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Period 19th century

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18001. Study of the Resurrection of Lazarus

Study of the Resurrection of Lazarus
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 5/8 × 10 9/16 inches (19.4 × 26.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18002. Study of Women's Hairstyles

Study of Women's Hairstyles
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 3/4 × 11 inches (19.7 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18003. Study of Nude Female

Study of Nude Female
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 × 7 7/8 inches (30.5 × 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18004. Study of Facial Expressions

Study of Facial Expressions
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 5/8 × 6 3/4 inches (19.4 × 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18005. Figure Study of a Man in a Formal Suit

Figure Study of a Man in a Formal Suit
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Black chalk on moderately thick, moderately textured, brown wove paper
Dimensions:
Sheet: 9 7/8 × 6 1/2 inches (25.1 × 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18006. Figure Study of a Man in a Formal Suit

Figure Study of a Man in a Formal Suit
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
pen and brown ink, and brown wash on moderately thick, moderately textured, brown wove paper
Dimensions:
Sheet: 2 1/16 × 1 9/16 inches (5.2 × 4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18007. Figure Study of a Man in a Formal Suit

Figure Study of a Man in a Formal Suit
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and black ink, white chalk, and black chalk on moderately thick, moderately textured, brown wove paper
Dimensions:
Sheet: 3 3/4 × 2 7/8 inches (9.5 × 7.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18008. The Murder of Duncan - Lady Macbeth, Approaching Macbeth and the Body

The Murder of Duncan - Lady Macbeth, Approaching Macbeth and the Body
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
between 1809 and 1811
Materials & Techniques:
Black chalk on moderately thick, slightly textured, cream laid paper pasted on thick, slightly textured, cream laid paper
Dimensions:
Sheet: 4 3/8 × 1 13/16 inches (11.1 × 4.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18009. The Murder of Duncan - Study of Sleeping Grooms

The Murder of Duncan - Study of Sleeping Grooms
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
between 1809 and 1811
Materials & Techniques:
Pen and brown ink on moderately thick, moderately textured, brown laid paper
Dimensions:
Sheet: 3 13/16 × 7 7/16 inches (9.7 × 18.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18010. The Murder of Duncan - Macbeth with the Body (and Lady Macbeth Approaching)

The Murder of Duncan - Macbeth with the Body (and Lady Macbeth Approaching)
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
between 1809 and 1811
Materials & Techniques:
Black chalk, pen and brown ink on moderately thick, slightly textured, cream laid paper pasted on thick, slightly textured, cream laid paper
Dimensions:
Sheet: 4 3/8 × 5 1/16 inches (11.1 × 12.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18011. The Murder of Duncan - Macbeth with the Daggers

The Murder of Duncan - Macbeth with the Daggers
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
between 1809 and 1811
Materials & Techniques:
Graphite, black chalk and white chalk on moderately thick, moderately textured, gray wove paper
Dimensions:
Sheet: 5 11/16 × 8 5/8 inches (14.4 × 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18012. The Murder of Duncan - Macbeth with the Body (and Lady Macbeth Approaching)

The Murder of Duncan - Macbeth with the Body (and Lady Macbeth Approaching)
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
between 1809 and 1811
Materials & Techniques:
Black chalk on moderately thick, slightly textured, cream laid paper pasted on thick, slightly textured, cream laid paper
Dimensions:
Sheet: 4 3/8 x 5 1/16in. (11.1 x 12.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18013. The Murder of Duncan - Lady Macbeth, Approaching Macbeth and the Body

The Murder of Duncan - Lady Macbeth, Approaching Macbeth and the Body
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
between 1809 and 1811
Materials & Techniques:
Black chalk on moderately thick, slightly textured, cream laid paper pasted on thick, slightly textured, cream laid paper
Dimensions:
Sheet: 4 7/16 x 2 11/16 inches (11.2 x 6.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18014. Study of a Man's Facial Expression

Study of a Man's Facial Expression
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Black chalk on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 3 3/4 × 3 1/16 inches (9.5 × 7.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18015. The Murder of Duncan - The Sleeping Groom

The Murder of Duncan - The Sleeping Groom
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
between 1809 and 1811
Materials & Techniques:
Black chalk on moderately thick, slightly textured, cream laid paper pasted on thick, slightly textured, cream laid paper
Dimensions:
Sheet: 4 3/8 x 6 7/8in. (11.1 x 17.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18016. Study of a Woman Pleading on Her Knees

