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Period 19th century

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Lottery Drawing, Coopers Hall
Creator:
Joseph Constantine Stadler, active 1780–1812
Date:
1809
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
St.Helen's Place Numbers 45-48 Bishopsgate as in the year 1833
Creator:
unknown artist
Date:
1839
Materials & Techniques:
Watercolor
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mercers Chappel
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12304. Grocers Hall

Grocers Hall
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Dyer's Hall, College Street
Creator:
John Greig, active 1803–1853
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plan of the Former Hall of the Dyers' Company, removed 1838
Creator:
C. F. Kell, active 1882
Date:
undated
Materials & Techniques:
Photolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Interior of Salters Hall Meeting
Creator:
Thomas Hosmer Shepherd, 1792–1864
Date:
1821
Materials & Techniques:
Watercolor
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Stationers Hall, Stationers Hall Court
Creator:
W. Watkins, active 1828–1830
Date:
1830
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Interior of Salters Hall Meeting
Creator:
unknown artist
Date:
1822
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Stationer's Hall, Stationers Court Hall
Creator:
W. Watkins, active 1828–1830
Date:
1830
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Late Hall of the Company of Salters
Creator:
unknown artist
Date:
1822
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Suspension Bridge at Hammersmith
Creator:
George Cooke, 1781–1834
Date:
1827
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Vintner's Hall, Upper Thames Street
Creator:
Robert Acon, 1792-1880
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hammersmith Bridge
Creator:
J. Rogers, active ca.1825–ca.1842
Date:
undated
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Crab Tree Inn, Hammersmith
Creator:
Edwin Edwards, 1823–1879
Date:
1871
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hammersmith Church
Creator:
H. Summons, active 1812
Date:
1812
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hammersmith Church (Middlesex)
Creator:
unknown artist
Date:
1824
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12318. Hampstead

Hampstead
Creator:
John Greig, active 1803–1853
Date:
1805
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Steele's Cottage, Haverstock Hill
Creator:
Edward Francis Finden, 1791–1857
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12320. Hampstead

Hampstead
Creator:
John Greig, active 1803–1853
Date:
1805
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Residence of George Stevens, F.R.S. and Copy of a Letter of his dated 1774
Creator:
Charles John Smith, 1803–1838
Materials & Techniques:
Engraving and letterpress
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Residence of George Stevens, F.R.S.
Creator:
John Thomas Smith, 1766–1833
Date:
1836
Materials & Techniques:
Wash
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Old Adam and Eve Tavern, Hampstead Road
Creator:
unknown artist
Date:
1827
Materials & Techniques:
Reproduction
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Highgate Tunnel
Creator:
George Hunt, active 1820–1840
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Aged Pilgrim's Asylum Hornsey Rise
Creator:
Vincent Robert Alfred Brooks, 1814–1885
Date:
undated
Materials & Techniques:
Lithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Highgate Church
Creator:
John Greig, active 1803–1853
Date:
1805
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Leaping Hornsey Tollgate
Creator:
George Pickering, c.1794–1857
Date:
undated
Materials & Techniques:
Hand colored woodcut
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12328. Hornsey

Hornsey
Creator:
George Cooke, 1781–1834
Date:
1826
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Highgate Archway from the Turnpike Gate at Holloway
Creator:
unknown artist
Date:
1823
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hornsey Church, Middlesex
Creator:
unknown artist
Date:
1811
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Entrance to Hyde Park from Park Lane
Creator:
James Peller Malcolm, 1767–1815
Date:
1807
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A View of the Bason of the Grand Junction Canal of Paddington
Creator:
unknown artist
Date:
1801
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A View of the First Bridge at Paddington, and the Accomodation Barge going down the Grand Junction to Uxbridge
Creator:
unknown artist
Date:
1801
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A View of the Old Palace at Hampton Court from the Thames, Outer Western Suburb
Creator:
James Basire the younger, 1769–1822
Date:
1804
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plan of the General Cemetary at Kensal Green
Creator:
unknown artist
Date:
1820 to 1850
Materials & Techniques:
Lithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
House Adjoining Willesden Churchyard
Creator:
William Wilkins, 1778–1839
Date:
1849
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hampton House, the Seat of T. Carr, Esquire
Creator:
Richard Gilson Reeve, 1803–1889
Date:
1828
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hampton, Middlesex
Creator:
unknown artist
Date:
1809
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Sunbury Church
Creator:
unknown artist
Date:
1809
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Garrick's House at Hampton
Creator:
William Bernard Cooke, 1778–1855
Date:
1819
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
House of Commons as it Appeared in 1741/2
Creator:
William Johnstone White, active 1804–died c.1870
Materials & Techniques:
Etched outline
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The House of Commons 1834
Creator:
Harden S. Melville, active 1837–1882
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
House of Lords
Creator:
Thomas Rowlandson, 1756–1827
Date:
1809
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of the old House of Lords, the Prince's Chamber and the Bishop's robing-room...
Creator:
John Thomas Smith, 1766–1833
Date:
1809
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Cotton Garden, Westminster
Creator:
John Thomas Smith, 1766–1833
Date:
1804
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Queen's Trial in the House of Lords
Creator:
unknown artist
Date:
1820
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of the Interior of the House of Lords, During the Important Investigation in 1820
Creator:
John George Murray, active 1823–1855
Date:
1823
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The King on his Throne in the House of Lords
Creator:
James Fittler, 1758–1835
Date:
1804
Materials & Techniques:
Hand colored engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Doorway in one of the Cellars Under the Old House of Lords
Creator:
John Thomas Smith, 1766–1833
Date:
1804
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Interior of the House of Lords
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Houses of Parliament with the Royal Procession
Creator:
unknown artist
Date:
1804
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of the Interior of the House of Lords, During the Important Investigation in 1820
Creator:
John George Murray, active 1823–1855
Date:
1823
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Houses of Parliament with the Royal Procession
Creator:
Thompson
Date:
1804
Materials & Techniques:
Hand colored engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
His Majesty Reviewing the Armed Associations on the Fourth of June 1799 in Hyde Park
Creator:
Joseph Collyer, 1748–1827
Date:
1801
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Proclamation of Peace at the Royal Exchange, London, April 29th, 1802
Creator:
unknown artist
Date:
1802
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Remains of Lord Viscount Nelson laying in State in the Painted Chamber of Greenwich Hospital
Creator:
Merigot, active 1772–1791
Date:
1806
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Queen Returning from the House of Lords
Creator:
Matthew Dubourg, active 1786–1838
Date:
1821
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Specimens of Painting from St. Stephens Chapel
Creator:
John Thomas Smith, 1766–1833
Date:
1804
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Funeral Procession of the late Lord Viscount Nelson from Greenwich to Whitehall
Creator:
John Hill, 1770–1850
Date:
1806
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Inside of the Painted Chamber as it was in the Year 1800
Creator:
John Thomas Smith, 1766–1833
Date:
1806
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lord Nelson's Funeral Procession by Water from Greenwich to White-Hall, January 8th, 1806
Creator:
Print made by John Heaviside Clark, c.1771–1863
Date:
1806
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Interment of the Remains of the late Lord Viscount Nelson...in St. Paul's
Creator:
Frederick Christian Lewis the Elder, 1779–1856
Date:
1806
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of the Thames off Three Cranes Wharf when frozen, Monday 31st January to Saturday 5th February 1814
Creator:
unknown artist
Date:
1814
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A View of the Temple of Concord
Creator:
unknown artist
Date:
1814
Materials & Techniques:
Hand colored engraving
Dimensions:
Sheet: 12 1/2 x 18in. (31.8 x 45.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Fair on the Thames, February 1814
Creator:
George Cooke, 1781–1834
Date:
1814
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A View of Frost Fair, on the Thames, February 1814
Creator:
unknown artist
Date:
1814
Materials & Techniques:
Woodcut
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Burning of the Houses of Parliament, 1834
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The King seated in St. Edward's Chair, Crowned by the Archbishop of Canterbury, 19th July 1821
Creator:
Frederick Christian Lewis the Elder, 1779–1856
Date:
1824
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Address to Her Majesty Queen Caroline Presented at Brandenburgh House, 30th October 1820
Creator:
unknown artist
Date:
1821
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Coronation of King George IV in Westminster Abbey
Creator:
Charles Turner, 1774–1857
Date:
1822
Materials & Techniques:
Mezzotint and etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Arrival at Brandenburg House of the Watermen, ect. with an Address to the Queen on the 3rd October 1820
Creator:
Matthew Dubourg, active 1786–1838
Date:
1821
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
His Majesty King George IV Proclaimed King at the Royal Exchange, London
Creator:
unknown artist
Date:
1827
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Royal Banquet, the Bringing Up of the First Course, 19th July 1821
Creator:
Robert Havell II, 1793–1878
Date:
1824
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Coronation Procession of His Majesty King George the IV, July 19th 1821
Creator:
George Johann Scharf, 1788–1860
Date:
1821
Materials & Techniques:
Lithograph, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Royal Banquet - 19th July 1821
Creator:
William James Bennett, 1787–1844
Date:
1824
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Destruction by Fire of the House of Parliament
Creator:
M. Gauci, 1810–1846
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Interior of Westminster Hall
Creator:
unknown artist
Date:
1834
Materials & Techniques:
Hand colored lithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
This View of the Remains of St. Stephen's Chapel on the Morning after the Fire of 16th October 1834
Creator:
Andrew Picken, 1815–1845
Materials & Techniques:
Hand colored lithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The East Prospect of the New Bridge now erecting over the River of Thames, from Putney in County Surrey to Fulham in County Middlesex
Creator:
John Harris, 1811–1865
Date:
undated
Materials & Techniques:
Reproduction
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Commons' Lower Waiting Hall
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Hand colored lithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Copy of an Early Print by Visscher showing the River Front from the Savoy to Whitefriars' Stairs; and Whitehall to Bedford House
Creator:
Richard Sawyer, active 1820–1830
Date:
1809
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Title Page: The Naturalist Library: Mammalia. Introduction. Volume: 1:13
Creator:
Charles Hamilton Smith, 1776–1859
Date:
ca. 1837
Materials & Techniques:
Pen and gray ink, gray wash and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/4 × 5 3/4 inches (19.7 × 14.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Eira Ferruginea - Gulo Castaneus Griffith's Cuvier
Creator:
Charles Hamilton Smith, 1776–1859
Date:
ca. 1837
Materials & Techniques:
Watercolor, pen and brown ink and graphite on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 4 15/16 × 7 5/8 inches (12.5 × 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Nasua (Solitaria) Monachus, From Life
Creator:
Charles Hamilton Smith, 1776–1859
Date:
ca. 1837
Materials & Techniques:
Watercolor, with pen and brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/16 × 6 9/16 inches (10.3 × 16.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Macacus (Maimon) Brachyurus, White Maimon
Creator:
Charles Hamilton Smith, 1776–1859
Date:
ca. 1837
Materials & Techniques:
Watercolor, pen and red ink, gray ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/4 × 4 3/8 inches (17.1 × 11.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12386. Peruvian Paso

Peruvian Paso
Creator:
Charles Hamilton Smith, 1776–1859
Date:
ca. 1837
Materials & Techniques:
Watercolor, pen and brown ink and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 4 × 6 3/8 inches (10.2 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Paradoxurus Dubius
Creator:
Charles Hamilton Smith, 1776–1859
Date:
ca. 1837
Materials & Techniques:
Watercolor, pen and brown ink and graphite on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 5 × 8 inches (12.7 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Marengo, Bonaparte's Arab
Creator:
Charles Hamilton Smith, 1776–1859
Date:
ca. 1837
Materials & Techniques:
Watercolor with pen and black ink, over graphite on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 4 × 6 1/8 inches (10.2 × 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Colt Third Issue of Brood Mare and Second by the Black Arab
Creator:
Charles Hamilton Smith, 1776–1859
Date:
ca. 1837
Materials & Techniques:
Watercolor, graphite, pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/8 × 6 3/8 inches (10.5 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Bornou Race
Creator:
Charles Hamilton Smith, 1776–1859
Date:
ca. 1837
Materials & Techniques:
Watercolor, graphite, pen and gray ink and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/16 × 6 5/16 inches (10.3 × 16 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Crisp-Haired Horse, Primeval Black Stock
Creator:
Charles Hamilton Smith, 1776–1859
Date:
ca. 1837
Materials & Techniques:
Watercolor, pen and gray ink and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/16 × 6 1/8 inches (10.3 × 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Asinus Onager Horse
Creator:
Charles Hamilton Smith, 1776–1859
Date:
ca. 1837
Materials & Techniques:
Watercolor, pen and gray ink and graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 3 7/8 × 6 1/2 inches (9.8 × 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Filley Bearing Marks of Quagga
Creator:
Charles Hamilton Smith, 1776–1859
Date:
ca. 1837
Materials & Techniques:
Watercolor, graphite, pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 × 6 7/16 inches (10.2 × 16.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Hlymar, or Hamur, Persian Wild Ass
Creator:
Charles Hamilton Smith, 1776–1859
Date:
ca. 1837
Materials & Techniques:
Watercolor, pen and brown ink, black ink and graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 3 7/8 × 6 3/8 inches (9.8 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12395. Quagga Male

Quagga Male
Creator:
Charles Hamilton Smith, 1776–1859
Date:
ca. 1837
Materials & Techniques:
Watercolor, pen and brown ink, and black ink, and graphite on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 4 7/16 × 6 7/8 inches (11.3 × 17.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
St. George's Church, South West Southwark
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Lithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Chapel of St. Giles in the Fields, Church of St. James, Tottenham Court Road
Creator:
unknown artist
Date:
1816
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Newfoundland Dog, Original Breed
Creator:
Charles Hamilton Smith, 1776–1859
Date:
ca. 1837
Materials & Techniques:
Watercolor, pen and brown ink, black ink and graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 × 7 1/8 inches (11.4 × 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Dhole of Sumatra
Creator:
Charles Hamilton Smith, 1776–1859
Date:
ca. 1837
Materials & Techniques:
Watercolor, pen and brown ink and graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 3/4 × 7 9/16 inches (12.1 × 19.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Broune's Dairy Farm, Kentish Town
Creator:
unknown artist
Date:
1833
Materials & Techniques:
Reproduction
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection