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1. Leak Okeover, Rev. John Allen and Captain Chester at Okeover Hall, Staffordshire

Leak Okeover, Rev. John Allen and Captain Chester at Okeover Hall, Staffordshire
Creator:
Arthur Devis, 1712–1787
Date:
between 1745 and 1747
Materials & Techniques:
Oil on canvas
Dimensions:
38 1/2 x 48 1/2 inches (97.8 x 123.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

2. A View of Erith, Looking Up the Thames

A View of Erith, Looking Up the Thames
Creator:
Print made by John Boydell, 1720–1804
Date:
1750
Materials & Techniques:
Etching with hand coloring on moderately thick, rough, cream wove paper
Dimensions:
Sheet: 12 1/4 x 18 9/16 inches (31.1 x 47.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Chain Pier at Brighton

Chain Pier at Brighton
Creator:
Print made by John Bruce, fl. 1826
Date:
ca. 1830
Materials & Techniques:
Aquatint and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 13 7/16 x 19 1/4 inches (34.2 x 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Front of the New Mills

Front of the New Mills
Creator:
Print made by John Crome, 1768–1821
Date:
1813
Materials & Techniques:
Etching with chine collé on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/2 x 17 3/8 inches (31.8 x 44.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Column at Yarmouth to the Memory of Lord Nelson

Column at Yarmouth to the Memory of Lord Nelson
Creator:
Print made by John Sell Cotman, 1782–1842
Date:
1817
Materials & Techniques:
Etching on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 18 7/8 x 12 5/8 inches (47.9 x 32 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. The Gate at Blenheim

The Gate at Blenheim
Creator:
Michael "Angelo" Rooker, 1746–1801
Date:
1787
Materials & Techniques:
Watercolor and gray ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 3/8 x 14 3/4 inches (26.4 x 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Water Engine, Cold-Bath-Field's Prison

Water Engine, Cold-Bath-Field's Prison
Creator:
Print made by John Bluck, active 1791–1831
Date:
1808
Materials & Techniques:
Aquatint and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 5/8 x 9 7/16 inches (32 x 24 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker

8. St. Martin's Church

St. Martin's Church
Creator:
Print made by unknown artist
Date:
between 1731 and 1754
Materials & Techniques:
Etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 19 5/16 x 14 3/4 inches (49 x 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. The South Sea House

The South Sea House
Creator:
Print made by unknown artist
Date:
between 1720 and 1728
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 7/16 x 19 3/4 inches (36.7 x 50.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. The Admiralty Office

The Admiralty Office
Creator:
Print made by Thomas Bowles III, ca. 1712–1767
Date:
1731
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 x 19 3/4 inches (35.5 x 50.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1852
Materials & Techniques:
Aquatint and stipple engraving; color woodcut done by an unknown later printer on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, yellow card
Dimensions:
Mount: 7 1/2 x 5 9/16 inches (19 x 14.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Balmoral Castle

Balmoral Castle
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Etching, stipple engraving, and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 1/4 × 7 3/8 inches (26 × 18.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir

A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir
Creator:
Print made by Paul Angier, active 1749
Date:
1749
Materials & Techniques:
Etching and line engraving with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 3/8 x 18 7/8 inches (31.4 x 47.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection

14. The Building

The Building
Creator:
Sir Muirhead Bone, 1876–1953
Date:
1904
Materials & Techniques:
Etching and drypoint, with plate tone on medium, slightly textured, cream Asian paper
Dimensions:
Sheet: 16 15/16 x 13 3/8 inches (43 x 33.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

15. Westminster Abbey, Hospital &c.

Westminster Abbey, Hospital &c.
Creator:
Print made by Thomas Shotter Boys, 1803–1874
Date:
1842
Materials & Techniques:
Lithograph with tint on thick, slightly textured, cream card
Dimensions:
Sheet: 14 7/8 x 21 11/16 inches (37.8 x 55.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

16. Buckingham Palace from St. James's Park

Buckingham Palace from St. James's Park
Creator:
Print made by Thomas Shotter Boys, 1803–1874
Date:
1842
Materials & Techniques:
Lithograph on thick, smooth, cream card
Dimensions:
Sheet: 14 15/16 x 21 13/16 inches (37.9 x 55.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

17. Auld Brig, Ayr

Auld Brig, Ayr
Creator:
Print made by Robert Bryden, 1865–1939
Date:
1904
Materials & Techniques:
Etching and drypoint on moderately thick, slightly textured, cream laid paper
Dimensions:
Plate: 9 15/16 x 13 7/8 inches (25.3 x 35.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

18. St. Paul's from Ludgate Hill

St. Paul's from Ludgate Hill
Creator:
Print made by Thomas Shotter Boys, 1803–1874
Date:
1842
Materials & Techniques:
Lithograph with tint on moderately thick, slightly textured, cream card
Dimensions:
Sheet: 21 5/8 x 14 7/8 inches (55 x 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

19. The Palace of the Stuarts

The Palace of the Stuarts
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1898
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 3/8 × 12 5/8 inches (23.8 × 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

20. View of Leiston Abbey

View of Leiston Abbey
Creator:
Print made by William Byrne, 1743–1805
Date:
1781
Materials & Techniques:
Etching and stipple engraving on moderately thick, textured, beige laid paper
Dimensions:
Sheet: 9 11/16 x 11 3/4 inches (24.6 x 29.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. The Great Exhibition: Exterior View from the Southwest

The Great Exhibition: Exterior View from the Southwest
Creator:
Print made by George Baxter, 1804–1867
Date:
1851
Materials & Techniques:
Aquatint, stipple engraving, and etching with color woodcut on medium, smooth, cream wove paper, surrounded with gold dome-shaped border, laid on contemporary mount made of thick, smooth, beige card
Dimensions:
Sheet: 5 11/16 × 12 5/8 inches (14.4 × 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Castles in England

Castles in England
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, stipple engraving, etching and color woodcut on cream card mounted on beige card
Dimensions:
Image: 6 7/8 x 4 3/4 inches (17.4 x 12 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. The Late Entrance to Ber Street, Norwich

The Late Entrance to Ber Street, Norwich
Creator:
Robert Dixon, 1780–1815
Date:
1810
Materials & Techniques:
Soft-ground etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 5/8 x 8 1/8 inches (27 x 20.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Windsor Bridge

Windsor Bridge
Creator:
Print made by Joseph Farington, 1747–1821
Date:
1792
Materials & Techniques:
Etching, hand-colored on thick, slightly textured, cream laid paper
Dimensions:
Sheet: 11 15/16 × 15 3/8 inches (30.4 × 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Frankley Chapel, S. E., Worcestershire

Frankley Chapel, S. E., Worcestershire
Creator:
Print made by James Basire II, 1769–1822
Date:
1812
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/2 × 6 7/8 inches (11.5 × 17.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Buckingham House, St. James' Park

Buckingham House, St. James' Park
Creator:
Print made by John Burnet, 1784–1868
Date:
1810
Materials & Techniques:
Etching and line engraving on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 5 5/16 × 8 9/16 inches (13.5 × 21.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Apsley House, Hyde Park Corner: the Residence of his Grace the Duke of Wellington

Apsley House, Hyde Park Corner: the Residence of his Grace the Duke of Wellington
Creator:
Print made by Thomas Barber, ca. 1768–1843
Date:
1829
Materials & Techniques:
Etching with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 11/16 x 8 7/8 inches (14.5 x 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. A Game of Bowls on the Bowling Green Outside the Bunch of Grapes Inn, Hurst, Berkshire

A Game of Bowls on the Bowling Green Outside the Bunch of Grapes Inn, Hurst, Berkshire
Creator:
Michael "Angelo" Rooker, 1746–1801
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/4 x 10 7/8 inches (21 x 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Part of Waterloo Bridge with the Shot Tower, &c.

Part of Waterloo Bridge with the Shot Tower, &c.
Creator:
Print made by George Cooke, 1781–1834
Date:
1832
Materials & Techniques:
Etching and line engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/2 x 11 13/16 inches (44.5 x 30 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley

Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley
Creator:
Print made by William Angus, 1752–1821
Date:
1793
Materials & Techniques:
Line engraving and etching on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 8 11/16 x 11 3/16 inches (22 x 28.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Tynemouth Castle and Priory, Northumberland

Tynemouth Castle and Priory, Northumberland
Creator:
Print made by Benjamin Comte, 1760–1851
Date:
1802
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/8 x 9 3/4 inches (15.5 x 24.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. The House of William Russell, Esq., Showell Green

The House of William Russell, Esq., Showell Green
Creator:
William Ellis, 1747–1810
Date:
1792
Materials & Techniques:
Aquatint and etching on moderately thick, moderately textured, cream laid paper, pasted on left edge to B1977.14.14752b
Dimensions:
Sheet: 8 9/16 x 11 13/16 inches (21.8 x 30 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. The House of William Russell, Esq., Showell Green: English and French Text

The House of William Russell, Esq., Showell Green: English and French Text
Creator:
William Ellis, 1747–1810
Date:
1792
Materials & Techniques:
Letterpress on medium, slightly textured, cream wove paper (page in book), pasted on left edge to B1977.14.14752a
Dimensions:
Sheet: 8 1/8 x 11 15/16 inches (20.6 x 30.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Baskerville House, the Residence of John Ryland, Esq.

Baskerville House, the Residence of John Ryland, Esq.
Creator:
William Ellis, 1747–1810
Date:
1792
Materials & Techniques:
Aquatint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 8 1/2 x 10 3/8 inches (21.6 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. The House of George Humphrys, Esq., Spark Brook

The House of George Humphrys, Esq., Spark Brook
Creator:
William Ellis, 1747–1810
Date:
1792
Materials & Techniques:
Aquatint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 8 11/16 x 10 1/2 inches (22 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Bordesley Hall, the Seat of John Taylor, Esq.

Bordesley Hall, the Seat of John Taylor, Esq.
Creator:
William Ellis, 1747–1810
Date:
1792
Materials & Techniques:
Aquatint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 8 9/16 x 10 9/16 inches (21.7 x 26.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. A Perspective View of the Foundling Hospital with Emblematic Figures

A Perspective View of the Foundling Hospital with Emblematic Figures
Creator:
Charles Grignion, 1717–1810
Date:
1749
Materials & Techniques:
Etching and line engraving on moderately thick, moderately textured, beige laid paper, pasted on mount
Dimensions:
Sheet: 13 3/4 × 17 3/8 inches (35 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Kew

Kew
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1864
Materials & Techniques:
Etching and drypoint on medium, slightly textured, cream Asian paper
Dimensions:
Sheet: 8 1/4 x 6 1/8 inches (21 x 15.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Leonard C. Hanna Jr., BA 1910

39. The High Street, Southampton

The High Street, Southampton
Creator:
Print made by William Day, 1764–1807
Date:
1828
Materials & Techniques:
Lithograph with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 15/16 x 18 11/16 inches (38 x 47.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1893
Materials & Techniques:
Aquatint and stipple engraving; color woodcut by Mockler on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, orange-beige wove card
Dimensions:
Mount: 8 7/8 x 6 5/16 inches (22.6 x 16 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1893
Materials & Techniques:
Aquatint and stipple engraving; color woodcut by Mockler on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, orange-beige wove card
Dimensions:
Mount: 9 x 6 5/16 inches (22.9 x 16 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1893
Materials & Techniques:
Aquatint and stipple engraving; color woodcut by Mockler on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, orange-beige wove card
Dimensions:
Mount: 8 7/8 x 6 inches (22.5 x 15.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1852
Materials & Techniques:
Aquatint and stipple engraving; color woodcut done by an unknown later printer on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, yellow card
Dimensions:
Mount: 7 1/2 x 5 1/2 inches (19 x 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1852
Materials & Techniques:
Aquatint and stipple engraving; color woodcut done by an unknown later printer on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, yellow card
Dimensions:
Mount: 7 1/2 x 5 1/2 inches (19.1 x 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. View of Queen Square

View of Queen Square
Creator:
Engraved by Robert Pollard, 1755–1838
Date:
1789
Materials & Techniques:
Etching, line engraving, and aquatint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 19 1/2 × 24 7/16 inches (49.5 × 62.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. Liverpool Street A.M.

Liverpool Street A.M.
Creator:
Paul Arthur Hogarth, 1917–2001
Date:
undated
Materials & Techniques:
Graphite and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 3/8 x 18 9/16 inches (34 x 47.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

47. Design for the Parterre at Hampton Court

Design for the Parterre at Hampton Court
Creator:
unknown artist
Date:
early 18th century
Materials & Techniques:
Gray ink with watercolor over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 6 5/16 × 19 15/16 inches (16 × 50.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. Edinburgh Castle and Horse Fair

Edinburgh Castle and Horse Fair
Creator:
Walter Geikie, 1795–1837
Date:
1830
Materials & Techniques:
Etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 6 × 8 1/4 inches (15.2 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. Design for a Greenhouse at Kew Gardens

Design for a Greenhouse at Kew Gardens
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Pen and black and brown ink, watercolor and gouache on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 3/8 x 19 13/16 inches (31.4 x 50.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. Study for a Stable Court of Kirkdale, Wigtownshire, Scotland

Study for a Stable Court of Kirkdale, Wigtownshire, Scotland
Creator:
Robert Adam, 1728–1792
Date:
between 1770 and 1780
Materials & Techniques:
Watercolor, pen and black ink, gouache, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 11 7/8 × 18 5/8 inches (30.2 × 47.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. Carisbrooke Castle, Isle of Wight

Carisbrooke Castle, Isle of Wight
Creator:
attributed to Michael "Angelo" Rooker, 1746–1801
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 7/8 x 16 1/4 inches (25.1 x 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. The Ceremony of Opening London Bridge, August 1, 1831

The Ceremony of Opening London Bridge, August 1, 1831
Creator:
Print made by Thomas Allom, 1804–1872
Date:
undated
Materials & Techniques:
Lithograph on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/16 x 14 inches (25.5 x 35.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. New Steine and Rock Gardens

New Steine and Rock Gardens
Creator:
Print made by Day & Co., 1824–1913
Date:
1839
Materials & Techniques:
Lithograph with hand coloring on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 5/16 x 20 7/16 inches (36.4 x 51.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. Royal Crescent, County Hospital, St. George's Chapel, Kemp Town

Royal Crescent, County Hospital, St. George's Chapel, Kemp Town
Creator:
Print made by Day & Co., 1824–1913
Date:
1839
Materials & Techniques:
Lithograph with hand coloring on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 x 20 15/16 inches (35.5 x 53.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. The High Street, Southampton

The High Street, Southampton
Creator:
Print made by Day & Co., 1824–1913
Date:
1828
Materials & Techniques:
Lithograph with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 13/16 x 18 3/4 inches (37.6 x 47.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
Creator:
Print made by Jacob Bonneau, 1741–1786
Date:
1751
Materials & Techniques:
Etching and stipple engraving on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 10 15/16 x 15 1/2 inches (27.8 x 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
Creator:
Print made by Jacob Bonneau, 1741–1786
Date:
1751
Materials & Techniques:
Etching, drypoint print and stipple engraving on moderately thick, smooth, cream laid paper
Dimensions:
Sheet: 11 3/16 x 15 9/16 inches (28.4 x 39.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. Bridge on the Malton Road from York

Bridge on the Malton Road from York
Creator:
Rev. William Gilpin, 1724–1804
Date:
undated
Materials & Techniques:
Gray and orange wash with pen and gray ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Mount: 14 5/8 x 17 3/4 inches (37.2 x 45.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. Queen Square, London

Queen Square, London
Creator:
Edward Dayes, 1763–1804
Date:
1786
Materials & Techniques:
Watercolor with pen and black ink over graphite on thick, smooth, cream wove paper
Dimensions:
Sheet: 17 1/16 x 23 1/2 inches (43.4 x 59.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. Lady Macartney's Villa at Chiswick

Lady Macartney's Villa at Chiswick
Creator:
William Alexander, 1767–1816
Date:
after 1808
Materials & Techniques:
Graphite and brown wash on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 8 1/4 x 11 7/8 inches (21 x 30.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

61. The Courtyard of Mr. Bank's House, Northernhay, Exeter

The Courtyard of Mr. Bank's House, Northernhay, Exeter
Creator:
John White Abbott, 1763–1851
Date:
1816
Materials & Techniques:
Pen and brown ink and gray wash on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 x 7 1/2 inches (26.7 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. The Garden Front

The Garden Front
Creator:
Print made by Sir Muirhead Bone, 1876–1953
Date:
1901
Materials & Techniques:
Drypoint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 13/16 x 17 5/8 inches (32.5 x 44.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

63. Founders Tomb, Winchester

No cover image available
Creator:
Hedley Fitton, 1859–1929
Date:
undated
Materials & Techniques:
Etching and drypoint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 21 7/8 x 14 15/16 inches (55.6 x 38 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery