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Genre architectural subject

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Height [cm] 30

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Subject Terms church

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A London Church
Creator:
Print made by Robert Polhill Bevan, 1865–1925
Date:
1924
Materials & Techniques:
Lithograph on medium, smooth, cream wove paper
Dimensions:
Sheet: 14 15/16 x 19 5/8 inches (38 x 49.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Patricia Cornwell
Salisbury Cathedral From the Meadows
Creator:
John Constable, 1776–1837
Date:
1829
Materials & Techniques:
Graphite on medium, moderately textured, cream wove paper mounted on card
Dimensions:
Mount: 11 5/8 × 16 5/8 inches (29.5 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Evening

Evening
Creator:
Print made by John Browne, 1741–1801
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 12 11/16 x 16 5/8 inches (32.3 x 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Rialto, Venice
Creator:
Print made by John Pye, 1782–1874
Date:
1818-1820
Materials & Techniques:
Etching and line engraving; 2nd state on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 5/8 × 17 3/8 inches (29.5 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Thames Ditton, Surrey: Design for Gothic Church
Creator:
Sir Robert Taylor, 1714–1788
Date:
ca. 1776
Materials & Techniques:
Graphite, pen and black ink and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 x 15 7/8 inches (30.2 x 40.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Rialto
Creator:
Sir David Young Cameron, 1865–1945
Date:
1900
Materials & Techniques:
Etching and drypoint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 1/8 × 9 1/4 inches (33.3 × 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
Brignall Church
Creator:
Print made by Samuel Rawle, 1771–1860
Date:
1818-1823
Materials & Techniques:
Open etching and line engraving on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Mount: 11 13/16 × 16 3/4 inches (30 × 42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Church of the Holy Sepulchre
Creator:
William James Muller, 1812–1845
Date:
between 1838 and 1840
Materials & Techniques:
Watercolor with pen in brown ink, over graphite, with gouache on medium, moderately textured, brown wove paper
Dimensions:
Sheet: 11 3/4 × 16 inches (29.8 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Rialto, Venice
Creator:
Print made by John Pye, 1782–1874
Date:
1820
Materials & Techniques:
Line engraving and etching, engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 3/4 × 17 5/8 inches (29.8 × 44.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ehrenbreitstein
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1833
Materials & Techniques:
Line engraving, engraver's proof on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 11 13/16 × 17 3/16 inches (30 × 43.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Custom House
Creator:
Print made by James C. Allen, active 1821–1831
Date:
1827
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 7/8 × 17 5/16 inches (30.2 × 44 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Custom House
Creator:
Print made by James C. Allen, active 1821–1831
Date:
1827
Materials & Techniques:
Line engraving, engraver's proof on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 7/8 × 17 5/8 inches (30.2 × 44.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Design for a Chapel at Enfield: Longitudinal Section
Creator:
Lewis Vulliamy, 1791–1871
Date:
undated
Materials & Techniques:
Pen and black ink with watercolor on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 5/8 x 18 13/16 inches (32.1 x 47.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A View of Queen's College (a), University College (b), All Souls College (c), the Steeple of St. Mary's Church (d), & c. in the University of Oxford
Creator:
unknown artist
Materials & Techniques:
Hand-colored engraving on laid paper
Dimensions:
Plate: 11 3/4 × 16 3/4 inches (29.8 × 42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Design for a Chapel at Enfield: Longitudinal Section
Creator:
Lewis Vulliamy, 1791–1871
Date:
undated
Materials & Techniques:
Pen and black ink with watercolor on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 11/16 x 17 15/16 inches (32.2 x 45.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Design for a Chapel at Enfield: Transverse Sections, East and West End
Creator:
Lewis Vulliamy, 1791–1871
Date:
undated
Materials & Techniques:
Pen and black ink with watercolor on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 7/16 x 18 7/16 inches (31.6 x 46.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Interior of the Chapel of the Holy Trinity
Creator:
Print made by Thomas Dale, active ca. 1921
Date:
1825
Materials & Techniques:
Etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 5/8 × 9 5/8 inches (32 × 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald and Willi Holden
The Church of St. Mary ye Great at Rome. With ye additional Buildings on each side. Also ye Antique Collumn brought hither from ye Temple of Peace, by Pope Paul V.
Creator:
Carington Bowles, 1724–1793
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Plate: 11 3/4 × 16 3/4 inches (29.8 × 42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Capitals in the Abbey Church of St. Georges de Bocherville, near Rouen, Normandy
Creator:
John Sell Cotman, 1782–1842
Date:
1818
Materials & Techniques:
Graphite and brown wash on medium, smooth, cream wove paper
Dimensions:
Sheet: 11 3/4 x 9 inches (29.8 x 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Capitals and A & B Bas-Reliefs in the Abbey Church of Saint Georges de Bocherville, near Rouen, Normandy
Creator:
John Sell Cotman, 1782–1842
Date:
1818
Materials & Techniques:
Graphite and brown wash on medium, smooth, cream wove paper
Dimensions:
Sheet: 11 3/4 x 8 7/8 inches (29.8 x 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
St. Bartholomew's Gateway
Creator:
Hedley Fitton, 1859–1929
Date:
undated
Materials & Techniques:
Etching and drypoint on moderately thick, smooth, cream laid paper
Dimensions:
Sheet: 16 x 10 3/16 inches (40.6 x 25.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery
Kirkby Lonsdale Churchyard
Creator:
Print made by Charles Heath, 1785–1848
Date:
1821
Materials & Techniques:
Line engraving and etching on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 12 × 15 1/16 inches (30.5 × 38.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Fulham on the Thames
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
after 1858
Materials & Techniques:
Etching and drypoint, with plate tone on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 3/4 x 16 7/8 inches (29.9 x 42.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Dr. M.J. Sharpe for the Richard Sharpe V, B.S. 1873, Collection
L'Eglise de St. Gervais et St. Protais
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1824
Materials & Techniques:
Lithograph on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:
Sheet: 11 7/8 x 15 3/16 inches (30.2 x 38.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Anonymous Gift, The Frederick Benjamin Kaye Memorial Collection, transfer from the Yale University Art Gallery
Ehrenbreitstein
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1833
Materials & Techniques:
Line engraving, first published state on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 11 13/16 × 17 3/16 inches (30 × 43.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Transept of Melrose Abbey, 1778 Near Old Melrose on the River Tweed, Roxburgh
Creator:
Thomas Hearne, 1744–1817
Date:
1778
Materials & Techniques:
Gray wash, pen and black ink, and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 13 5/8 x 10 3/8 inches (34.6 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
La rue des Prouvaires et l'église saint Eustache, Paris
Creator:
Print made by Thomas Shotter Boys, 1803–1874
Date:
1833
Materials & Techniques:
Soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 16 15/16 x 11 11/16 inches (43 x 29.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Bell at Abberton Church, Essex
Creator:
Print made by Robert Sargent Austin, 1895–1973
Date:
1927
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 11 7/8 x 8 3/8 inches (30.2 x 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
Vue Generale de l'Eglise de l'Abbaye de Tournus
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1825
Materials & Techniques:
Lithograph on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:
Sheet: 11 7/8 × 14 1/4 inches (30.2 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Hanslip Fletcher, 1874–1955
Date:
undated
Materials & Techniques:
Etching and drypoint on moderately thick, smooth, cream laid paper
Dimensions:
Sheet: 17 1/16 x 11 1/4 inches (43.4 x 28.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery