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Period 19th century

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Subject Terms boat

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Classification Prints

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1. Flint Castle, Vessels Unloading

Flint Castle, Vessels Unloading
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1807
Materials & Techniques:
Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 5/8 × 17 1/4 inches (29.5 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. "With one accord in love sublime..." (Plate 44)

"With one accord in love sublime..." (Plate 44)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. View of the Clifton Suspension Bridge

View of the Clifton Suspension Bridge
Creator:
James Duffield Harding, 1798–1863
Date:
undated
Materials & Techniques:
Lithograph with chine collé on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 15 9/16 x 21 3/16 inches (39.6 x 53.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Moonlight

Moonlight
Creator:
Print made by Thomas Creswick, 1811–1869
Date:
1839
Materials & Techniques:
Etching with chine collé on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/4 x 6 3/8 inches (10.8 x 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Christ's Charge to Peter

Christ's Charge to Peter
Creator:
after George Baxter, 1804–1867
Date:
after 1855
Materials & Techniques:
Aquatint, etching, stipple engraving, and color woodcut on thick, smooth, cream wove paper mounted on beige card
Dimensions:
Image: 4 1/2 x 7 inches (11.4 x 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Set of Needle-Box Prints

Set of Needle-Box Prints
Creator:
Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Etching and stipple engraving, with color woodcut on cream card mounted on beige card
Dimensions:
Sheet: 2 3/16 × 4 9/16 inches (5.5 × 11.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Charon's Boat

Charon's Boat
Creator:
Print made by John Bell, 1811–1895
Date:
between 1838 and 1850
Materials & Techniques:
Etching with chine collé on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 8 3/8 x 12 1/2 inches (21.2 x 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

8. Newstead Abbey

Newstead Abbey
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Etching and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 5 9/16 × 7 15/16 inches (14.2 × 20.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Buckingham Palace from St. James's Park

Buckingham Palace from St. James's Park
Creator:
Print made by Thomas Shotter Boys, 1803–1874
Date:
1842
Materials & Techniques:
Lithograph on thick, smooth, cream card
Dimensions:
Sheet: 14 15/16 x 21 13/16 inches (37.9 x 55.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

10. The Reception of the Rev. J. Williams at Tanna in the South Seas, the Day before He Was Massacred

The Reception of the Rev. J. Williams at Tanna in the South Seas, the Day before He Was Massacred
Creator:
Print made by George Baxter, 1804–1867
Date:
1841
Materials & Techniques:
Stipple engraving, aquatint, and etching with woodcut on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 11/16 × 12 7/8 inches (22 × 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. St. Herbert's Chapel

St. Herbert's Chapel
Creator:
Print made by Henry Le Keux, 1787–1868
Date:
1834
Materials & Techniques:
Etching and engraving; first published state on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 11 5/8 × 6 7/8 inches (29.5 × 17.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. The Bending Pillars at Staffa (from Smith's Geography)

The Bending Pillars at Staffa (from Smith's Geography)
Creator:
Alfred William Warren, active 1791–1809
Date:
1810
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Benevento, Kingdom of Naples

Benevento, Kingdom of Naples
Creator:
Print made by Charles Heath, 1785–1848
Date:
undated
Materials & Techniques:
Etching on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 4 15/16 × 6 7/8 inches (12.5 × 17.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. A Town

A Town
Creator:
Edwin Edwards, 1823–1879
Date:
1866
Materials & Techniques:
Etching on thin, smooth, beige Asian paper
Dimensions:
Sheet: 8 7/16 x 12 3/16 inches (21.4 x 31 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

15. Evening

Evening
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1864
Materials & Techniques:
Etching and drypoint, with plate tone on thin, smooth, cream Asian paper
Dimensions:
Sheet: 7 5/16 x 4 13/16 inches (18.5 x 12.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Leonard C. Hanna Jr., BA 1910

16. The Two Sheep

The Two Sheep
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1870
Materials & Techniques:
Etching and drypoint, with plate tone on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 9 13/16 x 13 3/8 inches (25 x 33.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

17. The Island Opposite Boyle's Farm

The Island Opposite Boyle's Farm
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1869
Materials & Techniques:
Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/16 x 11 9/16 inches (20.4 x 29.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

18. Smith's Yard at Etang

Smith's Yard at Etang
Creator:
Print made by Philip Gilbert Hamerton, 1834–1894
Date:
1876
Materials & Techniques:
Drypoint and etching on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 10 1/4 x 14 5/16 inches (26 x 36.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection

19. Unhappy Ghosts Wandering on the Banks of Styx, while Charon in his Boat Ferries over the Elect to the Elysian Fields

Unhappy Ghosts Wandering on the Banks of Styx, while Charon in his Boat Ferries over the Elect to the Elysian Fields
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1847
Materials & Techniques:
Lithograph on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 12 1/16 x 17 5/8 inches (30.6 x 44.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. The (Modern) Deluge

The (Modern) Deluge
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1848
Materials & Techniques:
Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 12 x 18 1/16 inches (30.5 x 45.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Rowing in the Same Boat: Something Wrong at the Bottom... Weather Rather Squally

Rowing in the Same Boat: Something Wrong at the Bottom... Weather Rather Squally
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1848
Materials & Techniques:
Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 11 15/16 x 18 1/16 inches (30.4 x 45.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Newstead Abbey, The Seat of the Late Lord Byron

Newstead Abbey, The Seat of the Late Lord Byron
Creator:
Louis Haghe, 1806–1885
Date:
undated
Materials & Techniques:
Lithograph on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 x 12 15/16 inches (22.9 x 32.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Very Fresh Fish

Very Fresh Fish
Creator:
Print made by Alfred Henry Forrester, 1804–1872
Date:
undated
Materials & Techniques:
Lithograph on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 17 13/16 x 13 inches (45.2 x 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Mr. B. on the Middle Watch--"Cold blows the wind & rain's coming on's - Plate 3

Mr. B. on the Middle Watch--"Cold blows the wind & rain's coming on's - Plate 3
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1820
Materials & Techniques:
Aquatint and etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 1/16 x 13 15/16 inches (25.5 x 35.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Mr. B. Mastheaded -or, enjoying the fresh air for the 304th time - Plate 4

Mr. B. Mastheaded -or, enjoying the fresh air for the 304th time - Plate 4
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1820
Materials & Techniques:
Aquatint and etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 1/16 x 14 inches (25.5 x 35.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Landscape with a Fisherman

Landscape with a Fisherman
Creator:
James McNeill Whistler, 1834–1903
Date:
1861
Materials & Techniques:
Etching and drypoint, printed from canceled plate on medium, smooth, cream laid paper
Dimensions:
Sheet: 9 3/4 x 12 5/8 inches (24.8 x 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Robert N. Whittemore, Yale BS 1943

27. Fort George, Madras

Fort George, Madras
Creator:
Print made by unknown artist
Date:
ca. 1860
Materials & Techniques:
Etching and line engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 × 10 5/8 inches (18.4 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

28. The Lock

No cover image available
Creator:
Print made by David Lucas, 1802–1881
Date:
1834
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 26 7/8 × 21 1/4 inches (68.3 × 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection