Period: 19th century - YCBA Collections Search Search Results

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Period 19th century

unknown artist Sky study

unknown artist

Sky study

undated

unknown artist Sky study

unknown artist

Sky study

undated

Thomas Rowlandson The Vicar Selling his Horse

Thomas Rowlandson, 1756–1827

The Vicar Selling his Horse

ca. 1817

Thomas Rowlandson The Surprise

Thomas Rowlandson, 1756–1827

The Surprise

ca. 1817

Thomas Rowlandson The Family Picture

Thomas Rowlandson, 1756–1827

The Family Picture

1817

unknown artist Sky study

unknown artist

Sky study

undated

Thomas Rowlandson The Fair Penitent

Thomas Rowlandson, 1756–1827

The Fair Penitent

ca. 1817

Thomas Rowlandson Attendance on a Nobleman

Thomas Rowlandson, 1756–1827

Attendance on a Nobleman

ca. 1817

Thomas Rowlandson The Scold, with News of Olivia

Thomas Rowlandson, 1756–1827

The Scold, with News of Olivia

ca. 1817

Thomas Rowlandson The Vicar Preaching to the Prisoners

Thomas Rowlandson, 1756–1827

The Vicar Preaching to the Prisoners

ca. 1817

James McNeill Whistler The Palaces (canceled plate)

James McNeill Whistler, 1834–1903

The Palaces (canceled plate)

ca. 1879

James McNeill Whistler Jo

James McNeill Whistler, 1834–1903

Jo

1861

James McNeill Whistler The Storm

James McNeill Whistler, 1834–1903

The Storm

1861

James McNeill Whistler Île de la Cité, Paris

James McNeill Whistler, 1834–1903

Île de la Cité, Paris

1859

James McNeill Whistler Sketch of Heads

James McNeill Whistler, 1834–1903

Sketch of Heads

1873

James McNeill Whistler A Nude Girl Standing

James McNeill Whistler, 1834–1903

A Nude Girl Standing

between 1873 and 1875

James McNeill Whistler A Man Reading

James McNeill Whistler, 1834–1903

A Man Reading

between 1873 and 1877

James McNeill Whistler The "Adam and Eve," Old Chelsea

James McNeill Whistler, 1834–1903

The "Adam and Eve," Old Chelsea

1879

Thomas Mann Baynes Set of six with printed wrapper, Plate 2: The Fox's Arrival at the Squire's Gate

Thomas Mann Baynes, 1794–1854

Set of six with printed wrapper, Plate 2: The Fox's Arrival at the Squire's Gate

1836

Thomas Mann Baynes Set of six with printed wrapper, Plate 4: The Fox Escapes with Best Goose

Thomas Mann Baynes, 1794–1854

Set of six with printed wrapper, Plate 4: The Fox Escapes with Best Goose

1836

Thomas Mann Baynes Set of six with printed wrapper, Plate 6: The Morning Banquet

Thomas Mann Baynes, 1794–1854

Set of six with printed wrapper, Plate 6: The Morning Banquet

1836

Ambrose Poynter Sketches from Life in Paris: Seated Woman and Standing Man

Ambrose Poynter, 1796–1886

Sketches from Life in Paris: Seated Woman and Standing Man

ca. 1835

Peter DeWint Houses at Teddington on the Thames

attributed to Peter DeWint, 1784–1849

Houses at Teddington on the Thames

1809

Peter DeWint View of the Thames at Kingston

attributed to Peter DeWint, 1784–1849

View of the Thames at Kingston

1809

Thomas Mann Baynes Set of six with printed wrapper, Plate 5: The Unsuccessful Pursuit of the Fox and Goose

Thomas Mann Baynes, 1794–1854

Set of six with printed wrapper, Plate 5: The Unsuccessful Pursuit of the Fox and Goose

1836

Richard Redgrave Ile de la Cité, the Pont au Change, and the Conciergerie, Paris, 1837

Richard Redgrave, 1804–1888

Ile de la Cité, the Pont au Change, and the Conciergerie, Paris, 1837

1837

Thomas Mann Baynes Set of six with printed wrapper, Plate 3: The Fox Silently Entering the Poultry Yard

Thomas Mann Baynes, 1794–1854

Set of six with printed wrapper, Plate 3: The Fox Silently Entering the Poultry Yard

1836

Thomas Rowlandson Butterfly Hunting

Thomas Rowlandson, 1756–1827

Butterfly Hunting

ca. 1806

David Cox Pirate's Isle

David Cox, 1783–1859

Pirate's Isle

1826

David Cox The Poplar Avenue, after Hobbema

David Cox, 1783–1859

The Poplar Avenue, after Hobbema

ca. 1835

George Siegmund Facius Romeo and Juliet: Act I, Scene V. "A Hall in Capulet's House."

George Siegmund Facius, 1750–1804

Romeo and Juliet: Act I, Scene V. "A Hall in Capulet's House."

1789

George Siegmund Facius Romeo and Juliet: Act IV, Scene V. "Juliet on her bed."

George Siegmund Facius, 1750–1804

Romeo and Juliet: Act IV, Scene V. "Juliet on her bed."

1803

William Henry Simmons The Return (First Class)

Print made by William Henry Simmons, 1811–1882

The Return (First Class)

1857

Henry Bone Portrait of Samuel Lyons

Henry Bone, 1755–1834

Portrait of Samuel Lyons

1803

Robert Thew Henry VI, Part I: Act II, Scene iii, The Countess of Auvergne's Castle

Robert Thew, 1758–1802

Henry VI, Part I: Act II, Scene iii, The Countess of Auvergne's Castle

1803

George Alken Foxhunting: Rider, Taking a Fence

George Alken, 1794–active 1837

Foxhunting: Rider, Taking a Fence

undated

Henry Thomas Alken "Landscape Scenery", No. 18: Scenes of Horse Drawn Artillery, etc.

Henry Thomas Alken, 1785–1851

"Landscape Scenery", No. 18: Scenes of Horse Drawn Artillery, etc

1821

Henry Thomas Alken "Landscape Scenery", No. 13: Groups of Infantry and Army Horses

Henry Thomas Alken, 1785–1851

"Landscape Scenery", No. 13: Groups of Infantry and Army Horses

1821

Henry Thomas Alken "Scraps", No. 27: Two Dismounted Riders Drinking at an Alehouse Door

Henry Thomas Alken, 1785–1851

"Scraps", No. 27: Two Dismounted Riders Drinking at an Alehouse Door

1823

Henry Thomas Alken "Scraps", No. 24: Hunting -Ttwo Riders, One Opening a Gate For Hounds

Henry Thomas Alken, 1785–1851

"Scraps", No. 24: Hunting -Ttwo Riders, One Opening a Gate For Hounds

1823

Henry Thomas Alken Symptoms: of to be Sold, of Despair, of Who is There, of Sold and Had Him a Week

Henry Thomas Alken, 1785–1851

Symptoms: of to be Sold, of Despair, of Who is There, of Sold and Had Him a Week

between 1818 and 1822

Henry Thomas Alken Horse and Dog

Henry Thomas Alken, 1785–1851

Horse and Dog

undated

Henry Thomas Alken "Scraps", No. 8: Scenes of a Lancer and Other Cavalry

Henry Thomas Alken, 1785–1851

"Scraps", No. 8: Scenes of a Lancer and Other Cavalry

1823

Henry Thomas Alken Symptoms: of None of Your Stuff, of a Declaration, of a Meltonian, of Is that a Writ I See Before Me, of a Love Feast, of a Buck

Henry Thomas Alken, 1785–1851

Symptoms: of None of Your Stuff, of a Declaration, of a Meltonian, of Is that a Writ I See Before Me, of a Love Feast, of a Buck

between 1818 and 1822

Henry Thomas Alken Symptoms: of Up With a Down Prospect, of Down with an Up Prospect, of Learning to Trot, of a Hard Mouth.

Henry Thomas Alken, 1785–1851

Symptoms: of Up With a Down Prospect, of Down with an Up Prospect, of Learning to Trot, of a Hard Mouth

between 1818 and 1822

Henry Thomas Alken Symptoms: of Unwelcome Guests, of Being Off the Curb, of Can't Exactly Say: No Consulation of Physicians, of W'ont Exactly Say: No Consultations of Lawyers.

Henry Thomas Alken, 1785–1851

Symptoms: of Unwelcome Guests, of Being Off the Curb, of Can't Exactly Say: No Consulation of Physicians, of W'ont Exactly Say: No Consultations of Lawyers

between 1818 and 1822

Henry Thomas Alken Hooded Damascene Cavalryman Riding

Henry Thomas Alken, 1785–1851

Hooded Damascene Cavalryman Riding

undated

Henry Thomas Alken Three Men in (?) Seventeenth Century Dress, in a Street Sword Fight, Central Man Run Through

Henry Thomas Alken, 1785–1851

Three Men in (?) Seventeenth Century Dress, in a Street Sword Fight, Central Man Run Through

undated

Henry Thomas Alken Wounded Turkish Cavalryman in Danger of Failling From His Horse...

Henry Thomas Alken, 1785–1851

Wounded Turkish Cavalryman in Danger of Failling From His Horse..

undated

Henry Thomas Alken, 1785–1851

Head of a Foxhound, in Profile Right

undated

Henry Thomas Alken Head of a Stable Lad, Looking Between the Heads of a Horse, on His Left, and a Donkey, on His Right

Henry Thomas Alken, 1785–1851

Head of a Stable Lad, Looking Between the Heads of a Horse, on His Left, and a Donkey, on His Right

undated

Henry Thomas Alken Knight Falling From His Horse at a Squire's Tilt

Henry Thomas Alken, 1785–1851

Knight Falling From His Horse at a Squire's Tilt

undated

Henry Thomas Alken A Character (? Macbeth) in Renaissance Dress...

Henry Thomas Alken, 1785–1851

A Character (? Macbeth) in Renaissance Dress..

undated

Henry Thomas Alken Hussar with High Plume in His Helmet, Mounted on a Horse, With High Held Swishing Tail

Henry Thomas Alken, 1785–1851

Hussar with High Plume in His Helmet, Mounted on a Horse, With High Held Swishing Tail

undated

Henry Thomas Alken, 1785–1851

Head of a Pointer, in Profile Left

undated

Henry Thomas Alken Self-Portrait, Full Face Looking Downwards to Right, Wearing a Top Hat

Henry Thomas Alken, 1785–1851

Self-Portrait, Full Face Looking Downwards to Right, Wearing a Top Hat

undated

Henry Thomas Alken, 1785–1851

Head and Neck of a Horse in Fear or Exhaustion, Mane Swept Forwards, Profile Right

undated

Henry Thomas Alken Head and Shoulders of a Collie Dog, Wearing a Leash or Tether, Sketchy Sheep in Background

Henry Thomas Alken, 1785–1851

Head and Shoulders of a Collie Dog, Wearing a Leash or Tether, Sketchy Sheep in Background

undated

Henry Thomas Alken, 1785–1851

Head and Neck of a Horse, Profile Left

undated

Henry Thomas Alken Poachers Surprised

Henry Thomas Alken, 1785–1851

Poachers Surprised

undated

Henry Thomas Alken, 1785–1851

Head and Shoulders of a Boxer Dog, Profile Right

undated

Henry Thomas Alken "Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" '

Henry Thomas Alken, 1785–1851

"Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" '

between 1831 and 1832

Henry Thomas Alken "Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'

Henry Thomas Alken, 1785–1851

"Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'

between 1831 and 1832

Henry Thomas Alken "Sporting Notions": 'It's My Notion That This is the Only Way to Get Her Along'

Henry Thomas Alken, 1785–1851

"Sporting Notions": 'It's My Notion That This is the Only Way to Get Her Along'

between 1831 and 1832

Henry Thomas Alken "Sporting Notions": 'I Have a Notion This Bridge Will A-Bridge My Sport'

Henry Thomas Alken, 1785–1851

"Sporting Notions": 'I Have a Notion This Bridge Will A-Bridge My Sport'

between 1831 and 1832

Henry Thomas Alken "Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'

Henry Thomas Alken, 1785–1851

"Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'

between 1831 and 1832

Henry Thomas Alken "Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'

Henry Thomas Alken, 1785–1851

"Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'

between 1831 and 1832

Henry Thomas Alken "Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'

Henry Thomas Alken, 1785–1851

"Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'

between 1831 and 1832

Henry Thomas Alken "Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'

Henry Thomas Alken, 1785–1851

"Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'

between 1831 and 1832

Henry Thomas Alken "Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'

Henry Thomas Alken, 1785–1851

"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'

between 1831 and 1832

Henry Thomas Alken "Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'

Henry Thomas Alken, 1785–1851

"Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'

between 1831 and 1832

Henry Thomas Alken Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'

Henry Thomas Alken, 1785–1851

Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'

undated

Henry Thomas Alken "Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '

Henry Thomas Alken, 1785–1851

"Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '

between 1831 and 1832

Henry Thomas Alken Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'

Henry Thomas Alken, 1785–1851

Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'

undated

Henry Thomas Alken Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'

Henry Thomas Alken, 1785–1851

Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'

undated

Henry Thomas Alken Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities:" 'Mr. Jorrocks Renounces the Acquaintance of the Yorkshireman'

Henry Thomas Alken, 1785–1851

Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities:" 'Mr. Jorrocks Renounces the Acquaintance of the Yorkshireman'

undated

Henry Thomas Alken An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'

Henry Thomas Alken, 1785–1851

An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'

1842

Henry Thomas Alken Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Leap: 'That Will Shut Out Many, and Make the Thing Select'

Henry Thomas Alken, 1785–1851

Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Leap: 'That Will Shut Out Many, and Make the Thing Select'

undated

Henry Thomas Alken Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks Takes a Ride at St. Cloud'

Henry Thomas Alken, 1785–1851

Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks Takes a Ride at St. Cloud'

undated

Henry Thomas Alken Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Lift me Up! Tie me in my Chair! Fill my Glass'

Henry Thomas Alken, 1785–1851

Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Lift me Up! Tie me in my Chair! Fill my Glass'

undated

Henry Thomas Alken Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks's Surprize on Seeing the Paris Diligence, "My Vig, Here's Wombwell's Wildbeast show" '

Henry Thomas Alken, 1785–1851

Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks's Surprize on Seeing the Paris Diligence, "My Vig, Here's Wombwell's Wildbeast show" '

undated

Henry Thomas Alken "Doing the Thing: and the Thing Done:" Morning. Turning Out in Prime Twig. Doing the Least you Can

Henry Thomas Alken, 1785–1851

"Doing the Thing: and the Thing Done:" Morning. Turning Out in Prime Twig. Doing the Least you Can

1818

Henry Thomas Alken "Doing the Thing: and the Thing Done:" Doing the Down Leap

Henry Thomas Alken, 1785–1851

"Doing the Thing: and the Thing Done:" Doing the Down Leap

1818

Henry Thomas Alken "Doing the Thing: and the Thing Done:" Doing it No How

Henry Thomas Alken, 1785–1851

"Doing the Thing: and the Thing Done:" Doing it No How

1818

Henry Thomas Alken "Doing the Thing: and the Thing Done:" Doing the Thing Well - [giving Dribblers the go bye]

Henry Thomas Alken, 1785–1851

"Doing the Thing: and the Thing Done:" Doing the Thing Well - [giving Dribblers the go bye]

1818

Henry Thomas Alken "Doing the Thing: and the Thing Done:" Doing it Somehow

Henry Thomas Alken, 1785–1851

"Doing the Thing: and the Thing Done:" Doing it Somehow

1818

Henry Thomas Alken "Doing the Thing: and the Thing Done:" The Down Leap Done

Henry Thomas Alken, 1785–1851

"Doing the Thing: and the Thing Done:" The Down Leap Done

1818

Henry Thomas Alken "Doing the Thing: and the Thing Done:" Afternoon. Returning Home in Fine Trim. Doing the Most you Can

Henry Thomas Alken, 1785–1851

"Doing the Thing: and the Thing Done:" Afternoon. Returning Home in Fine Trim. Doing the Most you Can

1818

Henry Thomas Alken "Sporting Discoveries, or the Miseries of Driving ..." You Discover you Have Overlooked a Small Post on you Whip Hand

Henry Thomas Alken, 1785–1851

"Sporting Discoveries, or the Miseries of Driving ..." You Discover you Have Overlooked a Small Post on you Whip Hand

undated

Henry Thomas Alken "Sporting Discoveries, or the Miseries of Driving:" ... Up and Down, or the Endeavor to Discover Which Way Your Horse is Inclined to Come Down, Backwards or Forwards

Henry Thomas Alken, 1785–1851

"Sporting Discoveries, or the Miseries of Driving:" ... Up and Down, or the Endeavor to Discover Which Way Your Horse is Inclined to Come Down, Backwards or Forwards

undated

Henry Thomas Alken "Sporting Discoveries, or the Miseries of Driving:" ... Trying a New Match you Discover That They are Not Only Alike in Color, Weight and Action, but in Disposition

Henry Thomas Alken, 1785–1851

"Sporting Discoveries, or the Miseries of Driving:" ... Trying a New Match you Discover That They are Not Only Alike in Color, Weight and Action, but in Disposition

undated

Henry Thomas Alken "Some Do and Some Don't: It is All a Notion:" Getting into a Difficulty

Henry Thomas Alken, 1785–1851

"Some Do and Some Don't: It is All a Notion:" Getting into a Difficulty

between 1848 and 1851

Henry Thomas Alken "Some Do and Some Don't: It is All a Notion:" Getting a Dive

Henry Thomas Alken, 1785–1851

"Some Do and Some Don't: It is All a Notion:" Getting a Dive

between 1848 and 1851

Henry Thomas Alken "Sporting Discoveries, or the Miseries of Driving:" ...You Discover a New Way of Bringing Your Equipage into a Small Compass

Henry Thomas Alken, 1785–1851

"Sporting Discoveries, or the Miseries of Driving:" ...You Discover a New Way of Bringing Your Equipage into a Small Compass

undated

Henry Thomas Alken "Some Do and Some Don't: It is All a Notion:" Getting into a Bog

Henry Thomas Alken, 1785–1851

"Some Do and Some Don't: It is All a Notion:" Getting into a Bog

between 1848 and 1851

Henry Thomas Alken "Some Do and Some Don't: It is All a Notion:" Getting Dead Beat

Henry Thomas Alken, 1785–1851

"Some Do and Some Don't: It is All a Notion:" Getting Dead Beat

between 1848 and 1851

Henry Thomas Alken Drawing for "Specimens of Riding near London:" The Pleasure of Riding in Company. One Would Stop if the Other Could

Henry Thomas Alken, 1785–1851

Drawing for "Specimens of Riding near London:" The Pleasure of Riding in Company. One Would Stop if the Other Could

between 1809 and 1823

Henry Thomas Alken Symptoms: of Being Drawn, of a Fine Song, of Troting, of Being In, of Being Out, of a Recoil

Henry Thomas Alken, 1785–1851

Symptoms: of Being Drawn, of a Fine Song, of Troting, of Being In, of Being Out, of a Recoil

between 1822 and 1827

Henry Thomas Alken Symptoms: of Being Wanted, of Anxiety, of a Has Been, of Duck Catching

Henry Thomas Alken, 1785–1851

Symptoms: of Being Wanted, of Anxiety, of a Has Been, of Duck Catching

between 1822 and 1827

Henry Thomas Alken Symptoms: of Tragedy, of Comedy, of What Do You Say, of Can't You Hear, of the Ornamental, of the Old Story,

Henry Thomas Alken, 1785–1851

Symptoms: of Tragedy, of Comedy, of What Do You Say, of Can't You Hear, of the Ornamental, of the Old Story,

between 1822 and 1827