Genre: architectural subject / Associated Places: England / Work Type: intaglio print

1. The Lonely Tower

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1879
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/8 x 14 1/4 inches (26.4 x 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. The Lonely Tower

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1879
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/4 x 14 1/16 inches (26.1 x 35.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

3. The Ruins of Netley Abbey

Creator:: Print made by John Constable, 1776–1837
Date:: 1826
Materials & Techniques:: Etching and drypoint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/16 x 17 5/16 inches (30.7 x 44 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. A View of Erith, Looking Up the Thames

Creator:: Print made by John Boydell, 1720–1804
Date:: 1750
Materials & Techniques:: Etching with hand coloring on moderately thick, rough, cream wove paper
Dimensions:: Sheet: 12 1/4 x 18 9/16 inches (31.1 x 47.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Chain Pier at Brighton

Creator:: Print made by John Bruce, fl. 1826
Date:: ca. 1830
Materials & Techniques:: Aquatint and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 13 7/16 x 19 1/4 inches (34.2 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Front of the New Mills

Creator:: Print made by John Crome, 1768–1821
Date:: 1813
Materials & Techniques:: Etching with chine collé on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/2 x 17 3/8 inches (31.8 x 44.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Castle Acre Priory

Creator:: Print made by David Lucas, 1802–1881
Date:: 1830 to 1831
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 10 1/2 inches (19.1 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Brandsby Tower, Yorkshire

Creator:: Print made by John Sell Cotman, 1782–1842
Date:: ca. 1838
Materials & Techniques:: Soft-ground etching on medium, slightly textured, blue laid paper
Dimensions:: Sheet: 10 3/16 x 7 5/8 inches (25.9 x 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Lakenham, near Norwich

Creator:: Print made by John Sell Cotman, 1782–1842
Date:: ca. 1808
Materials & Techniques:: Soft-ground etching on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 10 1/4 x 7 1/8 inches (26 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Column at Yarmouth to the Memory of Lord Nelson

Creator:: Print made by John Sell Cotman, 1782–1842
Date:: 1817
Materials & Techniques:: Etching on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 18 7/8 x 12 5/8 inches (47.9 x 32 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. View of HRH the Princess Elizabeth's Cottage at Old Windsor with a View of the Moss House Below

Creator:: James Clark, 19th century
Date:: 1812
Materials & Techniques:: Hand colored aquatint with etching on moderately thick, smooth, brown wove paper
Dimensions:: Sheet: 15 7/8 x 17 1/16 inches (40.3 x 43.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Brougham Castle, near the Junction of the Rivers Eamont and Lowther

Creator:: Print made by William Say, 1768–1834
Date:: 1823 to 1827
Materials & Techniques:: Mezzotint, with graphite and scraping out; touched engraver's proof (b) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/4 × 15 inches (29.8 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Brougham Castle, near the Junction of the Rivers Eamont and Lowther

Creator:: Print made by William Say, 1768–1834
Date:: 1823 to 1827
Materials & Techniques:: Mezzotint; engraver's proof (c) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 × 17 1/4 inches (29.2 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Brougham Castle, near the Junction of the Rivers Eamont and Lowther

Creator:: Print made by William Say, 1768–1834
Date:: 1823 to 1827
Materials & Techniques:: Mezzotint, with graphite and scratching out; touched engraver's proof (a) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/4 × 15 1/2 inches (27.3 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Back of the New Mills, Norwich

Creator:: Print made by John Crome, 1768–1821
Date:: 1812
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 3/8 x 16 3/4 inches (31.5 x 42.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Arundel Castle, on the River Arun

Creator:: Print made by George H. Phillips, active 1819–1825
Date:: 1823 to 1827
Materials & Techniques:: Mezzotint and etching with chine collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 × 15 1/8 inches (30.5 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Arundel Castle, with Rainbow

Creator:: Print made by unknown artist
Date:: 1823 to 1827
Materials & Techniques:: Mezzotint; engraver's proof on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/4 × 10 1/2 inches (21 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. The Black Tower Norwich

Creator:: Robert Dixon, 1780–1815
Date:: between 1810 and 1811
Materials & Techniques:: Soft-ground etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 9/16 x 8 3/16 inches (26.8 x 20.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. West Tower, Wymondham Church

Creator:: Robert Dixon, 1780–1815
Date:: 1810
Materials & Techniques:: Soft-ground etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 11/16 x 8 1/4 inches (27.1 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Cottage at Diss

Creator:: Robert Dixon, 1780–1815
Date:: 1811
Materials & Techniques:: Soft-ground etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/16 x 8 1/4 inches (25.6 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Maxstoke Priory

Creator:: Heneage Finch fourth Earl of Aylesford, 1751–1812
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 14 7/16 x 13 3/4 inches (36.6 x 35 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Water Engine, Cold-Bath-Field's Prison

Creator:: Print made by John Bluck, active 1791–1831
Date:: 1808
Materials & Techniques:: Aquatint and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 5/8 x 9 7/16 inches (32 x 24 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

23. Saint Stephen's, Walbrook

Creator:: Print made by John Bluck, active 1791–1831
Date:: 1809
Materials & Techniques:: Aquatint and etching with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/16 x 12 5/8 inches (23.9 x 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

24. Eastnor Castle, Herefordshire

Creator:: Print made by Henry Hobson, born 1814
Date:: between 1812 and 1825
Materials & Techniques:: Engraving with chine collé; proof before letters on smooth, thin, cream wove paper
Dimensions:: Image: 3 1/4 × 5 inches (8.3 × 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Sir Richard Steele's Cottage

Creator:: Print made by David Lucas, 1802–1881
Date:: 1845
Materials & Techniques:: Mezzotint and drypoint on medium, slightly textured, cream wove paper, mounted on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 × 9 3/8 inches (18.4 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Ten Needle-Box Prints

Creator:: Print made by Vincent Robert Alfred Brooks, 1814–1885
Date:: undated
Materials & Techniques:: Etching, aquatint, and stipple engraving with color woodcut on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 4 3/16 x 5 1/2 inches (10.6 x 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Eaton Hall

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Etching and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 5 7/16 × 7 3/8 inches (13.8 × 18.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. A View of the Fire in Covent Garden

Creator:: Samuel Hieronymus Grimm, 1733–1794
Date:: 1769
Materials & Techniques:: Etching on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 9 11/16 × 13 1/8 inches (24.6 × 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

29. Chelsea

Creator:: Print made by James McNeill Whistler, 1834–1903
Date:: ca. 1882
Materials & Techniques:: Etching and drypoint on thick, smooth, beige wove paper
Dimensions:: Sheet: 9 1/2 x 12 1/4 inches (24.2 x 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald and Willi Holden

30. Cowdray Ruins

Creator:: Print made by James Clark, 19th century
Date:: 1824
Materials & Techniques:: Colored aquatint on thick, textured, beige wove paper
Dimensions:: Sheet: 15 3/8 × 20 11/16 inches (39 × 52.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. From the Painting of the Ceiling in the Banqueting House at White-Hall in the Year 1720

Creator:: Simon Gribelin, 1662–1733
Date:: ca. 1720
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 37 3/4 × 18 1/2 inches (95.9 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Kensington Gardens, no. 1 (small plate)

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1859
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 5/8 x 5 9/16 inches (19.3 x 14.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. A View of the Bridge at Walton-on-Thames in Surrey

Creator:: Charles Grignion, 1717–1810
Date:: 1752
Materials & Techniques:: Line engraving and etching with hand coloring on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 11 3/8 x 16 5/8 inches (28.9 x 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Cambridge University: Kings College Chapel

Creator:: Thomas Malton the Younger, 1748–1804
Date:: 1798
Materials & Techniques:: Colored aquatint
Dimensions:: Sheet: 15 x 20 1/4in. (38.1 x 51.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Cambridge University: Jesus College

Creator:: Thomas Malton the Younger, 1748–1804
Date:: 1799
Materials & Techniques:: Colored aquatint
Dimensions:: Sheet: 15 x 20 1/4in. (38.1 x 51.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Cambridge University: Queens College

Creator:: Thomas Malton the Younger, 1748–1804
Date:: 1800
Materials & Techniques:: Aquatint with etched outline
Dimensions:: Sheet: 19 1/2 x 24 1/4in. (49.5 x 61.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. London. A Street: 'Henry IV Part II,' Act II, Scene I

Creator:: Print made by George Cruikshank, 1792–1878
Date:: after 1857
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 5 7/8 × 8 1/8 inches (14.9 × 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

38. The Ceiling of the Banqueting House at Whitehall: The Union of the Crowns of England and Scotland

Creator:: Print made by Simon Gribelin, 1662–1733
Date:: 1720
Materials & Techniques:: Line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 7/8 × 18 3/16 inches (32.7 × 46.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. The Ceiling of the Banqueting House at Whitehall: The Peaceful Reign of James I

Creator:: Simon Gribelin, 1662–1733
Date:: 1720
Materials & Techniques:: Line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 1/2 × 18 1/4 inches (31.8 × 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. The Ceiling in the Banqueting House at Whitehall

Creator:: Print made by Simon Gribelin, 1662–1733
Date:: ca. 1720
Materials & Techniques:: Line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 7/16 × 18 5/16 inches (31.6 × 46.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. St. Martin's Church

Creator:: Print made by unknown artist
Date:: between 1731 and 1754
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 19 5/16 x 14 3/4 inches (49 x 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. The South Sea House

Creator:: Print made by unknown artist
Date:: between 1720 and 1728
Materials & Techniques:: Etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 7/16 x 19 3/4 inches (36.7 x 50.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. The West Prospect of the Church and Steeple of St. Mary le Bow in Cheapside

Creator:: Print made by unknown artist
Date:: between 1720 and 1750
Materials & Techniques:: Etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 11/16 x 14 7/16 inches (44.9 x 36.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. The Admiralty Office

Creator:: Print made by Thomas Bowles III, ca. 1712–1767
Date:: 1731
Materials & Techniques:: Etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 x 19 3/4 inches (35.5 x 50.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. London - Blackfriars Bridge, St. Pauls

Creator:: Print made by Charles Pye, 1777–1864
Date:: undated
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Night Watchman

Creator:: Print made by John Bogle, 1746–1804
Date:: 1776
Materials & Techniques:: Etching on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 17 3/4 x 11 15/16 inches (45.1 x 30.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

47. Château Gaillard, from the East

Creator:: Print made by John Smith, the mezzotinter, 1652–1743
Date:: 1835
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 7/8 × 17 inches (30.2 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Norham Castle - Moonrise

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching and engraving, with chine collé, graphite, white chalk, and scraping out; touched engraver's proof on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 5/8 × 13 3/8 inches (21.9 × 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Rievaulx Abbey

Creator:: Print made by Joseph C. Bentley, 1809–1851
Date:: 1834-1856
Materials & Techniques:: Etching and engraving, with graphite and scraping out; touched engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 15 1/8 inches (29.8 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Berwick-upon-Tweed

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching and engraving with chine collé on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 17 1/4 inches (29.8 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Blenheim, Oxfordshire

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1833
Materials & Techniques:: Etching and engraving with chine-collé; engraver's proof (b) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 14 1/8 inches (29.2 × 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Blenheim, Oxfordshire

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1833
Materials & Techniques:: Etching and engraving, with graphite and scraping out; touched engraver's proof (c) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/4 × 17 1/4 inches (31.1 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Longships Lighthouse, Land's End

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1836
Materials & Techniques:: Etching and engraving with chine-collé; engraver's proof (a) on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 16 1/2 × 22 5/8 inches (41.9 × 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Longships Lighthouse, Lands End

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1836
Materials & Techniques:: Etching with chine-collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/8 × 22 3/4 inches (41.6 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Funeral of the Late Duke of Wellington

Creator:: Imitator of George Baxter, 1804–1867
Date:: after 1852
Materials & Techniques:: Aquatint and stipple engraving; color woodcut done by an unknown later printer on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, yellow card
Dimensions:: Mount: 7 1/2 x 5 9/16 inches (19 x 14.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Haddon Hall

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint, etching, and color woodcut on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 5 9/16 × 4 3/16 inches (14.2 × 10.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Hampton Court

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint, etching, and color woodcut on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 5 1/2 × 8 1/8 inches (14 × 20.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Osborne House

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Etching, stipple engraving, and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 1/4 × 7 3/8 inches (26 × 18.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Newstead Abbey

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Etching and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 5 9/16 × 7 15/16 inches (14.2 × 20.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. The Monument of King Henry III, in Westminster Abbey

Creator:: Jacob van Schley, 1715–1779
Date:: 1735
Materials & Techniques:: Engraving on medium, slightly textured, white wove paper
Dimensions:: Sheet: 14 3/4 x 9 3/4 inches (37.5 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

61. Somerset House, London

Creator:: Print made by Stanley Anderson, 1884–1966
Date:: 1910
Materials & Techniques:: Drypoint and etching on medium, smooth, beige Asian paper
Dimensions:: Sheet: 11 3/4 x 18 13/16 inches (29.8 x 47.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

62. Horse Guards

Creator:: Print made by Stanley Anderson, 1884–1966
Date:: 1911
Materials & Techniques:: Etching and drypoint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 x 14 5/8 inches (33 x 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

63. A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir

Creator:: Print made by Paul Angier, active 1749
Date:: 1749
Materials & Techniques:: Etching and line engraving with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 3/8 x 18 7/8 inches (31.4 x 47.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

64. Church Tower at Stretton, Leicestershire

Creator:: Print made by Austin, Robert, 1895-1973, 1895–1973
Date:: 1915
Materials & Techniques:: Etching on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 11 1/8 x 8 3/4 inches (28.3 x 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

65. Springtime at Fulham

Creator:: Print made by Austin, Robert, 1895-1973, 1895–1973
Date:: 1921
Materials & Techniques:: Etching and drypoint on moderately thick, smooth, cream laid paper
Dimensions:: Sheet: 10 3/8 x 11 3/8 inches (26.4 x 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

66. The Bell, No.1 at Wareham, Dorest

Creator:: Print made by Austin, Robert, 1895-1973, 1895–1973
Date:: 1927
Materials & Techniques:: Etching and stipple engraving on moderately thick, slightly textured, brown laid paper
Dimensions:: Sheet: 9 3/4 x 7 5/8 inches (24.8 x 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

67. The Building

Creator:: Sir Muirhead Bone, 1876–1953
Date:: 1904
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream Asian paper
Dimensions:: Sheet: 16 15/16 x 13 3/8 inches (43 x 33.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

68. Ely Cathedral

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1903
Materials & Techniques:: Drypoint and etching on moderately thick, slightly textured, greened white Asian paper
Dimensions:: Sheet: 7 3/16 x 16 1/8 inches (18.3 x 40.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

69. Somerset House

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1905
Materials & Techniques:: Drypoint and etching on medium, slightly textured, cream Asian paper
Dimensions:: Sheet: 17 5/16 x 15 9/16 inches (43.9 x 39.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

70. Demolition of St. James's Hall, Interior

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1906
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, slightly textured, cream Asian paper
Dimensions:: Sheet: 20 11/16 x 15 1/4 inches (52.5 x 38.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mrs. Emerson Tuttle in memory of Theodore Sizer, transfer from the Yale University Art Gallery

71. Robert Lee's Workshop

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1905
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 7/8 × 9 1/2 inches (32.7 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

72. The Five Sisters, York Minister

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1907
Materials & Techniques:: Etching and drypoint on very thin, slightly textured, cream wove paper
Dimensions:: Sheet: 16 × 7 3/4 inches (40.6 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

73. The Five Sisters, York Minister

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1907
Materials & Techniques:: Etching and drypoint on very thin, slightly textured, cream wove paper
Dimensions:: Sheet: 15 7/8 × 7 3/4 inches (40.3 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

74. Tewkesbury Abbey

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1915
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream laid paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

75. The Monument of King Edward III in Westminster Abbey

Creator:: Claude Du Bosc, c.1711–1740
Date:: undated, ca. 1726-1740
Materials & Techniques:: Engraving on medium smooth laid paper
Dimensions:: Sheet: 14 3/4 × 8 3/4 inches (37.5 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. The Monument in Westminster Abbey of King Henry V

Creator:: George Vertue, 1684–1756
Date:: between 1699-1756
Materials & Techniques:: Engraving on medium smooth laid paper
Dimensions:: Sheet: 14 1/2 × 9 inches (36.8 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. View of Leiston Abbey

Creator:: Print made by William Byrne, 1743–1805
Date:: 1781
Materials & Techniques:: Etching and stipple engraving on moderately thick, textured, beige laid paper
Dimensions:: Sheet: 9 11/16 x 11 3/4 inches (24.6 x 29.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. The Princess Elizabeth's Cottage, Windsor, Volume XVII, H, page 475 (from The Mirror)(with text); page 105 (Volume One)

Creator:: unknown artist
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. South View of Bath

Creator:: Print made by John Robert Cozens, 1752–1797
Date:: 1773
Materials & Techniques:: Etching, hand colored with gray wash on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 11 1/16 × 15 inches (28.1 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Bath: The Circus

Creator:: Print made by John Robert Cozens, 1752–1797
Date:: 1773
Materials & Techniques:: Etching, hand colored with gray wash on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 10 15/16 × 14 13/16 inches (27.8 × 37.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Bath: Queen Square

Creator:: Print made by John Robert Cozens, 1752–1797
Date:: 1773
Materials & Techniques:: Etching, hand colored with gray wash on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 10 15/16 × 14 7/8 inches (27.8 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Bath: The Crescent

Creator:: Print made by John Robert Cozens, 1752–1797
Date:: 1773
Materials & Techniques:: Etching, hand colored with gray wash on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 11 1/8 × 14 7/8 inches (28.2 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Bath: The North Parade

Creator:: Print made by John Robert Cozens, 1752–1797
Date:: 1773
Materials & Techniques:: Etching, hand colored with gray wash on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 10 13/16 × 14 13/16 inches (27.5 × 37.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Bath: The South Parade

Creator:: Print made by John Robert Cozens, 1752–1797
Date:: 1773
Materials & Techniques:: Etching, hand colored with gray wash on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 11 1/8 × 15 3/8 inches (28.2 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Bath: The New Bridge

Creator:: Print made by John Robert Cozens, 1752–1797
Date:: 1773
Materials & Techniques:: Etching, hand colored with gray wash on moderatelty thick, slightly textured, beige laid paper
Dimensions:: Sheet: 11 1/16 × 15 inches (28.1 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Crofton Hall, Yorkshire

Creator:: Robert Havell, 1769–1832
Date:: 1813
Materials & Techniques:: Aquatint with etching, hand-colored on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 1/2 x 17 3/16 inches (29.2 x 43.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Ruins of St. Paul Covent Garden

Creator:: Print made by Thomas Medland, 1755–1823
Date:: 1795
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/2 × 6 3/8 inches (11.4 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Opening of Waterloo Bridge

Creator:: Print made by David Lucas, 1802–1881
Date:: 1831
Materials & Techniques:: Mezzotint and drypoint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 x 11 3/4 inches (22.9 x 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. The Great Exhibition: Exterior View from the Southwest

Creator:: Print made by George Baxter, 1804–1867
Date:: 1851
Materials & Techniques:: Aquatint, stipple engraving, and etching with color woodcut on medium, smooth, cream wove paper, surrounded with gold dome-shaped border, laid on contemporary mount made of thick, smooth, beige card
Dimensions:: Sheet: 5 11/16 × 12 5/8 inches (14.4 × 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Castles in England

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint, stipple engraving, etching and color woodcut on cream card mounted on beige card
Dimensions:: Image: 6 7/8 x 4 3/4 inches (17.4 x 12 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. The Late Entrance to Ber Street, Norwich

Creator:: Robert Dixon, 1780–1815
Date:: 1810
Materials & Techniques:: Soft-ground etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 x 8 1/8 inches (27 x 20.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Beeston Priory, Beeston Regis

Creator:: Robert Dixon, 1780–1815
Date:: between 1810 and 1811
Materials & Techniques:: Soft-ground etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 11/16 x 8 3/16 inches (27.1 x 20.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Remains of the Priory, Beeston Regis

Creator:: Robert Dixon, 1780–1815
Date:: 1810
Materials & Techniques:: Soft-ground etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 7/16 x 8 1/4 inches (26.5 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Sketch at Mulbarton

Creator:: Robert Dixon, 1780–1815
Date:: between 1810 and 1811
Materials & Techniques:: Soft-ground etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 x 8 3/16 inches (27 x 20.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. The Greyfriars Tower, Lynn, as it appeared 1801

Creator:: Robert Dixon, 1780–1815
Date:: between 1810 and 1811
Materials & Techniques:: Soft-ground etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 15/16 x 8 1/16 inches (25.3 x 20.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Windsor Bridge

Creator:: Print made by Joseph Farington, 1747–1821
Date:: 1792
Materials & Techniques:: Etching, hand-colored on thick, slightly textured, cream laid paper
Dimensions:: Sheet: 11 15/16 × 15 3/8 inches (30.4 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Devonport and Dockyard, Devonshire

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1827-1838
Materials & Techniques:: Etching and engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/4 × 17 3/8 inches (28.6 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Château Gaillard, from the East

Creator:: Print made by John Smith, 1799–1843
Date:: 1835
Materials & Techniques:: Etching and engraving with chine collé on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 1/8 × 16 1/4 inches (28.3 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. St. Herbert's Chapel

Creator:: Print made by Henry Le Keux, 1787–1868
Date:: 1834
Materials & Techniques:: Etching and engraving; first published state on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 11 5/8 × 6 7/8 inches (29.5 × 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. The Stone Bow, Lincoln

Creator:: Frederick James Havell, 1801–1840
Date:: 1836
Materials & Techniques:: Etching with stipple engraving on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 5 13/16 × 8 3/4 inches (14.7 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

Refine your search

Search Constraints

Genre architectural subject

Associated Places England

Work Type intaglio print

Search Results

1. The Lonely Tower

2. The Lonely Tower

3. The Ruins of Netley Abbey

4. A View of Erith, Looking Up the Thames

5. Chain Pier at Brighton

6. Front of the New Mills

7. Castle Acre Priory

8. Brandsby Tower, Yorkshire

9. Lakenham, near Norwich

10. Column at Yarmouth to the Memory of Lord Nelson

11. View of HRH the Princess Elizabeth's Cottage at Old Windsor with a View of the Moss House Below

12. Brougham Castle, near the Junction of the Rivers Eamont and Lowther

13. Brougham Castle, near the Junction of the Rivers Eamont and Lowther

14. Brougham Castle, near the Junction of the Rivers Eamont and Lowther

15. Back of the New Mills, Norwich

16. Arundel Castle, on the River Arun

17. Arundel Castle, with Rainbow

18. The Black Tower Norwich

19. West Tower, Wymondham Church

20. Cottage at Diss

21. Maxstoke Priory

22. Water Engine, Cold-Bath-Field's Prison

23. Saint Stephen's, Walbrook

24. Eastnor Castle, Herefordshire

25. Sir Richard Steele's Cottage

26. Ten Needle-Box Prints

27. Eaton Hall

28. A View of the Fire in Covent Garden

29. Chelsea

30. Cowdray Ruins

31. From the Painting of the Ceiling in the Banqueting House at White-Hall in the Year 1720

32. Kensington Gardens, no. 1 (small plate)

33. A View of the Bridge at Walton-on-Thames in Surrey

34. Cambridge University: Kings College Chapel

35. Cambridge University: Jesus College

36. Cambridge University: Queens College

37. London. A Street: 'Henry IV Part II,' Act II, Scene I

38. The Ceiling of the Banqueting House at Whitehall: The Union of the Crowns of England and Scotland

39. The Ceiling of the Banqueting House at Whitehall: The Peaceful Reign of James I

40. The Ceiling in the Banqueting House at Whitehall

41. St. Martin's Church

42. The South Sea House

43. The West Prospect of the Church and Steeple of St. Mary le Bow in Cheapside

44. The Admiralty Office

45. London - Blackfriars Bridge, St. Pauls

46. Night Watchman

47. Château Gaillard, from the East

48. Norham Castle - Moonrise

49. Rievaulx Abbey

50. Berwick-upon-Tweed

51. Blenheim, Oxfordshire

52. Blenheim, Oxfordshire

53. Longships Lighthouse, Land's End

54. Longships Lighthouse, Lands End

55. Funeral of the Late Duke of Wellington

56. Haddon Hall

57. Hampton Court

58. Osborne House

59. Newstead Abbey

60. The Monument of King Henry III, in Westminster Abbey

61. Somerset House, London

62. Horse Guards

63. A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir

64. Church Tower at Stretton, Leicestershire

65. Springtime at Fulham

66. The Bell, No.1 at Wareham, Dorest

67. The Building

68. Ely Cathedral

69. Somerset House

70. Demolition of St. James's Hall, Interior

71. Robert Lee's Workshop

72. The Five Sisters, York Minister

73. The Five Sisters, York Minister