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13501. High Tor, Matlock

High Tor, Matlock
Creator:
Henry Moore, 1831–1895
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 15/16 x 20 3/8in. (35.4 x 51.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13502. Mer de Glace

Mer de Glace
Creator:
Henry Moore, 1831–1895
Date:
1856
Materials & Techniques:
Watercolor, gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/8 x 14 9/16in. (26.4 x 37cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13503. A Young Lover

A Young Lover
Creator:
John William North, 1842–1924
Date:
1867
Materials & Techniques:
Watercolor and gouache on medium, slightly textured cream wove paper mounted on very thick, slightly textured cream wove paper
Dimensions:
Sheet: 6 5/8 x 7 inches (16.8 x 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

13504. Henry Fuseli

Henry Fuseli
Creator:
Attributed to Gilbert Stuart Newton, 1794–1835
Date:
undated
Materials & Techniques:
Gray wash, graphite, and white gouache with pen and black ink on medium, slightly textured, gray wove paper
Dimensions:
Sheet: 6 1/2 × 5 1/4 inches (16.5 × 13.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13505. A Forest Landscape near Boldrewood

A Forest Landscape near Boldrewood
Creator:
Alfred Parsons, 1847–1920
Date:
1871
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 15/16 × 9 15/16 inches (17.6 × 25.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection

13506. Bablock Hythe, Near Oxford

Bablock Hythe, Near Oxford
Creator:
Alfred Parsons, 1847–1920
Date:
1881
Materials & Techniques:
Watercolor, gouache, and graphite on medium, slightly textured, gray laid paper
Dimensions:
Sheet: 6 15/16 × 11 9/16 inches (17.6 × 29.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection

13507. On the River Tivy, near Cardigan, Wales

On the River Tivy, near Cardigan, Wales
Creator:
William Payne, active 1850s
Date:
1826
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 13/16 × 8 1/2 inches (14.8 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13508. View at Caernarvon, Wales

View at Caernarvon, Wales
Creator:
William Payne, active 1850s
Date:
1826
Materials & Techniques:
Watercolor and graphite with pen and brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 13/16 × 8 1/2 inches (17.3 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13509. Sheet of Studies of Deer, Figures and Landscape

Sheet of Studies of Deer, Figures and Landscape
Creator:
Aaron Edwin Penley, 1807–1870
Date:
undated
Materials & Techniques:
Watercolor with pen and brown ink on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 7 3/16 × 10 3/8 inches (18.3 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13510. River Landscape

River Landscape
Creator:
Aaron Edwin Penley, 1807–1870
Date:
undated
Materials & Techniques:
Watercolor and graphite; verso: graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 3/4 × 8 1/8 inches (12.1 × 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13511. Study for "The Goose", 1867: Interior of a Barn

Study for "The Goose", 1867: Interior of a Barn
Creator:
George John Pinwell, 1842–1875
Date:
1866
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/4 × 5 1/16 inches (17.1 × 12.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13512. Fisherman and Dog Sitting by the Coast

Fisherman and Dog Sitting by the Coast
Creator:
George Morland, 1763–1804
Date:
1803
Materials & Techniques:
Graphite touched with red chalk on medium, slightly textured, cream wove paper
Dimensions:
Mount: 18 1/4 x 20 7/8 inches (46.4 x 53 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13513. Self Portrait

Self Portrait
Creator:
George John Pinwell, 1842–1875
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 7/16 × 3 7/16 inches (11.3 × 8.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13514. Landscape with Trees and Church Spire

Landscape with Trees and Church Spire
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Pen and brown ink with brown wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/4 x 8 13/16in. (18.4 x 22.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13515. Study of a Lady Asleep in a Chair

Study of a Lady Asleep in a Chair
Creator:
Alfred Edward Chalon, 1780–1860
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/4 x 9 inches (27.3 x 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13516. Giovanni and Garcia De' Medici

Giovanni and Garcia De' Medici
Creator:
Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:
1830
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/2 × 11 7/8 inches (44.5 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13517. An Alcove

An Alcove
Creator:
William Finden, 1787–1852
Date:
1834
Materials & Techniques:
Etching and engraving with chine collé on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/4 × 11 3/4 inches (43.8 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13518. Valley of the Conway

Valley of the Conway
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1800
Materials & Techniques:
Watercolor with pen and brown ink, over graphite on thick, moderately textured, beige cardtridge paper
Dimensions:
Sheet: 9 1/4 x 20 11/16 inches (23.5 x 52.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13519. Estuary on the River Taw, Devon

Estuary on the River Taw, Devon
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1797
Materials & Techniques:
Watercolor over graphite on moderately thick, rough, beige laid paper
Dimensions:
Sheet: 10 5/16 x 17 3/4 inches (26.2 x 45.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13520. The Extinguisher

The Extinguisher
Creator:
George Moutard Woodward, ca. 1760–1809
Date:
ca. 1808
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13521. Coffee-House Characters, or Hints to the Readers of Newspapers Exemplified in Eight Characteristic Designs with Letter Press Elucidations to Each Plate

Coffee-House Characters, or Hints to the Readers of Newspapers Exemplified in Eight Characteristic Designs with Letter Press Elucidations to Each Plate
Creator:
George Moutard Woodward, ca. 1760–1809
Date:
ca. 1808
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13522. The Everlasting Peruser

The Everlasting Peruser
Creator:
George Moutard Woodward, ca. 1760–1809
Date:
ca. 1808
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13523. Coffee-House Characters, or Hints to the Readers of Newspapers: The Private Declaimer

Coffee-House Characters, or Hints to the Readers of Newspapers: The Private Declaimer
Creator:
George Moutard Woodward, ca. 1760–1809
Date:
1808
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13524. The Sleeper

The Sleeper
Creator:
George Moutard Woodward, ca. 1760–1809
Date:
ca. 1808
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13525. The Oracle

The Oracle
Creator:
George Moutard Woodward, ca. 1760–1809
Date:
ca. 1808
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13526. The Monopolizer

The Monopolizer
Creator:
George Moutard Woodward, ca. 1760–1809
Date:
ca. 1808
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13527. Coffee-House Characters, or Hints to the Readers of Newspapers Exemplified in Eight Characteristic Designs with Letter Press Elucidations to Each Plate

Coffee-House Characters, or Hints to the Readers of Newspapers Exemplified in Eight Characteristic Designs with Letter Press Elucidations to Each Plate
Creator:
George Moutard Woodward, ca. 1760–1809
Date:
ca. 1808
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13528. An Old House and a Man Climbing a Stile

An Old House and a Man Climbing a Stile
Creator:
Attributed to John Berney Ladbrooke, 1803–1879
Date:
undated
Materials & Techniques:
Watercolor over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 3/4 × 7 3/8 inches (14.6 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13529. An Album of 17 Views of Erlestoke House, Park and Surroundings

An Album of 17 Views of Erlestoke House, Park and Surroundings
Creator:
unknown artist
Date:
ca. 1825
Materials & Techniques:
Graphite and wash, or graphite and watercolor, or graphite, pen and ink and watercolor
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13530. Wash proofs to accompany Westmacott's "The English Spy": Flooring of Mercury or Burning the Oaks, a Scene in Tom Quadrangle

Wash proofs to accompany Westmacott's "The English Spy": Flooring of Mercury or Burning the Oaks, a Scene in Tom Quadrangle
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13531. Wash proofs to accompany Westmacott's "The English Spy": The Oppidan's Museum or Eton Court of Claims at the Christopher

Wash proofs to accompany Westmacott's "The English Spy": The Oppidan's Museum or Eton Court of Claims at the Christopher
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13532. Wash proofs to accompany Westmacott's "The English Spy": College Comforts, A Freshman taking possession of his Rooms

Wash proofs to accompany Westmacott's "The English Spy": College Comforts, A Freshman taking possession of his Rooms
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13533. Wash proofs to accompany Westmacott's "The English Spy": First Bow to Alma Mater or Bernard Blackmantle's introduction to the Big Wig

Wash proofs to accompany Westmacott's "The English Spy": First Bow to Alma Mater or Bernard Blackmantle's introduction to the Big Wig
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13534. Wash proofs to accompany Westmacott's "The English Spy": The Opera Green Room, or Noble Amateurs viewing Foreign Curiosities

Wash proofs to accompany Westmacott's "The English Spy": The Opera Green Room, or Noble Amateurs viewing Foreign Curiosities
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13535. Wash proofs to accompany Westmacott's "The English Spy": The Royal Saloon Piccadilly

Wash proofs to accompany Westmacott's "The English Spy": The Royal Saloon Piccadilly
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13536. Wash proofs to accompany Westmacott's "The English Spy": Town and Gown or the Battle of the Togate and the Town Raff in the High Street Oxford

Wash proofs to accompany Westmacott's "The English Spy": Town and Gown or the Battle of the Togate and the Town Raff in the High Street Oxford
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13537. Wash proofs to accompany Westmacott's "The English Spy": Black Matins, or the Effect of Late Drinking upon Early Risers

Wash proofs to accompany Westmacott's "The English Spy": Black Matins, or the Effect of Late Drinking upon Early Risers
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13538. Wash proofs to accompany Westmacott's "The English Spy": Oxford Transports or Albanians doing Penance for Past Offences

Wash proofs to accompany Westmacott's "The English Spy": Oxford Transports or Albanians doing Penance for Past Offences
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13539. Wash proofs to accompany Westmacott's "The English Spy": The Daffy Club, or a Musical Muster of the Fancy

Wash proofs to accompany Westmacott's "The English Spy": The Daffy Club, or a Musical Muster of the Fancy
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13540. Wash proofs to accompany Westmacott's "The English Spy": A Frolic in High Life, or a Visit to Billingsgate

Wash proofs to accompany Westmacott's "The English Spy": A Frolic in High Life, or a Visit to Billingsgate
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13541. Janie Ellice: Full Length Sketch

Janie Ellice: Full Length Sketch
Creator:
Sir Edwin Henry Landseer, 1802–1873
Date:
1835 to 1841
Materials & Techniques:
Watercolor and pen and brown ink on medium, slightly textured, blue laid paper
Dimensions:
Sheet: 11 3/4 x 8 inches (29.8 x 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13542. Wash proofs to accompany Westmacott's "The English Spy": Tom Echo laid up with the Headington fever or an Oxonion very near the Wall

Wash proofs to accompany Westmacott's "The English Spy": Tom Echo laid up with the Headington fever or an Oxonion very near the Wall
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13543. Wash proofs to accompany Westmacott's "The English Spy": [The Vice Chancellor in the Divinity School - Golgotha or the Place of Skulls - Sentance of Rustication]

Wash proofs to accompany Westmacott's "The English Spy": [The Vice Chancellor in the Divinity School - Golgotha or the Place of Skulls - Sentance of Rustication]
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13544. Family Men at Fault, or an Unexpected Visit from the Bishop and his Chaplains

Family Men at Fault, or an Unexpected Visit from the Bishop and his Chaplains
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
ca. 1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13545. Sir Massey Storey Cooking the Turtle

Sir Massey Storey Cooking the Turtle
Creator:
Sir Edwin Henry Landseer, 1802–1873
Date:
undated
Materials & Techniques:
Brown wash and pen and brown ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 7 1/4 x 8 5/8 inches (18.4 x 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13546. Wash proofs to accompany Westmacott's "The English Spy": [Portraits from Life by J. R. Cruikshank] pub. as Bernard Blackmantle reading his Play in the Green Room of Covent Garden Theatre

Wash proofs to accompany Westmacott's "The English Spy": [Portraits from Life by J. R. Cruikshank] pub. as Bernard Blackmantle reading his Play in the Green Room of Covent Garden Theatre
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13547. Wash proofs to accompany Westmacott's "The English Spy":: Bernard Blackmantle reading his Farce in the Green Room of the Theatre Royal Drury Lane

Wash proofs to accompany Westmacott's "The English Spy":: Bernard Blackmantle reading his Farce in the Green Room of the Theatre Royal Drury Lane
Creator:
J. W. Wageman, active 1824
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13548. Wash proofs to accompany Westmacott's "The English Spy": The Maiden Brief, Dick Gradus's first appearance among the Worthies of Westminster Hall

Wash proofs to accompany Westmacott's "The English Spy": The Maiden Brief, Dick Gradus's first appearance among the Worthies of Westminster Hall
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13549. Wash proofs to accompany Westmacott's "The English Spy": Morning and in Low Spirits - a Scene in a Lock up House, Vide Cary St. Chancery Lane

Wash proofs to accompany Westmacott's "The English Spy": Morning and in Low Spirits - a Scene in a Lock up House, Vide Cary St. Chancery Lane
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1825
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13550. Wash proofs to accompany Westmacott's "The English Spy": The Great Subscription Room at Brooks's or Opposition Members engaged upon Hazardous Points

Wash proofs to accompany Westmacott's "The English Spy": The Great Subscription Room at Brooks's or Opposition Members engaged upon Hazardous Points
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13551. History of Hartlepool (Durham, 1816)

History of Hartlepool (Durham, 1816)
Creator:
Sir Cuthbert Sharp, active 1816
Date:
1816
Materials & Techniques:
Lithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frederick W. Hilles

13552. A Shooting Party: Lord Ossulston, Mr. W. Wells, Lord Abercorn and Sir E. Landseer

A Shooting Party: Lord Ossulston, Mr. W. Wells, Lord Abercorn and Sir E. Landseer
Creator:
Sir Edwin Henry Landseer, 1802–1873
Date:
1833
Materials & Techniques:
Watercolor on thin, slightly textured, blue laid paper
Dimensions:
Sheet: 9 1/2 x 13 3/8 inches (24.1 x 34 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13553. Wash proofs to accompany Westmacott's "The English Spy": [The House of Lords in High Debate. The Duke of York, making his speech upon the Catholic Question] pub. as The House of Lords

Wash proofs to accompany Westmacott's "The English Spy": [The House of Lords in High Debate. The Duke of York, making his speech upon the Catholic Question] pub. as The House of Lords
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13554. Lions at Play

Lions at Play
Creator:
Sir Edwin Henry Landseer, 1802–1873
Date:
undated
Materials & Techniques:
Red and black chalk with graphite on medium, smooth, beige wove paper
Dimensions:
Sheet: 6 x 9 1/2 inches (15.2 x 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Jane Ritchie in memory of Andrew Carnduff Ritchie

13555. A Shooting Party: Mr. C. Leslie and Mr. John Leslie

A Shooting Party: Mr. C. Leslie and Mr. John Leslie
Creator:
Sir Edwin Henry Landseer, 1802–1873
Date:
1833
Materials & Techniques:
Pen and brown ink, brown wash, and gray wash on thin, slightly textured, blue laid paper
Dimensions:
Sheet: 9 5/8 x 10 1/2 inches (24.4 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13556. History of Hartlepool (Durham, 1816)

History of Hartlepool (Durham, 1816)
Creator:
Sir Cuthbert Sharp, active 1816
Date:
1816
Materials & Techniques:
Lithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frederick W. Hilles

13557. The Sunshine of His Heart

The Sunshine of His Heart
Creator:
unknown artist
Date:
1898
Materials & Techniques:
Colored lithograph
Dimensions:
Sheet: 23 x 28in. (58.4 x 71.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Mr. & Mrs. Edward Stuart

13558. Anastasia Gliddon Laurence

Anastasia Gliddon Laurence
Creator:
Samuel Laurence, 1812–1884
Date:
undated
Materials & Techniques:
Black chalk and white chalk on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 20 5/8 × 14 1/4 inches (52.4 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Gordon S. Haight

13559. Cupid and Psyche

Cupid and Psyche
Creator:
Edward Burne-Jones, 1833–1898
Date:
ca. 1870
Materials & Techniques:
Watercolor, gouache and pastel on moderately thick, moderately textured, wove paper mounted on linen
Dimensions:
Sheet: 27 5/8 x 19 inches (70.2 x 48.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Mary Gertrude Abbey Fund

13560. Tours

Tours
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1833
Materials & Techniques:
Etching and engraving, with graphite and scraping out; touched engraver's proof (a) on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 7 1/4 × 10 5/8 inches (18.4 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13561. St. Julian's, Tours

St. Julian's, Tours
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1833
Materials & Techniques:
Etching and engraving, with graphite and scraping out; touched engraver's proof (c) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 × 17 1/8 inches (30.5 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13562. Blois

Blois
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1833
Materials & Techniques:
Etching and engraving, with graphite; touched engraver's proof (ab) on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 8 5/8 × 12 inches (21.9 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13563. Eastern Letter Writer

Eastern Letter Writer
Creator:
Richard Dadd, 1817–1886
Date:
1863
Materials & Techniques:
Watercolor with brown ink on medium, smooth, beige wove paper
Dimensions:
Frame: 19 1/8 × 14 3/8 inches (48.6 × 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Michael D. Coe, Yale MAH 1968

13564. Drawing for "Retribution"

Drawing for "Retribution"
Creator:
Edward Armitage, 1817–1896
Date:
1857
Materials & Techniques:
Black chalk, white chalk, and graphite on thick, moderately textured, brown wove paper
Dimensions:
Sheet: 27 1/2 × 30 1/2 inches (69.9 × 77.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Paul Walter

13565. Design for Bridge over Great Western Road

Design for Bridge over Great Western Road
Creator:
Sir Jeffry Wyatville, 1766–1840
Date:
ca. 1826
Materials & Techniques:
Graphite, pen and brown ink, brown and gray wash on slightly textured, medium, white wove paper
Dimensions:
Sheet: 7 7/16 × 8 15/16 inches (18.9 × 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13566. Design for the Hermitage, Virginia Water

Design for the Hermitage, Virginia Water
Creator:
Sir Jeffry Wyatville, 1766–1840
Date:
undated
Materials & Techniques:
Graphite, pen and brown ink, brown wash on slightly textured, medium, white wove paper
Dimensions:
Sheet: 7 7/8 × 12 1/2 inches (20 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13567. Design for Rustic Bridge below the Cascade, Virginia Water

Design for Rustic Bridge below the Cascade, Virginia Water
Creator:
Sir Jeffry Wyatville, 1766–1840
Date:
1828
Materials & Techniques:
Pen and black and brown ink, brown and gray wash on slightly textured, medium, white wove paper
Dimensions:
Sheet: 7 11/16 × 12 1/4 inches (19.5 × 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13568. Portrait of Thomas Estcourt Esq. of Estcourt

Portrait of Thomas Estcourt Esq. of Estcourt
Creator:
Henry Edridge, 1769–1821
Date:
1806
Materials & Techniques:
Graphite blue and red chalk on medium, smooth, brown wove paper mounted on card
Dimensions:
Sheet: 10 3/8 x 8 3/8 inches (26.4 x 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

13569. Windsor Castle, Berkshire: Distant View from the North

Windsor Castle, Berkshire: Distant View from the North
Creator:
Studio of Sir Jeffry Wyatville, 1766–1840
Date:
1830
Materials & Techniques:
Graphite, pen and black ink and graphite on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 8 1/8 × 2 7/8 inches (20.6 × 7.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13570. An Indian Tomb

An Indian Tomb
Creator:
George Chinnery, 1774–1852
Date:
between 1803 and 1825
Materials & Techniques:
Watercolor, gouache, and black ink on medium, slightly textured, cream wove paper mounted on board
Dimensions:
Sheet: 9 x 12 3/8 inches (22.9 x 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

13571. Isola Bella and Lago Maggiore

Isola Bella and Lago Maggiore
Creator:
Lady Mary Leighton, active 1832–1864
Date:
1827
Materials & Techniques:
Watercolor on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 8 5/8 x 14 3/8 inches (21.9 x 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

13572. Windsor Castle, Berkshire: South-Facing View of the Upper Ward

Windsor Castle, Berkshire: South-Facing View of the Upper Ward
Creator:
Studio of Sir Jeffry Wyatville, 1766–1840
Date:
ca. 1830
Materials & Techniques:
Pen and black ink and watercolor on slightly textured, medium, white wove paper
Dimensions:
Sheet: 4 5/8 × 9 1/2 inches (11.7 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13573. Windsor Castle, Berkshire: North-Facing View of the Upper Ward

Windsor Castle, Berkshire: North-Facing View of the Upper Ward
Creator:
Studio of Sir Jeffry Wyatville, 1766–1840
Date:
ca. 1830
Materials & Techniques:
Watercolor with pen and brown ink over graphite on slightly textured, medium, white wove paper
Dimensions:
Sheet: 3 × 6 1/2 inches (7.6 × 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13574. Windsor Castle, Berkshire: Distant View from the South

Windsor Castle, Berkshire: Distant View from the South
Creator:
Studio of Sir Jeffry Wyatville, 1766–1840
Date:
ca. 1830
Materials & Techniques:
Graphite, pen and black ink and watercolor on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 3 × 8 1/4 inches (7.6 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13575. The Destruction of Pompeii

The Destruction of Pompeii
Creator:
David Roberts, 1796–1864
Date:
undated
Materials & Techniques:
Watercolor and pastel on medium, slightly textured, cream wove paper mounted on card
Dimensions:
Sheet: 14 3/8 x 10 3/8 inches (36.5 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

13576. Windsor Castle, Berkshire: East View

Windsor Castle, Berkshire: East View
Creator:
Studio of Sir Jeffry Wyatville, 1766–1840
Date:
ca. 1830
Materials & Techniques:
Pen and black ink and watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 3 3/8 × 10 1/8 inches (8.6 × 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13577. Windsor Castle, Berkshire: Distant View from the South

Windsor Castle, Berkshire: Distant View from the South
Creator:
Studio of Sir Jeffry Wyatville, 1766–1840
Date:
ca. 1830
Materials & Techniques:
Graphite, pen and black ink and watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 3 3/8 × 10 1/8 inches (8.6 × 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13578. Monmouth Toll House: Perspective View

Monmouth Toll House: Perspective View
Creator:
Studio of Sir Jeffry Wyatville, 1766–1840
Date:
ca. 1850
Materials & Techniques:
Graphite, pen and black ink, and watercolor on moderately thick, slightly textured, cream wove paper with black ink border.
Dimensions:
Sheet: 19 1/4 × 12 5/8 inches (48.9 × 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13579. Standing Female Nude

Standing Female Nude
Creator:
William Edward Frost, 1810–1877
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 × 4 1/2 inches (17.8 × 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

13580. The Miller's Cottage at Chatsworth, Derbyshire: North Front Elevation

The Miller's Cottage at Chatsworth, Derbyshire: North Front Elevation
Creator:
Studio of Sir Jeffry Wyatville, 1766–1840
Date:
after 1818
Materials & Techniques:
Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper with black ink border
Dimensions:
Sheet: 14 5/8 × 21 inches (37.1 × 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13581. The Miller's Cottage at Chatsworth, Derbyshire: Front Elevation with Alternative Roof Design

The Miller's Cottage at Chatsworth, Derbyshire: Front Elevation with Alternative Roof Design
Creator:
Studio of Sir Jeffry Wyatville, 1766–1840
Date:
after 1818
Materials & Techniques:
Watercolor, pen and black ink, graphite on slightly textured, medium, cream wove paper
Dimensions:
Sheet: 14 9/16 × 20 7/8 inches (37 × 53 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13582. The Miller's Cottage at Chatsworth, Derbyshire: West Front Elevation

The Miller's Cottage at Chatsworth, Derbyshire: West Front Elevation
Creator:
Studio of Sir Jeffry Wyatville, 1766–1840
Date:
after 1818
Materials & Techniques:
Watercolor, pen and black ink, graphite on slightly textured, medium, cream wove paper
Dimensions:
Sheet: 14 5/8 × 21 7/8 inches (37.1 × 55.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13583. Windsor Castle, Berkshire: Elevation

Windsor Castle, Berkshire: Elevation
Creator:
Studio of Sir Jeffry Wyatville, 1766–1840
Date:
undated
Materials & Techniques:
Pen and black ink, graphite on slightly textured, medium, white wove paper
Dimensions:
Sheet: 21 1/16 × 29 1/2 inches (53.5 × 74.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13584. Reclining Female Nude

Reclining Female Nude
Creator:
William Edward Frost, 1810–1877
Date:
after 1845
Materials & Techniques:
Watercolor with reed pen and brown ink on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 4 1/2 × 7 inches (11.4 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

13585. Figure Studies

Figure Studies
Creator:
George Cruikshank, 1792–1878
Date:
undated
Materials & Techniques:
Graphite and watercolor on medium, smooth, beige wove paper
Dimensions:
Sheet: 6 7/8 × 4 1/2 inches (17.5 × 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

13586. Lamentation

Lamentation
Creator:
unknown artist
Date:
19th century
Materials & Techniques:
Graphite and white chalk on moderately thick, slightly textured, gray wove paper, pasted on thick, smooth, gray card
Dimensions:
Mount: 10 5/8 × 9 inches (27 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

13587. View of a Canal in Dordrecht

View of a Canal in Dordrecht
Creator:
unknown artist
Date:
between 1875 and 1885
Materials & Techniques:
Graphite on thin, slightly textured, beige wove paper
Dimensions:
Sheet: 5 1/8 × 8 inches (13 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

13588. Windsor Castle, Berkshire: Plan

Windsor Castle, Berkshire: Plan
Creator:
Studio of Sir Jeffry Wyatville, 1766–1840
Date:
1838
Materials & Techniques:
Graphite on moderately thick, slightly textured cream wove paper
Dimensions:
Sheet: 21 1/2 × 29 5/16 inches (54.6 × 74.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13589. Studies of Heads

Studies of Heads
Creator:
attributed to Sir David Wilkie, 1785–1841
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, smooth, beige wove paper
Dimensions:
Sheet: 7 1/8 × 4 1/2 inches (18.1 × 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

13590. Landscape

Landscape
Creator:
David Charles Read, 1790–1851
Date:
undated
Materials & Techniques:
Watercolor on moderately thick, rough, beige laid paper
Dimensions:
Sheet: 4 3/8 × 7 1/8 inches (11.1 × 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

13591. Study for Bacchanal

Study for Bacchanal
Creator:
Giulio Aristide Sartorio, 1860–1932
Date:
ca. 1894
Materials & Techniques:
Pen and brown ink on medium, smooth, beige wove paper
Dimensions:
Sheet: 8 1/4 x 6 5/8 inches (21 x 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

13592. Sketches of Women

Sketches of Women
Creator:
Sir George Hayter, 1792–1871
Date:
1855
Materials & Techniques:
Pen and brown ink on medium, smooth, gray wove paper
Dimensions:
Sheet: 7 5/8 × 6 3/8 inches (19.4 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

13593. Being Pulled by a Crowd

Being Pulled by a Crowd
Creator:
John Leech, 1817–1864
Date:
undated
Materials & Techniques:
Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 4 x 3 1/4 inches (10.2 x 8.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

13594. Windsor Castle, Berkshire: View

Windsor Castle, Berkshire: View
Creator:
Studio of Sir Jeffry Wyatville, 1766–1840
Date:
after 1830
Materials & Techniques:
Pen and blak ink and graphite with gray wash on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 16 1/4 × 28 5/8 inches (41.3 × 72.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13595. Sketch for the Scene of a Battle

Sketch for the Scene of a Battle
Creator:
George Cruikshank, 1792–1878
Date:
undated
Materials & Techniques:
Pen and black ink with watercolor on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured, gray wove paper
Dimensions:
Mount: 7 7/8 x 8 inches (20 x 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

13596. Windsor Castle, Berkshire: Plan at Ground Level

Windsor Castle, Berkshire: Plan at Ground Level
Creator:
Studio of Sir Jeffry Wyatville, 1766–1840
Date:
after 1830
Materials & Techniques:
Watercolor and pen and black ink on slightly textured, medium, cream wove paper
Dimensions:
Sheet: 16 1/8 × 28 5/8 inches (41 × 72.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13597. Windsor Castle, Berkshire: Principal Floor Plan

Windsor Castle, Berkshire: Principal Floor Plan
Creator:
Studio of Sir Jeffry Wyatville, 1766–1840
Date:
after 1830
Materials & Techniques:
Watercolor, pen and black ink, graphite on Slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 16 1/2 × 28 7/8 inches (41.9 × 73.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13598. Windsor Castle, Berkshire: View

Windsor Castle, Berkshire: View
Creator:
Sir Jeffry Wyatville, 1766–1840
Date:
after 1830
Materials & Techniques:
Pen and black ink and wash over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 16 3/8 × 28 3/4 inches (41.6 × 73 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13599. A Fashion in 1845

A Fashion in 1845
Creator:
unknown artist
Date:
ca. 1845
Materials & Techniques:
Graphite on moderately thick, slightly textured, beige wove paper mounted on thick, smooth, blue card
Dimensions:
Mount: 16 × 11 1/2 inches (40.6 × 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

13600. Windsor Castle, Berkshire: Upper Floor Plan

Windsor Castle, Berkshire: Upper Floor Plan
Creator:
Studio of Sir Jeffry Wyatville, 1766–1840
Date:
after 1830
Materials & Techniques:
Watercolor, pen and black ink, graphite on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 16 1/4 × 28 7/8 inches (41.3 × 73.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection