Genre: architectural subject / Associated Places: France / Width [cm]: 28 - YCBA Collections Search Search Results

<< YCBA Home << YCBA Home

Start Over

You searched for:

Genre architectural subject

Associated Places France

Width [cm] 28

1. Bonneville, Savoy

Bonneville, Savoy

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/2 × 10 7/8 inches (19.1 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Ruines de Château d'Arlay

Ruines de Château d'Arlay

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1827
Materials & Techniques:: Lithograph with chine collé on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 5/16 x 18 1/8 inches (33.8 x 46.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Light Towers of the Hève

Light Towers of the Hève

Creator:: Print made by John Cousen, 1804–1880
Date:: 1834
Materials & Techniques:: Etching and engraving; second state on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 16 1/4 × 10 7/8 inches (41.3 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. On the Banks of the Marne below the Bridge at Charenton

On the Banks of the Marne below the Bridge at Charenton

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 5/8 × 25 1/8 inches (39.7 × 63.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. On the Banks of the Marne below the Bridge at Charenton

On the Banks of the Marne below the Bridge at Charenton

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 25 inches (41.3 × 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. The Water Mill above the Bridge at Charenton

The Water Mill above the Bridge at Charenton

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 3/4 x 26 inches (1.8 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. L'Eglise de St. Gervais et St. Protais

L'Eglise de St. Gervais et St. Protais

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1824
Materials & Techniques:: Lithograph with chine collé on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 11 7/8 x 15 3/16 inches (30.2 x 38.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Anonymous Gift, The Frederick Benjamin Kaye Memorial Collection, transfer from the Yale University Art Gallery

8. On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628

On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628

Creator:: after Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 5/8 × 24 5/8 inches (39.7 × 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629

The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 1/2 inches (40 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. The Watermill Above the Bridge at Charenton

The Watermill Above the Bridge at Charenton

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Aquatint on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 8 9/16 x 13 7/16 inches (21.8 x 34.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Château Gaillard, from the South

Château Gaillard, from the South

Creator:: Print made by John Cousen, 1804–1880
Date:: 1835
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof (b) on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 16 1/2 × 11 1/8 inches (41.9 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Havre

Creator:: Print made by James Baylis Allen, 1803–1876
Date:: 1834
Materials & Techniques:: Etching and engraving, with graphite; touched engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/4 × 10 7/8 inches (22.2 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Rouen, Looking Up the River

Rouen, Looking Up the River

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1834
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof (ab) on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 8 3/4 × 11 1/8 inches (22.2 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Entrance into the Cornmarket, Formerly the Chapel of St. Louis, at Bayeux

Entrance into the Cornmarket, Formerly the Chapel of St. Louis, at Bayeux

Creator:: John Sell Cotman, 1782–1842
Date:: 1817
Materials & Techniques:: Brown ink, brown wash, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/2 x 7 1/8 inches (24.1 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection