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Period 19th century

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16101. Door near Painted Chamber

Door near Painted Chamber
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1800 and 1807
Materials & Techniques:
Graphite and pen and black ink on slighthly textured, moderately thick, white wove paper
Dimensions:
Sheet: 5 1/2 × 4 3/4 inches (14 × 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16102. Plan of Princes Chamber, One Pair

Plan of Princes Chamber, One Pair
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1800 and 1807
Materials & Techniques:
Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:
Sheet: 6 1/4 × 3 1/2 inches (15.9 × 8.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16103. Elevation of Buildings Fronting Westminster Hall

Elevation of Buildings Fronting Westminster Hall
Creator:
Attributed to William Capon, 1757–1827
Date:
1822
Materials & Techniques:
Graphite on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 13 1/4 × 23 3/8 inches (33.7 × 59.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16104. Window Detail, Princes Chamber

Window Detail, Princes Chamber
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1800 and 1807
Materials & Techniques:
Graphite on slightly textured, medium, white laid paper
Dimensions:
Sheet: 3 3/16 × 2 1/4 inches (8.1 × 5.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16105. Exterior & Interior Views of the Painted Chamber & Old House of Lords

Exterior & Interior Views of the Painted Chamber & Old House of Lords
Creator:
Print made by unknown artist
Date:
1823
Materials & Techniques:
Line engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 8 1/4 × 4 15/16 inches (21 × 12.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16106. South Side of Princes Chamber West

South Side of Princes Chamber West
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1800 and 1807
Materials & Techniques:
Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:
Sheet: 5 7/8 × 7 1/2 inches (14.9 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16107. Princes Chamber

Princes Chamber
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1800 and 1807
Materials & Techniques:
Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:
Sheet: 7 3/4 × 3 1/4 inches (19.7 × 8.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16108. View of the King's Entrance &c. From the South-West

View of the King's Entrance &c. From the South-West
Creator:
Print made by Charles Burton, active 1830–1840
Date:
1835
Materials & Techniques:
Lithograph on smooth, medium, white wove paper
Dimensions:
Sheet: 11 1/16 × 18 1/4 inches (28.1 × 46.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16109. Old Palace Yard

Old Palace Yard
Creator:
Frederick Mackenzie, 1788–1854
Date:
1809
Materials & Techniques:
Graphite on slightly textured, medium, white wove paper
Dimensions:
Sheet: 7 5/8 × 9 3/4 inches (19.4 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16110. The Houses of Lords and Commons

The Houses of Lords and Commons
Creator:
Print made by Miss Mary Byrne, 1776–1846
Date:
1815
Materials & Techniques:
Line engraving on smooth, medium, white wove paper
Dimensions:
Sheet: 4 5/8 × 6 1/8 inches (11.7 × 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16111. Ceiling to Boudoir House in Old Palace Yard

Ceiling to Boudoir House in Old Palace Yard
Creator:
Charles James Richardson, 1806–1871
Date:
1871
Materials & Techniques:
Graphite, pen and black ink, and brown wash on smooth, medium, white laid paper
Dimensions:
Sheet: 12 1/8 × 9 5/16 inches (30.8 × 23.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16112. The Parliament House, from Old Palace Yard, Westminster

The Parliament House, from Old Palace Yard, Westminster
Creator:
Print made by William Deeble, active 1814–1849
Date:
1829
Materials & Techniques:
Line engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 4 15/16 × 7 inches (12.5 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16113. Corbel and Center Ornament, Ceiling of Boudoir, No. 3 Old Palace Yard

Corbel and Center Ornament, Ceiling of Boudoir, No. 3 Old Palace Yard
Creator:
Charles James Richardson, 1806–1871
Date:
1871
Materials & Techniques:
Graphite, pen and black ink, and brown wash on smooth, medium, white wove paper
Dimensions:
Sheet: 10 1/2 × 9 3/8 inches (26.7 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16114. The King's Entrance to the House of Lords, From Poets Corner

The King's Entrance to the House of Lords, From Poets Corner
Creator:
Print made by William Deeble, active 1814–1849
Date:
1829
Materials & Techniques:
Line engraving on smooth, medium white wove paper
Dimensions:
Sheet: 5 1/8 × 7 1/2 inches (13 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16115. Drawing Room Ceiling, No. 3 Old Palace Yard

Drawing Room Ceiling, No. 3 Old Palace Yard
Creator:
Charles James Richardson, 1806–1871
Date:
1871
Materials & Techniques:
Graphite, pen and black ink, and brown wash on smooth, medium, white laid paper
Dimensions:
Sheet: 14 7/8 × 10 5/8 inches (37.8 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16116. Ceiling of Front Parlor House in Old Palace Yard

Ceiling of Front Parlor House in Old Palace Yard
Creator:
Charles James Richardson, 1806–1871
Date:
1871
Materials & Techniques:
Graphite, pen and black ink, and brown wash on smooth, medium, white laid paper
Dimensions:
Sheet: 12 1/4 × 10 3/8 inches (31.1 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16117. Decoration between Windows of Parlor, No. 3 Old Palace Yard

Decoration between Windows of Parlor, No. 3 Old Palace Yard
Creator:
Charles James Richardson, 1806–1871
Date:
1871
Materials & Techniques:
Graphite, pen and black ink, brown wash, and pink wash on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 12 13/16 × 9 9/16 inches (32.5 × 24.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16118. Chance. The London Firemen's Dog

Chance. The London Firemen's Dog
Creator:
Print made by unknown artist
Date:
1834
Materials & Techniques:
Lithograph on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 10 3/4 × 11 1/4 inches (27.3 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16119. Center Flower, and Cornice, Ceiling of Front Parlour, No. 3 Old Palace Yard

Center Flower, and Cornice, Ceiling of Front Parlour, No. 3 Old Palace Yard
Creator:
Charles James Richardson, 1806–1871
Date:
1871
Materials & Techniques:
Graphite, pen and black ink, brown wash, and pink wash on smooth, medium, white wove paper
Dimensions:
Sheet: 11 5/8 × 10 3/16 inches (29.5 × 25.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16120. Destruction of the Houses of Parliament, Oct 16th, 1834, as Seen from Henry VIIth's Chapel

Destruction of the Houses of Parliament, Oct 16th, 1834, as Seen from Henry VIIth's Chapel
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Lithograph on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 12 3/4 × 17 3/4 inches (32.4 × 45.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16121. The Destruction by Fire of the Houses of Parliament

The Destruction by Fire of the Houses of Parliament
Creator:
Print made by M. Gauci, 1810–1846
Date:
after 1834
Materials & Techniques:
Lithograph on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 11 × 15 1/8 inches (27.9 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16122. A View of the Range of Building Adjoining Westminster Hall, and Fronting the River Thames; Including a Space of 750 Feet

A View of the Range of Building Adjoining Westminster Hall, and Fronting the River Thames; Including a Space of 750 Feet
Creator:
Print made by R.C. Roffe, active in London 1806–1835
Date:
1827
Materials & Techniques:
Line engraving on smooth, medium, white wove paper
Dimensions:
Sheet: 5 × 15 5/8 inches (12.7 × 39.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16123. Perspective View of the North & East Fronts of the Buildings Connected with the Houses of Parliament and Courts of Law &c. &c., and Showing the Alterations Suggested by Colonel Trench

Perspective View of the North & East Fronts of the Buildings Connected with the Houses of Parliament and Courts of Law &c. &c., and Showing the Alterations Suggested by Colonel Trench
Creator:
Print made by R.C. Roffe, active in London 1806–1835
Date:
1827
Materials & Techniques:
Line engraving on smooth, medium, white wove paper
Dimensions:
Sheet: 5 × 15 9/16 inches (12.7 × 39.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16124. Ruins of the Houses of Parliament as they Appeared on the Morning after the Conflagration

Ruins of the Houses of Parliament as they Appeared on the Morning after the Conflagration
Creator:
Print made by unknown artist
Date:
1834
Materials & Techniques:
Lithograph on smooth, moderately thick, brown wove paper
Dimensions:
Sheet: 17 × 19 3/4 inches (43.2 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16125. Houses of Parliament

Houses of Parliament
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Etching on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 9 5/8 × 12 1/2 inches (24.4 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16126. New Houses of Parliament, View of the Adopted Design as the Building Would Appear from the Surrey End of Westminster Bridge

New Houses of Parliament, View of the Adopted Design as the Building Would Appear from the Surrey End of Westminster Bridge
Creator:
Print made by T. Kearnan, active 1821–1850
Date:
ca. 1835
Materials & Techniques:
Line engraving on smooth, medium, white wove paper
Dimensions:
Sheet: 6 7/8 × 11 1/4 inches (17.5 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16127. Perspective View of the North & East Fronts of the Building Connected with the Houses of Parliament and Courts of Law, &c. &c.

Perspective View of the North & East Fronts of the Building Connected with the Houses of Parliament and Courts of Law, &c. &c.
Creator:
Print made by R.C. Roffe, active in London 1806–1835
Date:
1827
Materials & Techniques:
Line engraving on slightly textured, medium, white wove paper
Dimensions:
Sheet: 6 13/16 × 17 3/16 inches (17.3 × 43.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16128. Henry VII Chapel, Westminster Abbey

Henry VII Chapel, Westminster Abbey
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, brown ink, and watercolor on smooth, medium, white wove paper
Dimensions:
Sheet: 19 1/4 × 26 3/4 inches (48.9 × 67.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16129. North East View of Henry VII Chapel Westminster

North East View of Henry VII Chapel Westminster
Creator:
John Coney, 1786–1833
Date:
1813
Materials & Techniques:
Graphite on smooth, medium, white wove paper
Dimensions:
Sheet: 14 1/8 × 19 inches (35.9 × 48.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16130. North East View of Henry VII Chapel Westminster

North East View of Henry VII Chapel Westminster
Creator:
Print made by unknown artist
Date:
ca. 1813
Materials & Techniques:
Etching, proof before letters on smooth, medium, white wove paper
Dimensions:
Sheet: 14 13/16 inches (37.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16131. Henry the Seventh's Chapel, North Side

Henry the Seventh's Chapel, North Side
Creator:
Print made by Charles J. Hullmandel, 1789–1850
Date:
undated
Materials & Techniques:
Lithograph on slightly textured, medium, white wove paper
Dimensions:
Sheet: 23 7/8 × 33 1/2 inches (60.6 × 85.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16132. North East View of Henry VII Chapel Westminster

North East View of Henry VII Chapel Westminster
Creator:
Print made by unknown artist
Date:
ca. 1813
Materials & Techniques:
Line engraving and graphite on slightly textured, medium, white wove paper
Dimensions:
Sheet: 15 3/4 × 20 1/2 inches (40 × 52.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16133. Henry VII Chapel at Westminster Showing Two Renovated Pinacles

Henry VII Chapel at Westminster Showing Two Renovated Pinacles
Creator:
Print made by Augustus Charles Pugin, 1762–1832
Date:
undated
Materials & Techniques:
Etched and aquatinted engraving, proof before letters on smooth, medium, white wove paper
Dimensions:
Sheet: 11 1/8 × 8 1/8 inches (28.3 × 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16134. Fragments & Parts of the Exterior of Henry the Seventh Chapel, Westminster Abbey

Fragments & Parts of the Exterior of Henry the Seventh Chapel, Westminster Abbey
Creator:
Print made by Thomas Sutherland, ca. 1785–1838
Date:
1811
Materials & Techniques:
Line engraving on smooth, medium, white wove paper
Dimensions:
Sheet: 10 × 12 1/8 inches (25.4 × 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16135. View of the East End of Henry VIIth Chapel as Restored in 1813

View of the East End of Henry VIIth Chapel as Restored in 1813
Creator:
Print made by George Hawkins, active 1795–1810
Date:
1814
Materials & Techniques:
Line engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 23 1/2 × 17 5/8 inches (59.7 × 44.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16136. Henry VII Chapel (Exterior)

Henry VII Chapel (Exterior)
Creator:
Print made by unknown artist
Date:
ca. 1890
Materials & Techniques:
Etching on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 10 1/8 × 14 1/16 inches (25.7 × 35.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16137. Henry VII's Shrine

Henry VII's Shrine
Creator:
Print made by Herbert Railton, 1857–1910
Date:
ca. 1890
Materials & Techniques:
Etching on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 10 × 13 1/8 inches (25.4 × 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16138. Houses Adjacent to Westminster Abbey in the Process of Demolition

Houses Adjacent to Westminster Abbey in the Process of Demolition
Creator:
John Phillipps Emslie, 1839–1913
Date:
1896
Materials & Techniques:
Graphite and watercolor on smooth, medium, white wove paper
Dimensions:
Sheet: 6 7/8 × 9 1/8 inches (17.5 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16139. South West View of the Remains of the Crypt under the Dormitory in Dean's Yard Discovered in June

South West View of the Remains of the Crypt under the Dormitory in Dean's Yard Discovered in June
Creator:
Attributed to John Carter, 1748–1817
Date:
1815
Materials & Techniques:
Graphite on smooth, medium, white wove paper
Dimensions:
Sheet: 6 1/4 × 8 3/4 inches (15.9 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16140. Part of the Old Dormitory

Part of the Old Dormitory
Creator:
Attributed to John Carter, 1748–1817
Date:
1815
Materials & Techniques:
Graphite, pen and brown ink, and gray wash on slightly textured, medium, white laid paper
Dimensions:
Sheet: 8 3/16 × 11 7/8 inches (20.8 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16141. Springing of groins

Springing of groins
Creator:
Attributed to John Carter, 1748–1817
Date:
1815
Materials & Techniques:
Graphite on smooth, medium, cream wove paper
Dimensions:
Sheet: 5 3/4 × 8 3/8 inches (14.6 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16142. Doorway, Dean's Yard, Westminster

Doorway, Dean's Yard, Westminster
Creator:
Attributed to Sir Charles Barry, 1795–1860
Date:
1837
Materials & Techniques:
Graphite on smooth, medium, cream wove paper
Dimensions:
Sheet: 8 × 6 1/8 inches (20.3 × 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16143. The North-East View of the Old Dormitory, in 1758; North-East View of the Remains of Part of the Crypt of the Old Dormitory, discovered in 1815; Plans and Elevations of the Remains

The North-East View of the Old Dormitory, in 1758; North-East View of the Remains of Part of the Crypt of the Old Dormitory, discovered in 1815; Plans and Elevations of the Remains
Creator:
Print made by James Basire II, 1769–1822
Date:
1815
Materials & Techniques:
Line engraving on slightly textured, medium, white wove paper
Dimensions:
Sheet: 11 3/4 × 8 inches (29.8 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16144. Line of Buildings on East Side, Dean's Yard

Line of Buildings on East Side, Dean's Yard
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1806 and 1815
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 9/16 × 31 1/8 inches (29.4 × 79.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16145. Buildings on North Side, Dean's Yard

Buildings on North Side, Dean's Yard
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1806 and 1815
Materials & Techniques:
Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:
Sheet: 10 1/4 × 11 inches (26 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16146. Continuation of Detail

Continuation of Detail
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1806 and 1815
Materials & Techniques:
Graphite and pen and black ink on slightly textured, medium, white laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16147. Detail for Preceding Elevations

Detail for Preceding Elevations
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1806 and 1815
Materials & Techniques:
Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:
Sheet: 12 3/4 × 7 7/8 inches (32.4 × 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16148. Continuation of Details

Continuation of Details
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1806 and 1815
Materials & Techniques:
Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:
Sheet: 12 3/4 × 7 3/8 inches (32.4 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16149. Buildings on East Side of Dean's Yard

Buildings on East Side of Dean's Yard
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1806 and 1815
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/4 × 35 1/4 inches (28.6 × 89.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16150. Plate I. Memorials of the Commissioners for Improving Westminster, 1811

Plate I. Memorials of the Commissioners for Improving Westminster, 1811
Creator:
Print made by unknown artist
Date:
1811
Materials & Techniques:
Line engraving on smooth, medium, white wove paper
Dimensions:
Sheet: 7 5/8 × 12 5/8 inches (19.4 × 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16151. Continuation of Detail

Continuation of Detail
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1806 and 1815
Materials & Techniques:
Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:
Sheet: 12 3/4 × 7 3/4 inches (32.4 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16152. Preparatory sketch for 'Dr Syntax Sketching the Lake'

Preparatory sketch for 'Dr Syntax Sketching the Lake'
Creator:
Thomas Rowlandson, 1756–1827
Date:
1812
Materials & Techniques:
Pen and brown ink with graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/2 x 9 3/8 inches (16.5 x 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16153. Footbridge over the Wiley

Footbridge over the Wiley
Creator:
Print made by Richard Samuel Chattock, 1825–1906
Date:
1884
Materials & Techniques:
Etching and drypoint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 12 3/8 x 16 11/16in. (31.4 x 42.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

16154. Sheep

Sheep
Creator:
Print made by J. S. Cooper, active 1885
Date:
ca. 1880
Materials & Techniques:
Drypoint and etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 12 3/16 x 16 9/16 inches (31 x 42.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

16155. Fishing Boats at Hastings

Fishing Boats at Hastings
Creator:
Print made by James Dobie, 1849–1911
Date:
1882
Materials & Techniques:
Etching on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 12 3/8 x 16 11/16 inches (31.4 x 42.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

16156. Tour de Montalban, Amsterdam

Tour de Montalban, Amsterdam
Creator:
Print made by Maxime Lalanne, 1827–1886
Date:
1881
Materials & Techniques:
Etching
Dimensions:
Plate: 6 3/8 × 9 1/4 inches (16.2 × 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

16157. Venetian Canal

Venetian Canal
Creator:
Lucien Marcelin Gautier, 1850–1925
Date:
ca. 1880
Materials & Techniques:
Etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 12 3/8 x 16 5/8 inches (31.5 x 42.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

16158. Apple Blossoms

Apple Blossoms
Creator:
Charles Oliver Murray, 1842–1923
Date:
1885
Materials & Techniques:
Etching
Dimensions:
Plate: 7 x 9 1/8in. (17.8 x 23.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

16159. Venice

Venice
Creator:
Print made by Joseph Pennell, 1860–1926
Date:
1883
Materials & Techniques:
Etching on laid paper
Dimensions:
Sheet: 12 3/8 × 16 11/16 inches (31.4 × 42.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

16160. Doctor Syntax loses his Money on the Race Ground at York

Doctor Syntax loses his Money on the Race Ground at York
Creator:
Thomas Rowlandson, 1756–1827
Date:
1820
Materials & Techniques:
Watercolor and graphite with pen and black ink, pen and gray ink, and pen and red-brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 5/16 x 6 13/16 inches (11 x 17.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16161. The First Born

The First Born
Creator:
Thomas Riley, active 1880–1892
Date:
1882
Materials & Techniques:
Etching
Dimensions:
Plate: 11 7/16 x 8 1/8in. (29.1 x 20.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

16162. Tinkers

Tinkers
Creator:
Print made by William Strang, 1859–1921
Date:
1882
Materials & Techniques:
Etching on thick, moderately textured, cream laid paper
Dimensions:
Plate: 6 7/8 × 8 3/4 inches (17.5 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

16163. The Cathedral Entrance

The Cathedral Entrance
Creator:
Print made by Arthur James Turrell, 1871–1940
Date:
1889
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 1/2 × 16 3/8 inches (34.3 × 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

16164. Amiens

Amiens
Creator:
Henri Toussaint, 1849–1911
Date:
1884
Materials & Techniques:
Etching
Dimensions:
Plate: 7 13/16 x 11 5/16in. (19.8 x 28.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

16165. "Tween the Gloamin' and the Mirk, When the Kye Come Hame"

"Tween the Gloamin' and the Mirk, When the Kye Come Hame"
Creator:
Mary Nimmo Moran, 1842–1899
Date:
1883
Materials & Techniques:
Etching, and plate tone
Dimensions:
Plate: 7 3/4 x 11 3/8in. (19.7 x 28.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

16166. The Alt Market at Cologne

The Alt Market at Cologne
Creator:
Robert K. Thomas, 1816–1864
Date:
1884
Materials & Techniques:
Etching
Dimensions:
Plate: 11 1/2 x 8 11/16in. (29.2 x 22.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

16167. Interior of the Mosque of the Metwalys

Interior of the Mosque of the Metwalys
Creator:
Louis Haghe, 1806–1885
Date:
1849
Materials & Techniques:
Lithograph
Dimensions:
Sheet: 25 x 16 11/16in. (63.5 x 42.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

16168. Venus Crowned by Cupid

Venus Crowned by Cupid
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1810 and 1815
Materials & Techniques:
Watercolor, with pen and brown, gray, red-brown and red ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 5/8 x 8 3/4 inches (14.3 x 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16169. Portrait of Anne and Maria Russell

Portrait of Anne and Maria Russell
Creator:
John Russell, 1745–1806
Date:
1804
Materials & Techniques:
Pastel and colored chalk on moderately textured, cream wove paper
Dimensions:
Sheet: 40 x 30 inches (101.6 x 76.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

16170. The Departure from Wakefield

The Departure from Wakefield
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor with pen and red-brown, brown and light gray ink over graphite; verso: graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16171. The Welcome

The Welcome
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor, with pen and red-brown and gray-brown ink; verso: graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16172. The Vicar of Wakefield: Frontispiece

The Vicar of Wakefield: Frontispiece
Creator:
Thomas Rowlandson, 1756–1827
Date:
1817
Materials & Techniques:
Watercolor, with pen and red-brown ink; verso: graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 1/2 x 4 5/8 inches (16.5 x 11.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16173. Le Colonnacce, Rome: Remains of the Inner Walls of the Forum of Nerva

Le Colonnacce, Rome: Remains of the Inner Walls of the Forum of Nerva
Creator:
Thomas Hartley Cromek, 1809–1873
Date:
ca. 1840
Materials & Techniques:
Watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 26 × 19 inches (66 × 48.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Constance Clement in memory of her parents, Dr. and Mrs. David Hale Clement

16174. The Esquire's Intrusion

The Esquire's Intrusion
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor, with pen and red-brown ink over graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 x 7 7/16 inches (11.4 x 18.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16175. Fortune-Telling

Fortune-Telling
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor, with pen and red-brown ink over graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16176. The Dance

The Dance
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor, with pen, and brown and red-brown ink; verso: graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16177. The Vicar's Family on the Road to Church

The Vicar's Family on the Road to Church
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor, with pen and brown and red-brown ink; verso: graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16178. Sky study

Sky study
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Oil on paper mounted on card
Dimensions:
Sheet: 2 3/8 x 3 3/8 inches (6 x 8.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16179. Sky study

Sky study
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Oil on paper laid to card
Dimensions:
Sheet: 2 1/4 x 3 3/8 inches (5.7 x 8.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16180. Sky study

Sky study
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Oil on paper mounted on card
Dimensions:
Sheet: 2 1/4 x 3 3/8 inches (5.7 x 8.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16181. Sky study

Sky study
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Oil on wove paper mounted on card
Dimensions:
Sheet: 2 1/4 x 3 3/8 inches (5.7 x 8.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16182. Sky study

Sky study
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Oil on paper mounted on card
Dimensions:
Sheet: 2 3/8 x 3 3/8 inches (6 x 8.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16183. Sky study

Sky study
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Oil on paper mounted on card
Dimensions:
Sheet: 2 1/4 x 3 3/8 inches (5.7 x 8.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16184. The Surprise

The Surprise
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor, pen and red-brown ink; verso: graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 9/16 x 7 1/2 inches (11.6 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16185. The Fair Penitent

The Fair Penitent
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor, with pen and gray, brown, and red-brown ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 5/8 x 7 1/4 inches (11.7 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16186. Attendance on a Nobleman

Attendance on a Nobleman
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor, with pen and gray-brown and red-brown ink, over graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 x 7 3/8 inches (11.4 x 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16187. Sky study

Sky study
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Oil on paper mounted on card
Dimensions:
Sheet: 2 1/4 x 3 3/8 inches (5.7 x 8.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16188. The Family Picture

The Family Picture
Creator:
Thomas Rowlandson, 1756–1827
Date:
1817
Materials & Techniques:
Pen in gray and red-brown ink and watercolor; verso: graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16189. The Scold, with News of Olivia

The Scold, with News of Olivia
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor, with pen and gray ink over graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16190. The Vicar Preaching to the Prisoners

The Vicar Preaching to the Prisoners
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor with pen and ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 9/16 x 7 1/4 inches (11.6 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16191. Jealousy, Rage, Disappointment...

Jealousy, Rage, Disappointment...
Creator:
Thomas Rowlandson, 1756–1827
Date:
1817
Materials & Techniques:
Watercolor, with pen and brown, black, red-brown, and gray ink over graphite on very thick, moderately textured, beige wove paper
Dimensions:
Sheet: 5 3/4 x 9 1/8 inches (14.6 x 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16192. Diners in a Chop Shop

Diners in a Chop Shop
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1800 and 1805
Materials & Techniques:
Watercolor with pen and brown and red-brown ink over graphite, verso: black crayon, graphite, and ink lines, numbers and tracing of recto image on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 7/16 x 6 5/8 inches (11.3 x 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16193. Dr Syntax Alarmed by a Whale

Dr Syntax Alarmed by a Whale
Creator:
Thomas Rowlandson, 1756–1827
Date:
1812
Materials & Techniques:
Watercolor with pen and red-brown ink over graphite; verso, lower left: splotches of red, green and blue watercolor on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 5 5/8 x 9 inches (14.3 x 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16194. Jo (canceled plate)

Jo (canceled plate)
Creator:
James McNeill Whistler, 1834–1903
Date:
1861
Materials & Techniques:
Copper printing plate
Dimensions:
Plate: 6 1/16 x 9 1/16in. (15.4 x 23cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Robert N. Whittemore, Yale BS 1943

16195. Whistler in his studio on the rue Notre-Dame-des-Champs, Paris

Whistler in his studio on the rue Notre-Dame-des-Champs, Paris
Creator:
Paul François Arnold Cardon, called "Dornac", 1859–1941
Date:
1893
Materials & Techniques:
Albumen print on thin, smooth, white wove paper
Dimensions:
Sheet: 7 3/4 x 10 1/4 inches (19.7 x 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Robert N. Whittemore, Yale BS 1943

16196. Bibi Valentin

Bibi Valentin
Creator:
James McNeill Whistler, 1834–1903
Date:
1859
Materials & Techniques:
Etching and drypoint, printed from canceled plate on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 3/8 x 10 3/8 inches (18.7 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Robert N. Whittemore, Yale BS 1943

16197. Whistler Standing at a Press in His Paris (rue Notre-Dame-des-Champs) Studio

Whistler Standing at a Press in His Paris (rue Notre-Dame-des-Champs) Studio
Creator:
Paul François Arnold Cardon, called "Dornac", 1859–1941
Date:
1893
Materials & Techniques:
Albumen print
Dimensions:
Sheet: 10 1/4 x 8 inches (26 x 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Robert N. Whittemore, Yale BS 1943

16198. Soupe à trois sous

Soupe à trois sous
Creator:
James McNeill Whistler, 1834–1903
Date:
1859
Materials & Techniques:
Etching and drypoint, printed from canceled plate on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/2 x 10 3/8 inches (19.1 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Robert N. Whittemore, Yale BS 1943

16199. Whistler Seated in a Chair in His Paris (rue Notre-Dame-des-Champs) Studio

Whistler Seated in a Chair in His Paris (rue Notre-Dame-des-Champs) Studio
Creator:
Paul François Arnold Cardon, called "Dornac", 1859–1941
Date:
1893
Materials & Techniques:
Albumen print on thin, smooth, wove paper
Dimensions:
Sheet: 10 1/4 x 8 inches (26 x 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Robert N. Whittemore, Yale BS 1943

16200. Île de la Cité, Paris

Île de la Cité, Paris
Creator:
James McNeill Whistler, 1834–1903
Date:
1859
Materials & Techniques:
Etching and drypoint, printed from canceled plate on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 8 × 11 1/2 inches (20.3 × 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Robert N. Whittemore, Yale BS 1943