Period: 19th century / Subject Terms: religious and mythological subject

201. The Ecstasy of St. Francis

Creator:: Print made by William Say, 1768–1834
Date:: 1809
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 21 3/8 × 16 1/2 inches (54.3 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

202. Samuel Declareth to Eli the Judgements of God Upon his House

Creator:: Print made by James Daniell, active ca. 1780–1820
Date:: 1805
Materials & Techniques:: Mezzotint on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 26 × 20 1/8 inches (66 × 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

203. The Centurion Cornelius

Creator:: Print made by James Ward, 1769–1859
Date:: 1800
Materials & Techniques:: Mezzotint on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 24 × 28 1/16 inches (61 × 71.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

204. De Geboorten

Creator:: Print made by Frederik Christiaan Bierweiler, active 1800–1831
Date:: ca. 1820
Materials & Techniques:: Mezzotint and etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 26 1/4 × 20 7/8 inches (66.7 × 53 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

205. De Begraving

Creator:: Print made by Frederik Christiaan Bierweiler, active 1800–1831
Date:: ca. 1820
Materials & Techniques:: Mezzotint and etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 26 3/8 × 20 1/2 inches (67 × 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

206. De Hemelvaart

Creator:: Print made by Frederik Christiaan Bierweiler, active 1800–1831
Date:: ca. 1820
Materials & Techniques:: Mezzotint and etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 26 1/2 × 21 inches (67.3 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

207. Miss O'Neill as Hebe

Creator:: Print made by Charles Turner, 1774–1857
Date:: 1811
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 21 7/8 × 16 5/8 inches (55.6 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

208. Hagar and Ishmael

Creator:: Print made by William Say, 1768–1834
Date:: 1812
Materials & Techniques:: Mezzotint (proof before all letters) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 25 7/8 × 19 5/8 inches (65.7 × 49.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

209. A Large Christmas Card

Creator:: Print made by unknown artist
Date:: 1895
Materials & Techniques:: Line block print on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 9 1/4 x 6 1/8 inches (23.5 x 15.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

210. Saint Stephen's, Walbrook

Creator:: Print made by John Bluck, active 1791–1831
Date:: 1809
Materials & Techniques:: Aquatint and etching with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/16 x 12 5/8 inches (23.9 x 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

211. Christ's Charge to Peter

Creator:: after George Baxter, 1804–1867
Date:: after 1855
Materials & Techniques:: Aquatint, etching, stipple engraving, and color woodcut on thick, smooth, cream wove paper mounted on beige card
Dimensions:: Image: 4 1/2 x 7 inches (11.4 x 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

212. The Death of Ananias

Creator:: after George Baxter, 1804–1867
Date:: after 1855
Materials & Techniques:: Aquatint, etching, stipple engraving, and color woodcut on thick, smooth, cream wove paper mounted on beige card
Dimensions:: Image: 4 3/4 x 7 1/16 inches (12 x 18 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

213. The Deluge

Creator:: Print made by J. P. Quilley, active 1828
Date:: 1828
Materials & Techniques:: Mezzotint; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 23 1/2 × 34 inches (59.7 × 86.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

214. Iris

Creator:: Print made by Samuel Freeman, 1773–1857
Date:: 1808
Materials & Techniques:: Colored aquatint on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 15 3/4 x 11 5/8 inches (40 x 29.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

215. The Assault

Creator:: Print made by John Bell, 1811–1895
Date:: between 1838 and 1850
Materials & Techniques:: Etching with chine collé on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 6 5/16 x 8 1/8 inches (16 x 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

216. Death of the First Born

Creator:: John Martin, 1789–1854
Date:: 1836
Materials & Techniques:: Mezzotint on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 7/8 × 30 inches (55.6 × 76.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

217. Charon's Boat

Creator:: Print made by John Bell, 1811–1895
Date:: between 1838 and 1850
Materials & Techniques:: Etching with chine collé on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 8 3/8 x 12 1/2 inches (21.2 x 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

218. The Crucifixion

Creator:: John Martin, 1789–1854
Date:: 1834
Materials & Techniques:: Mezzotint on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 5/8 × 30 15/16 inches (54.9 × 78.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

219. The Deluge

Creator:: Print made by John Martin, 1789–1854
Date:: 1828
Materials & Techniques:: Mezzotint and etching; engraver's proof on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 25 9/16 × 33 3/16 inches (64.9 × 84.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

220. Marcus Curtius

Creator:: John Martin, 1789–1854
Materials & Techniques:: Mezzotint on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 22 3/8 × 30 1/4 inches (56.8 × 76.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

221. Pandemonium

Creator:: Print made by John Martin, 1789–1854
Date:: 1831
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 22 3/8 × 30 3/4 inches (56.8 × 78.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

222. Joshua Commanding the Sun to Stand Still

Creator:: John Martin, 1789–1854
Date:: 1827
Materials & Techniques:: Mezzotint with chine collé; published state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 23 1/4 × 30 13/16 inches (59.1 × 78.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

223. The Paphian Bower

Creator:: George H. Phillips, active 1819–1825
Date:: 1826
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 20 5/8 × 26 11/16 inches (52.4 × 67.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

224. Intemperance

Creator:: Print made by Guillaume Sulpice Chevalier, 1804–1866
Date:: undated
Materials & Techniques:: Etching and engraving with chine collé on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 13 9/16 x 20 inches (34.4 x 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

225. A Mythological Battle

Creator:: George C. Finden, 1811–1885
Date:: 1853
Materials & Techniques:: Etching and engraving with chine collé on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 11/16 x 19 15/16 inches (34.8 x 50.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

226. Reverend John Fisher, Bishop of Salisbury

Creator:: Robert Dunkarton, 1744–1811
Date:: 1811
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 20 5/8 × 15 inches (52.4 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

227. West Window of the Chapel, New College Oxford: The Shepherd Offering, Nativity Scene

Creator:: George Siegmund Facius, 1750–1804
Date:: 1805
Materials & Techniques:: Stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 3/4 × 21 1/16 inches (45.1 × 53.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

228. Interior of a Church

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Gray wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 13 5/8 × 10 1/2 inches (34.6 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

229. Cave of Trophonius

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Gray wash and graphite on thin, moderately textured, beige wove paper
Dimensions:: Sheet: 9 5/16 × 15 1/16 inches (23.7 × 38.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

230. The Convent of St. Nicholas

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 8 15/16 × 11 1/4 inches (22.7 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

231. Nuns Praying at Altar of a Church

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Gray wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 13 1/2 × 10 9/16 inches (34.3 × 26.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

232. Mercury and Argus

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1841
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof (a) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 29 1/4 × 19 inches (74.3 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

233. Mercury and Argus

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1841
Materials & Techniques:: Etching and engraving with chine collé; first published state on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 33 × 25 1/4 inches (83.8 × 64.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

234. Mercury and Argus

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1841
Materials & Techniques:: Etching and engraving with chine collé; second state on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 29 1/2 × 22 3/4 inches (74.9 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

235. Dido and Aeneas; The Morning of the Chase

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1842
Materials & Techniques:: Etching and engraving, with graphite and chine collé; touched engraver's proof (a) on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/8 × 28 1/8 inches (53.7 × 71.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

236. Mercury and Argus

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1841
Materials & Techniques:: Etching and engraving; fourth state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 29 5/8 × 22 1/2 inches (75.2 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

237. Mercury and Herse

Creator:: Print made by John Cousen, 1804–1880
Date:: 1842
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 27 1/2 × 23 inches (69.9 × 58.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

238. Mercury and Herse

Creator:: Print made by John Cousen, 1804–1880
Date:: 1842
Materials & Techniques:: Etching; open etched state on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 32 × 24 inches (81.3 × 61 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

239. Reverend Beilby Porteus, Lord Bishop of London

Creator:: Charles Picart, c.1780–1837
Date:: 1809
Materials & Techniques:: Stipple engraving and line engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 18 1/8 × 12 7/8 inches (46 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

240. Beilby Porteus, Bishop of London

Creator:: Charles Turner, 1774–1857
Date:: 1807
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 9/16 × 13 3/4 inches (49.7 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

241. Hon. James Yorke, Bishop of Ely

Creator:: Charles Turner, 1774–1857
Date:: 1810
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 20 1/2 × 14 9/16 inches (52.1 × 37 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

242. Florence, from the Chiesa al Monte

Creator:: Print made by George Cooke, 1781–1834
Date:: 1820
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 × 17 3/8 inches (30.5 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

243. Pharaoh and Moses

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: 1813
Materials & Techniques:: Pen and brown ink on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 4 7/16 × 7 inches (11.3 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

244. Study of a Biblical Scene

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: undated
Materials & Techniques:: Pen and brown ink over graphite on medium, smooth, beige wove paper
Dimensions:: Sheet: 3 3/4 × 4 11/16 inches (9.5 × 11.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

245. Study of a Military Scene

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: undated
Materials & Techniques:: Pen and brown ink, black chalk and graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 5 5/8 × 4 3/8 inches (14.3 × 11.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

246. Figure Studies of the Virgin Mary

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 7 7/8 × 10 5/8 inches (20 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

247. Study of the Pieta

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 3 3/4 × 6 1/16 inches (9.5 × 15.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

248. Study of Christ Raising Lazarus

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: undated
Materials & Techniques:: Pen and brown ink, and brown wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 5/8 × 5 11/16 inches (9.2 × 14.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

249. Study of the Resurrection of Lazarus

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: undated
Materials & Techniques:: Pen and brown ink, and brown wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/2 × 9 5/8 inches (16.5 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

250. Study of the Resurrection of Lazarus

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 5/8 × 3 5/8 inches (14.3 × 9.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

251. Study of the Resurrection of Lazarus

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: undated
Materials & Techniques:: Pan and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/8 × 9 5/8 inches (21.3 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

252. Study of the Resurrection of Lazarus

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 5/8 × 10 9/16 inches (19.4 × 26.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

253. Study For, Christ's Entry into Jerusalem

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: 1814 to 1820
Materials & Techniques:: Pen and brown ink on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 5 1/2 × 3 1/2 inches (14 × 8.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

254. Study For, Christ's Entry into Jerusalem

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: 1814 to 1820
Materials & Techniques:: Pen and brown ink, brown wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 9/16 × 3 1/2 inches (9 × 8.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

255. Study For, Christ's Entry into Jerusalem

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: 1814 to 1820
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 3/8 × 4 1/16 inches (8.6 × 10.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

256. Study For, Christ's Entry into Jerusalem

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: 1814 to 1820
Materials & Techniques:: Black chalk and white chalk on moderately thick, slightly textured, brown wove paper
Dimensions:: Sheet: 5 3/4 × 10 9/16 inches (14.6 × 26.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

257. Study For, Christ's Entry into Jerusalem

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: 1810 to 1820
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 5 1/2 × 2 15/16 inches (14 × 7.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

258. Study For, Christ's Entry into Jerusalem

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: 1810 to 1820
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 × 7 5/8 inches (15.2 × 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

259. Study For, Christ's Entry into Jerusalem

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: 1810 to 1820
Materials & Techniques:: Pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 4 7/16 × 4 5/8 inches (11.3 × 11.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

260. Study For, Christ's Entry into Jerusalem

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: 1814 to 1820
Materials & Techniques:: Pen and brown ink on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 6 1/16 × 3 1/4 inches (15.4 × 8.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

261. Study For, Christ's Entry into Jerusalem

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: 1810 to 1820
Materials & Techniques:: Pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 3 5/8 × 2 7/8 inches (9.2 × 7.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

262. Study For, Christ's Entry into Jerusalem

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: 1810 to 1820
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 5/8 × 2 7/8 inches (9.2 × 7.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

263. Study For, Christ's Entry into Jerusalem

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: 1810 to 1820
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 × 4 15/16 inches (20.3 × 12.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

264. Study for a Gathering of People

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: undated
Materials & Techniques:: Black chalk on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 10 × 8 1/16 inches (25.4 × 20.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

265. Study for, Agony in the Garden

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: undated
Materials & Techniques:: Pen and brown ink, and brown wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 3/8 × 7 7/8 inches (31.4 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

266. Study of a Religious Ceremony Scene

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: 1814
Materials & Techniques:: Black chalk and white chalk on moderately thick, moderately textured, brown wove paper
Dimensions:: Sheet: 11 1/8 × 8 7/16 inches (28.3 × 21.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

267. The Last Supper

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: ca. 1854
Materials & Techniques:: Etching and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 5 5/8 × 8 3/4 inches (14.3 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

268. Monsignor Alexandre's Characters in his Entertainment of the Devil on Two Sticks, or, Asmodeus in London

Creator:: Print made by John Franklin, c.1800–1868
Date:: ca. 1825
Materials & Techniques:: Lithograph with watercolor on moderately thick, slightly textured, brown wove paper
Dimensions:: Sheet: 12 15/16 x 17 13/16 inches (32.8 x 45.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection, Fry Print Collection

269. Title Page [North Italian Set]

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1895
Materials & Techniques:: Etching on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 8 7/8 × 6 5/8 inches (22.5 × 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection, The Edwin M. Herr, Ph.B. 1884, Memorial Collection

270. Christ Descending into the Grave

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808, published 1813
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

271. The Descent of Man into the Vale of Death

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808, published 1813
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

272. Robert Blair, The Grave, Title Page

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808, published 1813
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

273. The Meeting of a Family in Heaven

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808, published 1813
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

274. Death of the Strong Wicked Man

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808, published 1813
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 15 inches (28.9 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

275. The Reunion of the Soul & the Body

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808, published 1813
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

276. Death's Door

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808, published 1813
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

277. The Death of the Good Old Man

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808, published 1813
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 15 inches (28.9 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

278. The Counsellor, King, Warrior, Mother & Child, in the Tomb

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808, published 1813
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 15 inches (28.9 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

279. The Soul Hovering over the Body reluctantly Parting with Life

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808, published 1813
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 15 inches (28.9 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

280. The Soul Exploring the Recesses of the Grave

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808, published 1813
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

281. Love

Creator:: Print made by William Say, 1768–1834
Date:: c.1813
Materials & Techniques:: Mezzotint (second state) on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 16 7/8 × 13 inches (42.9 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

282. Cupid and Psyche

Creator:: Print made by William Say, 1768–1834
Date:: 1816
Materials & Techniques:: Mezzotint (second state) on thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 5/8 × 21 1/4 inches (49.8 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

283. The Infant Hercules

Creator:: Print made by William James Ward, ca. 1800–1840
Date:: 1819
Materials & Techniques:: Mezzotint (second state) on thick, rough, cream laid paper
Dimensions:: Sheet: 26 × 18 3/4 inches (66 × 47.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

284. The Sleeping Nymph

Creator:: Print made by William Ward, 1766–1826
Date:: 1808
Materials & Techniques:: Mezzotint (only state) on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 20 11/16 × 24 13/16 inches (52.5 × 63 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

285. De Kruisiging

Creator:: Print made by Frederik Christiaan Bierweiler, active 1800–1831
Date:: ca. 1820
Materials & Techniques:: Mezzotint and etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 26 1/4 × 19 3/4 inches (66.7 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

286. Indian Statue

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Pen and black ink, gray ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 10 7/16 × 9 1/8 inches (26.5 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

287. A Christening

Creator:: Thomas Shotter Boys, 1803–1874
Date:: undated
Materials & Techniques:: Watercolor over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 5 × 4 3/8 inches (12.7 × 11.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

288. Reverend. Shute Barrington L.L.D.

Creator:: William Say, 1768–1834
Date:: 1812
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 19 3/4 × 13 13/16 inches (50.2 × 35.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

289. Reverend Hugh Blair, D.D.

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1801
Materials & Techniques:: Stipple engraving and line engraving on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 15 1/4 × 11 15/16 inches (38.7 × 30.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

290. Figure Studies of a Man Rising From the Ground

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 6 15/16 × 10 15/16 inches (17.6 × 27.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

291. The Angel and Tobias (Number 7)

Creator:: Joseph Powell, 1780–1834
Date:: 1815
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale University Art Gallery Collection

292. Study for an Allegorical Figure of Religion

Creator:: Edward John Poynter, 1836–1919
Date:: 1895
Materials & Techniques:: Black chalk, white chalk, and graphite, squared for transfer on moderately thick, moderately textured, brown wove paper
Dimensions:: Sheet: 14 1/2 × 9 5/8 inches (36.8 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Elizabeth S. Tower

293. Flora

Creator:: Edward Burne-Jones, 1833–1898
Date:: undated
Materials & Techniques:: White chalk on thick, rough, brown wove paper, mounted on board
Dimensions:: Sheet: 13 1/2 x 11 3/8 inches (34.3 x 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Elizabeth S. Tower

294. The Goddess of Discord

Creator:: Print made by Thomas Abiel Prior, 1809–1886
Date:: between 1859 and 1861
Materials & Techniques:: Etching and engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 9 1/8 × 12 7/8 inches (23.2 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

295. Apollo Killing the Python

Creator:: Print made by Lumb Stocks, 1812–1892
Date:: between 1859 and 1861
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 × 12 7/8 inches (20.3 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

296. Dido Building Carthage

Creator:: Print made by Edward Goodall, 1795–1870
Date:: between 1859 and 1861
Materials & Techniques:: Etching and engraving on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 8 3/4 × 12 3/4 inches (22.2 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

297. Decline of Carthage

Creator:: Print made by James Baylis Allen, 1803–1876
Date:: between 1859 and 1861
Materials & Techniques:: Etching and engraving on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 1/4 × 12 7/8 inches (23.5 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

298. Temple of Jupiter Panhellenius

Creator:: Print made by James Baylis Allen, 1803–1876
Date:: between 1859 and 1861
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 12 3/4 inches (22.9 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

299. The Vision of Eliphaz

Creator:: circle of John Linnell, 1792–1882
Date:: undated
Materials & Techniques:: Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 3 3/4 inches (13.3 x 9.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

300. Job Rebuked by His Friends

Creator:: circle of John Linnell, 1792–1882
Date:: undated
Materials & Techniques:: Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 3 5/8 x 4 3/4 inches (9.2 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

Refine your search

Search Constraints

Period 19th century

Subject Terms religious and mythological subject

Search Results

201. The Ecstasy of St. Francis

202. Samuel Declareth to Eli the Judgements of God Upon his House

203. The Centurion Cornelius

204. De Geboorten

205. De Begraving

206. De Hemelvaart

207. Miss O'Neill as Hebe

208. Hagar and Ishmael

209. A Large Christmas Card

210. Saint Stephen's, Walbrook

211. Christ's Charge to Peter

212. The Death of Ananias

213. The Deluge

214. Iris

215. The Assault

216. Death of the First Born

217. Charon's Boat

218. The Crucifixion

219. The Deluge

220. Marcus Curtius

221. Pandemonium

222. Joshua Commanding the Sun to Stand Still

223. The Paphian Bower

224. Intemperance

225. A Mythological Battle

226. Reverend John Fisher, Bishop of Salisbury

227. West Window of the Chapel, New College Oxford: The Shepherd Offering, Nativity Scene

228. Interior of a Church

229. Cave of Trophonius

230. The Convent of St. Nicholas

231. Nuns Praying at Altar of a Church

232. Mercury and Argus

233. Mercury and Argus

234. Mercury and Argus

235. Dido and Aeneas; The Morning of the Chase

236. Mercury and Argus

237. Mercury and Herse

238. Mercury and Herse

239. Reverend Beilby Porteus, Lord Bishop of London

240. Beilby Porteus, Bishop of London

241. Hon. James Yorke, Bishop of Ely

242. Florence, from the Chiesa al Monte

243. Pharaoh and Moses

244. Study of a Biblical Scene

245. Study of a Military Scene

246. Figure Studies of the Virgin Mary

247. Study of the Pieta

248. Study of Christ Raising Lazarus

249. Study of the Resurrection of Lazarus

250. Study of the Resurrection of Lazarus

251. Study of the Resurrection of Lazarus

252. Study of the Resurrection of Lazarus

253. Study For, Christ's Entry into Jerusalem

254. Study For, Christ's Entry into Jerusalem

255. Study For, Christ's Entry into Jerusalem

256. Study For, Christ's Entry into Jerusalem

257. Study For, Christ's Entry into Jerusalem

258. Study For, Christ's Entry into Jerusalem

259. Study For, Christ's Entry into Jerusalem

260. Study For, Christ's Entry into Jerusalem

261. Study For, Christ's Entry into Jerusalem

262. Study For, Christ's Entry into Jerusalem

263. Study For, Christ's Entry into Jerusalem

264. Study for a Gathering of People

265. Study for, Agony in the Garden

266. Study of a Religious Ceremony Scene

267. The Last Supper

268. Monsignor Alexandre's Characters in his Entertainment of the Devil on Two Sticks, or, Asmodeus in London

269. Title Page [North Italian Set]

270. Christ Descending into the Grave

271. The Descent of Man into the Vale of Death

272. Robert Blair, The Grave, Title Page

273. The Meeting of a Family in Heaven

274. Death of the Strong Wicked Man