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Exhibition History Into the Night : Cabarets and Clubs in Modern Art (Barbican Art Gallery, 2019-10-04 - 2020-01-19)

Remove constraint Exhibition History: Into the Night : Cabarets and Clubs in Modern Art (Barbican Art Gallery, 2019-10-04 - 2020-01-19)

Subject Terms figure study

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Cave of the Golden Calf: Study for a Mural Decoration, Old Man in Landscape
Creator:
Spencer Frederick Gore, 1878–1914
Date:
1912
Materials & Techniques:
Pastel, graphite, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 14 inches (25.4 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Cave of the Golden Calf: Study for Deer Hunting Mural
Creator:
Spencer Frederick Gore, 1878–1914
Date:
1912
Materials & Techniques:
Pastel, pen and black ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 14 inches (25.4 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Cave of the Golden Calf: Study for Mural of Calf and Worshipping Figures
Creator:
Spencer Frederick Gore, 1878–1914
Date:
1912
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 1/2 x 18 inches (8.9 x 45.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Cave of the Golden Calf: Study of the Cabaret Stage and Painted Panels on Either Side
Creator:
Spencer Frederick Gore, 1878–1914
Date:
1912
Materials & Techniques:
Pastel and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 x 10 inches (35.6 x 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Cave of the Golden Calf: Study for Mural
Creator:
Spencer Frederick Gore, 1878–1914
Date:
1912
Materials & Techniques:
Graphite and pastel on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 12 x 10 3/4 inches (30.5 x 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund