Genre: architectural subject - YCBA Collections Search Search Results

501. Lord Henry Seymour's Estate

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1827
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/8 × 12 3/4 inches (23.2 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

502. At Sandrock, Isle of Wight, 13 August 1829

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1829
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/4 × 7 1/2 inches (17.1 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

503. Wootton Bridge, Isle of Wight

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: between 1826 and 1830
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/2 × 9 1/8 inches (14 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

504. Beaulieu, Hampshire

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: between 1826 and 1830
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 × 10 1/2 inches (20.3 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

505. Beaulieu, Hampshire

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1827
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 × 10 1/2 inches (20.3 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

506. Wootton Bridge, 17 August 1826

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1826
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/4 × 13 1/4 inches (23.5 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

507. Window of the Room Where Charles I Was Confined, Carisbrooke Castle

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1829
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 × 11 1/8 inches (19.1 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

508. Shanklin Church, Isle of Wight, 28 May 1829

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1829
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 7/8 × 7 1/2 inches (17.5 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

509. Carisbrooke Castle, Isle of Wight

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1829
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/2 × 13 1/4 inches (24.1 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

510. Brading Church, Isle of Wight

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1828
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 × 11 1/8 inches (19.1 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

511. Holland Estate, St. Thomas in the East, View from the Change of Air House

Creator:: James Hakewill, 1778–1843
Date:: between 1820 and 1821
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/4 × 16 1/2 inches (31.1 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

512. Llanrumny Estate, St. Mary's, Jamaica

Creator:: James Hakewill, 1778–1843
Date:: between 1820 and 1821
Materials & Techniques:: Watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/4 × 16 1/2 inches (31.1 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

513. Holland Estate, St. Thomas in the East, Jamaica

Creator:: James Hakewill, 1778–1843
Date:: between 1820 and 1821
Materials & Techniques:: Watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 x 16 1/2in. (30.5 x 41.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

514. Old Dick's Cabin

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1820
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 × 5 1/4 inches (10.2 × 13.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

515. Sketch of Stone Cottages in a Village

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1820
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 × 5 1/4 inches (10.2 × 13.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

516. Woodford, September 1814

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1814
Materials & Techniques:: Pen and black ink with graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 × 5 inches (20.3 × 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

517. Sketch of a Woman near a Cottage

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1820
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 × 5 1/4 inches (10.2 × 13.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

518. Flamstead End, Old Ruskin's Cottage near Cheshunt, May 1814

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1814
Materials & Techniques:: Pen and black ink, gray wash, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/4 × 7 3/4 inches (12.1 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

519. Cheshunt Church, 23 May 1814

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1814
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 7/8 × 7 7/8 inches (12.4 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

520. Part of St. Augustine's, Canterbury

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1807
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 5/8 × 8 1/2 inches (16.8 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

521. Views in the Levant: View of the domes and spires of Hagia Sophia, Istanbul

Creator:: Willey Reveley, 1760–1799
Date:: ca. 1785
Materials & Techniques:: Watercolor and pen and gray ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 7/8 x 18 3/4in. (25.1 x 47.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

522. View of Lincoln Cathedral

Creator:: Thomas Girtin, 1775–1802
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, brown wove paper
Dimensions:: Sheet: 6 3/4 × 9 inches (17.1 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of William Lamson Warren, class of 1935

523. Château des Comtes de Flandre, Ghent

Creator:: Print made by Thomas Shotter Boys, 1803–1874
Date:: ca. 1833
Materials & Techniques:: Soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 7/8 x 9 15/16 inches (35.3 x 25.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

524. Moon-Light

Creator:: Print made by John Browne, 1741–1801
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 5/8 x 16 7/16 inches (32 x 41.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

525. After Sun-Set

Creator:: Print made by John Browne, 1741–1801
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 5/8 x 16 5/8 inches (32.1 x 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

526. Evening

Creator:: Print made by John Browne, 1741–1801
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 5/16 x 17 3/16 inches (33.8 x 43.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

527. Evening

Creator:: Print made by John Browne, 1741–1801
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 12 11/16 x 16 5/8 inches (32.3 x 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

528. Moon-Light

Creator:: Print made by John Browne, 1741–1801
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 1/16 x 17 1/16 inches (33.2 x 43.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

529. Bristol High Cross

Creator:: Print made by Samuel Buck, 1696–1779
Date:: 1734
Materials & Techniques:: Line engraving and stipple engraving, hand-colored on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 19 9/16 x 11 11/16 inches (49.7 x 29.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

530. Lincoln Cathedral

Creator:: Thomas Malton, 1726–1801
Date:: 1800
Materials & Techniques:: Color aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 22 3/8 × 29 3/8 inches (56.8 × 74.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

531. Rouen - Cathedrale Notre-Dame

Creator:: Richard Parkes Bonington, 1802–1828
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 11 x 7in. (28 x 17.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

532. Rouen - Entre de la Salle des Pas Perdus

Creator:: Richard Parkes Bonington, 1802–1828
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 10 9/16 x 7in. (26.8 x 17.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

533. The Stork and Aqueduct

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1896
Materials & Techniques:: Etching, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 15 3/8 inches (27.9 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

534. Sir Richard Steele's Cottage

Creator:: Print made by David Lucas, 1802–1881
Date:: 1845
Materials & Techniques:: Mezzotint and drypoint on medium, slightly textured, cream wove paper, mounted on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 × 9 3/8 inches (18.4 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

535. Castle Above a Rocky Gorge

Creator:: Print made by John Sell Cotman, 1782–1842
Date:: undated
Materials & Techniques:: Soft-ground etching on moderately thick, slightly textured, blue wove paper
Dimensions:: Sheet: 7 1/16 x 8 15/16 inches (17.9 x 22.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

536. Column at Yarmouth to the Memory of Lord Nelson

Creator:: Print made by John Sell Cotman, 1782–1842
Date:: 1817
Materials & Techniques:: Etching on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 18 7/8 x 12 5/8 inches (47.9 x 32 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

537. Harlech Castle

Creator:: Print made by John Sell Cotman, 1782–1842
Date:: undated
Materials & Techniques:: Soft-ground etching on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 5 1/4 x 7 5/16 inches (13.4 x 18.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

538. View of HRH the Princess Elizabeth's Cottage at Old Windsor with a View of the Moss House Below

Creator:: James Clark, 19th century
Date:: 1812
Materials & Techniques:: Hand colored aquatint with etching on moderately thick, smooth, brown wove paper
Dimensions:: Sheet: 15 7/8 x 17 1/16 inches (40.3 x 43.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

539. Norham Castle, on the River Tweed

Creator:: Print made by Charles Turner, 1774–1857
Date:: 1824
Materials & Techniques:: Mezzotint; engraver's proof (a) (touched) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 3/4 × 13 1/2 inches (24.8 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

540. The Black Tower Norwich

Creator:: Robert Dixon, 1780–1815
Date:: between 1810 and 1811
Materials & Techniques:: Soft-ground etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 9/16 x 8 3/16 inches (26.8 x 20.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

541. The Greyfriars Tower, Lynn, as it appeared 1801

Creator:: Robert Dixon, 1780–1815
Date:: between 1810 and 1811
Materials & Techniques:: Soft-ground etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 15/16 x 8 1/16 inches (25.3 x 20.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

542. Cottage at Diss

Creator:: Robert Dixon, 1780–1815
Date:: 1811
Materials & Techniques:: Soft-ground etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/16 x 8 1/4 inches (25.6 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

543. West Tower, Wymondham Church

Creator:: Robert Dixon, 1780–1815
Date:: 1810
Materials & Techniques:: Soft-ground etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 11/16 x 8 1/4 inches (27.1 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

544. Sketch at Mulbarton

Creator:: Robert Dixon, 1780–1815
Date:: between 1810 and 1811
Materials & Techniques:: Soft-ground etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 x 8 3/16 inches (27 x 20.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

545. Remains of the Priory, Beeston Regis

Creator:: Robert Dixon, 1780–1815
Date:: 1810
Materials & Techniques:: Soft-ground etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 7/16 x 8 1/4 inches (26.5 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

546. Scarborough

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1826
Materials & Techniques:: Mezzotint, engraver's proof (c)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

547. Scarborough

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1826
Materials & Techniques:: Mezzotint, with scraping out and touched with graphite, engraver's proof (a)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

548. Whitby

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1826
Materials & Techniques:: Mezzotint, engraver's proof (c)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

549. Temple of Jupiter Panhellenios at Aegina

Creator:: William Pars, 1742–1782
Date:: between 1764 and 1766
Materials & Techniques:: Pen and black ink, pen and gray ink, pen and brown ink, gray wash, and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 18 inches (29.2 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

550. View of the Cappuccini Mount, the Po & the Bridge from the Road to the Palatine"

Creator:: Henry Swinburne, 1743–1803
Date:: 1764
Materials & Techniques:: Pen and black ink, gray ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 16 3/8 × 11 inches (41.6 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

551. Castle of Blois, France

Creator:: Henry Swinburne, 1743–1803
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:: Mount: 11 1/16 × 16 3/8 inches (28.1 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

552. Ducal Palace of Urbino in Marche, Italy

Creator:: Henry Swinburne, 1743–1803
Date:: 1777 to 1778
Materials & Techniques:: Pen and brown ink and brown wash on medium, moderately textured, cream wove paper
Dimensions:: Mount: 16 3/8 × 11 1/8 inches (41.6 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

553. Theatre of Sagunto, Spain

Creator:: Henry Swinburne, 1743–1803
Date:: 1775 to 1776
Materials & Techniques:: Pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:: Mount: 16 5/16 × 11 1/16 inches (41.4 × 28.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

554. Château de Mauvezin

Creator:: Henry Swinburne, 1743–1803
Date:: undated
Materials & Techniques:: Pen and brown ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 11 1/8 × 16 3/8 inches (28.3 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

555. The Most Considerable Remains of the Walls of Gnatia

Creator:: Henry Swinburne, 1743–1803
Date:: 1777 to 1778
Materials & Techniques:: Pen and brown ink, over graphite on medium, moderately textured, cream wove paper
Dimensions:: Mount: 16 3/8 × 11 1/8 inches (41.6 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

556. Part of the Ruins Seen From the East End of the Church

Creator:: Henry Swinburne, 1743–1803
Date:: undated
Materials & Techniques:: Pen and gray ink, black ink and gray wash on medium, moderately textured, cream laid paper
Dimensions:: Mount: 16 3/8 × 11 1/16 inches (41.6 × 28.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

557. Ruins of a Circular Stone Keep

Creator:: Henry Swinburne, 1743–1803
Date:: undated
Materials & Techniques:: Graphite on medium, moderately textured, cream wove paper
Dimensions:: Mount: 16 5/16 × 11 1/16 inches (41.4 × 28.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

558. Stone Bridge

Creator:: Henry Swinburne, 1743–1803
Date:: undated
Materials & Techniques:: Gray wash and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 16 5/16 × 11 1/16 inches (41.4 × 28.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

559. Tynemouth from the Spanish Fort

Creator:: Henry Swinburne, 1743–1803
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:: Mount: 16 3/8 × 11 1/16 inches (41.6 × 28.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

560. Château de Chaumont

Creator:: Henry Swinburne, 1743–1803
Date:: undated
Materials & Techniques:: Pen and brown ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 16 5/16 × 9 5/16 inches (41.4 × 23.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

561. St. Bertrand, France

Creator:: Henry Swinburne, 1743–1803
Date:: undated
Materials & Techniques:: Pen and brown ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 9 5/16 × 16 1/4 inches (23.7 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

562. Study of a Section Piece From The Lions Court at Alahambra

Creator:: Henry Swinburne, 1743–1803
Date:: 1775 to 1776
Materials & Techniques:: Pen and gray ink, gray wash over graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 9 5/16 × 16 1/4 inches (23.7 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

563. Bord du Loiret

Creator:: Henry Swinburne, 1743–1803
Date:: undated
Materials & Techniques:: Pen and brown ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 11 1/16 × 16 3/8 inches (28.1 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

564. Landcape View of a Watermill

Creator:: Henry Swinburne, 1743–1803
Date:: undated
Materials & Techniques:: Graphite on medium, moderately textured, cream wove paper
Dimensions:: Mount: 11 1/16 × 16 5/16 inches (28.1 × 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

565. One of Four Sketches, of Ceilings, in the Vatican Gallery

Creator:: Henry Swinburne, 1743–1803
Date:: 1777 to 1778
Materials & Techniques:: Waercolor, graphite, pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:: Mount: 16 3/8 × 11 1/8 inches (41.6 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

566. One of Four Sketches, of Ceilings, in the Vatican Gallery

Creator:: Henry Swinburne, 1743–1803
Date:: 1777 to 1778
Materials & Techniques:: Waercolor, graphite, pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:: Mount: 16 3/8 × 11 1/8 inches (41.6 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

567. One of Four Sketches, of Ceilings, in the Vatican Gallery

Creator:: Henry Swinburne, 1743–1803
Date:: 1777 to 1778
Materials & Techniques:: Watercolor, graphite, pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:: Mount: 16 3/8 × 11 1/8 inches (41.6 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

568. One of Four Sketches, of Ceilings, in the Vatican Gallery

Creator:: Henry Swinburne, 1743–1803
Date:: 1777 to 1778
Materials & Techniques:: Waercolor, graphite, pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:: Mount: 16 3/8 × 11 1/8 inches (41.6 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

569. The Alhambra From the Fort of St. Helena

Creator:: Henry Swinburne, 1743–1803
Date:: 1775 to 1776
Materials & Techniques:: Pen and gray ink, gray wash and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 16 3/8 × 11 1/8 inches (41.6 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

570. Palais Gallien

Creator:: Henry Swinburne, 1743–1803
Date:: undated
Materials & Techniques:: Pen and brown ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 11 1/16 × 16 3/8 inches (28.1 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

571. View of the Clifton Suspension Bridge

Creator:: James Duffield Harding, 1798–1863
Date:: undated
Materials & Techniques:: Lithograph on moderately thick, slightly textured, beige wove paper with gray chine collé
Dimensions:: Sheet: 15 9/16 x 21 3/16 inches (39.6 x 53.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

572. Woman Praying in Church

Creator:: Print made by Rudolph Stanley-Brown, 1889–1944
Date:: undated
Materials & Techniques:: Drypoint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 1/2 x 10 3/16 inches (44.4 x 25.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Judith Zlotsky

573. Little Devil's Bridge over the Russ above Altdorft, Switzerland

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1858
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/8 × 18 inches (34 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

574. Ruins of the Old Bridge, Vernon

Creator:: Frederick Goulding, 1842–1909
Date:: 1879
Materials & Techniques:: Etching on moderately thick, slightly texture, beige laid paper
Dimensions:: Sheet: 5 3/8 x 10 1/4 inches (13.7 x 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Judith Zlotsky

575. Front of the New Mills

Creator:: Print made by John Crome, 1768–1821
Date:: 1813
Materials & Techniques:: Etching on thick, slightly textured, cream wove paper with beige chine collé
Dimensions:: Sheet: 12 1/2 x 17 3/8 inches (31.8 x 44.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

576. The Temple of Jupiter in the Island of Aegina

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1920
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/4 × 17 1/8 inches (31.1 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

577. Via Mala

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1896
Materials & Techniques:: Etching, with brown wash (touched proof) on medium, slightly textured, cream wove paper mounted on card
Dimensions:: Sheet: 9 1/8 × 12 1/2 inches (23.2 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

578. Lillebonne - Château d'Harcourt

Creator:: Richard Parkes Bonington, 1802–1828
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 9 15/16 x 6 13/16in. (25.3 x 17.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

579. Back of the New Mills, Norwich

Creator:: Print made by John Crome, 1768–1821
Date:: 1812
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 3/8 x 16 3/4 inches (31.5 x 42.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

580. Warkworth Castle on the River Coquet

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1823 to 1827
Materials & Techniques:: Mezzotint; engraver's proof (between a&b)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

581. Warkworth Castle on the River Coquet

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1823 to 1827
Materials & Techniques:: Mezzotint; engraver's proof (b)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

582. Udaipur, 1916

Creator:: Print made by Charles W. Bartlett, 1860–1940
Date:: 1916
Materials & Techniques:: Color woodblock print on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 3/8 x 15 15/16 inches (28.9 x 40.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

583. Arundel Castle, on the River Arun

Creator:: Print made by George H. Phillips, active 1819–1825
Date:: 1823 to 1827
Materials & Techniques:: Mezzotint and etching; engraver's proof on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

584. Kirkstall, Lock, on the River Aire

Creator:: Print made by William Say, 1768–1834
Date:: 1823 to 1827
Materials & Techniques:: Mezzotint, engraver's proof (a)(touched)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

585. Arundel Castle, with Rainbow

Creator:: Print made by unknown artist
Date:: 1823 to 1827
Materials & Techniques:: Mezzotint; engraver's proof (unfinished)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

586. Beeston Priory, Beeston Regis

Creator:: Robert Dixon, 1780–1815
Date:: between 1810 and 1811
Materials & Techniques:: Soft-ground etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 11/16 x 8 3/16 inches (27.1 x 20.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

587. The Great Cloister, Cassiobury

Creator:: Print made by John Hill, 1770–1850
Date:: 1816
Materials & Techniques:: Aquatint, later state, 1837 edition: colored by hand
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

588. Cassiobury, Hertfordshire, The Seat of the Earl of Essex

Creator:: Print made by Robert Havell, 1769–1832
Date:: 1816
Materials & Techniques:: Aquatint, 1st published state, printed in color, finished by hand
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

589. Rouen, looking up the River

Creator:: Print made by Sigismond Himely, 1801–1872
Date:: undated
Materials & Techniques:: Lithography, colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

590. Promenade on the Ramparts of Nantes

Creator:: Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:: undated
Materials & Techniques:: Aquatint, engraver's proof, plain
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

591. Linlithgow Palace

Creator:: Print made by Louis Marvy, 1815–1850
Date:: 1852
Materials & Techniques:: Lithography and etching, As published, plain
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

592. View of the Pantheon taken from the Arsenal

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Soft ground etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/4 x 26 1/2 inches (42.5 x 67.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

593. Cowdray Ruins

Creator:: Print made by James Clark, 19th century
Date:: 1824
Materials & Techniques:: Colored aquatint on thick, textured, beige wove paper
Dimensions:: Sheet: 15 3/8 × 20 11/16 inches (39 × 52.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

594. The Water Mill

Creator:: Print made by William Gauci, active 1825–1854
Date:: 1852
Materials & Techniques:: Lithograph, as published, colored by hand
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

595. From the Painting of the Ceiling in the Banqueting House at White-Hall in the Year 1720

Creator:: Simon Gribelin, 1662–1733
Date:: ca. 1720
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 37 3/4 × 18 1/2 inches (95.9 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

596. Hatfield Castle

Creator:: Print made by William Gauci, active 1825–1854
Date:: 1852
Materials & Techniques:: Lithograph, As published, plain
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

597. West Front, Cassiobury

Creator:: Print made by John Hill, 1770–1850
Date:: 1816
Materials & Techniques:: Etching and aquatint; first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

598. North-West Front, Cassiobury

Creator:: Print made by John Hill, 1770–1850
Date:: 1816
Materials & Techniques:: Hand colored, aquatint, First published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

599. The Great Cloister, Cassiobury

Creator:: Print made by John Hill, 1770–1850
Date:: 1816
Materials & Techniques:: aquatint, later state, 1837 edition plain
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

600. Rouen, looking up the River

Creator:: Print made by Sigismond Himely, 1801–1872
Date:: undated
Materials & Techniques:: Lithographi, plain
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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501. Lord Henry Seymour's Estate

502. At Sandrock, Isle of Wight, 13 August 1829

503. Wootton Bridge, Isle of Wight

504. Beaulieu, Hampshire

505. Beaulieu, Hampshire

506. Wootton Bridge, 17 August 1826

507. Window of the Room Where Charles I Was Confined, Carisbrooke Castle

508. Shanklin Church, Isle of Wight, 28 May 1829

509. Carisbrooke Castle, Isle of Wight

510. Brading Church, Isle of Wight

511. Holland Estate, St. Thomas in the East, View from the Change of Air House

512. Llanrumny Estate, St. Mary's, Jamaica

513. Holland Estate, St. Thomas in the East, Jamaica

514. Old Dick's Cabin

515. Sketch of Stone Cottages in a Village

516. Woodford, September 1814

517. Sketch of a Woman near a Cottage

518. Flamstead End, Old Ruskin's Cottage near Cheshunt, May 1814

519. Cheshunt Church, 23 May 1814

520. Part of St. Augustine's, Canterbury

521. Views in the Levant: View of the domes and spires of Hagia Sophia, Istanbul

522. View of Lincoln Cathedral

523. Château des Comtes de Flandre, Ghent

524. Moon-Light

525. After Sun-Set

526. Evening

527. Evening

528. Moon-Light

529. Bristol High Cross

530. Lincoln Cathedral

531. Rouen - Cathedrale Notre-Dame

532. Rouen - Entre de la Salle des Pas Perdus

533. The Stork and Aqueduct

534. Sir Richard Steele's Cottage

535. Castle Above a Rocky Gorge

536. Column at Yarmouth to the Memory of Lord Nelson

537. Harlech Castle

538. View of HRH the Princess Elizabeth's Cottage at Old Windsor with a View of the Moss House Below

539. Norham Castle, on the River Tweed

540. The Black Tower Norwich

541. The Greyfriars Tower, Lynn, as it appeared 1801

542. Cottage at Diss

543. West Tower, Wymondham Church

544. Sketch at Mulbarton

545. Remains of the Priory, Beeston Regis

546. Scarborough

547. Scarborough

548. Whitby

549. Temple of Jupiter Panhellenios at Aegina

550. View of the Cappuccini Mount, the Po & the Bridge from the Road to the Palatine"

551. Castle of Blois, France

552. Ducal Palace of Urbino in Marche, Italy

553. Theatre of Sagunto, Spain

554. Château de Mauvezin

555. The Most Considerable Remains of the Walls of Gnatia

556. Part of the Ruins Seen From the East End of the Church

557. Ruins of a Circular Stone Keep

558. Stone Bridge

559. Tynemouth from the Spanish Fort

560. Château de Chaumont

561. St. Bertrand, France

562. Study of a Section Piece From The Lions Court at Alahambra

563. Bord du Loiret

564. Landcape View of a Watermill

565. One of Four Sketches, of Ceilings, in the Vatican Gallery

566. One of Four Sketches, of Ceilings, in the Vatican Gallery

567. One of Four Sketches, of Ceilings, in the Vatican Gallery

568. One of Four Sketches, of Ceilings, in the Vatican Gallery

569. The Alhambra From the Fort of St. Helena

570. Palais Gallien

571. View of the Clifton Suspension Bridge

572. Woman Praying in Church

573. Little Devil's Bridge over the Russ above Altdorft, Switzerland

574. Ruins of the Old Bridge, Vernon

575. Front of the New Mills