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Genre architectural subject

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Width [cm] 19

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Subject Terms windows

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Corner of the Palais de Justice, Paris
Creator:
Print made by Thomas Shotter Boys, 1803–1874
Date:
ca. 1833
Materials & Techniques:
Soft-ground etching on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 13 5/16 x 9 3/4 inches (33.8 x 24.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
St. George's Chapel, Windsor, Berks.
Creator:
George Sidney Shepherd, 1784–1862
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 5 1/2 × 7 1/2 inches (14 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
St. Paul's Cathedral
Creator:
Thomas Hosmer Shepherd, 1792–1864
Date:
undated
Materials & Techniques:
Watercolor, black ink, brown ink, graphite, and gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 5/16 × 7 5/8 inches (13.5 × 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Houses of Parliament
Creator:
Thomas Hosmer Shepherd, 1792–1864
Date:
undated
Materials & Techniques:
Watercolor, brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 13/16 × 7 5/8 inches (12.2 × 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Water Engine, Cold-Bath-Field's Prison
Creator:
Print made by John Bluck, active 1791–1831
Date:
1808
Materials & Techniques:
Aquatint and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 5/8 x 9 7/16 inches (32 x 24 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker
Eaton Hall
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Etching and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 5 7/16 × 7 3/8 inches (13.8 × 18.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Bell, No.1 at Wareham, Dorest
Creator:
Print made by Austin, Robert, 1895-1973, 1895–1973
Date:
1927
Materials & Techniques:
Etching and stipple engraving on moderately thick, slightly textured, brown laid paper
Dimensions:
Sheet: 9 3/4 x 7 5/8 inches (24.8 x 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
Belgian Set: Damme [No. 5]
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1907
Materials & Techniques:
Etching and drypoint on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/2 × 8 1/4 inches (29.2 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

9. Siena

Siena
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1900
Materials & Techniques:
Etching and drypoint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 3/8 × 7 5/8 inches (34 × 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
Apsley House, Hyde Park Corner: the Residence of his Grace the Duke of Wellington
Creator:
Print made by Thomas Barber, ca. 1768–1843
Date:
1829
Materials & Techniques:
Etching with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 11/16 x 8 7/8 inches (14.5 x 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ratisbonne
Creator:
Print made by François-Séraphin Delpech, 1778–1825
Date:
between 1818 and 1825
Materials & Techniques:
Lithograph on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 13 x 9 5/16 inches (33 x 23.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, A. Conger Goodyear, B.A. 1899, Fund
Zoutelande
Creator:
Print made by Austin, Robert, 1895-1973, 1895–1973
Date:
1929
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 9 7/16 x 7 5/16 inches (24 x 18.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
Porch at Wilton House designed by Hans Holbein
Creator:
John Buckler FSA, 1770–1851
Date:
1804
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 19 3/4 × 14 inches (50.2 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Barnack

Barnack
Creator:
Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:
1914
Materials & Techniques:
Etching; 2nd state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 7/8 × 7 3/8 inches (25.1 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
L'Eglise Saint-Vaast, Armentieres
Creator:
Print made by Austin, Robert, 1895-1973, 1895–1973
Date:
1928
Materials & Techniques:
Etching and drypoint on moderately thick, slightly textured, white laid paper
Dimensions:
Sheet: 6 7/8 x 9 3/16 inches (17.4 x 23.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
Preparatory drawing for Design 15, Plate 12 of A Collection of Designs for Rural Retreats
Creator:
James Malton, 1761–1803
Date:
1802
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 5/8 × 7 3/8 inches (11.7 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Preparatory drawing for Design 20, Plate 18 of A Collection of Designs for Rural Retreats
Creator:
James Malton, 1761–1803
Date:
1802
Materials & Techniques:
Graphite on medium, slightly textured, pink laid paper
Dimensions:
Sheet: 3 3/16 × 7 3/8 inches (8.1 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Preparatory drawing for Design 1, Plate 1 of A Collection of Designs for Rural Retreats
Creator:
James Malton, 1761–1803
Date:
1802
Materials & Techniques:
Gray wash and graphite with pen and black on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 1/8 × 7 9/16 inches (13 × 19.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Temple Bar
Creator:
Thomas Hosmer Shepherd, 1792–1864
Date:
undated
Materials & Techniques:
Watercolor, brown ink, graphite, and gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 3/4 × 7 5/8 inches (14.6 × 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tapestry-hung Room in Gothic Mansion
Creator:
James Pattison Cockburn, 1779–1847
Date:
undated
Materials & Techniques:
Watercolor and white gouache on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 9 3/4 x 7 3/8 inches (24.8 x 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Design for Polychromatic Decoration of a Church
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Watercolor, graphite, and gouache with pen and black ink on moderately thick, rough, cream wove paper
Dimensions:
Sheet: 11 1/4 × 9 1/2 inches (28.6 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The South Gate, Exeter
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Gray wash and graphite with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 x 7 5/8 inches (12.7 x 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection