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Genre cityscape

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Associated Places England

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Subject Terms wood

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A View of Westminster Bridge
Creator:
Daniel Turner, active 1782–1805
Date:
early 19th century
Materials & Techniques:
Oil on panel
Dimensions:
4 1/2 × 6 1/4 inches (11.4 × 15.9 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Christ Church College, Oxford
Creator:
Print made by James Redway, active 1827–1838
Date:
1834
Materials & Techniques:
Etching and engraving; third state on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 11 × 14 11/16 inches (27.9 × 37.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A View of Worcester College &c.
Creator:
Print made by James Basire II, 1769–1822
Date:
1804
Materials & Techniques:
Etching and engraving; engraver's proof (c) on medium, smooth, cream wove paper
Dimensions:
Sheet: 15 1/2 × 21 1/4 inches (39.4 × 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A View of Worcester College &c.
Creator:
Print made by James Basire II, 1769–1822
Date:
1804
Materials & Techniques:
Etching and engraving; published state, late impression on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/4 × 18 1/4 inches (36.2 × 46.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Margate

Margate
Creator:
attributed to Benjamin West, 1738–1820
Date:
1767
Materials & Techniques:
Black chalk on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 14 x 21 3/8 inches (35.6 x 54.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Wood Yard on the Thames at Nine Elms
Creator:
Samuel Scott, ca. 1702–1772
Date:
undated
Materials & Techniques:
Watercolor, graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 3/4 x 35 1/8 inches (34.9 x 89.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund, in honor of John Baskett