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1. The Weary Ploughman

The Weary Ploughman
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1858
Materials & Techniques:
Etching and drypoint with chine collé on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 x 17 1/16 inches (29.8 x 43.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. The Weary Ploughman

The Weary Ploughman
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1858
Materials & Techniques:
Etching and drypoint, with plate tone on thick, smooth, beige wove paper
Dimensions:
Sheet: 6 7/16 x 9 3/16 inches (16.3 x 23.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. The Weary Ploughman

The Weary Ploughman
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1858
Materials & Techniques:
Etching and drypoint, with plate tone on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 9/16 x 16 3/8 inches (29.4 x 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

4. The Early Ploughman

The Early Ploughman
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
begun before 1861
Materials & Techniques:
Etching and drypoint, with plate tone on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 x 14 3/4 inches (30.2 x 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

5. The Weary Ploughman

No cover image available
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1858
Materials & Techniques:
Etching and drypoint on thick, smooth, cream wove paper
Dimensions:
Sheet: 8 7/16 x 11 9/16 inches (21.5 x 29.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. The Early Ploughman

No cover image available
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
begun before 1861
Materials & Techniques:
Etching and drypoint, with plate tone on thick, smooth, cream wove paper
Dimensions:
Sheet: 8 11/16 x 12 3/8 inches (22.1 x 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. The Early Ploughman

No cover image available
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
begun before 1861
Materials & Techniques:
Etching and drypoint, with plate tone, retouched with white gouache on medium, smooth, beige wove paper
Dimensions:
Sheet: 7 x 9 15/16 inches (17.8 x 25.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. The Early Ploughman

No cover image available
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
etching begun before 1861; impression printed in 1926
Materials & Techniques:
Etching and drypoint, with plate tone on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 15/16 x 13 1/8 inches (25.2 x 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. The Early Ploughman

No cover image available
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1874
Materials & Techniques:
Etching and drypoint, with plate tone on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/16 x 15 3/8 inches (28.1 x 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

10. Sheep in Twilight

Sheep in Twilight
Creator:
Print made by John Copley, 1875–1950
Date:
1922
Materials & Techniques:
Etching and aquatint with gray wash on moderately thick, slightly textured, cream Asian paper
Dimensions:
Sheet: 15 3/8 x 11 7/16 inches (39 x 29 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

11. How to Ride without a Bridle

How to Ride without a Bridle
Creator:
Henry William Bunbury, 1750–1811
Date:
undated
Materials & Techniques:
Pen and black ink and gray wash on thin, slightly textured, beige wove paper
Dimensions:
Sheet: 8 3/4 x 7 1/8in. (22.2 x 18.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Landscape with Cows in Foreground

Landscape with Cows in Foreground
Creator:
Sawrey Gilpin, 1733–1807
Date:
undated
Materials & Techniques:
Gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 7/8 × 8 inches (12.4 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. The Wild Bull, of the Ancient Caledonian Breed, Now in the Park, at Chillingham-Castle, Northumberland.

The Wild Bull, of the Ancient Caledonian Breed, Now in the Park, at Chillingham-Castle, Northumberland.
Creator:
Print made by Thomas Bewick, 1753–1828
Date:
1789
Materials & Techniques:
Wood-engraving on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 7 5/16 × 9 1/16 inches (18.6 × 23 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Bernard Quaritch Ltd.

14. Goats Beneath a Banana Tree

Goats Beneath a Banana Tree
Creator:
George Chinnery, 1774–1852
Date:
1840
Materials & Techniques:
Pen and brown ink and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 7/8 × 7 3/4 inches (17.5 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection