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View of Bookbinder and stationer's at H&J Pillans Printers
Creator:
William Douglas, 1822–1891
Date:
undated
Materials & Techniques:
Pen and black ink and gray wash on medium, slightly textured, cream wove paper mounted to smooth, cream card
Dimensions:
Sheet: 4 1/8 × 7 3/8 inches (10.5 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker
Palais at Blois
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1833
Materials & Techniques:
Etching and engraving on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 6 7/8 × 10 9/16 inches (17.5 × 26.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker

703. Beaugency

Beaugency
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1833
Materials & Techniques:
Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 7/8 × 10 9/16 inches (17.5 × 26.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker

704. Amboise

Amboise
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1833
Materials & Techniques:
Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 13/16 × 10 9/16 inches (17.3 × 26.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker
Canal of the Loire and Cher, near Tours
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1833
Materials & Techniques:
Etching and engraving on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 15/16 × 10 9/16 inches (17.6 × 26.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker

706. Orleans

Orleans
Creator:
Print made by Thomas Higham, 1796–1844
Date:
1833
Materials & Techniques:
Etching and engraving on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 7/8 × 10 9/16 inches (17.5 × 26.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker

707. Blois

Blois
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1933
Materials & Techniques:
Etching and engraving on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 6 7/8 × 10 9/16 inches (17.5 × 26.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker

708. Saumur

Saumur
Creator:
Print made by James Tibbits Willmore, 1800–1863
Date:
1833
Materials & Techniques:
Etching and engraving on medium, smooth, cream wove paper
Dimensions:
Sheet: 7 × 10 5/8 inches (17.8 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker
St. Julian's, Tours
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1833
Materials & Techniques:
Etching and engraving; first published state on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 7/8 × 10 9/16 inches (17.5 × 26.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker

710. Saumur

Saumur
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1833
Materials & Techniques:
Etching and engraving on medium, smooth, cream wove paper
Dimensions:
Sheet: 7 × 10 5/8 inches (17.8 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker
St. Florent
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1833
Materials & Techniques:
Etching and engraving on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 15/16 × 10 5/8 inches (17.6 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker
Château Hamelin
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1833
Materials & Techniques:
Etching and engraving on medium, smooth, cream wove paper
Dimensions:
Sheet: 7 × 10 5/8 inches (17.8 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker

713. Clairmont

Clairmont
Creator:
Print made by James Tibbits Willmore, 1800–1863
Date:
1833
Materials & Techniques:
Etching and engraving on medium, smooth, cream wove paper
Dimensions:
Sheet: 7 15/16 × 10 9/16 inches (20.2 × 26.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker

714. Havre

Havre
Creator:
Print made by James Tibbits Willmore, 1800–1863
Date:
1833
Materials & Techniques:
Etching and engraving on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 7 × 10 5/8 inches (17.8 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker
Château de Nantes
Creator:
Print made by William Miller, 1796–1882
Date:
1833
Materials & Techniques:
Etching and engraving on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 15/16 × 10 5/8 inches (17.6 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker
Tancarville
Creator:
Print made by James Tibbits Willmore, 1800–1863
Date:
1834
Materials & Techniques:
Etching and engraving; first published state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 × 10 5/8 inches (17.8 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker
Lillebonne, Château and Tower
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1834
Materials & Techniques:
Etching and engraving on moderately thick, smooth textured, cream wove paper
Dimensions:
Sheet: 6 7/8 × 10 5/8 inches (17.5 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker
Rouen, Looking Down the River
Creator:
Print made by William Miller, 1796–1882
Date:
1833
Materials & Techniques:
Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 × 10 5/8 inches (17.8 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker
Château de la Mailleraie
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1834
Materials & Techniques:
Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 7/8 × 10 1/2 inches (17.5 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker
Rouen Cathedral
Creator:
Print made by Thomas Higham, 1796–1844
Date:
1834
Materials & Techniques:
Etching and engraving; first published state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 × 10 5/8 inches (17.8 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker
Château de Tancarville with Town of Quilleboeuf
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1834
Materials & Techniques:
Etching and engraving on moderately thick, smooth textured, cream wove paper
Dimensions:
Sheet: 7 × 10 5/8 inches (17.8 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker
Between Quilleboeuf and Villequier
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1834
Materials & Techniques:
Etching and engraving; first published state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 7/8 × 10 5/8 inches (17.5 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker
Quilleboeuf
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1834
Materials & Techniques:
Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 × 10 1/2 inches (17.8 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker
Bridge of Meulan
Creator:
Print made by John Cousen, 1804–1880
Date:
1835
Materials & Techniques:
Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 × 10 5/8 inches (17.8 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker
Paris from the Barriere de Passy
Creator:
Print made by James Tibbits Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 7/8 × 10 5/8 inches (17.5 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker
Bridges of St. Cloud and Sèvres
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1835
Materials & Techniques:
Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 × 10 5/8 inches (17.8 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker
Bridge of St. Cloud from Sévres
Creator:
Print made by S. Fisher, active 1831–1844
Date:
1835
Materials & Techniques:
Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 7/8 × 10 5/8 inches (17.5 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker
Marche aux Fleurs and Pont-au-Change
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1835
Materials & Techniques:
Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 7/8 × 10 5/8 inches (17.5 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker
Hotel de Ville and Pont d'Arcole
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1835
Materials & Techniques:
Etching and engraving; first published state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 7/8 × 10 1/2 inches (17.5 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker

730. Troyes

Troyes
Creator:
Print made by James Charles Armytage, 1802–1897
Date:
1835
Materials & Techniques:
Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 × 10 1/2 inches (17.8 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker
Boulevards, Paris
Creator:
Print made by Thomas Higham, 1796–1844
Date:
1835
Materials & Techniques:
Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 7/8 × 10 1/2 inches (17.5 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker
Château de Choquer
Creator:
Print made by Samuel William Reynolds, 1773–1835
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 8 15/16 × 8 11/16 inches (22.7 × 22.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Ancienne Porte a Stirling
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1826
Materials & Techniques:
Lithograph on medium, smooth, cream wove paper
Dimensions:
Sheet: 10 9/16 x 13 5/16 inches (26.8 x 33.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Façade de l'Eglise de Brou
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1825
Materials & Techniques:
Lithograph on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 21 x 13 7/8 inches (53.3 x 35.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Eglise de St. Jean a Lyons
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
ca. 1824
Materials & Techniques:
Lithograph on medium, smooth, cream wove paper pasted on contemporary mount
Dimensions:
Sheet: 8 7/8 × 11 15/16 inches (22.5 × 30.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Croix de Moulin les Planches
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1827
Materials & Techniques:
Lithograph with chine collé on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/8 x 10 1/2 inches (33.3 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ruines de Château d'Arlay
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1827
Materials & Techniques:
Lithograph with chine collé on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 5/16 x 18 1/8 inches (33.8 x 46.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tour du Gros Horloge, Batie Souis la Domination des Anglais en 1417
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1824
Materials & Techniques:
Lithograph with chine collé on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 20 7/8 x 13 3/4 inches (53 x 35 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Vue Generale de l'Eglise de l'Abbaye de Tournus
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1825
Materials & Techniques:
Lithograph with chine collé on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 11 7/8 × 14 1/4 inches (30.2 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tour aux Archives a Vernon
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1824
Materials & Techniques:
Lithograph with chine collé on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 17 15/16 x 13 9/16 inches (45.6 x 34.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Vue Generale des Ruines du Château d'Arlay
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1827
Materials & Techniques:
Lithograph with chine collé on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 18 11/16 x 13 7/16 inches (47.5 x 34.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Château Vilain sur la Riviere Dain, Franche Comte
Creator:
James Duffield Harding, 1798–1863
Date:
undated
Materials & Techniques:
Lithograph with chine collé on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 3/4 x 17 5/16 inches (29.9 x 44 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Souvenir of Coventry
Creator:
Print made by Miriam Garratt
Date:
1942
Materials & Techniques:
Photomechanical process on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 12 1/16 x 8 7/8 inches (30.6 x 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Ralph C. Garratt
Old Cottages
Creator:
Print made by William Henry Pyne, 1769–1843
Date:
1806, published 1807
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/8 × 11 5/8 inches (21.3 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Illustrations used for 17th Century Chapbook
Creator:
Print made by unknown artist
Date:
1909
Materials & Techniques:
Woodcut on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 5 1/2 x 5 5/16 inches (14 x 13.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Chamber Idyll
Creator:
Print made by Edward Calvert, 1799–1883
Date:
1831
Materials & Techniques:
Wood-engraving on thin, smooth, cream Asian paper
Dimensions:
Sheet: 2 1/8 x 3 7/16 inches (5.4 x 8.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of the Waterworks at Marly, and St. Germain-en-Laye Seen in the Distance
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Soft-ground etching with graphite corrections on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 7/16 x 20 3/4 inches (21.4 x 52.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of Pont St. Michel, Taken from Pont Neuf
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Soft-ground etching, first engraver's proof, touched in graphite by the artist on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 15/16 x 16 1/2 inches (22.7 x 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of Pont Neuf, The Mint etc.
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Soft-ground etching and drypoint, engraver's proof on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 9 3/4 × 23 inches (24.8 × 58.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of the Tuileries and Bridge taken from the Pont de la Concorde
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/8 × 22 3/4 inches (25.7 × 57.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of the Village of Chaillot Taken from the Pont de la Concorde
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1800 to 1802
Materials & Techniques:
Soft ground etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 3/8 x 18 15/16 inches (13.7 x 48.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Design of a Ruineous Bridge for the Garden at Sion
Creator:
Thomas Vivares, c.1735–c.1790
Date:
1778
Materials & Techniques:
Line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 18 7/8 × 24 5/16 inches (47.9 × 61.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Opening of the Carnival at Rome
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1781
Materials & Techniques:
Aquatint and etching on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 15 1/8 x 22 1/4 inches (38.4 x 56.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Horse Race at Rome During the Carnival
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1781
Materials & Techniques:
Aquatint and etching on medium, moderately textured, cream laid paper
Dimensions:
Mount:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Kensington Park Estate, Notting Hill
Creator:
Elizabeth Walker, 1800–1876
Materials & Techniques:
Lithograph on thick, smooth, cream wove paper
Dimensions:
Sheet: 20 5/8 × 31 7/16 inches (52.4 × 79.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Victor Conducted in Triumph
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1781
Materials & Techniques:
Aquatint and etching on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 15 9/16 x 22 3/8 inches (39.6 x 56.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Romans Polite to Strangers
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1781
Materials & Techniques:
Aquatint and etching on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 15 1/8 x 22 5/16 inches (38.4 x 56.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Canterbury Gate, Christ Church, Oxford
Creator:
Sir William Nicholson, 1872–1949
Date:
1903
Materials & Techniques:
Watercolor, black chalk, gouache, and graphite on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 13 3/4 x 10 7/8in. (34.9 x 27.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Eastnor Castle, Herefordshire
Creator:
Print made by Henry Hobson, born 1814
Date:
between 1812 and 1825
Materials & Techniques:
Engraving with chine collé; proof before letters on smooth, thin, cream wove paper
Dimensions:
Image: 3 1/4 × 5 inches (8.3 × 12.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Citadel of Montpellier, France
Creator:
Henry Swinburne, 1743–1803
Date:
undated
Materials & Techniques:
Pen and brown ink and graphite on medium, moderately textured, cream wove paper
Dimensions:
Mount: 11 1/16 × 16 3/8 inches (28.1 × 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Castle of Sax
Creator:
Henry Swinburne, 1743–1803
Date:
1775 to 1776
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Mount: 16 3/8 × 11 inches (41.6 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Near Oropesa
Creator:
Henry Swinburne, 1743–1803
Date:
1777 to 1778
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Mount: 11 1/8 × 16 1/4 inches (28.3 × 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of Lincoln Cathedral
Creator:
Thomas Girtin, 1775–1802
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 6 3/4 × 9 inches (17.1 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of William Lamson Warren, class of 1935
Château des Comtes de Flandre, Ghent
Creator:
Print made by Thomas Shotter Boys, 1803–1874
Date:
ca. 1833
Materials & Techniques:
Soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 7/8 x 9 15/16 inches (35.3 x 25.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Sir Richard Steele's Cottage
Creator:
Print made by David Lucas, 1802–1881
Date:
1845
Materials & Techniques:
Mezzotint and drypoint on medium, slightly textured, cream wove paper, mounted on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 × 9 3/8 inches (18.4 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Set of Needle-Box Prints
Creator:
Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Etching, stipple engraving and aquatint, with color woodcut on cream card mounted on beige card
Dimensions:
Sheet: 2 5/16 × 5 3/16 inches (5.8 × 13.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tintern Abbey
Creator:
Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint and etching, with color woodcut on cream card mounted on beige card
Dimensions:
Sheet: 5 1/8 × 7 1/16 inches (13 × 17.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ten Needle-Box Prints
Creator:
Print made by Vincent Robert Alfred Brooks, 1814–1885
Date:
undated
Materials & Techniques:
Etching, aquatint, and stipple engraving with color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 4 3/16 x 5 1/2 inches (10.6 x 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

769. Eaton Hall

Eaton Hall
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Etching and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 5 7/16 × 7 3/8 inches (13.8 × 18.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

770. Parkgate

Parkgate
Creator:
Print made by Sir Frank Short, 1857–1945
Date:
1890
Materials & Techniques:
Etching with black chalk heightened with white chalk. on laid paper
Dimensions:
Sheet: 14 1/2 × 9 7/16 inches (36.8 × 24 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Water-mill, Kingston, Surrey
Creator:
Michel Van Overbeek, active 1650–1680
Date:
undated
Materials & Techniques:
Brown wash and white gouache with pen and brown ink on medium, slightly textured, brown laid paper mounted on moderately thick, smooth, wove paper
Dimensions:
Sheet: 4 1/8 × 8 13/16 inches (10.5 × 22.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
A View of the Fire in Covent Garden
Creator:
Samuel Hieronymus Grimm, 1733–1794
Date:
1769
Materials & Techniques:
Etching on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 9 11/16 × 13 1/8 inches (24.6 × 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

773. Falmouth

Falmouth
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1828 to 1856
Materials & Techniques:
Mezzotint with chine collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 × 22 inches (35.6 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Christ Church Cathedral, Oxford
Creator:
Print made by Richard Gilson Reeve, 1803–1889
Date:
1807
Materials & Techniques:
Aquatint, handcolored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

775. Chelsea

Chelsea
Creator:
Print made by James McNeill Whistler, 1834–1903
Date:
ca. 1882
Materials & Techniques:
Etching and drypoint on thick, smooth, beige wove paper
Dimensions:
Sheet: 9 1/2 x 12 1/4 inches (24.2 x 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald and Willi Holden
Malmsbury Abbey
Creator:
Print made by Richard Gilson Reeve, 1803–1889
Date:
1809
Materials & Techniques:
Aquatint, hand colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Clare Hall, Cambridge
Creator:
Print made by Richard Gilson Reeve, 1803–1889
Date:
1807
Materials & Techniques:
Hand colored, aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Peterborough Cathedral
Creator:
Print made by Richard Gilson Reeve, 1803–1889
Date:
1809
Materials & Techniques:
Aquatint, handcolored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Cassiobury, Hertfordshire, The Seat of the Earl of Essex
Creator:
Print made by Robert Havell, 1769–1832
Date:
1816
Materials & Techniques:
Aquatint, 1st published state, printed in color, finished by hand
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Cassiobury, Hertfordshire, The Seat of the Earl of Essex
Creator:
Print made by Robert Havell, 1769–1832
Date:
1816
Materials & Techniques:
Aquatint, hand colooring, later state, 1837 edition
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Cassiobury, Herfordshire, The Seat of the Earl of Essex
Creator:
Print made by Robert Havell, 1769–1832
Date:
1816
Materials & Techniques:
Aquatint, later state, 1837 edition: colored by hand
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Stirling Castle
Creator:
Print made by Sir Henry Rushbury, 1889–1968
Date:
1945
Materials & Techniques:
Drypoint on laid paper
Dimensions:
Sheet: 7 3/4 × 11 3/4 inches (19.7 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald and Willi Holden
West Front, Cassiobury
Creator:
Print made by John Hill, 1770–1850
Date:
1816
Materials & Techniques:
Etching and aquatint; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/8 × 10 inches (28.3 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Great Cloister, Cassiobury
Creator:
Print made by John Hill, 1770–1850
Date:
1816
Materials & Techniques:
Aquatint, later state, 1837 edition: colored by hand
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Great Cloister, Cassiobury
Creator:
Print made by John Hill, 1770–1850
Date:
1816
Materials & Techniques:
aquatint, later state, 1837 edition plain
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
North-West Front, Cassiobury
Creator:
Print made by John Hill, 1770–1850
Date:
1816
Materials & Techniques:
Aquatint, later state, 1837 edition: colored by hand
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
North-West Front, Cassiobury
Creator:
Print made by John Hill, 1770–1850
Date:
1816
Materials & Techniques:
aquatint, gray wash, 1st published state, plain
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tours, looking backwards
Creator:
Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:
undated
Materials & Techniques:
Aquatint, engraver's proof, plain
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Rouen, looking up the River
Creator:
Print made by Sigismond Himely, 1801–1872
Date:
undated
Materials & Techniques:
Lithograph, plain
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Rouen, looking up the River
Creator:
Print made by Sigismond Himely, 1801–1872
Date:
undated
Materials & Techniques:
Lithography, colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Promenade on the Ramparts of Nantes
Creator:
Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:
undated
Materials & Techniques:
Aquatint, engraver's proof, plain
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Linlithgow Palace
Creator:
Print made by Louis Marvy, 1815–1850
Date:
1852
Materials & Techniques:
Lithography and etching, As published, plain
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

793. Leeds

Leeds
Creator:
Print made by James Duffield Harding, 1798–1863
Date:
1823
Materials & Techniques:
Lithograph
Dimensions:
Sheet: 11 3/4 x 17in. (29.8 x 43.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Château de la Malleraie
Creator:
Print made by R. C. Hulme, active 1855
Date:
1855
Materials & Techniques:
Lithograph, Not colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Cowdray Ruins
Creator:
Print made by James Clark, 19th century
Date:
1824
Materials & Techniques:
Colored aquatint on thick, textured, beige wove paper
Dimensions:
Sheet: 15 3/8 × 20 11/16 inches (39 × 52.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of the Pantheon taken from the Arsenal
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Soft ground etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 3/4 x 26 1/2 inches (42.5 x 67.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hatfield Castle
Creator:
Print made by William Gauci, active 1825–1854
Date:
1852
Materials & Techniques:
Lithograph, As published, plain
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Water Mill
Creator:
Print made by William Gauci, active 1825–1854
Date:
1852
Materials & Techniques:
Lithograph, as published, colored by hand
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
From the Painting of the Ceiling in the Banqueting House at White-Hall in the Year 1720
Creator:
Simon Gribelin, 1662–1733
Date:
ca. 1720
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 37 3/4 × 18 1/2 inches (95.9 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Water Mill
Creator:
Print made by William Gauci, active 1825–1854
Date:
1852
Materials & Techniques:
Lithograph, as published, not colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection