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10601. View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud

View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10602. View of the Palace and Village of Choisi on the Banks of the Seine

View of the Palace and Village of Choisi on the Banks of the Seine
Creator:
Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10603. View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance

View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10604. View of Pont de la Tournelle and Notre Dame taken from the Arsenal

View of Pont de la Tournelle and Notre Dame taken from the Arsenal
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10605. The Waterworks at Marli; and St. Germain en Laye seen in the distance

The Waterworks at Marli; and St. Germain en Laye seen in the distance
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10606. View of the Village of Chaillot and &c., taken from Pont de la Concorde

View of the Village of Chaillot and &c., taken from Pont de la Concorde
Creator:
Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10607. View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance

View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance
Creator:
Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10608. View of the Village of Chaillot &c., taken from Pont de la Concorde

View of the Village of Chaillot &c., taken from Pont de la Concorde
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10609. View of St. Cloud and Mount Calvary taken from Pont de Seve

View of St. Cloud and Mount Calvary taken from Pont de Seve
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10610. The Water Mill above the Bridge at Charenton

The Water Mill above the Bridge at Charenton
Creator:
Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 3/4 x 26 inches (1.8 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10611. View of St. Cloud and Mount Calvary taken from Pont de Seve

View of St. Cloud and Mount Calvary taken from Pont de Seve
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10612. On the Banks of the Marne below the Bridge at Charenton

On the Banks of the Marne below the Bridge at Charenton
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10613. Panoramic View of Venice

Panoramic View of Venice
Creator:
Robert Havell, 1769–1832
Date:
1837
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10614. View of Tonbridge During the Late Election

View of Tonbridge During the Late Election
Creator:
Joseph Josiah Dodd, 1809–1894
Date:
after 1832
Materials & Techniques:
Lithograph with chine collé and hand coloring in watercolor on thick, slightly textured, cream card
Dimensions:
Sheet: 11 5/8 × 16 1/4 inches (29.5 × 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10615. The Painted Chamber

The Painted Chamber
Creator:
John Greig, active 1803–1853
Date:
1804
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10616. View of New Palace Yard and Speaker's Court

View of New Palace Yard and Speaker's Court
Creator:
John Thomas Smith, 1766–1833
Date:
1804
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10617. The Water-Front of the Buildings on the Eastern Side of New Palace Yard

The Water-Front of the Buildings on the Eastern Side of New Palace Yard
Creator:
unknown artist
Date:
1808
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10618. Buildings on the Eastern Side of New Palace Yard

Buildings on the Eastern Side of New Palace Yard
Creator:
William Dorset Fellows, 1807–1878
Date:
1808
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10619. Northeast and East Views of the Old Houses of Parliament

Northeast and East Views of the Old Houses of Parliament
Creator:
John Thomas Smith, 1766–1833
Date:
1805
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10620. South East View of the Princes Chamber

South East View of the Princes Chamber
Creator:
John Thomas Smith, 1766–1833
Date:
1809
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10621. Views of the East Side of the House of Lords etc.

Views of the East Side of the House of Lords etc.
Creator:
John Thomas Smith, 1766–1833
Date:
1807
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10622. North West View of the Fair on the River Thames, during the Great Frost 1683/4

North West View of the Fair on the River Thames, during the Great Frost 1683/4
Creator:
James Stour, active 1825
Date:
1825
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10623. A Morning Ride

A Morning Ride
Creator:
James Gillray, 1756–1815
Date:
1804
Materials & Techniques:
Etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 13 11/16 x 20 3/16 inches (34.7 x 51.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection; Gift of Robert W. Carle

10624. Part of the East Side of the House of Lords

Part of the East Side of the House of Lords
Creator:
unknown artist
Date:
1807
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10625. House of Lords

House of Lords
Creator:
Thomas Rowlandson, 1756–1827
Date:
1809
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10626. Cotton Garden, Westminster

Cotton Garden, Westminster
Creator:
John Thomas Smith, 1766–1833
Date:
1804
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10627. View of the old House of Lords, the Prince's Chamber and the Bishop's robing-room...

View of the old House of Lords, the Prince's Chamber and the Bishop's robing-room...
Creator:
John Thomas Smith, 1766–1833
Date:
1809
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10628. View of the Interior of the House of Lords, During the Important Investigation in 1820

View of the Interior of the House of Lords, During the Important Investigation in 1820
Creator:
John George Murray, active 1823–1855
Date:
1823
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10629. Interior of the House of Lords

Interior of the House of Lords
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10630. The Queen's Trial in the House of Lords

The Queen's Trial in the House of Lords
Creator:
unknown artist
Date:
1820
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10631. A Doorway in one of the Cellars Under the Old House of Lords

A Doorway in one of the Cellars Under the Old House of Lords
Creator:
John Thomas Smith, 1766–1833
Date:
1804
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10632. The King on his Throne in the House of Lords

The King on his Throne in the House of Lords
Creator:
James Fittler, 1758–1835
Date:
1804
Materials & Techniques:
Hand colored engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10633. The Houses of Parliament with the Royal Procession

The Houses of Parliament with the Royal Procession
Creator:
unknown artist
Date:
1804
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10634. View of the Interior of the House of Lords, During the Important Investigation in 1820

View of the Interior of the House of Lords, During the Important Investigation in 1820
Creator:
John George Murray, active 1823–1855
Date:
1823
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10635. The Houses of Parliament with the Royal Procession

The Houses of Parliament with the Royal Procession
Creator:
Thompson
Date:
1804
Materials & Techniques:
Hand colored engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10636. The Queen Returning from the House of Lords

The Queen Returning from the House of Lords
Creator:
Matthew Dubourg, active 1786–1838
Date:
1821
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10637. Proclamation of Peace at the Royal Exchange, London, April 29th, 1802

Proclamation of Peace at the Royal Exchange, London, April 29th, 1802
Creator:
unknown artist
Date:
1802
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10638. Inside of the Painted Chamber as it was in the Year 1800

Inside of the Painted Chamber as it was in the Year 1800
Creator:
John Thomas Smith, 1766–1833
Date:
1806
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10639. Remains of Lord Viscount Nelson laying in State in the Painted Chamber of Greenwich Hospital

Remains of Lord Viscount Nelson laying in State in the Painted Chamber of Greenwich Hospital
Creator:
J. Mérigot, active 1772–1816
Date:
1806
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10640. Armorial Bearings from St. Stephen's Chapel

Armorial Bearings from St. Stephen's Chapel
Creator:
John Thomas Smith, 1766–1833
Date:
1804
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10641. Lord Nelson's Funeral Procession by Water from Greenwich to White-Hall, January 8th, 1806

Lord Nelson's Funeral Procession by Water from Greenwich to White-Hall, January 8th, 1806
Creator:
Print made by John Heaviside Clark, c.1771–1863
Date:
1806
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10642. Interment of the Remains of the late Lord Viscount Nelson...in St. Paul's

Interment of the Remains of the late Lord Viscount Nelson...in St. Paul's
Creator:
Frederick Christian Lewis the Elder, 1779–1856
Date:
1806
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10643. Funeral Procession of the late Lord Viscount Nelson from Greenwich to Whitehall

Funeral Procession of the late Lord Viscount Nelson from Greenwich to Whitehall
Creator:
John Hill, 1770–1850
Date:
1806
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10644. His Majesty Reviewing the Armed Associations on the Fourth of June 1799 in Hyde Park

His Majesty Reviewing the Armed Associations on the Fourth of June 1799 in Hyde Park
Creator:
Joseph Collyer, 1748–1827
Date:
1801
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10645. View of the Thames off Three Cranes Wharf when frozen, Monday 31st January to Saturday 5th February 1814

View of the Thames off Three Cranes Wharf when frozen, Monday 31st January to Saturday 5th February 1814
Creator:
unknown artist
Date:
1814
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10646. A View of Frost Fair, on the Thames, February 1814

A View of Frost Fair, on the Thames, February 1814
Creator:
unknown artist
Date:
1814
Materials & Techniques:
Woodcut
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10647. Funeral Procession of the Late Lord Viscount Nelson from the Admiralty to St. Paul's, London

Funeral Procession of the Late Lord Viscount Nelson from the Admiralty to St. Paul's, London
Creator:
J. Mérigot, active 1772–1816
Date:
1806
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10648. A View of the Temple of Concord

A View of the Temple of Concord
Creator:
unknown artist
Date:
1814
Materials & Techniques:
Hand colored engraving
Dimensions:
Sheet: 12 1/2 x 18in. (31.8 x 45.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10649. Fair on the Thames, February 1814

Fair on the Thames, February 1814
Creator:
George Cooke, 1781–1834
Date:
1814
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10650. The Fair on the Thames, February 4, 1814

The Fair on the Thames, February 4, 1814
Creator:
Luke Clennell, 1781–1840
Date:
1814
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10651. Armorial Bearings from St. Stephen's Chapel

Armorial Bearings from St. Stephen's Chapel
Creator:
John Thomas Smith, 1766–1833
Date:
1804
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10652. Specimens of Painting from St. Stephens Chapel

Specimens of Painting from St. Stephens Chapel
Creator:
John Thomas Smith, 1766–1833
Date:
1804
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10653. Address to Her Majesty Queen Caroline Presented at Brandenburgh House, 30th October 1820

Address to Her Majesty Queen Caroline Presented at Brandenburgh House, 30th October 1820
Creator:
unknown artist
Date:
1821
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10654. Panoramic View, Her Majesty Queen Caroline going in State to St. Paul's Cathedral, 20 November 1820

Panoramic View, Her Majesty Queen Caroline going in State to St. Paul's Cathedral, 20 November 1820
Creator:
unknown artist
Date:
1821
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10655. The Destruction of Both Houses of Commons by Fired, Oct. 16, 1834

The Destruction of Both Houses of Commons by Fired, Oct. 16, 1834
Creator:
Thomas Mann Baynes, 1794–1854
Materials & Techniques:
Lithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10656. View of the Destruction of Both Houses of Parliament, October 16th 1834

View of the Destruction of Both Houses of Parliament, October 16th 1834
Creator:
Charles J. Hullmandel, 1789–1850
Materials & Techniques:
Lithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10657. Arrival at Brandenburg House of the Watermen, ect. with an Address to the Queen on the 3rd October 1820

Arrival at Brandenburg House of the Watermen, ect. with an Address to the Queen on the 3rd October 1820
Creator:
Matthew Dubourg, active 1786–1838
Date:
1821
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10658. Burning of the Houses of Parliament, 1834

Burning of the Houses of Parliament, 1834
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10659. The Destruction by Fire of the House of Parliament

The Destruction by Fire of the House of Parliament
Creator:
M. Gauci, 1810–1846
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10660. The King seated in St. Edward's Chair, Crowned by the Archbishop of Canterbury, 19th July 1821

The King seated in St. Edward's Chair, Crowned by the Archbishop of Canterbury, 19th July 1821
Creator:
Frederick Christian Lewis the Elder, 1779–1856
Date:
1824
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10661. Coronation of King George IV in Westminster Abbey

Coronation of King George IV in Westminster Abbey
Creator:
Charles Turner, 1774–1857
Date:
1822
Materials & Techniques:
Mezzotint and etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10662. His Majesty King George IV Proclaimed King at the Royal Exchange, London

His Majesty King George IV Proclaimed King at the Royal Exchange, London
Creator:
unknown artist
Date:
1827
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10663. The Royal Banquet, the Bringing Up of the First Course, 19th July 1821

The Royal Banquet, the Bringing Up of the First Course, 19th July 1821
Creator:
Robert Havell II, 1793–1878
Date:
1824
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10664. The Coronation Procession of His Majesty King George the IV, July 19th 1821

The Coronation Procession of His Majesty King George the IV, July 19th 1821
Creator:
George Johann Scharf, 1788–1860
Date:
1821
Materials & Techniques:
Lithograph, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10665. The Royal Banquet - 19th July 1821

The Royal Banquet - 19th July 1821
Creator:
William James Bennett, 1787–1844
Date:
1824
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10666. A Correct View of the Conflagration of Parliament as Seen from the River at 8 o'clock in the Evening Oct. 16th 1834

A Correct View of the Conflagration of Parliament as Seen from the River at 8 o'clock in the Evening Oct. 16th 1834
Creator:
Charles Jameson Grant, active 1830–1852
Date:
1834
Materials & Techniques:
Hand colored lithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10667. The Interior of Westminster Hall

The Interior of Westminster Hall
Creator:
unknown artist
Date:
1834
Materials & Techniques:
Hand colored lithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10668. The Destruction of Both Houses of Parliament by Fire, Oct. 16 1834

The Destruction of Both Houses of Parliament by Fire, Oct. 16 1834
Creator:
Thomas Mann Baynes, 1794–1854
Materials & Techniques:
Hand colored lithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10669. This View of the Remains of St. Stephen's Chapel on the Morning after the Fire of 16th October 1834

This View of the Remains of St. Stephen's Chapel on the Morning after the Fire of 16th October 1834
Creator:
Andrew Picken, 1815–1845
Materials & Techniques:
Hand colored lithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10670. The Royal Aquatic Excursion to Greenwich Hospital

The Royal Aquatic Excursion to Greenwich Hospital
Creator:
unknown artist
Date:
1838
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10671. View from Old Palace Yard

View from Old Palace Yard
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Hand colored lithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10672. St. Stephen's Chapel Looking East

St. Stephen's Chapel Looking East
Creator:
John Le Keux, 1783–1846
Date:
1834
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10673. This View of the Ruins of St. Stephen's Chapel

This View of the Ruins of St. Stephen's Chapel
Creator:
after unknown artist
Date:
1834
Materials & Techniques:
Hand colored lithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10674. The Grand Review of the Volunteer Rifle Corps by Her Majesty the Queen

The Grand Review of the Volunteer Rifle Corps by Her Majesty the Queen
Creator:
Charles John Culliford, died in 1893
Date:
1860
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10675. Star and Garter, Putney

Star and Garter, Putney
Creator:
Print made by Edwin Edwards, 1823–1879
Date:
between 1871 and 1881
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10676. The First Shot at Wimbledom

The First Shot at Wimbledom
Creator:
Andrew Maclure, active 1857–1881
Date:
1860
Materials & Techniques:
Hand colored lithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10677. Putney Bridge

Putney Bridge
Creator:
J. Rogers, active ca.1825–ca.1842
Date:
1829
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10678. The East Prospect of the New Bridge now erecting over the River of Thames, from Putney in County Surrey to Fulham in County Middlesex

The East Prospect of the New Bridge now erecting over the River of Thames, from Putney in County Surrey to Fulham in County Middlesex
Creator:
John Harris, 1811–1865
Date:
undated
Materials & Techniques:
Reproduction
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10679. Putney from the River Side

Putney from the River Side
Creator:
Henry Ogg, active 1830
Date:
1830
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10680. Ranelagh

Ranelagh
Creator:
Print made by Charles William Sherborn, 1831–1912
Date:
undated
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10681. Regent Street

Regent Street
Creator:
unknown artist
Date:
1823
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10682. Argyle Rooms, Regent Street

Argyle Rooms, Regent Street
Creator:
Robert Wallis, 1794–1878
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10683. St. George's Chapel, Regent Street

St. George's Chapel, Regent Street
Creator:
James Tingle, active ca. 1830–1860
Date:
1827
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10684. Regent Street from the Circus Piccadilly

Regent Street from the Circus Piccadilly
Creator:
Robert Wallis, 1794–1878
Date:
1828
Materials & Techniques:
Hand colored engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10685. Regent Street, from Piccadilly

Regent Street, from Piccadilly
Creator:
John Bluck, active 1791–1831
Date:
1822
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10686. The Quadrant, Regent Street

The Quadrant, Regent Street
Creator:
John Bluck, active 1791–1831
Date:
1822
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10687. Carlton House

Carlton House
Creator:
Thomas Sutherland, ca. 1785–1838
Date:
1817
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10688. The Quadrant - Regent Street

The Quadrant - Regent Street
Creator:
Charles C. Bachelier, active 1834–1852
Date:
1854
Materials & Techniques:
Hand colored lithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10689. Regent Street from the Quadrant

Regent Street from the Quadrant
Creator:
Charles C. Bachelier, active 1834–1852
Date:
1854
Materials & Techniques:
Hand colored lithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10690. Buildings on the East Side of Regent's Street

Buildings on the East Side of Regent's Street
Creator:
Robert Acon, 1792-1880
Date:
1828
Materials & Techniques:
Hand colored engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10691. The Quadrant and Part of Regent Street

The Quadrant and Part of Regent Street
Creator:
William Wallis, 1794– active 1830
Date:
1828
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10692. New Houses of Parliament

New Houses of Parliament
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10693. Villa at Richmond

Villa at Richmond
Creator:
William Bernard Cooke, 1778–1855
Date:
1814
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10694. The Duke of Buccleugh's; Western Suburb

The Duke of Buccleugh's; Western Suburb
Creator:
unknown artist
Date:
1832
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10695. New Houses of Parliament; View of the Adopted Design

New Houses of Parliament; View of the Adopted Design
Creator:
unknown artist
Date:
1837
Materials & Techniques:
Hand colored engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10696. Marble Hall Cottage

Marble Hall Cottage
Creator:
William Bernard Cooke, 1778–1855
Date:
1819
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10697. Richmond Hill, From Petersham

Richmond Hill, From Petersham
Creator:
Charles J. Hullmandel, 1789–1850
Date:
1818
Materials & Techniques:
Lithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10698. Richmond Bridge, Surrey

Richmond Bridge, Surrey
Creator:
James Walker, 1748–1808
Date:
1801
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10699. Richmond, from the Duke of Buedeugh's Garden, Western Suburb

Richmond, from the Duke of Buedeugh's Garden, Western Suburb
Creator:
unknown artist
Date:
1822
Materials & Techniques:
Lithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10700. Richmond, from Petersham Fields

Richmond, from Petersham Fields
Creator:
Charles J. Hullmandel, 1789–1850
Date:
1822
Materials & Techniques:
Lithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection