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Period 19th century

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Subject Terms meeting

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1. First Class—The Meeting. "And at first meeting loved."

First Class—The Meeting. "And at first meeting loved."
Creator:
Abraham Solomon, 1823–1862
Date:
1855
Materials & Techniques:
Oil on panel
Dimensions:
8 x 10 inches (20.3 x 25.4 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

2. The Wolverhampton Racecourse

The Wolverhampton Racecourse
Creator:
unknown artist
Date:
1837
Materials & Techniques:
Oil on canvas
Dimensions:
23 x 33 inches (58.4 x 83.8 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

3. A View of Thames Street, Windsor

A View of Thames Street, Windsor
Creator:
George Vincent, 1796–1832
Date:
1827 to 1830
Materials & Techniques:
Oil on canvas
Dimensions:
26 5/8 x 36 3/4 inches (67.6 x 93.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

4. The Berkeley Hunt, 1842: The Meet

The Berkeley Hunt, 1842: The Meet
Creator:
Francis Calcraft Turner, active 1782–1846
Date:
1842
Materials & Techniques:
Oil on canvas
Dimensions:
16 x 24 inches (40.6 x 61 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

5. The Great Exhibition of 1851

The Great Exhibition of 1851
Creator:
James Duffield Harding, 1798–1863
Date:
1851
Materials & Techniques:
Oil on canvas
Dimensions:
14 × 21 inches (35.6 × 53.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund
On View:
Not on view

6. The Piazzetta, Venice

The Piazzetta, Venice
Creator:
Edward Pritchett, active ca. 1828–1864
Date:
mid-19th century
Materials & Techniques:
Oil on board
Dimensions:
5 3/4 x 8 inches (14.6 x 20.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

7. The Caledonian Coursing Meeting

The Caledonian Coursing Meeting
Creator:
Richard Ansdell, 1815–1885
Date:
1844
Materials & Techniques:
Oil on canvas
Dimensions:
61 1/8 × 119 15/16 inches (155.3 × 304.6 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

8. Oberon and Titania from "A Midsummer Night's Dream," Act IV, Scene i

Oberon and Titania from "A Midsummer Night's Dream," Act IV, Scene i
Creator:
Thomas Stothard, 1755–1834
Date:
1806
Materials & Techniques:
Oil on paper mounted on board
Dimensions:
5 3/4 x 5 1/2 inches (14.6 x 14 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund
On View:
Not on view

9. Hunting Scene: The Meet

Hunting Scene: The Meet
Creator:
possibly John Frederick Tayler, 1802–1889
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, and gray wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/16 × 6 13/16 inches (10.3 × 17.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Hatchway's Eagerness to Meet Peregrine

Hatchway's Eagerness to Meet Peregrine
Creator:
Print made by George Cruikshank, 1792–1878
Date:
ca. 1830
Materials & Techniques:
Etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 9 5/16 x 5 11/16 inches (23.7 x 14.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

11. The Ootacamund Hunt Meeting at Mr. Chalmers' House at Gindy, Madras, 1845

The Ootacamund Hunt Meeting at Mr. Chalmers' House at Gindy, Madras, 1845
Creator:
Justinian Gantz, 1802–1862
Date:
1845
Materials & Techniques:
Watercolor, graphite, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 7/8 × 20 1/8 inches (32.7 × 51.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Quakers' Meeting

Quakers' Meeting
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1810
Materials & Techniques:
Watercolor with pen and gray-brown and red-brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/16 x 11 inches (20.8 x 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Symptoms: of How Do You Do, of I Should Not Have Known You, of My Lud, Of Easing a Patient, of a Loose Rein, of Wokey, of Tight in Hand

Symptoms: of How Do You Do, of I Should Not Have Known You, of My Lud, Of Easing a Patient, of a Loose Rein, of Wokey, of Tight in Hand
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1818 and 1822
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/4 × 8 5/8 inches (17.1 × 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. A Crowded Race Meeting

A Crowded Race Meeting
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1805 and 1810
Materials & Techniques:
Watercolor, pen and brown ink, gray ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 7/8 × 9 1/2 inches (14.9 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. The Sporting Parson: "The Sporting Parson at the Meet(ing) of His 'Dear Brethren' "

The Sporting Parson: "The Sporting Parson at the Meet(ing) of His 'Dear Brethren' "
Creator:
Hablot Knight Browne, 1815–1882
Date:
undated
Materials & Techniques:
Black chalk, watercolor and white gouache on moderately thick, slightly textured, gray wove paper
Dimensions:
Sheet: 10 3/4 × 15 inches (27.3 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."

The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."
Creator:
James Gillray, 1756–1815
Date:
1806
Materials & Techniques:
Etching with aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 9 5/8 × 14 1/16 inches (24.5 × 35.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. A Gathering at Fulham Palace

A Gathering at Fulham Palace
Creator:
George Richmond, 1809–1896
Date:
between 1843 and 1845
Materials & Techniques:
Iron gall ink on thin, smooth, cream wove paper
Dimensions:
Sheet: 8 7/8 × 7 1/2 inches (22.5 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Richard J. Mammana Jr., Yale MAR 2012, in memory of Cynthia McFarland

18. The Meeting of a Family in Heaven

The Meeting of a Family in Heaven
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1808, published 1813
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. The Meeting of a Family in Heaven

No cover image available
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1808
Materials & Techniques:
Etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Binding: 16 inches (40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. The Meeting of a Family in Heaven

No cover image available
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1808
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Binding: 14 1/2 inches (36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection