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1. Sheep-Washing, Windsor

Sheep-Washing, Windsor
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1813 to 1823
Materials & Techniques:
Etching and mezzotint, printed in brown ink; modern impression on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 × 17 inches (30.5 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. The Stork and Aqueduct

The Stork and Aqueduct
Creator:
Print made by Joseph Mallord William Turner, 1775–1851
Date:
between 1813 and 1823
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 × 16 7/8 inches (30.5 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. A View of Erith, Looking Up the Thames

A View of Erith, Looking Up the Thames
Creator:
Print made by John Boydell, 1720–1804
Date:
1750
Materials & Techniques:
Etching with hand coloring on moderately thick, rough, cream wove paper
Dimensions:
Sheet: 12 1/4 x 18 9/16 inches (31.1 x 47.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. The Stork and Aqueduct

The Stork and Aqueduct
Creator:
Print made by Sir Frank Short, 1857–1945
Date:
1896
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/4 × 17 inches (31.1 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Ruins of Sparta

Ruins of Sparta
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Gray wash, blue wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 × 17 inches (30.5 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Ruins of Messenia

Ruins of Messenia
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Gray wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 × 16 15/16 inches (30.5 × 43 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Ruins of Messenia

Ruins of Messenia
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Blue wash, gray wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 × 17 inches (30.5 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. One of Eleven Designs for Houses and Shops

One of Eleven Designs for Houses and Shops
Creator:
unknown artist
Date:
ca. 1800
Materials & Techniques:
Graphite, pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 19 3/16 x 22 1/2 inches (48.7 x 57.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. A View of Exeter College back gate (a), the Museum (b), the Theatre (c), the Printing House (d), & c. in the University of Oxford

A View of Exeter College back gate (a), the Museum (b), the Theatre (c), the Printing House (d), & c. in the University of Oxford
Creator:
unknown artist
Materials & Techniques:
Hand-colored engraving on laid paper
Dimensions:
Plate: 12 × 17 inches (30.5 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Ehrenbreitstein, During the Demolition of the Fortress in 1817

Ehrenbreitstein, During the Demolition of the Fortress in 1817
Creator:
Print made by John Pye, 1782–1874
Date:
1828
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof (c) on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 12 × 16 13/16 inches (30.5 × 42.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Nantes

Nantes
Creator:
Print made by James Tibbits Willmore, 1800–1863
Date:
1828-1837
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof (d) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 3/8 × 16 7/8 inches (31.4 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Llandberis Lake, Wales

Llandberis Lake, Wales
Creator:
Print made by James Tibbits Willmore, 1800–1863
Date:
1834
Materials & Techniques:
Etching and engraving with chine-collé; engraver's proof (bc) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 × 17 inches (30.5 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Liverpool: The Windmill on the Edge of the Quarry

Liverpool: The Windmill on the Edge of the Quarry
Creator:
John Samuel Hayward, 1778–1822
Date:
1803
Materials & Techniques:
Watercolor and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 12 1/8 × 17 inches (30.8 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Cobham Hall, Kent: Design for Windows

Cobham Hall, Kent: Design for Windows
Creator:
James Wyatt, 1746–1813
Date:
ca. 1790
Materials & Techniques:
Gray wash, pen and black ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 12 x 17 inches (30.5 x 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. View of the New Trinity House on Tower Hill. Samuel Wyatt Esqr. Architect. The first Stone of this Noble Building was laid on the 12th of September 1793, by the Right Hon'ble William Pitt, First Lord of the Treasury and Master of this Corporation

View of the New Trinity House on Tower Hill. Samuel Wyatt Esqr. Architect. The first Stone of this Noble Building was laid on the 12th of September 1793, by the Right Hon'ble William Pitt, First Lord of the Treasury and Master of this Corporation
Creator:
unknown artist
Date:
1799
Materials & Techniques:
Hand-colored engraving on laid paper
Dimensions:
Plate: 11 1/2 × 17 inches (29.2 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Honfleur

Honfleur
Creator:
Print made by John Cousen, 1804–1880
Date:
1834
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof (a) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 × 16 7/8 inches (30.5 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Mr. Godschall's House

Mr. Godschall's House
Creator:
Anthony Devis, 1729–1817
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, gray ink, gray wash and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 × 19 13/16 inches (38.1 × 50.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Craigmillar Castle

No cover image available
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1931
Materials & Techniques:
Etching and drypoint on medium, slightly textured, cream laid paper
Dimensions:
Plate: 4 3/16 × 11 7/8 inches (10.7 × 30.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

19. Evening Quiet

No cover image available
Creator:
Print made by Edward Julius Detmold, 1883–1957
Date:
undated
Materials & Techniques:
Etching and drypoint on medium, slightly textured, cream Japanese paper
Dimensions:
Sheet: 12 1/4 x 16 15/16 inches (31.1 x 43.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

20. South East Front of the Deepdene

No cover image available
Creator:
Henry Phillip Hope, active 1799–1818
Date:
undated
Materials & Techniques:
Pen and black and red ink, graphite, watercolor on slightly textured, medium, cream wove paper
Dimensions:
Sheet: 12 1/16 × 16 7/8 inches (30.6 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. View of the South East or Entrance Front seen from the East, Deepdene

No cover image available
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Sepia, pen and black ink, graphite on slightly textured, medium, cream wove paper
Dimensions:
Sheet: 18 5/8 × 26 7/16 inches (47.3 × 67.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Principal Front of Bedgebury House - Elevation

No cover image available
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Pen and black ink, watercolor, graphite on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 13 5/16 × 18 7/16 inches (33.8 × 46.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Pont du Manzanaria pres Madrid, (Bridge under Construction near Madrid)

No cover image available
Creator:
Charles Clifford, ca. 1800–1863
Date:
ca. 1858
Materials & Techniques:
Albumen print from wet collodion glass negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 12 1/4 × 17 inches (31.1 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Joy of Giving Something, Inc.