Exhibition History: Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)

1. Norham Castle on the Tweed

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/4 × 16 7/8 inches (28.6 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Raglan Castle

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/8 × 15 1/8 inches (28.3 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Ben Arthur, Scotland

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1819
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 16 1/4 inches (27.9 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Interior of a Church

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1819
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 × 16 7/8 inches (29.2 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Dumbarton Rock

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: between 1813 and 1823
Materials & Techniques:: Etching and mezzotint, printed in brown ink; engraver's proof (e) on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/8 × 17 inches (28.9 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. View of Ely Cathedral

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1796
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/8 x 6 5/8in. (10.5 x 16.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Monaco at Sunset from the Southwest

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: 1838
Materials & Techniques:: Watercolor and scratching out on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 5 1/2 x 7 3/8 inches (14 x 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1832
Materials & Techniques:: Watercolor, graphite, and pen and brown ink on medium, slightly textured, cream wove paper, mounted on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/4 x 8 1/2 inches (28.6 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. The Source of the Arveron in the Valley of Chamouni, Savoy

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink; engraver's proof (c) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 × 17 1/4 inches (29.2 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. The Evening Gun

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: ca. 1825
Materials & Techniques:: Mezzotint; engraver's proof (d) on medium, slightly textured, cream wove paper
Dimensions:: Plate: 7 1/2 × 9 7/8 inches (19.1 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Shields Lighthouse

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1820 to 1826
Materials & Techniques:: Mezzotint; engraver's proof (b) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 7/8 × 8 3/8 inches (14.9 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. The Evening Gun

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: ca. 1825
Materials & Techniques:: Mezzotint with scraping; touched engraver's proof (c) on medium, slightly textured, cream laid paper
Dimensions:: Plate: 7 1/2 × 9 7/8 inches (19 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Paestum

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: ca. 1825
Materials & Techniques:: Mezzotint; engraver's proof (a) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 × 8 1/2 inches (15.2 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Shields Lighthouse

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1820 to 1826
Materials & Techniques:: Mezzotint; trial proof (a) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 3/4 x 8 1/4 inches (14.6 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Catania, Sicily

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: ca. 1825
Materials & Techniques:: Mezzotint, with graphite and white chalk; touched trial proof on medium, slightly textured, cream wove paper
Dimensions:: Plate: 7 5/8 × 10 inches (19.4 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Bridge and Monument

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1820 to 1825
Materials & Techniques:: Mezzotint; engraver's proof (a) on medium, slightly textured, cream wove paper
Dimensions:: Plate: 7 5/8 × 10 inches (19.4 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Bridge and Monument

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1820 to 1825
Materials & Techniques:: Mezzotint; engraver's proof (b) on medium, slightly textured, cream laid paper
Dimensions:: Plate: 7 1/2 × 10 inches (19.1 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Gloucester Cathedral

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1820 to 1825
Materials & Techniques:: Mezzotint, with graphite and white chalk; touched engraver's proof (a)
Dimensions:: Plate: 6 x 8 7/8in. (15.2 x 22.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Jason

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1807
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/8 × 17 inches (28.9 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Frontispiece to the 'Liber Studiorum'

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 17 5/8 inches (29.2 × 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. The Woman and Tambourine

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1807
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/8 × 14 7/8 inches (25.7 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Ships in a Breeze

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1808
Materials & Techniques:: Etching and mezzotint, printed in brown ink; engraver's proof (f) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 5/8 × 12 inches (21.9 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Lake of Thun, Switzerland

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1808
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 16 1/8 inches (27.9 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Pembury Mill, Kent

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1808
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 16 1/8 inches (27.9 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Little Devil's Bridge over the Russ above Altdorft, Switzerland

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1809
Materials & Techniques:: Etching and mezzotint, printed in brown ink; engraver's proof (f) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 × 17 3/8 inches (29.2 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Hind Head Hill

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1811
Materials & Techniques:: Etching, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 17 1/8 inches (29.8 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Hind Head Hill

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1811
Materials & Techniques:: Etching and mezzotint with chine collé, printed in brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 16 1/8 inches (27.9 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Junction of Severn and Wye

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1811
Materials & Techniques:: Etching, aquatint, and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 16 1/4 inches (27.9 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Calm

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 × 16 inches (28.3 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. A View of Boppart, with Figures on the River Bank

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: 1817
Materials & Techniques:: Watercolor, gouache, black chalk and scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 7/8 x 12 1/2 inches (20 x 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Study of Sea and Sky

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1820 to 1826
Materials & Techniques:: Mezzotint; engraver's proof (a) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/8 × 11 1/8 inches (21.3 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Catania, Sicily

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: ca. 1825
Materials & Techniques:: Mezzotint; 1872 impression on medium, slightly textured, cream wove paper
Dimensions:: Plate: 7 5/8 × 10 inches (19.4 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Weymouth

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1811
Materials & Techniques:: Watercolor, pen and brown ink, and scraping out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/4 x 8 5/8in. (14.6 x 21.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. High Street, Edinburgh

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1818
Materials & Techniques:: Watercolor, pen and brown ink, graphite and scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/2 x 9 3/4 inches (16.5 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Shipping Scene, with Fishermen

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: between 1815 and 1820
Materials & Techniques:: Brown wash, brushed brown ink and scraping out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/2 x 11 1/2 inches (21.6 x 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Tours, Looking Backwards

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: between 1826 and 1830
Materials & Techniques:: Watercolor, gouache, graphite, and pen and brown ink on medium, slightly textured, blue wove paper
Dimensions:: Sheet: 4 7/8 x 7 3/8 inches (12.4 x 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. The Fortified Rock of Monaco from the East

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1838
Materials & Techniques:: Watercolor, gouache, pen and brown ink and scratching out on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 5 3/8 x 7 1/2 inches (13.7 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Carlisle

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1832
Materials & Techniques:: Watercolor and scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 1/4 x 5 5/8in. (8.3 x 14.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. St. Mawes, Cornwall

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1823
Materials & Techniques:: Watercolor and scraping out on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 5/8 x 8 5/8 inches (14.3 x 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Margate

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1822
Materials & Techniques:: Watercolor and scraping out on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/8 x 9 1/4 inches (15.6 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Lulworth Castle, Dorset

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1820
Materials & Techniques:: Watercolor and scratching out on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/8 x 9 3/8 inches (15.6 x 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Rome from Monte Mario

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1818
Materials & Techniques:: Watercolor with pen and black ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 7/16 x 8 7/16 inches (13.8 x 21.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. St. Catherine's Hill, Guildford, Surrey

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: 1830
Materials & Techniques:: Watercolor, graphite, scraping and scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 x 17 1/2in. (29.5 x 44.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. St. Augustine's Gate, Canterbury

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1793
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/2 x 19 3/8 inches (34.3 x 49.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Barnard Castle, Durham

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1825
Materials & Techniques:: Watercolor, gouache, pen and black ink, and scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 x 16 1/4 inches (29.5 x 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Rhodes

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: between 1823 and 1824
Materials & Techniques:: Watercolor, gouache, and scraping out on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 8 7/8in. (13.3 x 22.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. North East View of Grantham Church, Lincolnshire

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1797
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper, mounted on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/8 x 7 inches (13 x 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Andernach

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: 1817
Materials & Techniques:: Watercolor, gouache, pen and black ink and scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 7/8 x 12 5/8 inches (20 x 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Rheinfels Looking to Katz and Goarhausen

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: 1817
Materials & Techniques:: Watercolor, gouache, gray wash and scraping out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 7/8 x 12 1/2 inches (20 x 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Mer de Glace, in the Valley of Chamonix

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1815 (formerly dated ca. 1803)
Materials & Techniques:: Watercolor, graphite, gum, scraping out, and stopping out on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 27 3/4 x 41 inches (70.5 x 104.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Dartmoor: The Source of the Tamar and the Torridge

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1813
Materials & Techniques:: Watercolor, gouache, graphite, and scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 7/8 x 12 5/8 inches (20 x 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Folkestone Harbour and Coast to Dover

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1829
Materials & Techniques:: Watercolor, gouache, and scraping out on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 x 17 7/8in. (28.9 x 45.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Teignmouth, Devonshire

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1813
Materials & Techniques:: Watercolor and scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 x 8 3/4 inches (15.2 x 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. London from Greenwich

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1811
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 × 17 1/2 inches (30.2 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. A Shipwreck

Creator:: Print made by Charles Turner, 1774–1857
Date:: 1806
Materials & Techniques:: Mezzotint with graphite and watercolor; engraver's proof (b) on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 24 3/4 × 35 inches (62.9 × 88.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Shields on the River Tyne

Creator:: Print made by Charles Turner, 1774–1857
Date:: 1823
Materials & Techniques:: Mezzotint with white chalk and graphite; touched engraver's proof (a) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/2 × 14 7/8 inches (26.7 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Dartmouth Castle, on the River Dart

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1823 to 1827
Materials & Techniques:: Mezzotint; engraver's proof (b) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 × 14 1/8 inches (25.4 × 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Kirkstall Abbey, on the River Aire

Creator:: Print made by James Bromley, 1801–1838
Date:: 1823 to 1827
Materials & Techniques:: Mezzotint and soft ground etching; engraver's proof on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 1/2 × 18 inches (31.8 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Stangate Creek, on the River Medway

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1823 to 1827
Materials & Techniques:: Mezzotint; engraver's proof (d) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 1/2 × 20 inches (34.3 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Sun-Rise, Whiting Fishing at Margate

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1824 to 1825
Materials & Techniques:: Mezzotint; earliest engraver's proof on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 10 1/8 × 14 3/8 inches (25.7 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Stangate Creek, on the River Medway

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1823 to 1827
Materials & Techniques:: Mezzotint; engraver's proof (a) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 × 12 1/8 inches (22.9 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Sun-Rise, Whiting Fishing at Margate

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1824-1827
Materials & Techniques:: Mezzotint; engraver's proof (b) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 × 20 1/2 inches (38.1 × 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. St. Julian's, Tours

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1833
Materials & Techniques:: Etching and engraving; first published state on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 7/8 × 10 9/16 inches (17.5 × 26.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

64. Tancarville

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1834
Materials & Techniques:: Etching and engraving; first published state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 × 10 5/8 inches (17.8 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

65. Rouen Cathedral

Creator:: Print made by Thomas Higham, 1796–1844
Date:: 1834
Materials & Techniques:: Etching and engraving; first published state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 × 10 5/8 inches (17.8 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

66. Between Quilleboeuf and Villequier

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1834
Materials & Techniques:: Etching and engraving; first published state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 7/8 × 10 5/8 inches (17.5 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

67. St. Germains

Creator:: Print made by James Baylis Allen, 1803–1876
Date:: 1835
Materials & Techniques:: Etching and engraving; first published state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 × 10 5/8 inches (17.8 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

68. Hotel de Ville and Pont d'Arcole

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1835
Materials & Techniques:: Etching and engraving; first published state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 7/8 × 10 1/2 inches (17.5 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

69. The Deluge

Creator:: Print made by J. P. Quilley, active 1828
Date:: 1828
Materials & Techniques:: Mezzotint; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 23 1/2 × 34 inches (59.7 × 86.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Mercury and Argus

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1841
Materials & Techniques:: Etching and engraving with chine collé; first published state on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 33 × 25 1/4 inches (83.8 × 64.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Ancient Italy

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1842
Materials & Techniques:: Etching and engraving; engraver's proof II, Moon's Impressions on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 26 1/8 × 36 1/8 inches (66.4 × 91.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Ancient Italy

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1842
Materials & Techniques:: Etching and engraving, with graphite, white chalk, scraping out, and chine collé; touched engraver's proof (a) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 26 3/4 × 38 1/2 inches (67.9 × 97.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Modern Italy

Creator:: Print made by William Miller, 1796–1882
Date:: 1842
Materials & Techniques:: Etching and engraving, with graphite and scraping out; touched engraver's proof (a) on thick, sightly textured, cream wove paper
Dimensions:: Sheet: 22 × 27 7/8 inches (55.9 × 70.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Modern Italy

Creator:: Print made by William Miller, 1796–1882
Date:: 1842
Materials & Techniques:: Etching and engraving, with chine collé and graphite; touched early engraver's proof on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 23 1/2 × 30 1/8 inches (59.7 × 76.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Modern Italy

Creator:: Print made by William Miller, 1796–1882
Date:: 1842
Materials & Techniques:: Etching and engraving, with graphite and chine collé; touched engraver's proof (c) on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 26 1/4 × 39 3/4 inches (66.7 × 101 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Napoleon's Logement, Quai Conti

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1834-1836
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 × 9 7/8 inches (30.5 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Fontainebleau

Creator:: Print made by William Miller, 1796–1882
Date:: 1835
Materials & Techniques:: Etching and engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 7/8 × 11 1/4 inches (42.9 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. The Temptation on the Mountain

Creator:: Print made by John Cousen, 1804–1880
Date:: 1835
Materials & Techniques:: Etching and engraving, with graphite and scraping out; touched engraver's proof (b) on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 17 1/4 × 11 5/8 inches (43.8 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Loch Achray

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching and engraving with chine collé on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/4 × 11 7/8 inches (43.8 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Loch Katrine

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching and engraving with chine collé on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 × 17 1/4 inches (30.5 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. The Dead Eagle, Oran

Creator:: Print made by William Miller, 1796–1882
Date:: 1837
Materials & Techniques:: Etching and engraving, with graphite and scraping out; touched engraver's proof on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 5/16 × 7 3/4 inches (31.3 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. The Campagna of Rome

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1830
Materials & Techniques:: Etching and engraving, with graphite; touched engraver's proof on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 1/4 × 12 inches (43.8 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Banditti

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1830
Materials & Techniques:: Etching and engraving, with scraping out and graphite; engraver's proof (a) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/4 × 11 3/4 inches (43.8 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Hannibal Passing the Alps

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1830
Materials & Techniques:: Etching and engraving, with graphite and scraping out; touched engraver's proof (d) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 7/8 × 6 inches (27.6 × 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Fire at Sea

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1835
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof (a) on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 17 5/16 × 11 7/8 inches (44 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. An Altar at Delos

Creator:: Giovanni Battista Borra, 1713–1770
Date:: 1751
Materials & Techniques:: Black ink with gray wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 21 3/16 x 14 3/4 inches (53.8 x 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Scarborough

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1826
Materials & Techniques:: Mezzotint with chine collé; engraver's proof (b) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/2 × 20 inches (34.3 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Scarborough

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1826
Materials & Techniques:: Mezzotint, with graphite and scraping out; touched engraver's proof (a) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 13 1/2 inches (27.9 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Dover

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1827
Materials & Techniques:: Mezzotint with chine collé; engraver's proof (c) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 × 19 1/2 inches (33 × 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Sheerness, as Seen from the Nore

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1828
Materials & Techniques:: Mezzotint; engraver's proof (before a) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 14 5/8 inches (29.2 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Nantes

Creator:: Print made by William Miller, 1796–1882
Date:: 1833
Materials & Techniques:: Etching and engraving with chine collé; first published state on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 16 1/8 × 9 inches (41 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Light Towers of the Hève

Creator:: Print made by John Cousen, 1804–1880
Date:: 1834
Materials & Techniques:: Etching and engraving; second state on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 16 1/4 × 10 7/8 inches (41.3 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Nineveh, Moussul on the Tigris

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1836
Materials & Techniques:: Etching and engraving with chine-collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 5/8 × 12 inches (24.4 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. The Dead Eagle, Oran

Creator:: Print made by William Miller, 1796–1882
Date:: 1837
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 9/16 × 11 3/16 inches (42.1 × 28.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Tours

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1833
Materials & Techniques:: Etching and engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/4 × 16 5/8 inches (28.6 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Bridge of Meulan

Creator:: Print made by John Cousen, 1804–1880
Date:: 1835
Materials & Techniques:: Etching and engraving, with chine collé and graphite; first published state, touched engraver's proof on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 1/4 × 15 1/2 inches (26 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Fingal's Cave, Staffa

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1833
Materials & Techniques:: Etching and engraving with chine collé; second state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 × 10 1/2 inches (36.8 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Napoleon's Logemont, Quai Conti

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1834
Materials & Techniques:: Etching and engraving with chine collé on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 7/8 × 10 3/4 inches (40.3 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Placenza

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching and engraving with chine collé on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 16 3/8 inches (26.7 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Brienne

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/8 × 16 3/8 inches (26.4 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Exhibition History Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)

Search Results

1. Norham Castle on the Tweed

2. Raglan Castle

3. Ben Arthur, Scotland

4. Interior of a Church

5. Dumbarton Rock

6. View of Ely Cathedral

7. Monaco at Sunset from the Southwest

8. Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray

9. The Source of the Arveron in the Valley of Chamouni, Savoy

10. The Evening Gun

11. Shields Lighthouse

12. The Evening Gun

13. Paestum

14. Shields Lighthouse

15. Catania, Sicily

16. Bridge and Monument

17. Bridge and Monument

18. Gloucester Cathedral

19. Jason

20. Frontispiece to the 'Liber Studiorum'

21. The Woman and Tambourine

22. Ships in a Breeze

23. Lake of Thun, Switzerland

24. Pembury Mill, Kent

25. Little Devil's Bridge over the Russ above Altdorft, Switzerland

26. Hind Head Hill

27. Hind Head Hill

28. Junction of Severn and Wye

29. Calm

30. A View of Boppart, with Figures on the River Bank

31. Study of Sea and Sky

32. Catania, Sicily

33. Weymouth

34. High Street, Edinburgh

35. Shipping Scene, with Fishermen

36. Tours, Looking Backwards

37. The Fortified Rock of Monaco from the East

38. Carlisle

39. St. Mawes, Cornwall

40. Margate

41. Lulworth Castle, Dorset

42. Rome from Monte Mario

43. St. Catherine's Hill, Guildford, Surrey

44. St. Augustine's Gate, Canterbury

45. Barnard Castle, Durham

46. Rhodes

47. North East View of Grantham Church, Lincolnshire

48. Andernach

49. Rheinfels Looking to Katz and Goarhausen

50. Mer de Glace, in the Valley of Chamonix

51. Dartmoor: The Source of the Tamar and the Torridge

52. Folkestone Harbour and Coast to Dover

53. Teignmouth, Devonshire

54. London from Greenwich

55. A Shipwreck

56. Shields on the River Tyne

57. Dartmouth Castle, on the River Dart

58. Kirkstall Abbey, on the River Aire

59. Stangate Creek, on the River Medway

60. Sun-Rise, Whiting Fishing at Margate

61. Stangate Creek, on the River Medway

62. Sun-Rise, Whiting Fishing at Margate

63. St. Julian's, Tours

64. Tancarville

65. Rouen Cathedral

66. Between Quilleboeuf and Villequier

67. St. Germains

68. Hotel de Ville and Pont d'Arcole

69. The Deluge

70. Mercury and Argus

71. Ancient Italy

72. Ancient Italy

73. Modern Italy

74. Modern Italy

75. Modern Italy