Study of a Woman Pleading on Her Knees
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Black chalk on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 3 5/8 × 4 15/16 inches (9.2 × 12.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18017. Study For, Christ's Entry into Jerusalem

Study For, Christ's Entry into Jerusalem
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
1814 to 1820
Materials & Techniques:
Pen and brown ink on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 5 1/2 × 3 1/2 inches (14 × 8.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18018. Study For, Christ's Entry into Jerusalem

Study For, Christ's Entry into Jerusalem
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
1810 to 1820
Materials & Techniques:
Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 × 7 5/8 inches (15.2 × 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18019. Study For, Christ's Entry into Jerusalem

Study For, Christ's Entry into Jerusalem
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
1810 to 1820
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 5 1/2 × 2 15/16 inches (14 × 7.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18020. Study For, Christ's Entry into Jerusalem

Study For, Christ's Entry into Jerusalem
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
1814 to 1820
Materials & Techniques:
Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 3/8 × 4 1/16 inches (8.6 × 10.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18021. Study For, Christ's Entry into Jerusalem

Study For, Christ's Entry into Jerusalem
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
1810 to 1820
Materials & Techniques:
Pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 3 5/8 × 2 7/8 inches (9.2 × 7.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18022. Study For, Christ's Entry into Jerusalem

Study For, Christ's Entry into Jerusalem
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
1810 to 1820
Materials & Techniques:
Pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 4 7/16 × 4 5/8 inches (11.3 × 11.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18023. Study of Figures Sitting Under a Tree

Study of Figures Sitting Under a Tree
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
1806
Materials & Techniques:
Pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 9/16 × 5 3/4 inches (9 × 14.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18024. Study For, Christ's Entry into Jerusalem

Study For, Christ's Entry into Jerusalem
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
1810 to 1820
Materials & Techniques:
Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 5/8 × 2 7/8 inches (9.2 × 7.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18025. Study of a Nude Male

Study of a Nude Male
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 3 7/16 × 2 15/16 inches (8.7 × 7.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18026. Study of a Man on His Knees

Study of a Man on His Knees
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 3 3/8 × 3 5/8 inches (8.6 × 9.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18027. Study of a Group of Standing Figures

Study of a Group of Standing Figures
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, smooth, beige wove paper
Dimensions:
Sheet: 6 1/16 × 3 1/2 inches (15.4 × 8.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18028. Study of a Woman and Child Playing

Study of a Woman and Child Playing
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink over graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 1/16 × 3 3/4 inches (15.4 × 9.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18029. Study of a Woman in a Partial Recline

Study of a Woman in a Partial Recline
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Black chalk and graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 5/16 × 6 13/16 inches (11 × 17.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18030. Study of an Ethnic Woman's Face, in Profile, Wearing Earrings

Study of an Ethnic Woman's Face, in Profile, Wearing Earrings
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 2 13/16 × 2 1/4 inches (7.1 × 5.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18031. Study of a Man's Expressive Face

Study of a Man's Expressive Face
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Black chalk on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 5 5/16 × 2 15/16 inches (13.5 × 7.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18032. Studies of the Face of Jesus

Studies of the Face of Jesus
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 3/4 × 11 3/16 inches (19.7 × 28.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18033. Study For, Christ's Entry into Jerusalem

Study For, Christ's Entry into Jerusalem
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
1810 to 1820
Materials & Techniques:
Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 × 4 15/16 inches (20.3 × 12.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18034. Study of Male Heads

Study of Male Heads
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 3 × 2 13/16 inches (7.6 × 7.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18035. Study of Faces

Study of Faces
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, slightlyy textured, cream laid paper
Dimensions:
Sheet: 11 1/8 × 7 13/16 inches (28.3 × 19.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18036. Study for, Agony in the Garden

Study for, Agony in the Garden
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink, and brown wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 3/8 × 7 7/8 inches (31.4 × 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18037. Study for Napoleon Bonaparte

Study for Napoleon Bonaparte
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 9/16 × 4 inches (11.6 × 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18038. Compositional Study of Soldiers

Compositional Study of Soldiers
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 5/8 × 5 3/8 inches (16.8 × 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18039. Figure Study of a Nude Male

Figure Study of a Nude Male
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 4 7/8 × 3 11/16 inches (12.4 × 9.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18040. Study of the Crucifixion

Study of the Crucifixion
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Black chalk and white chalk on moderately thick, moderately textured, brown wove paper
Dimensions:
Sheet: 12 1/4 × 10 3/16 inches (31.1 × 25.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18041. Study of a Man in a Long Robe

Study of a Man in a Long Robe
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Black chalk, white chalk, red chalk, and graphite, on moderely thick, rough, brown wove paper
Dimensions:
Sheet: 15 3/4 × 11 5/8 inches (40 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18042. Study of a Seated Man, Wearing a Pointed Hat

Study of a Seated Man, Wearing a Pointed Hat
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
1803
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 3/16 × 7 1/16 inches (13.2 × 17.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18043. Study of Two Seated Men in Their Traditional Costume

Study of Two Seated Men in Their Traditional Costume
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
1803
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 × 7 1/8 inches (13.3 × 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18044. Gems of the Great Exhibition No. 4: The Foreign Department

Gems of the Great Exhibition No. 4: The Foreign Department
Creator:
Print made by George Baxter, 1804–1867
Date:
1852 or 1854
Materials & Techniques:
Aquatint and stipple engraving with color woodcut on medium, smooth, cream wove paper, laid on dome-shaped gold paper, laid on contemporary mount made of thick, smooth, beige card
Dimensions:
Mount: 8 3/8 x 13 1/16 inches (21.2 x 33.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18045. The Great Exhibition: Exterior View from the Southwest

The Great Exhibition: Exterior View from the Southwest
Creator:
Print made by George Baxter, 1804–1867
Date:
1851
Materials & Techniques:
Aquatint, stipple engraving, and etching with color woodcut on medium, smooth, cream wove paper, surrounded with gold dome-shaped border, laid on contemporary mount made of thick, smooth, beige card
Dimensions:
Sheet: 5 11/16 × 12 5/8 inches (14.4 × 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18046. Albanian Scenes

Albanian Scenes
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint and stipple engraving, with color woodcut on cream card mounted on beige card
Dimensions:
Image: 2 7/8 x 6 13/16 inches (7.3 x 17.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18047. Bacharach and View near Bingen

Bacharach and View near Bingen
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Etching and aquatint, with color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 12 13/16 × 8 7/8 inches (32.5 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18048. Castles in England

Castles in England
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, stipple engraving, etching and color woodcut on cream card mounted on beige card
Dimensions:
Image: 6 7/8 x 4 3/4 inches (17.4 x 12 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18049. The Crimean War

The Crimean War
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, stipple engraving, etching and color woodcut on cream card mounted on beige card
Dimensions:
Sheet: 8 1/8 × 9 7/16 inches (20.7 × 23.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18050. Four Subjects

Four Subjects
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, etching, stipple engraving and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Image: 4 3/8 x 3 1/4 inches (11.1 x 8.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18051. Eaton Hall

Eaton Hall
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Etching and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 5 7/16 × 7 3/8 inches (13.8 × 18.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18052. Set of Needle-Box Prints

Set of Needle-Box Prints
Creator:
Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Etching, stipple engraving and aquatint, with color woodcut on cream card mounted on beige card
Dimensions:
Sheet: 2 5/16 × 5 3/16 inches (5.8 × 13.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18053. Hare in a Landscape

Hare in a Landscape
Creator:
Newton Limbird Smith Fielding, 1799–1856
Date:
1827
Materials & Techniques:
Watercolor, gouache and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/4 × 6 1/4 inches (22.2 × 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

18054. Ancienne Porte a Stirling

Ancienne Porte a Stirling
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1826
Materials & Techniques:
Lithograph on medium, smooth, cream wove paper
Dimensions:
Sheet: 10 9/16 x 13 5/16 inches (26.8 x 33.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18055. Brackline

Brackline
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1826
Materials & Techniques:
Lithograph on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 1/2 x 13 3/16 inches (26.7 x 33.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18056. Edinbourgh vu de la Chapelle S. Antoine

Edinbourgh vu de la Chapelle S. Antoine
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
ca. 1826
Materials & Techniques:
Lithograph on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 7/16 x 13 3/16 inches (26.5 x 33.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18057. Ancienne Tour Près de Lanark

Ancienne Tour Près de Lanark
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1826
Materials & Techniques:
Lithograph on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 1/2 x 13 7/8 inches (26.7 x 35.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18058. Campos sur les bords du Rio das Velhas

Campos sur les bords du Rio das Velhas
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1827
Materials & Techniques:
Lithograph on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 12 13/16 x 16 3/4 inches (32.6 x 42.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18059. Croix de Moulin les Planches

Croix de Moulin les Planches
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1827
Materials & Techniques:
Lithograph on moderately thick, smooth, cream wove paper with cream chine collé
Dimensions:
Sheet: 13 1/8 x 10 1/2 inches (33.3 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18060. Eglise de St. Jean a Lyons

Eglise de St. Jean a Lyons
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
ca. 1824
Materials & Techniques:
Lithograph on medium, smooth, cream wove paper pasted on contemporary mount
Dimensions:
Sheet: 8 7/8 × 11 15/16 inches (22.5 × 30.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18061. Lac Lomond

Lac Lomond
Creator:
François le Villain, active 1824–1835
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18062. Façade de l'Eglise de Brou

Façade de l'Eglise de Brou
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1825
Materials & Techniques:
Lithograph on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 21 x 13 7/8 inches (53.3 x 35.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18063. Glenfinlas

Glenfinlas
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1826
Materials & Techniques:
Lithograph on medium, smooth, cream wove paper
Dimensions:
Sheet: 9 9/16 x 11 5/8 inches (24.3 x 29.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18064. Lac de Killin

Lac de Killin
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1826
Materials & Techniques:
Lithograph on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 1/16 x 13 1/16 inches (25.5 x 33.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18065. La Conversation

La Conversation
Creator:
Print made by Rose Joseph Lemercier, 1803–1887
Date:
1826
Materials & Techniques:
Lithograph on moderately thick, smooth, cream wove paper with gray chine collé
Dimensions:
Sheet: 14 3/8 x 11 inches (36.5 x 28 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18066. Le Retour

Le Retour
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1826
Materials & Techniques:
Lithograph on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/4 x 10 7/8 inches (36.2 x 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18067. Rue du Gros Horloge

Rue du Gros Horloge
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1824
Materials & Techniques:
Lithograph on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:
Sheet: 13 x 13 15/16 inches (33 x 35.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18068. Les Pendus

Les Pendus
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
ca. 1826
Materials & Techniques:
Lithograph on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 3/4 x 8 3/8 inches (17.2 x 21.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18069. Ruines de Château d'Arlay

Ruines de Château d'Arlay
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1827
Materials & Techniques:
Lithograph on moderately thick, smooth, cream wove paper with gray chine collé
Dimensions:
Sheet: 13 5/16 x 18 1/8 inches (33.8 x 46.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18070. Tour du Gros Horloge, Batie Souis la Domination des Anglais en 1417

Tour du Gros Horloge, Batie Souis la Domination des Anglais en 1417
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1824
Materials & Techniques:
Lithograph on moderately thick, smooth, cream wove paper with gray chine collé
Dimensions:
Sheet: 20 7/8 x 13 3/4 inches (53 x 35 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18071. Nîmes

Nîmes
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 10 9/16 × 13 11/16 inches (26.8 × 34.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18072. Solway Moss

Solway Moss
Creator:
Print made by Sir Frank Short, 1857–1945
Date:
1887
Materials & Techniques:
Etching printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 3/4 × 17 3/8 inches (32.4 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Daniel Bell

18073. Portofino, The Italian Riviera of Genoa

Portofino, The Italian Riviera of Genoa
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802
Materials & Techniques:
Graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 8 15/16 × 11 7/16 inches (22.7 × 29.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18074. Part of the New Town of Misistra

Part of the New Town of Misistra
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 8 7/8 × 11 1/4 inches (22.5 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18075. Sketch of a Lion, From a Sculpture

Sketch of a Lion, From a Sculpture
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Graphite on thin, moderately textured, cream wove paper
Dimensions:
Sheet: 8 3/8 × 10 1/8 inches (21.3 × 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18076. Farmhouse

Farmhouse
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 4 3/16 × 6 1/2 inches (10.6 × 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18077. Sketches of a Glass Display Case With a Curtain

Sketches of a Glass Display Case With a Curtain
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Graphite on thin, moderately textured, beige wove paper
Dimensions:
Sheet: 9 1/2 × 7 1/2 inches (24.1 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18078. Near Rome

Near Rome
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 13 13/16 × 10 1/2 inches (35.1 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18079. The Murazzi at Venice

The Murazzi at Venice
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1804
Materials & Techniques:
Graphite, brown wash, pen and brown ink on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 9 1/2 × 15 inches (24.1 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18080. Agrigento, Italy, To the West

Agrigento, Italy, To the West
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 8 15/16 × 11 1/4 inches (22.7 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18081. Cathedral of Girgenti to the North

Cathedral of Girgenti to the North
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 5 11/16 × 8 15/16 inches (14.4 × 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18082. Part of the Town of Messina Showing the effects of the Earthquake of 1783

Part of the Town of Messina Showing the effects of the Earthquake of 1783
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 4 11/16 × 7 11/16 inches (11.9 × 19.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18083. On the Coast Near Messina

On the Coast Near Messina
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 4 11/16 × 7 5/8 inches (11.9 × 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18084. Argostoli in Kefalonia, Greece

Argostoli in Kefalonia, Greece
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 4 11/16 × 7 5/8 inches (11.9 × 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18085. Messina

Messina
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 4 11/16 × 7 5/8 inches (11.9 × 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18086. The Plains of Senta

The Plains of Senta
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1803
Materials & Techniques:
Brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 8 1/4 × 11 1/2 inches (21 × 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18087. Views Near the Town of Senta

Views Near the Town of Senta
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1803
Materials & Techniques:
Brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 8 9/16 × 11 1/2 inches (21.7 × 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18088. Patras, Greece

Patras, Greece
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1803
Materials & Techniques:
Graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 11 1/16 × 15 3/8 inches (28.1 × 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18089. Trifylia, Greece

Trifylia, Greece
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Blue wash, gray wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 4 11/16 × 7 3/4 inches (11.9 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18090. Remains of the Temple of Jupiter in the Plains of Nemea, Greece

Remains of the Temple of Jupiter in the Plains of Nemea, Greece
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1803
Materials & Techniques:
Gray wash, blue wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 10 3/4 × 15 inches (27.3 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18091. The Ruins of the Temple of Jupiter in the Plains of Nemea

The Ruins of the Temple of Jupiter in the Plains of Nemea
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1803
Materials & Techniques:
Watercolor and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 11 3/8 × 16 3/4 inches (28.9 × 42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18092. Sparta, Mystras in the Distance

Sparta, Mystras in the Distance
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Watercolor and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 8 7/8 × 11 1/4 inches (22.5 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18093. An Old Church in the Ruined Town of Mystras

An Old Church in the Ruined Town of Mystras
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 11 3/8 × 8 15/16 inches (28.9 × 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18094. The Ruins of Sparta

The Ruins of Sparta
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Watercolor and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 5 15/16 × 8 7/8 inches (15.1 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18095. Vesuvius from the Bay of Naples

Vesuvius from the Bay of Naples
Creator:
Print made by Sir Frank Short, 1857–1945
Date:
1895
Materials & Techniques:
Mezzotint, trial proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 7/8 × 20 3/8 inches (35.2 × 51.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Daniel Bell

18096. Kalamata, Greece

Kalamata, Greece
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Gray wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 8 1/16 × 11 7/16 inches (20.5 × 29.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18097. Kalamata, Greece

Kalamata, Greece
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Gray wasn and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 8 1/16 × 11 1/2 inches (20.5 × 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18098. Kalamata, Greece

Kalamata, Greece
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Watercolor, graphite, pen and brown ink on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 11 1/2 × 14 3/8 inches (29.2 × 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18099. Among the Ruins of Messene

Among the Ruins of Messene
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Pen and black ink on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 15 1/8 × 9 1/2 inches (38.4 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18100. Capital of One of the Columns and the Capital of One of the Pilasters

Capital of One of the Columns and the Capital of One of the Pilasters
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Graphite, pen and black ink on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 14 3/4 × 10 15/16 inches (37.5 × 27.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection