William Ward, 1766–1826
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 17 13/16 x 22 1/16in. (45.2 x 56cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Mr. and Mrs. Leon Korn

15. Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1842
Materials & Techniques:: Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Vol. 6, Plate XXXI: A Continuation, as it is Presumed, of the Story of Antiochus. The Story of Abimelech.

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1842
Materials & Techniques:: Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Fox Hunting [set of four]: Leicestershire 'Gaudet Equis Canisbusque'. No. 1. A Struggle for the Start ...

Creator:: Sir John Dean Paul, 1775–1852
Date:: 1825
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 8 7/8 x 22in. (22.5 x 55.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. [Fox-hunting] Going to Cover

Creator:: Thomas Sutherland, ca. 1785–1838
Date:: 1820-1821
Materials & Techniques:: Aquatint, printed in color and by hand
Dimensions:: Sheet: 13 3/4 x 22in. (34.9 x 55.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. [Fox-hunting] Breaking Cover

Creator:: Thomas Sutherland, ca. 1785–1838
Date:: 1820-1821
Materials & Techniques:: Aquatint, printed in color and by hand
Dimensions:: Sheet: 13 3/4 x 22in. (34.9 x 55.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. [Fox-hunting] Tree-ing the Fox

Creator:: Thomas Sutherland, ca. 1785–1838
Date:: 1820-1821
Materials & Techniques:: Aquatint, printed in color and by hand
Dimensions:: Sheet: 13 3/4 x 22in. (34.9 x 55.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. [Shooting] The Sportsman's Repast

Creator:: John Raphael Smith, 1752–1812
Date:: 1801
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 17 7/8 x 22in. (45.4 x 55.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. [Shooting] Enamour'd Sportsman

Creator:: John Raphael Smith, 1752–1812
Date:: 1801
Materials & Techniques:: Hand colored mezzotint
Dimensions:: Sheet: 17 7/8 x 22in. (45.4 x 55.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. [Shooting] Enamour'd Sportsman

Creator:: John Raphael Smith, 1752–1812
Date:: 1801
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 17 7/8 x 22in. (45.4 x 55.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. [Fox-hunting] Full Cry

Creator:: Thomas Sutherland, ca. 1785–1838
Date:: 1820-1821
Materials & Techniques:: Aquatint, printed in color and by hand
Dimensions:: Sheet: 13 3/4 x 22in. (34.9 x 55.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Vol. 6, Plate XXVIII

Creator:: Print made by G.F. Storm, active mid–19th century
Date:: 1842
Materials & Techniques:: Etching on moderately thick, smooth, white wove paper
Dimensions:: Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Vol. 6, Plate XXVII: The Painted Chamber

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1842
Materials & Techniques:: Line engraving on moderately thick, smooth, white wove paper
Dimensions:: Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Vol. 6, Plate XXXII: The Story of Hezekiah.

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1842
Materials & Techniques:: Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha.

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1842
Materials & Techniques:: Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus.

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1842
Materials & Techniques:: Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Vol. 6, Plate XXXIV: The Story of Elijah and Ahaziah. The Miracles of Elisha.

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1842
Materials & Techniques:: Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Vol. 6, Plate XXXVII: The Coronation of Edward the Confessor. Warriors Flying for Refuge into a City.

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1842
Materials & Techniques:: Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 1/4 inches (46.4 x 66.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 1/4 inches (46.4 x 66.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. View of the Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c. taken from Pont Notre Dame

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. View of the Gate of St. Denis taken from the Suburbs

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. W. Mulready RA

Creator:: Print made by Charles West Cope, 1811–1890
Date:: 1863
Materials & Techniques:: Etching on thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 17 1/4 × 11 1/2 inches (43.8 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Rosehill

Creator:: Print made by Joseph Constantine Stadler, active 1780–1812
Date:: ca. 1810
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Image: 15 3/8 x 22in. (39.1 x 55.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Fox Hunting [set of four]: Leicestershire 'Gaudet Equis Canisbusque'. No. 4. The Death ...

Creator:: Sir John Dean Paul, 1775–1852
Date:: 1825
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 8 7/8 x 22in. (22.5 x 55.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Fox Hunting [set of four]: Leicestershire 'Gaudet Equis Canisbusque'. No. 2. The First Ten Minutes - Shaking Off the Cocktails ...

Creator:: Sir John Dean Paul, 1775–1852
Date:: 1825
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 8 7/8 x 22in. (22.5 x 55.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Elevation of the River Front

Creator:: Print made by Thomas Talbot Bury, 1811–1877
Date:: ca. 1835
Materials & Techniques:: Line engraving and etching on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 14 7/8 × 22 1/8 inches (37.8 × 56.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. The Lady in White

Creator:: Print made by Sir Hubert von Herkomer, 1849–1914
Date:: ca. 1885
Materials & Techniques:: Etching on medium, smooth, cream wove paper
Dimensions:: Sheet: 28 3/8 × 21 7/8 inches (72.1 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Dr. Lee MacCormick Edwards Collection, Gift of Alison Edwards Curwen

42. The Palm Offering

Creator:: Print made by Frederick Stacpoole, 1813–1907
Date:: 1868
Materials & Techniques:: Mezzotint and stipple engraving on thick, slightly textured, cream wove paper mounted on canvas
Dimensions:: Sheet: 37 3/8 × 27 3/4 inches (94.9 × 70.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Linda G. Mitchell and David M. Doret, Yale BA 1968

43. From the Garden front of my Father's House at Thorpe next Norwich

Creator:: Print made by Miles Edmund Cotman, 1810–1858
Date:: 1847
Materials & Techniques:: Lithograph on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 × 22 inches (43.2 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. The Falls from the Western End of the Chasm

Creator:: Print made by Day & Co., 1824–1913
Date:: 1856
Materials & Techniques:: Lithograph on medium, smooth, cream wove paper
Dimensions:: Sheet: 14 3/8 x 22 1/8 inches (36.5 x 56.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Renée and Geoffrey Hartman, Yale PhD 1953

45. The Breaking Up of the Agamemnon, no. 2

Creator:: Print made by Sir Francis Seymour Haden, 1818–1910
Date:: after 1880
Materials & Techniques:: Etching and drypoint on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/16 x 21 7/8 inches (38.6 x 55.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of Mrs. Howard Mansfield

46. The Breaking Up of the Agamemnon, no. 2

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: after 1880
Materials & Techniques:: Etching and mezzotint on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/16 x 22 1/16 inches (38.3 x 56.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of Mrs. Howard Mansfield

47. The Launch of the Iron Steamship 'The Great Britain' at Bristol

Creator:: unknown artist
Date:: 1843
Materials & Techniques:: Colored lithograph
Dimensions:: Sheet: 14 x 22in. (35.6 x 55.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. A Woman Swearing her Child to a Grave Citizen

Creator:: Print made by John Young, 1755–1825
Date:: 1816
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 18 3/4 × 23 1/4 inches (47.6 × 59.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

49. Benjamin Franklin

Creator:: Print made by Henri Emile Lefort, 1852–1916
Date:: 1896
Materials & Techniques:: Etching on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 28 × 22 inches (71.1 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

50. The Grand Canal, Venice

Creator:: Print made by William Miller, 1796–1882
Date:: 1838
Materials & Techniques:: Etching; engraver's proof, open etched state on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 15 3/8 × 22 inches (39.1 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. St. Mark's Place, Venice - Juliet and her Nurse

Creator:: Print made by George Hollis, 1792–1842
Date:: 1842
Materials & Techniques:: Etching and line engraving; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 25 3/8 × 33 3/8 inches (64.5 × 84.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Mrs. Siddons

Creator:: William Say, 1768–1834
Date:: 1810
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 34 11/16 × 22 3/16 inches (88.1 × 56.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

53. View of the City with the Louvre & Taken from Pont Marie

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint with tracing on verso on medium, slightly textured. cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 5/8 inches (40 × 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. The Cottar's Door

Creator:: Print made by William Say, 1768–1834
Date:: 1802
Materials & Techniques:: Mezzotint, proof before all letters on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 21 15/16 × 29 inches (55.7 × 73.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

55. "Nonpareil" / The Property of Mr. John Dixon of Knightsbridge / This Wonderful Creature, Performed the unprecedented Match, of Trotting 100 Miles in harness on Sunbury Common, on Wednesday the 27th April, 1836. ...

"Nonpareil" / The Property of Mr. John Dixon of Knightsbridge / This Wonderful Creature, Performed the unprecedented Match, of Trotting 100 Miles in harness on Sunbury Common, on Wednesday the 27th April, 1836. ...

Creator:: George Hunt, active 1820–1840
Date:: 1836
Materials & Techniques:: Color printed aquatint
Dimensions:: Sheet: 12 7/8 x 21 7/8in. (32.7 x 55.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Royal Military College

Creator:: William James Bennett, 1787–1844
Date:: ca. 1813
Materials & Techniques:: Colored aquatint
Dimensions:: Sheet: 14 5/8 x 22in. (37.1 x 55.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Sailors Conversation

Creator:: William Ward, 1766–1826
Date:: 1802
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 19 × 22 15/16 inches (48.3 × 58.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. A View of London Bridge, 1616

Creator:: R. Martin, active 1823–1840
Materials & Techniques:: Reproduction lithograph
Dimensions:: Sheet: 13 7/8 x 22 3/16in. (35.2 x 56.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Sailors Conversation

Creator:: William Ward, 1766–1826
Date:: 1802
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/8 × 22 inches (46 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Cambridge University: Queens College

Creator:: Print made by Thomas Malton the Younger, 1748–1804
Date:: 1800
Materials & Techniques:: Etching and aquatint on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 18 7/16 × 26 1/16 inches (46.8 × 66.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. The East Front of the Library of Trinity College in the University of Cambridge

Creator:: Thomas Malton the Younger, 1748–1804
Date:: 1800
Materials & Techniques:: Etching and aquatint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 18 3/4 × 25 7/8 inches (47.6 × 65.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. The Sieve Mender

Creator:: Print made by William Strang, 1859–1921
Date:: 1884
Materials & Techniques:: Etching and aquatint on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 1/4 × 22 inches (36.2 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

63. The Parish Beadle

Creator:: Abraham Raimbach, 1784–1868
Date:: 1834
Materials & Techniques:: Engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 13/16 × 24 5/16 inches (47.8 × 61.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. A View of the East Side of London Bridge in 1827

Creator:: R. Martin, active 1823–1840
Date:: 1827
Materials & Techniques:: Reproduction lithograph
Dimensions:: Sheet: 14 x 22 3/16in. (35.6 x 56.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. This View of the Capture of Amoy on the Coast of China, on the 26th August, 1841, by Her Majesty's Combined Forces, under Vice Admiral Sir William Parker K.C.B. and Lieut. General Sir Hugh Gough... Plate 1

This View of the Capture of Amoy on the Coast of China, on the 26th August, 1841, by Her Majesty's Combined Forces, under Vice Admiral Sir William Parker K.C.B. and Lieut. General Sir Hugh Gough... Plate 1

Creator:: Henry Papprill, 1816–d.after 1883
Date:: 1842
Materials & Techniques:: Aquatint on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 12 1/16 × 22 3/16 inches (30.6 × 56.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. The Rural Cott

Creator:: William Woollett, 1735–1785
Date:: 1797
Materials & Techniques:: Engraving; proof on moderately thick, slightly textured, cream wove paper, with chine collé
Dimensions:: Sheet: 19 1/8 × 24 1/8 inches (48.6 × 61.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Launch of the Great Britain Steamship, at Bristol, July 19th 1843

Creator:: Henry Papprill, 1816–d.after 1883
Date:: 1843
Materials & Techniques:: Colored lithograph
Dimensions:: Sheet: 15 1/2 x 22in. (39.4 x 55.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. The Great Britain Iron Steam Ship

Creator:: Thomas Picken, active 1838–died 1870
Date:: 1846
Materials & Techniques:: Lithograph on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 5/8 × 21 7/8 inches (39.7 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. "William and Margaret"

Creator:: John Raphael Smith, 1752–1812
Date:: 1802
Materials & Techniques:: Mezzotint on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 19 1/2 × 23 11/16 inches (49.5 × 60.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Ruins of Ryland Abbey, Yorkshire

Creator:: J. R. Hamble, active 1775–1825
Date:: ca. 1812
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 16 1/4 x 22in. (41.3 x 55.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. View of the City with the Louvre taken from Pont Marie

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 24 5/8 inches (41.3 × 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. A Literary Party at Sir Joshua Reynolds

Creator:: William Walker, 1791–1867
Date:: 1848
Materials & Techniques:: Engraving on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 3/16 × 26 1/4 inches (53.8 × 66.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. View of the Village of Chaillot and etc. taken from Pont de la Concorde.

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slight textured, cream wove paper
Dimensions:: Image: 5 × 19 inches (12.7 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. A Shipwreck

Creator:: Print made by Theodore Henry Adolphus Fielding, 1781–1851
Date:: 1825
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor; later state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 3/8 × 31 1/8 inches (54.3 × 79.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Boccaccio, the Bird Cage

Creator:: Print made by J. P. Quilley, active 1828
Date:: 1830
Materials & Techniques:: Mezzotint; second published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 32 3/4 × 22 1/8 inches (83.2 × 56.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. The Pilgrim's Progress Illustrated, Uncut Panorama

Creator:: Print made by Ralph Hudson, active ca. 1820
Date:: ca. 1820
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 × 22 1/8 inches (30.5 × 56.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. The Crystal Palace

Creator:: unknown artist
Date:: 1851
Materials & Techniques:: Hand colored engraving
Dimensions:: Sheet: 10 1/2 x 21 7/8in. (26.7 x 55.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Pilgrim's Progress Illustrated, Uncut Panorama

Creator:: Print made by Ralph Hudson, active ca. 1820
Date:: ca. 1820
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 × 22 1/2 inches (30.5 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Eastward Ho!

Creator:: Print made by William Turner Davey, 1818–ca. 1884
Date:: 1860
Materials & Techniques:: Mezzotint and stipple engraving with hand coloring in watercolor on thick, smooth, beige wove paper
Dimensions:: Sheet: 30 3/4 × 23 1/2 inches (78.1 × 59.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Paul Walter

80. John, Earl of Hopetoun

Creator:: Print made by William Walker, 1791–1867
Date:: 1822
Materials & Techniques:: Stipple engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 31 3/4 × 22 inches (80.6 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Stephen Parks, Yale BA 1961

81. Lake of Lucerne

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1854
Materials & Techniques:: Etching and line engraving; India proof, second state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 23 1/2 × 34 3/4 inches (59.7 × 88.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. The Bell Rock Lighthouse

Creator:: Print made by William Miller, 1796–1882
Date:: 1862
Materials & Techniques:: Etching and line engraving; first published state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 23 3/8 × 29 1/2 inches (59.4 × 74.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. The Straits of Dover

Creator:: Print made by William Chapman, 1817–1879
Date:: 1863
Materials & Techniques:: Etching and line engraving; first published state on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 27 × 34 3/8 inches (68.6 × 87.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Woodman in a Stream

Creator:: after Frederick Richard Lee, 1798–1879
Date:: 1839
Materials & Techniques:: Mezzotint on medium, smooth, cream wove paper
Dimensions:: Mount: 18 7/8 × 22 15/16 inches (47.9 × 58.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Coaching: The New London Royal Mail

Creator:: Charles Hunt, 1803–1877
Date:: 1836
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 15 x 21 7/8in. (38.1 x 55.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Plan of the Building in Hyde Park for the Exhibition of 1851

Creator:: unknown artist
Date:: 1850
Materials & Techniques:: Engraving, hand-colored
Dimensions:: Sheet: 14 1/2 x 22in. (36.8 x 55.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Search Constraints

Period 19th century

Width [cm] 56

Classification Prints

Search Results

1. Peasants Going to Market

2. Gibside, County of Durham

3. Simmer Lake near Askrig

4. Ingleborough, from Hornby Castle Terrace

5. Longships Lighthouse, Lands End

6. Aldborough

7. View of Oxford from the South Side of Heddington Hill

8. Ehenbreitstein, During the Demolition of the Fortress in 1817 from the Quay at Coblentz.

9. Over the Nuts and Wine!

10. The Falls from the Narrow Neck near the Eastern Headland of the Outlet

11. View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c., taken from Pont Notre Dame

12. Fox Hunting [set of four]: Leicestershire 'Gaudet Equis Canisbusque'. No. 3. Symptoms of a Skurry in a Pewy Country ...

13. This View of the Capture of Amoy, on the Coast of China, on the 26th August, 1841

14. The Shephard Boy

15. Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews

16. Vol. 6, Plate XXXI: A Continuation, as it is Presumed, of the Story of Antiochus. The Story of Abimelech.

17. Fox Hunting [set of four]: Leicestershire 'Gaudet Equis Canisbusque'. No. 1. A Struggle for the Start ...

18. [Fox-hunting] Going to Cover

19. [Fox-hunting] Breaking Cover

20. [Fox-hunting] Tree-ing the Fox

21. [Shooting] The Sportsman's Repast

22. [Shooting] Enamour'd Sportsman

23. [Shooting] Enamour'd Sportsman

24. [Fox-hunting] Full Cry

25. Vol. 6, Plate XXVIII

26. Vol. 6, Plate XXVII: The Painted Chamber

27. Vol. 6, Plate XXXII: The Story of Hezekiah.

28. Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha.

29. Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus.

30. Vol. 6, Plate XXXIV: The Story of Elijah and Ahaziah. The Miracles of Elisha.

31. Vol. 6, Plate XXXVII: The Coronation of Edward the Confessor. Warriors Flying for Refuge into a City.

32. View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde

33. View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde

34. View of the Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c. taken from Pont Notre Dame

35. View of the Gate of St. Denis taken from the Suburbs

36. W. Mulready RA

37. Rosehill

38. Fox Hunting [set of four]: Leicestershire 'Gaudet Equis Canisbusque'. No. 4. The Death ...

39. Fox Hunting [set of four]: Leicestershire 'Gaudet Equis Canisbusque'. No. 2. The First Ten Minutes - Shaking Off the Cocktails ...

40. Elevation of the River Front

41. The Lady in White

42. The Palm Offering

43. From the Garden front of my Father's House at Thorpe next Norwich

44. The Falls from the Western End of the Chasm

45. The Breaking Up of the Agamemnon, no. 2

46. The Breaking Up of the Agamemnon, no. 2

47. The Launch of the Iron Steamship 'The Great Britain' at Bristol

48. A Woman Swearing her Child to a Grave Citizen

49. Benjamin Franklin

50. The Grand Canal, Venice

51. St. Mark's Place, Venice - Juliet and her Nurse

52. Mrs. Siddons

53. View of the City with the Louvre & Taken from Pont Marie

54. The Cottar's Door

55. "Nonpareil" / The Property of Mr. John Dixon of Knightsbridge / This Wonderful Creature, Performed the unprecedented Match, of Trotting 100 Miles in harness on Sunbury Common, on Wednesday the 27th April, 1836. ...

56. Royal Military College

57. Sailors Conversation

58. A View of London Bridge, 1616

59. Sailors Conversation

60. Cambridge University: Queens College

61. The East Front of the Library of Trinity College in the University of Cambridge

62. The Sieve Mender

63. The Parish Beadle

64. A View of the East Side of London Bridge in 1827

65. This View of the Capture of Amoy on the Coast of China, on the 26th August, 1841, by Her Majesty's Combined Forces, under Vice Admiral Sir William Parker K.C.B. and Lieut. General Sir Hugh Gough... Plate 1

66. The Rural Cott

67. Launch of the Great Britain Steamship, at Bristol, July 19th 1843

68. The Great Britain Iron Steam Ship

69. "William and Margaret"

70. Ruins of Ryland Abbey, Yorkshire

71. View of the City with the Louvre taken from Pont Marie

72. A Literary Party at Sir Joshua Reynolds

73. View of the Village of Chaillot and etc. taken from Pont de la Concorde.