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Period 19th century

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6501. Switzerland

Switzerland
Creator:
Maria Leycester, 1798–1870
Date:
1818
Materials & Techniques:
Graphite, brown wash, and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/8 × 9 3/8 inches (16.2 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mark Emanuel

6502. Switzerland

Switzerland
Creator:
Maria Leycester, 1798–1870
Date:
1818
Materials & Techniques:
Graphite, brown wash, and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/8 × 9 3/8 inches (16.2 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mark Emanuel

6503. Switzerland

Switzerland
Creator:
Maria Leycester, 1798–1870
Date:
1818
Materials & Techniques:
Graphite, brown wash, and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/8 × 9 3/8 inches (16.2 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mark Emanuel

6504. Switzerland

Switzerland
Creator:
Maria Leycester, 1798–1870
Date:
1818
Materials & Techniques:
Graphite, brown wash, and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/8 × 9 3/8 inches (16.2 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mark Emanuel

6505. Switzerland

Switzerland
Creator:
Maria Leycester, 1798–1870
Date:
1818
Materials & Techniques:
Graphite, brown wash, and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/8 × 9 3/8 inches (16.2 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mark Emanuel

6506. Switzerland

Switzerland
Creator:
Maria Leycester, 1798–1870
Date:
1818
Materials & Techniques:
Graphite, brown wash, and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/8 × 9 3/8 inches (16.2 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mark Emanuel

6507. Switzerland

Switzerland
Creator:
Maria Leycester, 1798–1870
Date:
1818
Materials & Techniques:
Graphite, brown wash, and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/8 × 9 3/8 inches (16.2 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mark Emanuel

6508. Switzerland

Switzerland
Creator:
Maria Leycester, 1798–1870
Date:
1818
Materials & Techniques:
Graphite, brown wash, and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/8 × 9 3/8 inches (16.2 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mark Emanuel

6509. Switzerland

Switzerland
Creator:
Maria Leycester, 1798–1870
Date:
1818
Materials & Techniques:
Graphite, brown wash, and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/8 × 9 3/8 inches (16.2 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mark Emanuel

6510. Switzerland

Switzerland
Creator:
Maria Leycester, 1798–1870
Date:
1818
Materials & Techniques:
Graphite, brown wash, and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/8 × 9 3/8 inches (16.2 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mark Emanuel

6511. Switzerland

Switzerland
Creator:
Maria Leycester, 1798–1870
Date:
1818
Materials & Techniques:
Graphite, brown wash, and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/8 × 9 3/8 inches (16.2 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mark Emanuel

6512. Switzerland

Switzerland
Creator:
Maria Leycester, 1798–1870
Date:
1818
Materials & Techniques:
Graphite, brown wash, and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/8 × 9 3/8 inches (16.2 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mark Emanuel

6513. Switzerland

Switzerland
Creator:
Maria Leycester, 1798–1870
Date:
1818
Materials & Techniques:
Graphite, brown wash, and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/8 × 9 3/8 inches (16.2 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mark Emanuel

6514. Switzerland

Switzerland
Creator:
Maria Leycester, 1798–1870
Date:
1818
Materials & Techniques:
Graphite, brown wash, and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/8 × 9 3/8 inches (16.2 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mark Emanuel

6515. Switzerland

Switzerland
Creator:
Maria Leycester, 1798–1870
Date:
1818
Materials & Techniques:
Graphite, brown wash, and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/8 × 9 3/8 inches (16.2 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mark Emanuel

6516. Switzerland

Switzerland
Creator:
Maria Leycester, 1798–1870
Date:
1818
Materials & Techniques:
Graphite, brown wash, and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/8 × 9 3/8 inches (16.2 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mark Emanuel

6517. Preparatory Design for a Stained Glass Window, Virgil and Horace

Preparatory Design for a Stained Glass Window, Virgil and Horace
Creator:
Edward Burne-Jones, 1833–1898
Date:
undated
Materials & Techniques:
Graphite and watercolor on moderately textured, cream wove paper
Dimensions:
Sheet: 22 5/8 x 22 5/8 inches (57.5 x 57.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Alan F. Hockstader

6518. One of A Series of Sixty Sketches of Cottages. London, 1825.

One of A Series of Sixty Sketches of Cottages. London, 1825.
Creator:
Print made by Frederick Calvert, ca. 1785–1845
Date:
1825
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 10 3/8 inches (18.1 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6519. One of A Series of Sixty Sketches of Cottages. London, 1825.

One of A Series of Sixty Sketches of Cottages. London, 1825.
Creator:
Print made by Frederick Calvert, ca. 1785–1845
Date:
1825
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 10 3/8 inches (18.1 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6520. One of A Series of Sixty Sketches of Cottages. London, 1825.

One of A Series of Sixty Sketches of Cottages. London, 1825.
Creator:
Print made by Frederick Calvert, ca. 1785–1845
Date:
1825
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 10 3/8 inches (18.1 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6521. One of A Series of Sixty Sketches of Cottages. London, 1825.

One of A Series of Sixty Sketches of Cottages. London, 1825.
Creator:
Print made by Frederick Calvert, ca. 1785–1845
Date:
1825
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 10 3/8 inches (18.1 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6522. One of A Series of Sixty Sketches of Cottages. London, 1825.

One of A Series of Sixty Sketches of Cottages. London, 1825.
Creator:
Print made by Frederick Calvert, ca. 1785–1845
Date:
1825
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 10 3/8 inches (18.1 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6523. One of A Series of Sixty Sketches of Cottages. London, 1825.

One of A Series of Sixty Sketches of Cottages. London, 1825.
Creator:
Print made by Frederick Calvert, ca. 1785–1845
Date:
1825
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 10 3/8 inches (18.1 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6524. One of A Series of Sixty Sketches of Cottages. London, 1825.

One of A Series of Sixty Sketches of Cottages. London, 1825.
Creator:
Print made by Frederick Calvert, ca. 1785–1845
Date:
1825
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 10 3/8 inches (18.1 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6525. One of A Series of Sixty Sketches of Cottages. London, 1825.

One of A Series of Sixty Sketches of Cottages. London, 1825.
Creator:
Print made by Frederick Calvert, ca. 1785–1845
Date:
1825
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 10 3/8 inches (18.1 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6526. One of A Series of Sixty Sketches of Cottages. London, 1825.

One of A Series of Sixty Sketches of Cottages. London, 1825.
Creator:
Print made by Frederick Calvert, ca. 1785–1845
Date:
1825
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 10 3/8 inches (18.1 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6527. One of A Series of Sixty Sketches of Cottages. London, 1825.

One of A Series of Sixty Sketches of Cottages. London, 1825.
Creator:
Print made by Frederick Calvert, ca. 1785–1845
Date:
1825
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 10 3/8 inches (18.1 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6528. One of A Series of Sixty Sketches of Cottages. London, 1825.

One of A Series of Sixty Sketches of Cottages. London, 1825.
Creator:
Print made by Frederick Calvert, ca. 1785–1845
Date:
1825
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 10 3/8 inches (18.1 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6529. One of A Series of Sixty Sketches of Cottages. London, 1825.

One of A Series of Sixty Sketches of Cottages. London, 1825.
Creator:
Print made by Frederick Calvert, ca. 1785–1845
Date:
1825
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 10 3/8 inches (18.1 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6530. One of A Series of Sixty Sketches of Cottages. London, 1825.

One of A Series of Sixty Sketches of Cottages. London, 1825.
Creator:
Print made by Frederick Calvert, ca. 1785–1845
Date:
1825
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 10 3/8 inches (18.1 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6531. One of A Series of Sixty Sketches of Cottages. London, 1825.

One of A Series of Sixty Sketches of Cottages. London, 1825.
Creator:
Print made by Frederick Calvert, ca. 1785–1845
Date:
1825
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 10 3/8 inches (18.1 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6532. One of A Series of Sixty Sketches of Cottages. London, 1825.

One of A Series of Sixty Sketches of Cottages. London, 1825.
Creator:
Print made by Frederick Calvert, ca. 1785–1845
Date:
1825
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 10 3/8 inches (18.1 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6533. One of A Series of Sixty Sketches of Cottages. London, 1825.

One of A Series of Sixty Sketches of Cottages. London, 1825.
Creator:
Print made by Frederick Calvert, ca. 1785–1845
Date:
1825
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 10 3/8 inches (18.1 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6534. One of A Series of Sixty Sketches of Cottages. London, 1825.

One of A Series of Sixty Sketches of Cottages. London, 1825.
Creator:
Print made by Frederick Calvert, ca. 1785–1845
Date:
1825
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 10 3/8 inches (18.1 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6535. One of A Series of Sixty Sketches of Cottages. London, 1825.

One of A Series of Sixty Sketches of Cottages. London, 1825.
Creator:
Print made by Frederick Calvert, ca. 1785–1845
Date:
1825
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 10 3/8 inches (18.1 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6536. One of A Series of Sixty Sketches of Cottages. London, 1825.

One of A Series of Sixty Sketches of Cottages. London, 1825.
Creator:
Print made by Frederick Calvert, ca. 1785–1845
Date:
1825
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 10 3/8 inches (18.1 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6537. One of A Series of Sixty Sketches of Cottages. London, 1825.

One of A Series of Sixty Sketches of Cottages. London, 1825.
Creator:
Print made by Frederick Calvert, ca. 1785–1845
Date:
1825
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 10 3/8 inches (18.1 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6538. One of A Series of Sixty Sketches of Cottages. London, 1825.

One of A Series of Sixty Sketches of Cottages. London, 1825.
Creator:
Print made by Frederick Calvert, ca. 1785–1845
Date:
1825
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 10 3/8 inches (18.1 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6539. One of A Series of Sixty Sketches of Cottages. London, 1825.

One of A Series of Sixty Sketches of Cottages. London, 1825.
Creator:
Print made by Frederick Calvert, ca. 1785–1845
Date:
1825
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 10 3/8 inches (18.1 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6540. One of A Series of Sixty Sketches of Cottages. London, 1825.

One of A Series of Sixty Sketches of Cottages. London, 1825.
Creator:
Print made by Frederick Calvert, ca. 1785–1845
Date:
1825
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 10 3/8 inches (18.1 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6541. One of A Series of Sixty Sketches of Cottages. London, 1825.

One of A Series of Sixty Sketches of Cottages. London, 1825.
Creator:
Print made by Frederick Calvert, ca. 1785–1845
Date:
1825
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 10 3/8 inches (18.1 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6542. One of A Series of Sixty Sketches of Cottages. London, 1825.

One of A Series of Sixty Sketches of Cottages. London, 1825.
Creator:
Print made by Frederick Calvert, ca. 1785–1845
Date:
1825
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 10 3/8 inches (18.1 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6543. One of A Series of Sixty Sketches of Cottages. London, 1825.

One of A Series of Sixty Sketches of Cottages. London, 1825.
Creator:
Print made by Frederick Calvert, ca. 1785–1845
Date:
1825
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 10 3/8 inches (18.1 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6544. One of A Series of Sixty Sketches of Cottages. London, 1825.

One of A Series of Sixty Sketches of Cottages. London, 1825.
Creator:
Print made by Frederick Calvert, ca. 1785–1845
Date:
1825
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 10 3/8 inches (18.1 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6545. Hindoo Temple on the Banks of the Hooghly, Calcutta

Hindoo Temple on the Banks of the Hooghly, Calcutta
Creator:
Frederick Fiebig, active mid-19th century
Date:
ca. 1850
Materials & Techniques:
Salted paper print from a paper negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 6 1/2 × 8 13/16 inches (16.5 × 22.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

6546. Self-portrait with Seated Lady, possibly His Wife Anna

Self-portrait with Seated Lady, possibly His Wife Anna
Creator:
Calvert Richard Jones, 1802–1877
Date:
ca. 1850
Materials & Techniques:
Salted paper print from a wet collodion negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 3 1/4 × 3 inches (8.3 × 7.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

6547. 'The Porthole,' Sergeant and Private of the 42d Gordon Highlanders

'The Porthole,' Sergeant and Private of the 42d Gordon Highlanders
Creator:
David Octavius Hill, 1802–1870
Date:
1846
Materials & Techniques:
Salted paper print from a paper negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 7 15/16 × 6 3/8 inches (20.1 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

6548. Choragic Trophy of Lysicrates, B.C. 335

Choragic Trophy of Lysicrates, B.C. 335
Creator:
Rev. George Wilson Bridges, 1788–1863
Date:
ca. 1848
Materials & Techniques:
Salted paper print from a paper negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 6 1/2 × 8 1/2 inches (16.5 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

6549. Toll Houses on Bristol Bridge

Toll Houses on Bristol Bridge
Creator:
unknown artist
Date:
1845
Materials & Techniques:
Daguerreotype, quarter plate on polished silver in period gilt frame passe-partout
Dimensions:
Image: 2 3/8 × 3 1/4 inches (6 × 8.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

6550. Loch Ranza

Loch Ranza
Creator:
Thomas Annan, 1829–1887
Date:
early 1860s
Materials & Techniques:
Albumen print on thin, smooth, cream wove paper
Dimensions:
Sheet: 11 × 15 3/8 inches (27.9 × 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

6551. Professor Henslow with Plant

Professor Henslow with Plant
Creator:
Richard Dykes Alexander, 1788–1865
Date:
ca. 1855
Materials & Techniques:
Salted paper print from a wet collodion negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 6 3/4 × 5 1/2 inches (17.1 × 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

6552. Base of the Column of Antoninus Pius, Vatican

Base of the Column of Antoninus Pius, Vatican
Creator:
James Anderson, 1813–1877
Date:
ca. 1857
Materials & Techniques:
Salted paper print from a wet collodion negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 11 1/8 × 13 5/8 inches (28.3 × 34.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

6553. Harlech Castle, North Wales

Harlech Castle, North Wales
Creator:
Francis Bedford, 1816–1894
Date:
ca. 1860
Materials & Techniques:
Albumen print from wet collodion negative on thin, smooth, cream wove paper mounted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/8 × 8 1/4 inches (16.2 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

6554. Kenilworth Castle

Kenilworth Castle
Creator:
Attributed to Francis Bedford, 1816–1894
Date:
ca. 1865
Materials & Techniques:
Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 9 × 11 3/4 inches (22.9 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Dr. and Mrs. Charles T. Isaacs

6555. Trees in the Snow

Trees in the Snow
Creator:
A. Booty Esq., active 1867
Date:
1860s
Materials & Techniques:
Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 7 1/8 × 9 1/2 inches (18.1 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

6556. Caves of Ellora

Caves of Ellora
Creator:
Samuel Bourne, 1834–1912
Date:
between 1865 and 1867
Materials & Techniques:
Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 9 × 11 1/2 inches (22.9 × 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Dr. and Mrs. Charles T. Isaacs

6557. Rushford Mill

Rushford Mill
Creator:
Francis Bedford, 1816–1894
Date:
ca. 1865
Materials & Techniques:
Carbon print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 8 3/4 × 11 1/8 inches (22.2 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

6558. Cox’s Cave, Cheddar

Cox’s Cave, Cheddar
Creator:
unknown artist
Date:
ca. 1880
Materials & Techniques:
Albumen print from glass negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 7 1/2 × 11 1/2 inches (19.1 × 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

6559. Banks of the River Orwell

Banks of the River Orwell
Creator:
Robert Burrows, 1810–1883
Date:
ca. 1859
Materials & Techniques:
Salted paper print from waxed paper negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 11 7/8 × 15 1/2 inches (30.2 × 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

6560. The Dewerstone Near Bickleith, Devon

The Dewerstone Near Bickleith, Devon
Creator:
Benjamin Browning, ca. 1850–1870
Date:
1856
Materials & Techniques:
Albumenized salted paper print from a waxed paper negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 10 3/4 × 8 inches (27.3 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Dr. and Mrs. Charles T. Isaacs

6561. Plant Study

Plant Study
Creator:
Robert Burrows, 1810–1883
Date:
1860s
Materials & Techniques:
Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 4 1/4 × 6 1/8 inches (10.8 × 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

6562. On the Teith, near Collander

On the Teith, near Collander
Creator:
W. Church Esq., active 1862–1867
Date:
1860s
Materials & Techniques:
Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 8 1/4 × 10 1/2 inches (21 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

6563. St. Peters Church, Clearwell, England

St. Peters Church, Clearwell, England
Creator:
H. T. Bowers, active 19th century
Date:
1860s
Materials & Techniques:
Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 14 1/4 × 11 3/8 inches (36.2 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

6564. Group of Scotch Pines near the Obelisk, Age 104 Years

Group of Scotch Pines near the Obelisk, Age 104 Years
Creator:
William Bambridge, 1819–1879
Date:
1864
Materials & Techniques:
Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 11 1/4 × 9 3/8 inches (28.6 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

6565. Rustic Steps and Bridge in Landscape

Rustic Steps and Bridge in Landscape
Creator:
unknown artist
Date:
1860s
Materials & Techniques:
Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 8 1/8 × 6 1/4 inches (20.6 × 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

6566. In the Devil’s Glen, County Wicklow

In the Devil’s Glen, County Wicklow
Creator:
unknown artist
Date:
ca. 1870
Materials & Techniques:
Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 8 3/8 × 10 3/4 inches (21.3 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

6567. Study after the Story of Apollo and Daphne

Study after the Story of Apollo and Daphne
Creator:
Attributed to John Ruskin, 1819–1900
Date:
undated
Materials & Techniques:
Watercolor, gouache, and graphite with scraping out on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/4 × 22 1/4 inches (40 × 56.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Elliot Sussman, MD, MBA, Yale BA 1973

6568. A Muslim Wedding Procession by Night, Patna

A Muslim Wedding Procession by Night, Patna
Creator:
Unknown artist (Company style)
Date:
between 1820 and 1830
Materials & Techniques:
Watercolor and gouache on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/4 × 22 3/4 inches (40 × 57.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

6569. The Adam and Eve Tavern, Old Chelsea

The Adam and Eve Tavern, Old Chelsea
Creator:
Print made by James McNeill Whistler, 1834–1903
Date:
1878
Materials & Techniques:
Etching and drypoint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 9 3/4 x 14 3/4 inches (24.8 x 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald and Willi Holden

6570. The Building of Nelson’s Column

The Building of Nelson’s Column
Creator:
William Henry Fox Talbot, 1800–1877
Date:
ca. 1843
Materials & Techniques:
Salted paper print from a paper negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 6 3/4 × 8 1/4 inches (17.1 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

6571. Reflected Trees, Lacock

Reflected Trees, Lacock
Creator:
William Henry Fox Talbot, 1800–1877
Date:
1841 to 1842
Materials & Techniques:
Salted paper print from paper negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 7 3/4 × 9 3/4 inches (19.7 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

6572. Oak Tree in Winter

Oak Tree in Winter
Creator:
William Henry Fox Talbot, 1800–1877
Date:
1842 to 1843
Materials & Techniques:
Salted paper print from a paper negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 7 3/4 × 8 5/8 inches (19.7 × 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

6573. Detail of a Tower, Orleans Cathedral

Detail of a Tower, Orleans Cathedral
Creator:
William Henry Fox Talbot, 1800–1877
Date:
1843
Materials & Techniques:
Salted paper print from a paper negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 6 7/16 × 8 1/16 inches (16.4 × 20.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

6574. Street Scene in Swansea with Street Lamp

Street Scene in Swansea with Street Lamp
Creator:
Calvert Richard Jones, 1802–1877
Date:
between 1845 and 1850
Materials & Techniques:
Salted paper print from a paper negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 × 3 3/4 inches (11.4 × 9.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

6575. Bay of Baia

Bay of Baia
Creator:
Calvert Richard Jones, 1802–1877
Date:
1846
Materials & Techniques:
Salted paper print from a paper negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 7 3/8 × 9 inches (18.7 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

6576. Bracebridge Hall, Ready Money Jack

Bracebridge Hall, Ready Money Jack
Creator:
Print made by unknown artist
Date:
1858
Materials & Techniques:
Line engraving and etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

6577. Garden Front of Furnivals Inn

Garden Front of Furnivals Inn
Creator:
Print made by unknown artist
Date:
1800
Materials & Techniques:
Etching and aquatint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

6578. France Pittoresque, Le Prix de Vertu

France Pittoresque, Le Prix de Vertu
Date:
1835
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

6579. Royal Hospital of St. Catherine's, Regent's Park

Royal Hospital of St. Catherine's, Regent's Park
Creator:
Print made by unknown artist
Date:
1828
Materials & Techniques:
Color-printed etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

6580. Bracebridge Hall, The Lovers

Bracebridge Hall, The Lovers
Creator:
Print made by unknown artist
Date:
1858
Materials & Techniques:
Line engraving and etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

6581. Part of Waterloo Bridge with the Shot Tower, &c.

Part of Waterloo Bridge with the Shot Tower, &c.
Creator:
Print made by George Cooke, 1781–1834
Date:
1832
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

6582. Sheerness, As Seen From the Nore

Sheerness, As Seen From the Nore
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1856
Materials & Techniques:
Mezzotint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6583. Camp Hill, Hastings

Camp Hill, Hastings
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1837
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6584. The Death Boat of Heligoland

The Death Boat of Heligoland
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1837
Materials & Techniques:
Line engraving, engraver's proof, touched
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6585. Whitby

Whitby
Creator:
Print made by John Cousen, 1804–1880
Date:
ca. 1844
Materials & Techniques:
Line engraving; engraver's proof on medium, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6586. The Dead Eagle - Oran

The Dead Eagle - Oran
Creator:
Print made by William Miller, 1796–1882
Date:
1837
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6587. Datur Hora Quieti

Datur Hora Quieti
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1833
Materials & Techniques:
Line engraving, 3rd state on medium, smooth, beige wove paper
Dimensions:
Sheet: 10 9/16 × 6 1/16 inches (26.8 × 15.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6588. Cavalrymen, etc.

Cavalrymen, etc.
Creator:
Joseph Steuart, active 1821
Date:
1821
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6589. Hungerford Market

Hungerford Market
Creator:
Maddocks, active 1825
Date:
1825
Materials & Techniques:
Engraving on smooth, moderately thick, cream wove paper
Dimensions:
Sheet: 13 5/8 × 10 1/2 inches (34.6 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6590. S. E. Angle of the Cloisters

S. E. Angle of the Cloisters
Creator:
J. R. Hamble, active 1775–1825
Date:
1812
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

6591. Fulham Church

Fulham Church
Creator:
Simon Watts, active 1812
Date:
1812
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6592. South Side of the House of Commons from the Roof of the Painted Chamber

South Side of the House of Commons from the Roof of the Painted Chamber
Creator:
George Arnald, 1763–1841
Date:
1805
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6593. Buckingham Palace

Buckingham Palace
Creator:
John Woods, active 1836–1860
Materials & Techniques:
Engraving
Dimensions:
Sheet: 7 15/16 x 10 7/16in. (20.2 x 26.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6594. `Queen's return from the House of Lords'

`Queen's return from the House of Lords'
Creator:
Benjamin Read, active 1820s–1840s
Date:
1839
Materials & Techniques:
Engraving with aquatint, hand-colored
Dimensions:
Sheet: 17 x 23in. (43.2 x 58.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of John Russell

6595. Crakow

Crakow
Creator:
Alfred Gomersal Vickers, 1810–1837
Date:
1827
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/4 × 16 3/8 inches (27.3 × 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of John Russell

6596. James Gillray

James Gillray
Creator:
Print made by Joseph Brown, 19th century
Date:
1848
Materials & Techniques:
Line engraving, stipple engraving, and etching on moderately thick, smooth, cream wove paper, laid in mount
Dimensions:
Sheet: 7 5/16 × 4 5/16 inches (18.5 × 10.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6597. Sir William Beechey, R. A.

Sir William Beechey, R. A.
Creator:
Print made by Richard Cooper the Younger, 1740–1814
Date:
1814
Materials & Techniques:
Crayon manner, stipple engraving, and line engraving on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 15 3/4 x 11 7/16 inches (40 x 29 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6598. Château Hamelin

Château Hamelin
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1833
Materials & Techniques:
Line engraving, engraver's proof (early) on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 9 1/8 × 13 1/8 inches (23.2 × 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6599. Scene on the Loire

Scene on the Loire
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1833
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6600. Confluence of the Seine and Marne

Confluence of the Seine and Marne
Creator:
Print made by James Charles Armytage, 1802–1897
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection