Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber
between 1793 and 1799
1909
unknown artist
Details of Capitals and Arches, Painted Chamber
between 1793 and 1799
1910
Attributed to John Carter, 1748–1817
Paintings on the Wall by H in Plan
between 1793 and 1799
1911
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXVII: The Painted Chamber
1842
1912
Attributed to John Carter, 1748–1817
Details of one of the Figures
ca. 1795
1913
Print made by G.F. Storm, active mid–19th century
Vol. 6, Plate XXIX
1842
1914
Print made by G.F. Storm, active mid–19th century
Vol. 6, Plate XXVIII
1842
1915
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults
1842
1916
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews
1842
1917
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXII: The Story of Hezekiah
1842
1918
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus
1842
1919
Print made by unknown artist
Vol. 6, Plate XXXIX: The Story of St John as a Pilgrim, and King Edward the Confessor. Fragment of a Virtue Triumphant. An Ornamental Pattern Found in one of the Round Headed Windows Filled up in the Painted Chamber
undated
1920
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha
1842
1921
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXVII: The Coronation of Edward the Confessor. Warriors Flying for Refuge into a City
1842
1922
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXIV: The Story of Elijah and Ahaziah. The Miracles of Elisha
1842
1923
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXVIII: The Triumph of Largesse or Bounty over Avarice. The Triumph of Debonerete or Meekness over Anger
after 1819
1924
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXI: A Continuation, as it is Presumed, of the Story of Antiochus. The Story of Abimelech
1842
1925
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus
1842
1926
George Harley, 1791–1871
Ruins of Westminster Palace
1834
1927
Charles James Richardson, 1806–1871
Sections of Room under Painted Chamber
1827
1928
Print made by T. Kearnan, active 1821–1850
The House of Lords, as Restored after the Fire
1835
1929
George Birch, 1842–1904
View of Guy Fawkes' Tower
1827
1930
Print made by John Thomas Smith, 1766–1833
Views of the Four Sides of a Cellar under the Old House of Lords; East End of the Prison Chamber; South Side of the Princes Chamber
1804
1931
Attributed to John Carter, 1748–1817
East Front of Princes Chamber
between 1800 and 1807
1932
Print made by Henry Melville, active 1826–1841
House of Lords, Her Majesty Opening the Session of Parliament
ca. 1837
1933
George Birch, 1842–1904
Plan and View of Room under the Painted Chamber
1827
1934
Print made by T. Clarke, 1799–1839
Plate XXXVIII: House of Lords, as Fitted up in 1835
1836
1935
Attributed to John Carter, 1748–1817
Princes Chamber, East Side with the Old House of Lords
between 1800 and 1807
1936
Print made by John Woods, active 1836–1860
Plate XXXV: Capital Carved in Stone of the Time of William Rufus; Part of the Ceiling of the Ancient Palace of Westminster
1825
1937
Attributed to John Carter, 1748–1817
Door near Painted Chamber
between 1800 and 1807
1938
Attributed to John Carter, 1748–1817
Plan of Princes Chamber, One Pair
between 1800 and 1807
1939
Attributed to William Capon, 1757–1827
Elevation of Buildings Fronting Westminster Hall
1822
1940
Attributed to John Carter, 1748–1817
Window Detail, Princes Chamber
between 1800 and 1807
1941
Print made by unknown artist
Exterior & Interior Views of the Painted Chamber & Old House of Lords
1823
1942
Attributed to John Carter, 1748–1817
South Side of Princes Chamber West
between 1800 and 1807
1943
Attributed to John Carter, 1748–1817
Princes Chamber
between 1800 and 1807
1944
Print made by Charles Burton, active 1830–1840
View of the King's Entrance &c. From the South-West
1835
1945
Frederick Mackenzie, 1788–1854
Old Palace Yard
1809
1946
Print made by Miss Mary Byrne, 1776–1846
The Houses of Lords and Commons
1815
1947
Charles James Richardson, 1806–1871
Ceiling to Boudoir House in Old Palace Yard
1871
1948
Print made by William Deeble, active 1814–1849
The Parliament House, from Old Palace Yard, Westminster
1829
1949
Charles James Richardson, 1806–1871
Corbel and Center Ornament, Ceiling of Boudoir, No. 3 Old Palace Yard
1871
1950
Print made by William Deeble, active 1814–1849
The King's Entrance to the House of Lords, From Poets Corner
1829
1951
Charles James Richardson, 1806–1871
Drawing Room Ceiling, No. 3 Old Palace Yard
1871
1952
Charles James Richardson, 1806–1871
Ceiling of Front Parlor House in Old Palace Yard
1871
1953
Charles James Richardson, 1806–1871
Decoration between Windows of Parlor, No. 3 Old Palace Yard
1871
1954
Charles James Richardson, 1806–1871
Center Flower, and Cornice, Ceiling of Front Parlour, No. 3 Old Palace Yard
1871
1955
Print made by unknown artist
Destruction of the Houses of Parliament, Oct 16th, 1834, as Seen from Henry VIIth's Chapel
undated
1956
Print made by M. Gauci, 1810–1846
The Destruction by Fire of the Houses of Parliament
after 1834
1957
Print made by R.C. Roffe, active in London 1806–1835
A View of the Range of Building Adjoining Westminster Hall, and Fronting the River Thames; Including a Space of 750 Feet
1827
1958
Print made by R.C. Roffe, active in London 1806–1835
Perspective View of the North & East Fronts of the Buildings Connected with the Houses of Parliament and Courts of Law &c. &c., and Showing the Alterations Suggested by Colonel Trench
1827
1959
Print made by unknown artist
Ruins of the Houses of Parliament as they Appeared on the Morning after the Conflagration
1834
1960
Print made by unknown artist
Houses of Parliament
undated
1961
Print made by T. Kearnan, active 1821–1850
New Houses of Parliament, View of the Adopted Design as the Building Would Appear from the Surrey End of Westminster Bridge
ca. 1835
1962
Print made by R.C. Roffe, active in London 1806–1835
Perspective View of the North & East Fronts of the Building Connected with the Houses of Parliament and Courts of Law, &c. &c
1827
1963
unknown artist
Henry VII Chapel, Westminster Abbey
undated
1964
Print made by John Collins, active ca. 1682
The North Prospect of Westminster Abbey
between 1680 and 1710
1965
John Coney, 1786–1833
North East View of Henry VII Chapel Westminster
1813
1966
Print made by William Henry Toms, ca. 1700–ca. 1750
The South-East Prospect of King Henry The VII's Chapel at Westminster
1739
1967
Print made by unknown artist
North East View of Henry VII Chapel Westminster
ca. 1813
1968
Print made by Charles J. Hullmandel, 1789–1850
Henry the Seventh's Chapel, North Side
undated
1969
Print made by unknown artist
North East View of Henry VII Chapel Westminster
ca. 1813
1970
Print made by Augustus Charles Pugin, 1762–1832
Henry VII Chapel at Westminster Showing Two Renovated Pinacles
undated
1971
Print made by Thomas Sutherland, ca. 1785–1838
Fragments & Parts of the Exterior of Henry the Seventh Chapel, Westminster Abbey
1811
1972
Print made by George Barret Jr., 1767–1842
Marriage of Henry the seventh
1796
1973
Print made by Edward Rooker, 1724–1774
Henry the Seventh's Chapel
undated
1974
Print made by George Hawkins, active 1795–1810
View of the East End of Henry VIIth Chapel as Restored in 1813
1814
1975
Print made by unknown artist
Henry VII Chapel (Exterior)
ca. 1890
1976
Print made by Herbert Railton, 1857–1910
Henry VII's Shrine
ca. 1890
1977
William Capon, 1757–1827
Henry VII Chapel
ca. 1793
1978
John Carter, 1748–1817
South East View of the Towers of the Abbey, &c. from College St. Westminster
1782
1979
Attributed to John Carter, 1748–1817
Seats in Henry VII Chapel, Westminster Abbey
ca. 1793
1980
Attributed to John Carter, 1748–1817
Continuation of the Preceeding Ornaments
1793
1981
Attributed to John Carter, 1748–1817
Door-way in Wall of South Precints of Westminster Abbey
undated
1982
John Carter, 1748–1817
View of Modern Gateway in South East Angle of Dean's Yard
between 1780 and 1807
1983
John Phillipps Emslie, 1839–1913
Houses Adjacent to Westminster Abbey in the Process of Demolition
1896
1984
Attributed to John Carter, 1748–1817
South West View of the Remains of the Crypt under the Dormitory in Dean's Yard Discovered in June
1815
1985
Attributed to John Carter, 1748–1817
North View of the Jerusalem Chamber, Taken from the West Porch of Westminster Abbey
1792
1986
Attributed to John Carter, 1748–1817
Part of the Old Dormitory
1815
1987
Attributed to John Carter, 1748–1817
Springing of groins
1815
1988
Attributed to Sir Charles Barry, 1795–1860
Doorway, Dean's Yard, Westminster
1837
1989
Attributed to John Carter, 1748–1817
South View of the Abbey Church, Westminster, Taken from Dean's Yard
1785
1990
Print made by James Basire II, 1769–1822
The North-East View of the Old Dormitory, in 1758; North-East View of the Remains of Part of the Crypt of the Old Dormitory, discovered in 1815; Plans and Elevations of the Remains
1815
1991
Print made by John Carter, 1748–1817
Plate XCIV: South View of Westminster Abbey, Taken from Deans Yard
1791
1992
Attributed to John Carter, 1748–1817
Line of Buildings on East Side, Dean's Yard
between 1806 and 1815
1993
Attributed to John Carter, 1748–1817
Buildings on North Side, Dean's Yard
between 1806 and 1815
1994
Attributed to John Carter, 1748–1817
Continuation of Detail
between 1806 and 1815
1995
Attributed to John Carter, 1748–1817
Detail for Preceding Elevations
between 1806 and 1815
1996
Attributed to John Carter, 1748–1817
Continuation of Details
between 1806 and 1815
1997
Attributed to John Carter, 1748–1817
Buildings on East Side of Dean's Yard
between 1806 and 1815
1998
Attributed to John Carter, 1748–1817
Window, Dean's Yard
between 1806 and 1815
1999
Print made by unknown artist
Plate I. Memorials of the Commissioners for Improving Westminster, 1811